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Lot 1312

Large Culinary Concepts London metal vase, H: 50 cm. Not available for in-house P&P

Lot 1318

Oriental blue and white ceramic vase with flared neck and another, H: 43 cm, no chips or cracks. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Lot 1380

Mixed glassware to include a cut glass vase, H: 25 cm. Not available for in-house P&P

Lot 1165

Mixed ceramics to include a twin handled vase, covered trinket pots etc. Not available for in-house P&P

Lot 1248

Royal Doulton tall vase, H: 35 cm. P&P Group 3 (£25+VAT for the first lot and £5+VAT for subsequent lots)

Lot 1262

Hand painted floral vase with cherub relief decoration, H: 33 cm. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 1

Vase. China, Qing Dynasty, 1664- 1911.Monochrome ceramic.Measurements: 45 x 18 cm (diameter).Vase made of monochrome ceramic with an intense cyan blue finish. The sobriety of the lines and the elegance of this piece come from the simplification of the ornamentation, reducing it to precise shapes and the expressiveness of the colour. The Ching or Qing Dynasty, also known as the Manchu Dynasty, was the last of the Chinese imperial dynasties. Founded in present-day northeastern China by the Manchu clan in 1644, its rule ended with the abdication of the last Emperor in 1912 by the Xinhai Revolution and the establishment of the Republic of China, while maintaining the capital at Beijing. In general, traditional art forms flourished in many different and varied levels and formats, thanks to a highly educated upper class, a thriving publishing industry for books, pamphlets, etc., truly prosperous cities, and the Confucian emphasis on cultivating the mind. While the Emperors themselves were often outstanding artists (especially in painting), the best work was done by scholars and the urban elite in calligraphy and painting, both areas of great interest to the court. Even cuisine was elevated as a source of cultural pride in this period, taking elements from the past and working on them to reach new heights.

Lot 18

Chizou-style vase. China, 20th century.In stoneware.Measurements: 22 x 15 cm.The vase has a circular base, with an oval belly that tends towards the sphere, wider towards the shoulders. The neck is short and circular. It is ornamented with a combination of earth tones on a black background, following the chizou style, with a bird perched on a branch on its front.

Lot 20

Imari vase; Japan, early 20th century.Polychrome porcelain.Measurements: 33 x 17 x 17 cm.Imari vase with a periform body and a lid decorated with a small squirrel as a knob. It is completely enamelled with a profusion of plant, floral and fruit motifs: the corollas wave gracefully over stylised bouquets in cerulean and earthy tones on white. The Imari style is mainly characterised by the use of cobalt-blue glaze under the glaze, combined with other colours over the glaze, the most common being iron-red and gold. Peonies, carnations, roses and chrysanthemums acquire in Asian iconography rich symbolism related to purity, wisdom and vital harmony.

Lot 24

Satsuma vase. Japan, Meiji period (1864-1911).Glazed and gilded ceramic.Signed on the back of the base.Measurements: 38 cm (height); 18 cm (largest diameter).The vase is decorated with Buddhist monks (Kannon and Rakan) surrounded by a dragon, all highlighted in gilding.The ornamentation of this vase defines it as being in the Satsuma style, which was produced from the early 18th century on the island of Kyushu. In the second half of the 18th century it became so popular in Japan that the production centre was moved to Awata, near Kyoto. In the 19th century Satsuma production became known to the West and a large number of pieces were made for export. This is when vases and plates decorated with scenes of geisha or samurai became popular, as until then floral and zoomorphic decoration had predominated. The paste may be porcelain or, more often, a very light, porous, light terracotta. The glaze is feldspathic, mixed with wood ash. The most characteristic feature of Satsuma ware is its decorative richness, sometimes even exaggerated. The motifs are usually painted in gold glaze, a novelty compared to earlier styles. The ornamentation is completed with a wide variety of polychrome glazes: green, red, white, turquoise, pink and, above all, gosu blue, the most sought-after of all, which is very dark and typical of the best Satsuma ware of the 19th century. They are also very thick glazes, sometimes even in relief.

Lot 25

Vase. China, 20th century.Enamelled porcelain.With seal on the base.Measurements: 65 cm (height) x 25 cm (diameter).The vase has a circular base with an oval belly and a neck with a trumpet-shaped mouth. It is ornamented with a combination of blue and white whose design is based on ornamentation of an intricate foral character.Porcelain known for its chromaticism as 'cobalt blue' or 'blue-on-white' was highly prized in Europe from its early importation. Indeed, it was so much appreciated by other cultures such as Islam that it was very often works destined for this market that influenced European ceramic production, which aspired to resemble as closely as possible this export production created in large quantities in China. It was not until around the middle of the 17th century that production began in this oriental country, blue and white porcelain being among the first to arrive directly in Europe in large quantities.

Lot 7

Vase; China, 19th century.Enamelled and polychrome porcelain. Green family.Measurements: 56 x 21 x 21 cm.The piece has a polygonal structure with a square base, rectangular body and square mouth. The term Green Family is the Western name for a style of Chinese polychrome porcelain derived from wucai (literally, 'five colours'). Wucai was created during the Ming dynasty, and has been widely used in China ever since. It is characterised by only some of the motifs being executed in cobalt-blue underglaze, while the rest of the decoration is applied already on the glaze. In addition, black glaze is added for the outlines, in the early days covered with a translucent green glaze to fix it. The Green Family style is a type of wucai called yingcai ("solid colours"), which is characterised by the predominance of copper oxide green. The name yingcai refers to the quality of the glazes, which are crystalline because they are mostly applied to the glaze.

Lot 161

Ruth O'Donnell (20th Century)Vase and PlumsLithograph, 44 x 63cm (17¼ x 24¾")Signed and numbered 13/25

Lot 506

A silver bud vase by Deakin & Francis Ltd, Birmingham 1970, slender polished stem with bark textured bulbous filled base, 13.5cm.

Lot 117

Group of five small glass bottles and a vase each with a silver/sterling mount, various dates and makers (5)

Lot 112

Japanese Art A cast bronze vase with high relief decoration and seal mark on the baseJapan, Meiji period, 19th century. . Cm 9,50 x 16,00.

Lot 14

Chinese Art Large blue and white jarChina, Ming dynasty, 16th century or later . . Cm 27,00 x 36,00. Heavy-potted porcelain vase decorated with overlapping bands embellished with floral scrolls and dragons.

Lot 54

Chinese Art A faceted famille verte porcelain vase China, Qing dynasty, Kangxi mark and period . . Cm 15,00 x 45,50.

Lot 72

Chinese Art A celadon glazed pottery vase China, Song dynasty, 12th century. . Cm 12,50 x 22,50. A pale green glazed balauster vase with Qilong decoration in high relief.

Lot 101

A pair of cloisonné ginger jars and covers, each decorated with various flowers, 21cm high, along with a Japnese Satsuma vase 31cm high

Lot 124

A collection of miscellaneous glass to include a red stem glass vase, cut glass claret jug with a silver plated mount, Waterford bowl and other items

Lot 143

A collection of Clarice Cliff Orange Hydrangea items to include a sugar sifter, vase, milk jug, condiment jar and cover, two cups and saucers and others items

Lot 94

Norman Stuart Clarke, a decorative glass vase on a blue ground and having an abstract pattern throughout, 15cm high

Lot 97

A Royal Worcester orb vase, decorated with birds, flowers and plants, along with a Minton salt cellar

Lot 11

Large green glass vase and goblet, horn vase, lighters, Lucas Hopper Jetstream, etc.

Lot 131

A 19th Century Chinese Famille Vert ovoid vase decorated with figures, double circle mark to base, 28cm high.

Lot 133

Small Chinese Celadon bottle vase, 13.5cm.

Lot 135

Chinese blue and white squat vase decorated with dragons, Yongzheng mark to base, 16cm high.

Lot 136

Large blue and white vase decorated with mythical dragon and floral design, 30cm high.

Lot 148

Small Chinese vase decorated with female figure, red mark to base, 13.5cm high.

Lot 221

Large Sarreguemines French pottery vase with enamel floral decoration, 40cm.

Lot 267

Crown Ducal Charlotte Rhead vase with Persian leaf design.

Lot 269

Bursley Ware Charlotte Rhead 'Arabian' vase.

Lot 46

Wedgwood Jasperware biscuit jar, Adams vase, Copeland charger, etc.

Lot 301

A Georgian mahogany tripod table, the rectangular tile-top with reeded edge, on vase-turned centre column & three splaty legs with brass lion-paw feet & castors, 21½” wide x 29” high x 20½” deep (40½” high with top tilted up).

Lot 67

An early Chinese blue & white porcelain miniature lobed vase with standing figures & tall flowers, the neck probably reduced, now forming a scent bottle with Dutch silver mounts, 3”; a 19thC clear cut-glass acorn-form vinaigrette with gilt-metal mounts & hinged cover; an 18thC English enamel round patch box, the hinged lid inscribed “Love Me and Happy Be”; a Wm IV silver small snuff box, Bm 1832 by W.P.; & another similar patch-box lid.

Lot 93

A globular glass vase with painted gilt star & laurel-wreath decoration, oval reserves in coloured enamels with Kate Greenaway style scenes of children playing badminton & a girl on a stile, 6½” high x 6” dia. (neck 3½” dia.).

Lot 94A

An Orrefors crystal glass vase designed by Sven Palmqvist, with etched ‘T’ monogram & coronet, inscribed to base “Orrefors 3632, TG(?) 1962”, 8¼” high x 6” wide.

Lot 99

A Chinese blue & white octagonal baluster vase, decorated in the Yuan style, with short neck, 15¾” high.

Lot 107

A Coalport squat round green-ground vase & cover with painted landscape by E. Ball, 3½” (hairline crack); a ditto claret-ground ovoid vase & cover with jewelled floral decoration, 5¾”; a ditto cruciform box with painted flowers to the cover, 2¾” (hairline crack); a Davenport porcelain Imari square tapered vase, 3¼”; a Royal Crown Derby squat round ribbed vase of deep blue ground with raised gilt foliate decoration, 3½”; a ditto miniature jug & bowl painted with pink roses & trellis-work; a ditto oval tray painted with chinoiserie figure scene, signed on reverse “Annie Spencer” & “T.M. Hayward, Aug 26th 1884”, 8½”; a ditto Imari pattern 1¼” vase; & a Spode Copeland Imari ewer vase, 4” (hairline crack).

Lot 130

JOHN HALL THORPE (1874-1947, Australia/England) Coloured etching of a vase of flowers; signed lower margin; 7¼” x 6½”, framed & glazed (17½” x 12¾”); another coloured print of a vase of flowers after MARIUS FORESTER, (in glazed red-lacquer frame, 21” x 16¼” over-all).

Lot 425

ROYAL DOULTON FIGURINES (6) - 'Fair Lady' HN2832, 'Soiree' HN2312, 'Elegance' HN2264, 'Paisley Shawl' HN1988, 'Janet' HN1537 and 'Autumn Breeze', HN1934, a ceramic vase with grape and vine leaf encrusted decorations, 28cms H and a stoneware jug with moulded decoration, 31cms H

Lot 432

DECORATIVE MODERN CHINESE CERAMICS - to include an octagonal teapot and cover decorated with birds and flowers, with brass handle, 21cms H, a lidded tankard decorated with exotic birds, dragons and flowers, 15cms H, various rice bowls, small celadon baluster vase, 10cms H, a papier mache three compartment box of sarcophagus form with blue and white ceramic panel inset to cover, 20cms H, enamelled copper rectangular tray, 17.5 x 23cms, ETC

Lot 436

GLASS TWO HANDLED CELERY VASES, A PAIR - the bodies engraved with swans and ferns on pedestal bases, 25.5cms H, a Polish glass decanter and stopper of plain tapered circular form, 24cms H, moulded glass vase with flared rim, 16cms H and moulded glass oval two-handled bowl, 32 x 17cms and an Art Deco style glass figure of a lady holding grapes, 49cms H

Lot 442

SUNDERLAND LUSTRE JUGS (6) - Late 19th Century, 'A Sailor's Life's the Life' with a view of the cast iron bridge of Sunderland, 21cms H, 'A Sailor's Farewell', 19cms H, 'Let Reason be your Pilot' with coat of arms, 12cms H, 'God Moves in a Mysterious Way', 12cms H and 'Ladies all I Pray Make Free', 7cms H, with a Sunderland lustre vase 'The Sailor's Farewell' with the ship 'Great Republic', 13cms H and two saucers

Lot 451

LOCKE & CO WORCESTER VASE - with broad body and reticulated narrow neck, painted with pheasants, 14.5cms H and two miniature vases, also painted with pheasants, green marks, 6cms H

Lot 452

ROYAL WORCESTER IVORY SPILL VASE - painted with pheasants and signed 'James Stinton', green mark No G923, 12cms H and a smaller pair of vases painted with pheasants and signed 'James Stinton', purple marks No 2597, 8.5cms H

Lot 454

AYNSLEY PEMBROKE PATTERN TABLE LAMP, 30cms H, lidded vase, 20cms H, circular plate, 27cms diameter, circular shaped dish, 21cms diameter, Wedgwood Jasperware, a pair of candlesticks, 16cms H, mantel clock, 11.5cms H, Sadler biscuit barrel decorated with hunting scene, 16cms H and various collector's plates

Lot 455

SPODE ITALIAN DESIGN CHINA - a pair of candlesticks with baluster columns and square stepped bases, 32.5cms H, circular toilet bowl, 36.5cms diameter, a shaped rectangular jardiniere with flared base, 13cms H, 5.5cms W, 17.5cms D, baluster vase, 18.5cms H, a pair of leaf shaped dishes, 17.5 x 12.5cms, circular shaped shallow dish, 17cms diameter and a Spode 'The Blue Room Collection' Sunflower pattern circular shallow dish, 17cms diameter

Lot 457

MODERN ORIENTAL BLUE & WHITE VASE - with shaped circular body, narrow neck, 49cms H, a Staffordshire Pottery two-handled blue and white vase of baluster form, 37cms H, a Lladro figure 'The Dentist', 35cms H and an Italian composite group 'The Three Graces', 28cms H

Lot 459

MIXED GLASSWARE - cut glass ice bucket, 14.5cms diameter, cut glass cocktail shaker with plated mount, 22.5cms H, square cut glass decanter and stopper, 22cms H, cut glass biscuit barrel and cover, 20cms H, plain glass lidded vase, 34cms H, ETC

Lot 470

SYLVAC MID-CENTURY VASES & PLANTERS, various, a pair of swan vases, 20cms H, a rabbit vase, 24cms H, 1962 pattern jug and other items including a monk decanter and stopper, fruit bowl with silver rim, ETC

Lot 491

ROYAL ALBERT OLD COUNTRY ROSES TEA SERVICE and other ornaments including 18 teacups and saucers, two circular and three rectangular sandwich plates, two photograph frames and a vase, 19cms H

Lot 492

AUGUSTUS REX 19TH CENTURY PEDESTAL VASE - with gilded swags and goat head handles with figures in landscape, blue monogrammed backstamp, 18cms H (amended description height) with a Bohemian green glass chalice, 19th century, with white overlay and gilding with panels of enamelled flowers on a flared circular base, 20cms H

Lot 100

HALLMARKED SILVER - 3 items to include a 13cms H goblet, Chester 1913, Maker Barker Brothers, 15cms H loaded base vase, Birmingham 1901, Makers Cornelius Saunders and Francis (Frank) Shepherd and a 15.5cms diameter lobed bowl, Birmingham 1987, Maker Barker Brothers Silver Ltd, 8.2ozt weighable

Lot 175

J GALT oil on board - Still life of flowers and vase, signed and dated lower left, 38 x 48cms

Lot 261

A Large Stoneware Vase, 70cm high

Lot 266

A 19th Century Derby Porcelain Vase of Baluster Form Having Twin Stylised Swan Handles Decorated in the Imari Palette, Some Condition Issues 25.5cm high

Lot 359

A Collection of Various Ceramics to comprise Coalport Ming Rose Lidded Jar, Crown Devon Plate Bowl, Royal Doulton Falstaff Character Jug, Cloisonne Bowl, Moulded Portuguese Vase, Royal Osbourne Bisque Figure of Blue Tit Etc

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