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A LARGE PAIR OF CANTON FAMILLE ROSE HEXAGONAL VASES each painted with mandarins on terraces surrounded by attendants, in a mountainous landscape the shoulders applied with gilt shishi and dragons, above a broad key pattern band to the foot, 62cm high Condition Report: one vase relitavely minor damage to applied animals to shoulder, minor hairline carck to underside of foot. the other with significant damage and large sections restuck to body and shoulder also losses to applied animals.
TWO SHIBAYAMA STYLE PANELS each carved and applied with archaic style vases, birds, fruit, insects and flowers in bone, ivory, lacquer, shell and gilt,signed on tablet, 67 x 40cm and 60.5 x 43cm (2) Condition Report: the larger panel with loss to one shell flower, large crack to vase body and various scuff marks to panel. the smaller panel with minor scuff marks.
A CANTON SQUARE PANELLED BALUSTER VASE painted with processions of figures in mountainous landscapes, within gilt frames, surrounded by garlands of fruit and flowers, the sides applied with gilt buddhistic figures seated on animals and above key pattern panels, with coral red and gilt rims, 45.5cm high Condition Report: both gilt figures with losses, the base drilled and some rubbing to gilding.
AN ART DECO CROWN DEVON FIELDING'S ORIENT PATTERN POT AND COVER with geometric and flower decoration in green, orange, white and gilt on black ground, printed marks and pattern number 2115 to base, 10cm high x 13cm diameter, together with a Carlton Ware Bullrushes pattern two handled vase, 12.5cm high Condition Report: pot and cover - all over light crazing. Lid does have a crack. vase - nice condition.
A PAIR OF MEISSEN STYLE FLORAL ENCRUSTED VASES AND COVERS each with painted scenes of courting couples, the vases applied with cherubs and putti, flowers and scrolling handles, 28cm high together with a pair of Derby pots (4) Condition Report: Both have internal firing cracks and one is visible on the should of a vase. There are multiple losses to the flowers and leaves and damage to the figures.
A ROYAL WORCESTER FIGURE OF A MAN modelled in 18th/19th century dress, together with assorted continental figures including a white glazed cherub and cornucopia decorated with forget me nots, a cherub and stork double posy vase, white glazed figures etc (11) Condition Report: Most of the figures have damages and or restoration.
ELIZABETH MARY WATT (SCOTTISH 1886-1954)IN GLENDEVON; WESTERN ISLES; MANY THANKS FOR KIND WISHES AND CONGRATULATIONS; FLOWERS IN A VASEWatercolour, signed (except 'Many Thanks For Kind Wishes'), 14 x 7cm (5 1/2 x 2 3/4"), 9 x 12cm (3 1/2 x 4 3/4"), 11 x 8.5cm (4 1/4 x 3 1/4"), 12 x 9cm (4 3/4 x 3 1/2") (4) Condition Report: In Glendevon:. Some foxing overall and score marks with creasing and possible tear repairs at each corner. Paper generally uneven. . Western Isles;. Generally some tiny fox marks and dirt mark lower right quarter section. . 'Many Thanks for Kind wishes. .' and 'Flowers In A Vase' both in generally good condition. .
A Worcester vase, circa 1754-56Of waisted, beaker shape, printed in black with 'Parrot and Fruit No. 3', a long-tailed macaw perching on a fruiting vine, reaching to peck at fruit below, 11.2cm highFootnotes:ProvenanceGeoffrey Hutchison CollectionE and J Handley CollectionSimon Spero exhibition 2000, no.30Ralph Kenber CollectionIllustrated by Joseph M Handley, 18th Century English Transfer-Printed Porcelain and Enamels (1991), p.113, fig 3.3. Several versions of the 'Parrot and Fruit' pattern were transfer printed at Worcester and it was an image that enjoyed widespread popularity in England. This variant was designated as no.3 by Cyril Cook and this is probably the work of Robert Hancock. A mug with this version sold by Bonhams on 10 December 2008, lot 150 also featured an additional parrot or macaw. Printed vases of this beaker shape are exceptionally rare. An example with a coloured chinoiserie print was in the Rous Lench and Zorensky Collections, latterly sold by Bonhams on 16 March 2004, lot 269.For further information on this lot please visit Bonhams.com
A Worcester vase, circa 1758Of quatrelobed baluster shape, two lug handles applied at the neck and enamelled in green, painted with Meissen-style flowers, two large butterflies and a ladybird, 16.6cm highFootnotes:ProvenanceRalph Kenber CollectionThis distinctive Worcester shape, adapted from a Chinese original, was produced earlier in the 1750s. It is possible this vase remained undecorated for some time due to firing imperfections and the highly unusual addition of insects on the current lot may represent an attempt to disguise kiln problems. A similar vase from The Zorensky Collection was sold by Bonhams on 22 February 2006, lot 40.For further information on this lot please visit Bonhams.com
A Lowestoft guglet, circa 1760Of globular form, the neck with a knopped collar and everted rim, painted in blue with a Chinese garden scene depicting a man carrying a potted plant and another standing beside an elaborate table upon which stands a magnificent vase of flowers, insects and a bird in flight to the reverse, a 'Scroll and Arrow Type 1' border below the rim, 23.3cm high, painter's numeral 5 inside footrimFootnotes:ProvenanceLiane Richards Collection, Bonhams sale, 13 April 2016, lot 188This unusual pattern is particularly finely painted with beautiful detail given to the vase, table and attendants' clothing.For further information on this lot please visit Bonhams.com
A fine Lowestoft bottle vase, circa 1760Of attractive small size, the globular form with a slender neck and everted rim, painted in blue with a flowering peony and bamboo, the reverse with a strutting bird, its beak open and neck craned towards an insect in flight above, the inner rim with a 'loop and arrow' border, 10.4cm high, painter's numeral 8 inside footrimFootnotes:ProvenanceFrank Wheeldon Collection, Bonhams sale, 23 January 2008, lot 141A similar vase is illustrated by Christopher Spencer, Early Lowestoft (1981), p.64, fig.73. Another from the Asprey Collection, formerly in the collection on Billie Pain, was sold by Bonhams on 2 May 2018, lot 395. Notably, the present lot is of more slender proportions and the everted rim more pronounced and delicate, which is a variation capitalised on by the border being painted just below the inner rather than outer rim.For further information on this lot please visit Bonhams.com
A Flight, Barr and Barr vase, circa 1815Of 'Warwick Vase' shape with two gilt entwined handles and a gadrooned rim also gilt, finely decorated in raised-paste gilding with a spray of flowers including a rose and passionflower, reserved on a deep blue ground with scrollwork and formal borders in gilt, the base of the interior gilded to simulate marble, 18cm high, impressed crown and FBB above a cross, script mark referring to Royal patronage and the factory's London shop in Coventry StreetFootnotes:The quality of the gilding on this vase is exceptional. The scrollwork relates to gilding found on pieces painted by Thomas Baxter and may well be his work. Baxter worked for Flight, Barr and Barr from 1814-16.For further information on this lot please visit Bonhams.com
A fine Kerr and Binns or Royal Worcester vase by Thomas Bott, circa 1857-68The gilding probably by Josiah Davis, of 'Raphael' shape with raised scroll handles, richly glazed in deep blue, the front panel finely painted in Limoges enamel style with a titled profile portrait of the Roman Emperor 'AUGUSTUS' in classical dress wearing a laurel wreath in his hair, within an elaborate gilt laurel cartouche, the reverse in tooled gilding with an eagle perched on a palm branch and clutching a wreath in one claw, 21.5cm highFootnotes:Thomas Bott (1829-1870) was apprenticed at the Richardson glassworks near Stourbridge and began working for Kerr and Binns in 1853. Here he developed his speciality Limoges-style enamels. Bott frequently collaborated with Josiah Davis to add gilding to his special productions. A garniture of vases of Raphael shape decorated with portraits by Bott was shown in the 1867 Exhibition, see Henry Sandon, Royal Worcester Porcelain (1973), pl.58. Another Raphael vase in similar style is illustrated by Geoffrey Godden, Chamberlain-Worcester Porcelain (1992), p.171, fig.216.For further information on this lot please visit Bonhams.com
Three Royal Crown Derby dishes and a vase by Cuthbert Gresley, dated 1926 and 1902Comprising a pair of oval dishes and a square dish finely painted with views of 'Kilchurn Castle, Loch Awe, Scotland', 'Inverary Castle, Scotland' and 'Roslin Castle, Scotland', all signed 'C. GRESLEY', the borders with elaborate blue and gold scrollwork, square dish 29.3cm diam, the vase with three gilt handles, profusely painted with colourful sprays of English flowers, signed 'C. GRESLEY', within delicate raised and tooled gilt borders, 22cm high, printed factory marks (4)Footnotes:See John Twitchett and Betty Bailey, Royal Crown Derby (1976), pp.76 and 126, where these forms are listed as 'card baskets, 'Talbot' shape, square and oval'.For further information on this lot please visit Bonhams.com
A fine Royal Crown Derby vase and cover by Désiré Leroy, dated 1899Of oval section with high scroll handles, reserved with a panel delicately painted with musical trophies and flowers edged with raised and tooled gold with turquoise jewelling, signed 'Leroy', reserved on a deep blue ground, the rim and finial enriched with turquoise borders, the elaborate classical moulding on the foot, shoulder, handles and cover richly gilded, 16cm wide, printed factory marks, incised shape number 1114 (2)For further information on this lot please visit Bonhams.com
A fine Royal Worcester vase by William Hawkins, dated 1917Of baluster form, the scrolled handles hung with laurel swags, the moulded borders left in the white and highlighted in gold against the pink ground, finely painted with a gilt-edged oval still life panel of fruit, flowers and a Kraak porcelain dish arranged on a stone shelf, signed 'W A HAWKINS', the reverse with a stylised gilt wreath, the pedestal base with unusual textured gilding, 29.5cm high, puce mark, shape number 2485For further information on this lot please visit Bonhams.com
A Royal Worcester vase by Richard Sebright, dated 1909Of classical form with scrolled handles, the moulded borders picked out in gold, painted with a panel of fruit and blossom within an elaborate raised gilt scroll border, signed 'R. SEBRIGHT', the reverse with a gilt flower spray, all reserved on an apple-green ground, gilt festoons below the inside rim, 18.2cm high, green mark, shape number 2058For further information on this lot please visit Bonhams.com
A rare Royal Worcester vase attributed to George White, dated 1898Of shouldered form with a shaped rim and beaded collar, fluting to the lower part, the shoulder painted with a continuous landscape depicting a fair-haired maiden in classical dress reclining on a mound, a lute by her side, the reverse with two putti examining a lute, the moulding picked out in green and raised gilding, 17.3cm high, blue mark, shape number 1538Footnotes:This delicate vase is something of an enigma. The figure painting is unlike anything seen on Royal Worcester and instead it corresponds with decoration from the Burslem factory of Royal Doulton. In particular, the painting so closely resembles the work of George White and it is difficult to think of any other artist who could have been responsible. Similarly, the gilding on this vase is atypical of Royal Worcester and instead is very much in the Doulton traditions. It is likely, therefore, that this vase was decorated in Burslem, perhaps by George White working as a freelance.For further information on this lot please visit Bonhams.com
A Royal Worcester vase by Harry Davis, dated 1913Of rare and large ovoid form, the moulded borders left in the white and heightened in gold, the bamboo handles issuing gilt fruiting vine at the terminals, painted with a mountainous rural landscape panel, a figure before a river and classical ruins with cattle in the distance, signed 'H. Davis.', the reverse with a gilt laurel wreath, further gilt jewelling at the rims and framing the panel, reserved on a deep pink ground, 32.4cm high, puce mark, shape number 2406For further information on this lot please visit Bonhams.com
A good English delftware tulip charger, circa 1680Probably Brislington, painted in blue, green, yellow and orange, the three tulip flowers and slender leaves unusually contained within a vase, the striped jar flanked by stylised scrollwork, the blue dash rim edged with narrow yellow and blue bands, 34cm diamFootnotes:ProvenanceRoger Warner Collection, Christie's sale, 20 January 2009, lot 144Pelham Olive CollectionExhibitedThe Merchant's House, Marlborough, Wiltshire, 2010-18A related example attributed to Brislington is discussed by Michael Archer, Delftware (1997), p.91, fig.A33 and col. pl.19. Archer identifies similarities in decoration that form part of a small group separate from the main tradition of flower chargers. All can be seen in the decoration of this dish, including the inclusion of a vase, often striped with foliate handles, the fan-like arrangement of leaves, the blobs of colour at the tips of the leaves and the large flowerheads. These characteristics occur on fragments from Brislington. For further examples see Bernard Rackham, Catalogue of the Glaisher Collection (1987) pl.105, figs.1486 and 1488 and Frank Britton, English Delftware in the Bristol Collection (1982), p.57, fig.3.21. Another very similar charger was sold by Bonhams on 10 September 2008, lot 159.For further information on this lot please visit Bonhams.com
A Royal Vienna porcelain beaker painted with a portrait of a young lady, to a blue ground with gilding and jeweling, 9cm high, together with a Coalport porcelain small cabinet vase and cover, painted with a landscape in reserve to a deep blue ground with tooled gilding, 16cm high, and an early 19th century Staffordshire porcelain spill vase with floral reserve to gilt blue ground, 10cm high, (3)
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653833 item(s)/page