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Click here to subscribeA Moorcroft vase in the 'Woodstock' pattern designed by Kay Goodwin, dated 2002, a limited edition numbered 2 of300, signed twice by the artist, 12cm highThe Woodstock pattern was designed for the Moorcroft Collectors Club event held at Blenheim Palace in 2002.Condition:Good, first quality condition. One line of crazing to the main body of the vase and a few others to the underside of the base.
A Walter Moorcroft 'Clematis' vase, mid-20th century, dark green ground, impressed marks and painted WM monogram, 20cm highCondition:Slight hairline descending to the interior rim with a minute associated flake of glaze loss. Close-packed crazing to the glaze throughout. One short surface scratch to the exterior.
A group of three Moorcroft vases in the 'Foxglove' pattern designed by Rachel Bishop, dated 1995-1998, tallest 30cm high (3)Condition:The two smaller vases are both factory seconds and quite heavily crazed throughout. The large vase is in a good, first quality condition with no damages, repairs or crazing.
A Moorcroft vase in the 'Red Tulip' pattern against a red gradient ground, designed by Sally Tuffin, of squat baluster form, WM monogram, 20cm high. Boxed, no slip case.Condition:This vase has a red sticker, possibly indicating a factory second, but no silver line is present. Original purchase price £795. No damages or repairs. No visible crazing.
A pair of tall Moorcroft lamps in the 'Foxglove' pattern designed by Rachel Bishop, height excluding base and fittings 29cm; together with a smaller matching vase (3)Condition:Please note the amendment - these lamps have no shades. All threee pieces are in a good, first quality condition with no damages or repairs. No crazing to the glaze.
A collection of assorted art glass, including a spatter glass Murano style posy basket, 28.5cm high; a J. Hospodka for Chribska Sklarna (Czechoslovakia) clear, amber and red glass vase, circa 1960s, 15cm wide; and another, possibly Chribska, amber and clear colourway, 12cm wide; a Finnish textured glass vase by Pertti Kallionien, circa 1970s, 11.5cm high; a Sommerso Murano amethyst, clear and ruby glass ashtray in the form of a leaf, 16cm long; an orange/red Murano style vase, 14cm high; a Royal Crystal Rock figure of two ballroom dancers, 25cm high; a small spatter glass mushroom; and a collection of paperweights including a blue and white swirl and bubble example; a Libra Zodiac paperweight, probably Swedish; another with an internal design of a flower, attributed to Strömbergshyttan Sweden etc; sold together with a set of four cut glass cruet and condiment bottles (qty, two trays)
A group of mid-20th century glassware, comprising a large white swirl glass vase, of tapering form, on clear pedestal foot, 38cm high; three assorted Murano heart-shaped glass bowls; a Murano 'Sommerso' bowl, in amethyst, blue and clear glass, 40.5cm long; an amber dimpled glass vase with frilled rim, 13cm diameter; a cobalt vase, of half globular form with flat back, 20.5cm high; and a Czech Karlovarske Sklo (Moser) vase, green and amber colourway, 24cm high, and a nice quality Heritage Irish 'Cricklewood' crystal bowl, 20.5cm diameter (9)Condition:The red and blue heart shaped bowl has a small chip. The Murano Sommerso vase has scratches to the underside of the foot, as does the Sklo vase. The blue bowl has some nibbles around edge of the foot. No other damages or repairs.
A Belleek 'Bird's Nest' spill vase, circa 1891-1926, modelled as a flower encrusted tree trunk, with three lower and three upper vase spouts, surmounted by birds perched on foliage and on a nest, unmarked but probably Second Period, 32.5cm highCondition:Generally in good condition. The flowers and foliage are mainly intact but there is one section of leaf missing on the base and a couple of smaller breakages to the tips of petals or leaves (please see images)No cracks or restoration
A Victorian cranberry glass epergne, cranberry and clear glass, the central frilled trumpet flanked by a pair of smaller trumpet vases and two candy canes supporting two small basket vases, above a frilled base, standing 52cm high; together with a small pair of jugs, running cranberry to clear, decorated in coloured enamels with trailing floral sprays, 13cm high; a diamond-quilt vase, 11cm high; a 'bride's basket' bowl on stand, cranberry and orange glass, overall height including handle 16cm; sold together with an unusual wrythen vase with etched vermicelli and gilded floral and hatched panels, 25.5cm highCondition:Epergne - condition is good with no damages or repairs
A collection of good quality post-war glass, including a large and impressive Empoli blue and white striped vase by Cristalleria Artistica Toscana, 49.5cm high; a Whitefriars amber controlled bubble vase, 21cm high; a Reijmyre ruby red wave vase designed by Monica Bratt, 25.5cm high; a ruby Whitefriars jug with clear handle, 17cm high; Whitefriars clear controlled bubble bowl, 15.5cm diameter; a ruby red 'flattened' vase attributed to Elme Glasbruk, 46cm high; an amethyst to clear vase, 20cm high (small chip to mouth); a kingfisher blue jug with pinched spout, 18cm high; a Dartington 'Nipple' vase designed by Frank Thrower, circa 1969, 15cm high and a Villeroy and Boch 'Palomo Picasso' decanter with stopper, etched factory mark, 32.5cm high (10)Condition:Amethyst vase - mouth chip Whitefriars amber bubble vase - mossing and scratches to the foot commensurate with ageRed ruby flattened vase - some minor scratches to exterior and again mossing to the footThe remainder of pieces with similar scratches to the underside of bases, but in good order with no damages or repairs.
A group of Murano and similar glass animals, miniature and small sizes, models including a snake, birds, fish, rider with horse, deer, dogs, cat, etc, sold together with a Mdina glass vase and frosted glass model of a horse, tallest Murano model (birds on branches) 20cm high and smallest 4cm high (qty, 50+)
A large collection of Waterford Crystal giftware and vases in original boxes, including discontinued ranges, comprising ring holder; Millenium Champagne bottle coaster; Archive 7" vase; leaf-shaped dish; Nocturne traditional 6" vase, miniature footed bowl, 'Kelsey' 5" bowl, 'Clare' 8" vase; a cake server; a large 10" vase; two 'Lismore' 7" thistle vases; an 8" footed bowl; heart-shaped bowl and a biscuit barrel etc, together with an unboxed jug etc (qty)
A group of assorted Royal Doulton and Doulton Lambeth stoneware, including a Royal Doulton Art Nouveau decanter with silver stopper, shape 1674, 23cm high; a pair of bottle vases by Christine Abbot, 15.5cm high (one with a broken and re-stuck neck); a tapered vase with floral roundels, shape 8251, 18.5cm high; a pair of vases by Ethel Beard, 16.5cm high; a small single vase by Maud Bowden, 10.5cm high; a powder blue vase, shape 7593, with central pale brown band painted with flowers, indistinctly initialled, 20cm high; a small relief moulded jug, 11cm high and a 'Scotch Whisky' decanter (broken and repaired)
A group of parian, comprising a parian model of three storks leaning against a column, appears to be part of a support for a larger piece, unmarked, 15.5cm high (head to one bird restored); a scarce Copeland parian coffee pot and cover, moulded in relief with trailing foliage and a snail, raised Copeland pad mark, 16.5cm high; and a glazed parian wall pocket modelled as a leaf (at fault); a pink tinted vase decorated with a circular classical panel, shape number 751, 31.5cm high; and further vases including a Samuel Alcock ewer, moulded with flowers in relief and with a handle modelled as a nude mermaid, printed factory mark, tallest 32cm high (faults, repairs); etc sold together with a Staffordshire spaniel (group)Condition:Pink tinted vase chipped to mouth and with a drilled hole to the base showing probable previous use of a lamp base.Floral vases - One large flower currently detached from a vase.The vase with goat's head handles has a re-stuck section of foliage. Grape ewer - Handle restored. Large sections of loss to the foliage and grapes.Floral ewer with mermaid - Large section of mouth broken and re-stuck.Generally with further losses to applied decoration throughout.
A group of English porcelain and bone china, early and mid 19th centuries, comprising a pair of candlesticks, attributed to Ridgway (Cauldon Place) circa 1820-30, of columnar form with a light green ground and gilt-lined highlights, the base decorated with three floral panels, numbered 3613 in iron red, 15.5cm high; a vase, circa 1820, the dark blue ground painted with two opposing floral panels, with Turk's Head handles, unmarked, 20cm high (restored), a Chamberlain's Worcester bud vase, the cobalt ground nicely decorated with a still life of flowers and raised gilding, unmarked, 16cm high; a further smaller bud vase, decorated with flowers, 8cm high, a Staffordshire miniature basket, painted with flowers, 10cm wide; a Coalport trinket or cosmetics pot and cover, 9.5cm diameter; a Flight, Barr and Barr pen tray, 24.5cm wide (restored); and a further larger tray, of twin shell-handled form, decorated with flowers, unmarked, 27cm (9)Condition:Chamberlains pen tray is restored. One candlestick has some staining and crazing to the top.Taller vase has some staining, hairlines to base and probably rebolted.Bottle vase with wear to gilded foot.No other damages.
A Doulton Lambeth vase by Edith D. Lupton, circa 1885, the upper and lower borders decorated with mosaic style circles and rectangular panels, the main body of the vase decorated with autumnal foliage, all against a dark blue ground, monogrammed EDL and MA for the assistant Mary Aitken, 30cm highCondition:In good condition with no damages or restoration.
A Minton secessionist vase, late 19th century, red with tubelined swags, printed 'No 1' and other impressed marks, 32cm high (small hole drilled for use as a lamp), sold together with a set of twelve early 20th century Art Nouveau fireplace tiles, and a pair of French majolica plates (15)Condition:Vase - small hole drilled for use as a lamp. Crazing to the glaze throughout. Some scratches and slight glaze faults.Tiles - glaze crazing. One tile with a couple of small chips to the front edges, the others with minor nibbles to exterior edgesPair of plates - one with glued repair to rim and small glaze flake to rim
A large Coalport batwing pot pourri vase with an inner and outer cover, circa 1900-1910, of twin-handled form with ramshead handles, the cobalt and lemon yellow ground painted with polychrome flowers, further decorated with gilt fruiting tendrils and foliage, printed factory mark in green, numbered V.5663 / C / 4th. 174, printed registration mark 283570, 29cm high (hairlines)Provenance: Ivor Southorn Collection.Notes: This is a rare shape and pattern combination.Condition:Hairlines to the body.
A pair of rare Coalport 'Coalbrookdale' floral encrusted potpourri vases and covers, circa 1825-30the pierced cover surmounted by a tall bouquet of flowers, the body adorned with putti and numerous fruit and flowers, finely painted with panels of flowers, the ground picked out in gilt and turquoise, on square lemon yellow and gilt bases, underglaze blue 'Coalport' factory mark, 46cm high (2)Provenance: Ivor Southorn Collection.Condition:Vase 1 - both handles broken and restuck. T-shaped hairline to the interior, near the rim. There are also further hairlines to the body near one handle. This vase is crumbling slightly at the mid section from where it has been moving at the bolt section, which needs tightening. Some chips and losses to foliage and fruit. Some wear to gilt on rim. One purple flower broken and restuck and a section of foliage beside this flower is missing. One leaf tip broken and restuck. Other minor losses. Noticable crazing to the base.Cover - firing cracks and hairlines, minor breakage to one orange flower and nibble to one pansy leaf.Vase 2 -Cover - firing cracks to the underside. Probable restoration to some green foliage and minor losses to flowers. Gilding wear to rim.Body- gilding wear to upper rim. Hairlines to both handles but they do not appear to have been broken off. Gilding to mouth and areas of the body is worn. There are two crack visible to the body (to the interior and exterior). Patches of crazing to the glaze, mostly the lower body. There are some firing faults and hairlines to some of the foliage. One purple is missing a petal but this has been painted over and was probably a firing fault. The same has happened to leaf on the base. Some slight disintegration from friction between pedestal and vase. Other minor losses to fruit and foliage.
A small group of Coalport, comprising a heart-shaped trinket box and cover, painted with a landscape cartouche to the cover, 7cm wide; an inkwell stand, mid-19th century, decorated with three panels of 'Fancy Birds', unmarked, 16cm diameter and a vase, similarly decorated, lacking cover, late 19th century, 24cm high (4 pcs including cover)Provenance: Ivor Southorn Collection.
A Coalport landscape vase and cover, circa 1916, of ovoid form, the cobalt and lemon yellow ground painted with an oval landscape panel featuring a bridge over a river and a further smaller opposing landscape panel, with gilded borders, printed factory marks, numbered V.5327 M/S 331 in gilt, 30.5cm high(finial to cover broken and re-glued)
A Royal Worcester blush ivory vase decorated with flowers in the manner of Edward Raby, dated 1900, painted with flowers further augmented with raised white and turquoise enamel dots, the gilt rim and stem with foliage, shape 2293, 20.2cm high; sold together with four Royal Worcester sparrow cream jugs with two certificates, a Royal Worcester models of 'First Dance' 3629; and two Royal Doulton models of 'Blithe Morning' HN2021 and 'Miss Demure' HN1402 (8)
A pair of Art Deco Shelley vases, of hexagonal form, printed and hand-painted with Kingfishers in Bullrushes, most unusually with a pale lavender ground and lime green interiors, printed marks, pattern number 8662 and shape number 798 in black, 18.2cm high (2)Condition:One vase has some brown discoloration to the interior and the other has a small section of retouched black to the rim. Both have some minor spots of wear to the lavender ground and some other smaller spots of brown staining or discolouration. See images.
Mixed ceramics to include a large Japanese Satsuma vase, an Art Deco oval plate, a Clarice Cliff 'Crocus' pattern preserve pot (af), two 'Indian Tree' pattern boxes in the form of eggs, a 'Bunnykins' children's twin-handled mug, ceramic cats, etc (14).Condition Report: preserve pot - missing lid, chipped
A German 800 grade silver Christening mug with Dutch inscription dated 1911, Hugo Böhm, height 9.3cm, and a German small footed beaker, with inscription, with Dutch tax mark to base, height 7.5cm, combined approx. 8.63ozt (2).Condition Report: - Surface scratches and tarnishing throughout. The footed vase is misshapen to the rim.
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