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Click here to subscribeEmile Galle: an early 20th century glass stem vase, of squat rounded form with inverted tapering neck, decorated with green leaves on a frosted pink ground, raised signature to corner, 14 cm high.Condition report: Marks and scratches to body, horizontal deep scratch mark visible to interior of the neck. No apparent cracks or chips.
Edwin Martin for Martin Brothers, a small stoneware vase, of grotesque design depicting four repeating stylised faces, with flared rim, incised marks to base, 14 cm high.Private collection.Condition report: Small chip to the end of one of the noses, firing crack towards the base. Scratch (or thin hairline) visible to the inner rim, not visible on the outside. No signs of major damage or repair.
A pair of large Meissen porcelain vases with serpent handles (Schlangenhenkelvase) , late 19th century, now fitted as table lamps. on fluted spreading feet and gilt metal socles. 60 cm overall height, 50 cm high the actual vase.Condition report: Wired from below. Gilding rubbed throughoutSnakes OKGenerally in good order, the sections of the vase are loose on their threaded barThese vases are fitted as lamps
A Japanese Satsuma vase, Meiji period, of tapering hexagonal form, the shoulder with diaper panels on a gilt scale ground, above panels of deities and Rakan, signed Hododa, 15.5cm; and a late Meiji period tapering cylindrical vase, with a panel of young boys with gilt fans and a panel of boys with scrolls and instruments, between moriage flowers, unsigned, 20.5cmCondition report: Both with some minor gilt rubbing otherwise no obvious visible faults.
A pair of Japanese mirror image Satsuma vases, Meiji period, the shoulder painted with a geometric band above a band of fans, the tapering bodies painted with a fan shape panel with seated figures, within a mountainous landscape with a pagoda and trees, each signed Hakuzan, 24.5cm; and Strachan, Elaine; My Passion for Japanese Cloisonne, Satsuma and Related WaresCondition report: One vase with discolouration in the crazed glaze to the rear of the vase, a small speckle of gilding missing on the rim. The other vase, whilst in good order, has some rubbing to the gilding on the band around the bottom. Otherwise, both vases are in good condition with no obvious chips, cracks or signs of restoration.
An early 20th century William Moorcroft Prunus pattern planter, with tube-lined blossom on a green ground, painted signature verso and numbered 1305, 11.5 cm high x 12 cm diameter, together with a Walter Moorcroft Poppy vase, of shouldered form on a mottled pink ground, 20 cm.Qty: 2Condition report: Firing fault to the rim of the planter, also with a repaired chip to rim. The other vase in good order
A Chinese eggshell porcelain lampion shape vase, Republic or later, painted with Shou Lao with boy attendants with ruyi sceptre and large peach, between ruyi head, cash and key painted borders, four rows of calligrahy verso, apocryphal four character Qianlong mark, 19.5cmCondition report: In good condition with no obvious faults.
A Pair of Chinese porcelain pheasants, late 20th century, each standing on a pierced rockwork mand flora base, impressed marks, 30cm, a porcelain elephant supporting a vase, 20cm, a small canton enamel vase, 16.5cm, a 20th-century square dragon stand, with raised sides and base, apocryphal six-character Wanli mark14.7cm wide and a Japanese square for dish, Edo period, with raised butterfly decoration bordered by roundels of cranes and tortoises amongst reeds and with re-entrant corners, 15cm wide,Condition report: Damage, repairs and losses to the elephant. Small chip to edges of the square dish. Other items with some surface wear and marks, but no apparent damage or repair.
After Wang Xiaoting, a Chinese porcelain Hu shape vase, with applied stag handles, the body painted with a continuous landscape of figures, buildings and trees beneath misty mountains, signed to the reverse, a two character Zhuanshu mark to the underside, 29cmCondition report: No obvious visible faults.
A small Chinese cloisonne enamel mallet shaped vase, Qing, possibly Daoguang period, decorated with lotus flowers amongst tendrils on a pale blue ground between a gilt rim and foot, 9.5cmCondition report: Small area of enamel loss at the foot (see image), no further apparent damage or loss. Age related marks and grime to surface.
A Chinese cloisonne enamel and gilt metal double gourd vase, Qing, 19th century, of square form, the neck decorated with upright leaves, the body with gilt circular medallions enclosing gilt clouds, surrounded by lotus flowers and tendrils against a dark blue ground, on a rectangular foot, 15.3cmCondition report: No major damage or repair. Some enamel loss in places, with small dents to corners.
For the scholars desk, a Chinese cloisonne enamel vase for censer tools, Qing, 18th/19th century, of bottle form, the neck with lotus flowers and tendrils, above a band of stiff leaves and ruyi heads, the body with square panels enclosing a single prunus blossom, on a lotus flower and scrolling tendril pale blue ground, the rims previously gilded14.3cm; together with a Chinese cloisonne enamel and parcel gilt vase, Qing, 19th century, decorated with lotus flowers and meandering tendrils against a pale blue ground, with Taotie mask and ring handles, on a circular foot, 15cmCondition report: The bottle shaped vase rims have previously been gilded but now erased, the underside is still gilded. There is a chip to the enamel on one ruyi heads which continues into the shoulder, and also on the top left corner on one of the panels of prunus.The larger vase has a large knock to the left of one handle, resulting in some loss of enamel.The gilding on the top rim is erased. Some age related losses where the base joins the vase.
A pair of Chinese famille verte vases, Qing, of cylindrical form, painted with various fish, crabs and other sea life amongst plants, against an iron red ammonite scroll ground, between ruyi head and false gadroon borders, 45.5cmCondition report: One vase extensively restored around the top of the rim and neck. The other with restored rim break.
Two pairs of Chinese porcelain vases and a single vase, Qing and later, comprising a famille rose pair with applied shishi and chilong above panels of dignitaries and warriors, (A/F) 30.5cm, a pair of crackle glaze ground dragon vases, with incised Chenghua marks, 25.5cm; and a single 20th century vase painted with two horses, with flowers and rockwork beneath a willow tree, 20.8cmQty: 5Condition report: Large missing section to rim of one of the famille rose vases, small chips to the rim of the other. The remaining items appear generally good, with some light surface marks and pitting in places.
A large Chinese porcelain blue & white vase, Qing, painted with buildings and boating figures before the great wall, between ruyi head and false gadroon borders 49cm; and a pair of Chinese blue & white vases, Qing, 19th century, painted with dragons chasing a flaming pearl amongst clouds, with applied masks to the shoulder, on wood bases, 38cmCondition report: The large vase is extensively restored. All with surface marks and pitting, age-related wear throughout
A Chinese blue & white club shape vase, Qing, 19th century, the rim painted with a band of ruyi, the neck with clouds and flames, the main body with playful shishi amongst flames and clouds, a double concentric ring to the underside, 46cm, on wood standCondition report: A repaired break around the rim.Two small glaze bursts on the rim.
A 19th Century porcelain two handled inkstand in the manner of Coalport, the shaped rectangular applied with flowers in relief with central pen recess, with a pair of pots and covers, the pots applied with floral finials, taperstick holder, pen holder and a posy vase, on raised on a scrolling base, the body painted with flowers, the scrolling feet painted and heightened with gilt, the entire gilt heightened, unmarked, 11.5cm long x approx 8cm wide (Condition Report: flowers broken, chipped, old repairs to underside of two scrolling support - AF)
A Carltonware lustre vase, pattern no: 2971 decorated with stylised pansies, black factory stamp to base, impressed 456/G, artist's initials, 17cm high together with a Royal Winton pattern no: 2399 lustre baluster vase, decorated with flowers, stamped to base, (AF - old damage and repair to rim) (2)
Moorcroft: A group of three Moorcroft 'Cluny' pattern items to include table lamp on wooden stand with shade, slender vase (2nd quality) and pin tray. Height of lamp approx 28.5cm without fittings, height of vase approx 20.5cm.Condition: No signs of damage or restoration to lamp or vase, pin tray broken and repaired.
A Chinese Transitional Wucai porcelain vase, 17th century, the shoulder with applied and pierced lugs, painted with rockwork and flowers, 33cmPrivate collection from a titled lady, a large London home, deceased estate. No written or anecdotal provenance is available.Condition report: SMall chips to footrim and to rim, visible on close inspection. Collar looks to have been restored historically (seen under UV light), but not apparent immediately. No cracks evident. General surface marks and wear throughout.
A 1930s Moorcroft Pottery 'Yacht' pattern vase, designed by William Moorcroft, of bulbous form with tall neck, tubeline decorated in shades of green and blue, impressed factory marks, painted blue signature, 22.5 cm high. Condition report: Crazing evident on close inspection, but no apparent damage or repair
A close pair of Chinese blue & white Gu vases, Qing, Kangxi period, painted with foliage in shaped panels with swollen centre band, the underside painted with a leaf within two blue rings, 22cm & 22.5cm; and a Qing, 18th/189th century, square form Gu vase, painted with playful temple lions, the swollen centre with relief moulded panels of flowers, 21.5cmCondition report: Chips to rims of the pair of Gu vases, with small frits to outside edges. General surface pitting to all three, with possible restoration to the rim of the single vase. Some small chips also to corners of that vase. No major cracks evident.
A 20th century Wedgwood sage green jasper ware two-handled Campagna vase and cover decorated with classical appliques in the round, with together with a Wedgwood tri-colour pale blue dip Jasper "diceware" potpourri (boxed), and a Wedgwood of Eturia & Barlaston, two-handled circular creamware fruit basket and cover, 31 cm the tallest item.Qty: 3Condition report: No apparent major defectsA very small nibble edge chip to the boxed diceware potpourri, see extra image.
A Chinese inlaid rosewood opium pipe, Qing, late 19th/early 20th century, inlaid with mother of pearl, the upper section with inlaid panels flanking a vase on a long key scroll band with flowers, the lower section with a blossoming gnarled prunus branch with numerous birds, the reverse with a panel of calligraphy, with silver coloured metal mounts, and a belt hook, 19.8cm highCondition report: Some small losses but nothing too significant. The silver metal bands with some knocks. A small age crack above the mouth piece.
An early 20th century William Moorcroft vase of ovoid form, with deep red flambe glaze, 21 cm high, together with a similar period blue-lustre vase in the manner of Pilkington, with leaf decoration, 20.5 cm high.Qty: 2Condition report: No chips or cracks. Some surface wear and marks to the blue vase.
An early 20th Century Doulton Burslem Art Nouveau vase decorated with two daffodils against a pale blue ground, printed mark, height 14cm together with a 1930s Royal Doulton Brangwyn Ware Harvest pattern bowl, printed mark, diameter 24cm and a Royal Doulton Flambe 1613 vase, height 17cm, S/D. (3)
A pair of late 19th Century Royal Worcester vases of globe and shaft form in the Aesthetic style, each decorated with bamboo and foliage in gold against a white ground, green printed mark with date code for circa 1881, height 17cm, together with three further pieces of Royal Worcester comprising a shape 1313 vase and cover, restored, and two shape 1326 vase and inner (one lacking cover, one lacking an inner), all with printed marks. (5)
A late 19th to early 20th Century Vienna type hand painted pedestal vase and two section cover, the circular bowl decorated in the round with classical figures against a gilt ground, raised to three paw feet in royal blue with gilt detailing, all to a stepped base, the two section cover with conforming decoration, painted to the base Thytia veakundet Apollos Wahaspruche (Thytia proclaims Apollo's Prophecies) and Augustus schkefst der tariustempel (Augustus created the Temple of Taurus) alongside printed beehive mark, total height 44cm.
A pair of 19th Century Wedgwood Imari pattern tea caddies, both lacking covers, height 12cm, together with a Minton pin dish decorated with a hand painted seagull on the beach front, an August Rex type cabinet cup and saucer, a Flight Barr and Barr coffee cup and a Royal Worcester posy vase, S/D. (6)
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