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A Lancastrian green glazed vase, a red Royal Doulton vase, a model of a dragon and other itemsCondition: Lancaster vase: 8 1/2" high, crazing, no obvious chips, over all good condition. Daulton vase: 5 1/2" high, possible hairline (illustrated) otherwise good condition. Studio Vase: 6 1/2" high, some faults to glaze/firing faults, ware to rim (illustrated), otherwise good condition.
An assortment of studio pottery, including two models of birds, vases, plates, jugs and other itemsCondition: Blue and white vase: 6" high, overall good condition no obvious chips, cracks or repairs. Swirl vase: 7" high, overall good condition no obvious chips, cracks or repairs. Bowl: 12" dia, overall good condition no obvious chips, cracks or repairs. tankard: 6" high, overall good condition no obvious chips, cracks or repairs, potential firing fault by handle (illustrated) Streaked vase: 5" high, no obvious chips cracks or repair, overall good condition.
An 18th century Chinese export dish, boy on ox and geese in a landscape, 9" dia (rim chips) and an 18th century Chinese export plate with vase of flowers decoration, 10" diaCondition: floral plate has slight rubbing, otherwise good condition. ox plate has chip to rim and rubbing
A collection of Scandinavian art glass to include a Goran Warff for Kosta Boda green and blue and crystal glass bowl, signed Kosta 56759 Warff to base, a Timo Sarpanera for Italia Rubus textured glass vase, circa 1960, 8 1/2" h, a Per Lutkin for Holmegaard green tinted glass vase, circa 1960, 9 6/8"h, William Wilson for Whitefriars, spiral, twisted vase in twilight, designed before 1954, Pat no 9386, 7 7/8"h and Geoffrey Baxter for Whitefriars, two lobed vases in arctic blue, the tallest 11" high, circa 1959, pat. no 9494
BLUE AND WHITE GOURD-FORM VASEKANGXI MARK BUT 19TH CENTURY painted with two four-clawed dragons flanking a large peony bloom issuing from a leafy tree, surrounded by further peony branches and foliage, the base with a four-character apocryphal Kangxi mark33cm highProvenance:Private Edinburgh collection.
ART DECO PORCELAIN VASEKINKOZAN MARK, 20TH CENTURY painted in bright colours with peony and daisy flowers amidst lush foliage, all reserved on a pink ground, the base marked 'Kinkozan, Made in Japan'; together with a SATSUMA PHOTO FRAME, KINKOZAN MARK, MEIJI PERIOD (2)highest 24.2cmProvenance:Private Scottish collection.
ASSEMBLED GROUP OF FIVE BRONZE ARTICLESLATE EDO/EARLY MEIJI PERIOD comprising: a twin-handle hu-form vase, cast in low relief with taotie masks, stylised kuilong dragons and leiwen; a rectangular censer with a pair of lingzhi handles; a quatrefoil censer, the sides decorated with dense swirling clouds; a compressed globular censer, decorated with a dragon and a pair of ducks; and a shallow cylindrical censer, raised on a tall tripod base (5)highest 25cmProvenance:From the Collection of Richard Noel Postlethwaite (1883-1950); for more information, please see lot 190.
BLUE CARVED 'QINGBAI' BALUSTER VASESONG DYNASTY the baluster body raised on a flaring foot, the straight neck opening into a wide, eight-lobed rim, the body carved in low relief with four lobed panels enclosing flowering sprays below a band of upright chrysanthemum petals, covered in a bluish glaze, the base unglazed19cm highProvenance:Private English collection; purchased from Brian Page Antiques with original invoice dated 30.09.2006.
ANHUA-DECORATED TURQUOISE-GLAZED 'DRAGON' VASELATE 19TH/EARLY 20TH CENTURY the globular body delicately incised with two striding five-clawed dragons in pursuit of a flaming pearl amid cloud scrolls, the exterior and inside of the neck all covered in a glossy turquoise glaze showing a fine craquelure20.5cm highProvenance:Private Edinburgh collection.
KANGXI-STYLE IMARI 'BOYS' CHARGERMEIJI PERIOD elaborately painted to the centre with a procession of boys to celebrate a young scholar passing the imperial examination, some of the boys drawing a cart with an exceptionally large vase, others playing musical instruments, the barbed rim decorated with birds in flight amongst lotus scrolls, with gilt highlights, the base with a blue double ring38cm diam
FAMILLE ROSE DECORATED BLUE AND WHITE VASEQING DYNASTY, 18TH CENTURY the bulbous pear-shaped body below a truncated garlic-mouth, decorated with two lobed panels enclosing identical scenes of a Mandarin official at leisure, surrounded by his family, the shoulder decorated with two sprigs of fruiting fingered citron24cm high
LARGE CANTON FAMILLE ROSE VASEQING DYNASTY, 19TH CENTURY lavishly painted with a multitude of figures in a city built along a river, some travelling in ferries, others relaxing in pavilions and beneath trees, the young scholars possibly on their way to take the Imperial Civil Service Examination64cm highProvenance:Private Glasgow collection.
FAMILLE ROSE 'LOTUS POND' BOTTLE VASEDAOGUANG/TONGZHI PERIOD the globular body finely painted with a pair of mandarin ducks swimming in a lotus pond, with lush lotus blooms growing amidst large lotus pads and slender stems, the rippling surface of the water defined with pencilled black lines, all below a turquoise-ground lotus spray and shou character band on the shoulder and further lotus stems on the slender waisted neck48.2cm highProvenance:From the collection of the late Alexander McLachlan (1920-2013), who attended the D-Day landing and began collecting Chinese and Japanese ceramics after returning to Scotland from the war.
WHITE GLAZED HU-FORM TWIN-HANDLE VASEDAOGUANG MARK BUT LATER the ovoid body below a slightly waisted neck applied with twin loop handles, raised on a splayed foot, the base bearing a six-character Daoguang seal mark; together with a RELIEF-DECORATED WHITE GLAZED 'PHOENIX' JAR, XU HUA TANG MARK (2)highest 17.5cm
PAIR OF CANTON FAMILLE ROSE BRUSHPOTSQING DYNASTY, 19TH CENTURY each moulded in low relief with two large panels depicting two boys feeding geese and the poet Wang Xizhi looking at a goose shown to him by an attendant; together with a CANTON FAMILLE ROSE BOTTLE VASE, 19TH CENTURY (3)highest 25cmProvenance:Private Scottish collection.
CELADON JADE GU-FORM VASEREPUBLIC PERIOD the trumpet neck carved on each side with a pair of confronting dragons, above a ruyi band at the raised mid-section and two further pairs of dragons surrounding the foot, with two pairs of dragon-handles, the jade with some icy inclusions14cm highProvenance:Private Aberdeen collection.
KYOTO-WARE BASKETWEAVE-PATTERN VASEKANBUNDO MARK, MEIJI PERIOD decorated with two large oval panels each enclosing a bird perched on a fruiting pomegranate tree, reserved on a moulded basket-weave ground, signed 'Dai Ni Hon, Kanbundo Zo' (Made for the Hall of Illustrious Literature, Great Japan) within one panel; together with a SATSUMA VASE, SIGNED DAINIHON KYOTO NISHIADA-ZO, MEIJI PERIOD (2)highest 46cmProvenance:Private Scottish collection.
INLAID AND LACQUERED WOODEN WALL BRACKETMEIJI PERIOD inlaid in mother-of-pearl and ivory with a bee hovering above gold-lacquered leafy vines issuing from a bottle vase inlaid in silver wire with a dragon, surrounded by carved lotus scrolls59cm highProvenance:Private Scottish collection.
ASSEMBLED GROUP OF PORCELAIN19TH/20TH CENTURY comprising: a famille verte powder-blue ground covered jar, the base with a censer mark, Kangxi style but 19th century; a famille rose café-au-lait ground potiche and cover, 18th century; a famille rose hexagonal-section vase, decorated with landscape panels, mid-20th century; and a small blue and white moon flask, Kangxi mark but late 19th/early 20th century (4)highest 31cm
FOUR FAMILLE ROSE ARTICLESQING DYNASY, 19TH CENTURY comprising: a famille noire millefleur vase, the interior enamelled turquoise, the base with an apocryphal four-character Qianlong reign mark in iron-red; a pair of Canton famille rose vases, painted with characteristic birds-and-flowers panels; and a Canton famille rose twin-handle lidded cup, painted with figural panels (4)highest 20cmProvenance:Private Scottish collection.
FAMILLE VERTE BALUSTER VASE20TH CENTURY the neck and the body each decorated with a broad band depicting a gathering of generals and soldiers in a garden, the two scenes divided by keyfret, brocade and floral bands, the base decorated with a writhing four-clawed dragon44.5cm high (excluding stand)
COLLECTION OF NINE BLUE AND WHITE DISHES17TH/18TH CENTURY comprising: four nearly identical dishes, each painted with a flower basket within a large central medallion; a pair of dishes, each painted with a vase beside a flowering peony branch issuing from pierced rock; three deep dishes, one painted with a figural scene and inscribed with a 'Yu Zhen' mark (9)widest 23cm
CLOISONNÉ DEMONSTRATION SETMEIJI PERIOD the six miniature vases illustrating the various stages of production from the copper base to the finished enamel vase with a flowering chrysanthemum spray on a midnight-blue ground, in original fitted wooden box; together with a HONOUR MEDAL OF THE PATRIOTIC WOMEN'S ASSOCIATION, the association founded in 1901 in Tokyo, Japan, in fitted wooden box (2)vase 6.8cm highProvenance:Private Scottish collection.Note:For a much more elaborate cloisonné enamel demonstration set, see Christie's sale in their London rooms on 18.05.2012, lot 229, sale 4140.
FINE SHIBAYAMA-INLAID IVORY BOX AND COVERMEIJIP PERIOD the cover inlaid in ivory, mother-of-pearl and coral with blossoming cherry and chrysanthemum branches issuing from a tripod vase, surrounded by birds, butterflies and a mantis, the sides inlaid with further flowering branches15.7cm longProvenance:Private Edinburgh collection.
LANGYAO BALUSTER VASE, GUAN YIN PINGQING DYNASTY, 18TH/19TH CENTURY the tapering ovoid body with high rounded shoulders rising from a spreading foot to a waisted neck and flared rim, covered with a warm strawberry-red glaze suffused with a network of fine crazing33.5cm highProvenance:From the collection of the late Alexander McLachlan (1920-2013), who attended the D-Day landing and began collecting Chinese and Japanese ceramics after returning to Scotland from the war.
FAMILLE ROSE INSCRIBED VASEQIANLONG MARK BUT REPUBLIC PERIOD finely painted with a red feathered bird of paradise perched on a flowering prunus branch growing beside a branch of white magnolia flowers, inscribed with a two-line poetic stanza, with two seals reading Qian Long, the base with a stamped iron-red Qianlong four-character reign mark; together with a FAMILLE ROSE AND GRISAILLE-DECORATED VASE, QIANLONG MARK BUT MID 20TH CENTURY, the semi-eggshell body painted with a pair of birds perched on a flowering peach tree, inscribed with a two-line poetic stanza, the base with a stamped iron-red four-character mark (2)highest 19.8cmProvenance:Private Scottish collection.
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653685 item(s)/page