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Andalusian School, Circle of MATIAS DE ARTEAGA (Villanueva de los Infantes, Ciudad Real, 1633 - Seville, 1703), 17th century."The Annunciation".Oil on canvas.Retouching.Repainting and restorations.Measurements: 81 x 102 cm; 105.5 x 120 cm (frame).The spatial complexity that the theme of the Annunciation denotes here, making the pedestrian architectural plane coexist with the celestial one, presents clear concomitants with the way in which Matias de Arteaga treated the biblical episodes. It is therefore part of the Sevillian Baroque, in Arteaga's circle. The main scene is set in an interior in which, on the right hand side, the Virgin kneels before a lectern. A vase of lilies, a symbol of Marian purity, stands between her and the archangel who brings her the good news. Saint Gabriel points upwards, where God the Father and the Holy Spirit burst forth in a burst of golden glory. In the background, the urban architecture is depicted, based on sober, perfectly delineated arcades. A Spanish Baroque painter and engraver of the Sevillian school, Matías de Arteaga y Alfaro was able to capture and interpret the dual influence of Murillo and Valdés Leal with his own personality. The son of the engraver Bartolomé Arteaga, while still a child his family moved to Seville, where he trained in his father's studio and in contact with Murillo, whose influence reveals his early work together with that of Valdés Leal, who settled in Seville the same year that Arteaga passed his master painter's examination in 1656. In 1660 he was among the founding members of the celebrated drawing academy promoted by Murillo, among others, of which he served as secretary between then and 1673. In 1664 he joined the Hermandad de la Santa Caridad brotherhood and two years later the Sacramental del Sagrario brotherhood of Seville cathedral, for which he produced a number of works. Around 1680 he is also recorded as working as an appraiser of paintings. He died in 1703, and the inventory of his estate at his death reveals a wealthy lifestyle that included an important library and an engraving studio, as well as over 150 paintings, almost half of which were of religious subjects. Among them were four series of the Life of the Virgin, some of which were expressly said to contain architectural views, such as those in the present work and those in the Museo de Bellas Artes in Seville. The most characteristic feature of his peculiar style is precisely these series of always religious subjects, set in broad landscapes and architectural perspectives taken from prints. Arteaga is represented in the aforementioned Sevillian museum, various Sevillian churches including the cathedral and the Museo Lázaro Galdiano, among others.
Two First World War period Princess Mary brass gift tins, two Boer War period Queen Victoria South Africa 1900 gift tins, a liberation horse brass, a trench art spill vase and a group of other trench art items.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Chinese porcelain Hu vase, heavy treacle glaze, deer mask handles, unmarked, 36cm.Provenance:By repute, the collection of S E Claude Achille Clarac.Condition report:Private local consignor along with other items of Asian ceramics in the sale. No restoration or evident damages. The underside of the foot has historic chips but none that are visible when the vase is stood upright. Some random surface scratches to the glaze and firing irregularities to the glaze in the inner neck.
Pair of Chinese famille vert covered jars, domed covers, baluster jars with palmette collar and scenes of birds amongst flowers, unmarked, 45cm.Qty: 2Condition report:Private local consignor.One cover has a large reglued chip to the flared rim, approximately 3cm in diameter, with some resulting losses. The other cover has two chips to the flared rim; the largest is to the underside but is just visible from above, measuring 4cm x 1.5cm; the second is smaller and on the top surface of the rim, 1.5cm long.One vase has a shallow 2cm diameter chip to the exterior neck. No other damages elsewhere, except some surface wear and scratching.The second vase has no chips, hairlines, or restoration. Some surface wear, scratches and firing flaws.
Chinese porcelain vase, baluster form, blue and white decoration of beasts amongst flowering scrolls, bears Yongzheng mark, 36cm, on an associated hardwood stand.Condition report:Good overall condition, no chips, hairlines or restoration. Light surface wear. Local private consignor.
An Edwardian silver and pique inlaid tortoiseshell oval trinket box, and other itemsfirst Birmingham, 1908 by Henry Matthews, oval, the hinged lid inlaid with vase and garlands, husk border, on feet, velvet lined, together with a modern foliate embossed broad hinged cuff bangle and a foliate scroll engraved silver cased folding comb, (3)first length 7.5 cmCondition: Fair condition. bangle closes securely but is slightly misshapen with wear
A Chinese export silver and enamel salt and a vase c.1900first marked 90, Chinese character marks. of tapering lozenge form, on bracket feet, decorated in raised enamel with prunus, chrysanthemum and prunus, second marked MO, Chinese character marks, of cylinder form, pierced with a chasing dragon and clouds, raised on three dragon supports, (2)first length 6.8 cm., weight approx. 2.53 oztCondition: Good condition. tarnished. second height 12.8 cm
A George V silver vaseSheffield, 1924, makers mark rubbedof campana form, the evered rim with lead borders and beaded rim, above an anthemion band, on a domed foot, stamped Z. Barraclough & Son, Leedsheight 20.7 cm., weight 10.03 cm.Condition: Good condition, makers mark rubbed. Slight ding to side. Otherwise good condition
A pair of late Victorian Arts and Crafts silver vasesLondon, 1901 by Streeter & Co Ltdof thistle form with flared necks, embossed with an acanthus leaf girdle and a scrolling leaf band and dot border, on a circular spreading foot, (2)height 16.5 cm., weight approx. 21.44 ozt.Condition: Good condition commensurate with age. Spot hammering slightly rubbed on one vase
An early 20th century cold painted bronze figure in the form of a female exotic dancer, signed Franz Bergman (Austrian, 1861-1936), of metamorphic form with hinged skirt revealing nude figure beneath, standing upon a draped carpet, mounted upon a circular marble base, the rear bearing feint inverted vase stamp,height overall 31cmCondition: In apparently good condition overall, some candle wax residue visible to base close to front foot. This is removeable and is not glue
An George V silver and pique inlaid tortoiseshell trinket boxBirmingham, 1911 by Levi & Salaman.of shaped rectangular outline, the hinged lid with husk border pique inlaid with a twin handled vase and swagged garland, velvet lined interior on bow feetheight 7 cm., width 12.5 cm, total weight approx. 10.33 ozt. Condition: Some dulling to tortoiseshell on lid. Some marks and wear to velvet interior. Rocks slightly
Mary Fedden RA (British, 1915-2012)'Still life of pink and red flowers in a vase', oil on canvas, signed and dated to lower left corner 'Fedden 194*', framed, overall 88cm x 63cm, within frame 76.5cm x 50.5cmCondition: Painting would benefit from cleaning, original frame has been later painted yellow original white paint visible below. Losses visible across work, staining and surface dirt. This painting was a gift from Mary Fedden to the vendors mother, a friend of the artist.
A large Japanese Meiji period two handled blue and white vase, of baluster form, handles in the form of dragons heads, decorated against the white ground with prunus trees, birds and a pair of Mandarin ducks, character mark to base, bearing collection label,height 44.5cm Condition: Overall condition good - minor scratches to body, faults to glaze in places. Formerly from the collection of English actor Bertram Wallis (1874-1952).
A pair of 19th century Doulton Lambeth faience Persian style vases decorated by Minna L Crawleyof ovoid bottle form decorated with Iznik style flowers on a dark green ground, impressed factory marks, C L, 1879, painted 269 and decorators monogram for M L C, (2)height 23.4 cm.Condition: Small chip and stable hairline to rim and mouth of one vase, same vase with small flake chip to foot rim. The other vase in good condition
A Miles Mason porcelain vase c.1810of urn form with twin gilt druid mask handles, decorated in Imari style palette with peonies, between blue borders decorated in gilt with birds insects and foliage, on a marbled square plinth base., unmarked28.5 cm.Condition: Probably originally with a cover. Some light rubbing to gilt. Small chip to one corner of plinth base, some light crazing to body, flaw to rim of neck. No backstamp present.
A collection of eleven pieces of art glass,together with an Elsa Peretti for Tiffany lidded glass heart dish, including:Per Lutken for Holmegaard heart vase, in apple green and a ball vase in blue; Sven Palmquist for Orrefors vase, no. 3497; Alsterfors basket; Riihmaen Lasi turquoise glass vase; a pair of Ronald Stennett-Wilson for Wedgwood 'Sheringham' candlesticks, in amber glass, stamped for Wedgwood; a Wedgwood Brancaster candlestick in amethyst glass; a Wedgwood smoked glass candlestick; a yellow glass vase, signed to base and a Mdina turquoise glass vase (12), the tallest 21.5cmCondition: Tiffany Dish: Signed and marked - Elsa Peretti, Tiffany & Co. Good condition overall.Holmegaard ball vase - Marked to base 'Holmegaard, 15791' good condition overall, some light surface scratches and minor fleabites to body.Holmegaard Heart vase - 'Holmegaard, 18120', good condition overall.Orrefors vase - marked 'Orrefors, pr3497' good condition, some light surface scratches to body.Riihmaen vase - Marked to base and numbered 1867. Good condition overall.Alsterfors basket - Bearing maker sticker - Good condition overall, very light surface scratches. Yellow Vase - Good condition overall. Mdina vase - Signed to base, good condition overall.
A mid 20th century Italian Murano 'Medici' Campana Vase by Lazzariniin clear glass with red and white spiral canes, bears plaque 'Campana Medici realizzata dal Maestro Lazzarini Offerta dal Centrovetro consrozio'height 37.5 cm.Condition: To be sold due to the closure of Trinity Bromley United Reform Church for charity
A LOUIS XVI ORMOLU CANDELABRA BASE FRAGMENTCIRCA 1785, ATTRIBUTED TO FRANCOIS REMOND The three legs with mille-raies panelled shafts joined by a collar and terminating in hoof feet, on a concave-sided triangular plinth55cm highProvenance:Probably acquired by Edward 'Beau', Viscount Lascelles (c. 1767-1814) and by descent at Harewood House, Yorkshire.Christie's, 13 December 2012, Property from the Descendants of their Majesties King George V and Queen Mary. The Princess Royal, Countess of Harewood, Lot 148 Part of the same set is in the Royal Collection at BuckinghamPalace having been made for the Prince Regent for Carlton House. This base was likely once part of an impressive candelabrum. A pair of candelabra, apparently of the same form as the present lot, are at The Wallace Collection (see P. Hughes, Catalogue of Furniture, The Wallace Collection, Vol. III, pp 1255-1259, no. 248). The Wallace candelabra, have the same base, legs terminating in hoof feet and branches with Egyptian heads as the present lot and additionally feature a central vase of lapis lazuli issuing ormolu flowering stems above a central spiralling snake and three sphinxes. François Rémond delivered a pair of candelabra 'à trédpied portant huit Lumières Et six sphinx' to Dominique Daguerre on 28th December 1783. A related set of three, of slightly different form, with seated goats instead of sphinxes were sold from Mentmore in Buckinghamshire, Sotheby's, 18-20 May 1977, vol. I, lot 65.Condition Report: Condition Report Disclaimer
A RALPH WOOD, BURSLEM PEARLWARE AND COMPOSITION OBELISKTHE BASE CIRCA 1790 with later wood replacement upper section, 31cm high overall; and a Wilson pearlware Janus vase, 16cm high Condition Report: Upper section replaced with wood section after damage and loss.Janus vase cracked and restored. Missing cover?Condition Report Disclaimer
A GROUP OF MOSTLY PARIS AND OTHER EMPIRE STYLE PORCELAINSVarious dates 19th centuryIncluding a trumpet vase, 21cm high and other assorted vases, plates and tazzasCondition Report: Mixed condition throughout reflected in the mixed lotted. Potential purchasers must examine the lot in person if they wish to know the minutiae.Condition Report Disclaimer
A PAIR OF CHINESE FAMILLE VERTE VASES19TH CENTURY Painted to the exterior with warrior scenes, 42cm highCondition Report: wear to the surface and one vase with rim chipped and the other one with chipped cover and one vase with 5cm crack running vertically down neck Condition Report Disclaimer
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