There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Royal Doulton stoneware vase of tapering cylindrical form Decorated with stylised open foliate surrounded by jewelled style motifs on a green and brown ground, impressed marks to base, height 19cm CONDITION REPORT: Lot 697 - firing crack to foot rim, doesn't go through to outside, imperfection to body but good condition.
Two Chinese porcelain blue and white vases, late Qing Dynasty (1644-1912) The first of baluster form, rising from a high domed and stepped foot, with basal knop, adorned with leafy tendrils and figural designs, with later silver replacement rim, 11cm high, late 19th Century 'Yu' mark, together with a large baluster form vase, painted with figures in fenced garden further detailed with tendrils issuing peonies, artemesia leaf mark to base, 15.5cm high. (2) CONDITION REPORT: Lot 16: Smaller vase - small glaze chips to the stem Please note the replacement top has not been tested for silver Larger vase - Large crack to the upper rim, with associated losses, Further small chips to the upper rim Large cracks and damages to the base, with associated repair
A collection of Asian carved ivory items To include a Chinese carved ivory cup and ball game, a Japanese carved ivory match holder, and a Chinese canton carved ivory brush holder. (3) CONDITION REPORT: Lot 88: Cup and ball - crack to the ball, approx 4cm in length, yellow to the ivory throughout. Match Holder - yellowing to the ivory, small cracks to the interior well. extensive damage to the base with large crack to the base and lower section of the vase, yellowing to the ivory.
A matched pair of Chinese Kangxi style blue and white porcelain vases, 19th/20th Century Each of ovoid form, rising to a tapered neck, the body of each similarly painted with figures within interior scenes, flanked by bamboo and rockwork, 15cm and 15.5cm high, each with four character Kangxi and Artemisia leaf mark. (2) CONDITION REPORT: Lot 8: smaller vase - hairline crack to the neck, extending approx 3-4cm in length, scuffing and wear to footrim. Larger vase - scuffing and wear to footrim, free from cracks/chips/restoration.
A Chinese blue and white Kangxi style 'Buddhistic treasures' Meiping vase, Late Qing Dynasty (1644-1912) Of typical form with splayed foot and rounded shoulder, the white glazed body painted in rich cobalt depicting precious objects including vases, censers, and Kang tables, amidst Buddhistic emblems such as the conch, canopy, umbrella, the lotus flower, vase, and the knot, surmounted by a later ebonised wooden cover, 28cm high.
Two Chinese porcelain blue and white vases, 19th/20th Century The first of slender ovoid form, surmounted by a domed cover with lotus designs, 29cm high, artemsia leaf mark, together with a Chinese blue and white vase of globular form with knopped stem, decorated with figural designs, 17cm high (2). CONDITION REPORT: Lot 69: Vase and Cover - Two chips to rim of cover approx 2cm in size, this area has been overpainted in blue. Firing crack to the rim, approx 1cm in size Glaze chips to rim of cover Globular Vase - large section of the rim has been overpainted, this has discoloured and appears to be flaking, scuffing and wear to footrim.
A pair of Kangxi style 'Lotus' vases, Late Qing Dynasty (1644-1912) Each of baluster form, the rounded body with meandering lotus sprays and foliage, extending to a short tapered neck with ruyi bands and transverse borders, and surmounted by a domed cover with blue glazed lotus bud finial, 44cm high. (2) (illustrated) CONDITION REPORT: Lot 3: First vase -glaze chip to top of finial -two small chips to inside of rim, approx 1cm and 2cm in size -small chip to footrim, approx 1cm in size -fritting to exterior body -fritting to interior of rose SECOND VASE -glaze chips to the rim -burn to top of finial -small glaze chips to the footrim
A Japanese Satsuma vase, Meiji Period (1868-1912), possibly Hodota Of lobed baluster form, rising to a flared neck and splayed foot, the ivory ground painted with a dusted gilt, butterfly and flowering lotus, set within gilt concentric and fan shaped panels, signature to base, 12cm high. CONDITION REPORT: Lot 13: minor scuffing to underside of footrim, free from chips/cracks/restoration.
A Chinese porcelain blue and white vase, late Qing Dynasty (1644-1912) The vase of ovoid ribbed form, the white glazed and incised body, adorned with a shoulder border depicting precious Buddhistic treasures and emblems, the exterior body painted with four roundels painted with mothers and children, adorned with a later wooden cover, Artemisia leaf mark to base, 22cm high. CONDITION REPORT: Lot 40: Two very large chips to the footrim, each approx 4cm in size, with noticeable overpaint to surrounding area. Small hairline crack to interior rim, approx 3cm in size.
Two Chinese blue and white porcelain vases, 19th/20th Century The first of baluster form, rising to a flared neck, decorated in the Kangxi manner depicting mountainous landscapes, 25cm high, the second painted to the exterior sides with ladies seated in formal fenced gardens, 24cm high. (2) CONDITION REPORT: Lot 45: Baluster Vase - Fritting throughout, minor glaze chips to upper rim, small glaze chip to footrim, approx 0.3cm in size. Bottle Vase - chip to rim approx 1cm size with associated hairline crack, fritting visible throughout, scuffing and wear throughout.
A Chinese cloisonné vase, late Qing Dynasty (1644-1912) The cloisonné enamel laid on a ceramic glazed base, of pear form rising to an open dish mouth, rising from a high footing, applied with scalloped fan shaped panels filled with open lotus heads, set before trellis work and ruyi borders, 31.5cm high (illustrated)
A fine quality Japanese shibayama vase, Meiji Period (1868-1912) The white metal body rising from scalloped ruyi shaped supports, beautifully embellished with polychrome enamelled open lotus flowerheads, the bombé shaped body flanked by beautifully cast three-clawed scaley dragons, and surmounted by a domed cover with cast quail finial, the sides detailed with gilt lacquered panels applied with mother of pearl depicting hanging floral baskets and crane below hanging willow trees, each panel further with cast iris detailing, signature plaque to base, 22cm high. (illustrated) CONDITION REPORT: Lot 53: minor loss to the inlay, but not hugely noticeable and very minor -possible areas of re-soldering to the interior liner and minor dents -very small dents to the cover -otherwise very good clean condition
A Chinese Canton famille rose vase, 19th Century Of rounded cylindrical form, rising from a high footring, decorated with square panels painted with dignitaries and subordinates, reserved against a white ground, typically enamelled in the famille rose palette depicting Buddhistic treasure and figural designs, surmounted by a later domed and pierced cover, 48cm high.
A Chinese blue and white porcelain vase, Chenghua character marks 1465-1487, 19th Century Of ribbed ovoid form, with tapered neck, the white glazed body with three roundels, painted with censers and vases, further detailed with fire scrolls, ruyi designs and Buddhistic emblems and treasures, 19cm high. CONDITION REPORT: Lot 19: Extensive restoration tot he neck, with associated losses and overpainting Small losses to the underside of the footrim.
A Japanese bronze vase, in the manner of Murakami, late Meiji/Taisho period Of slender ovoid form, rising to straight shoulders and a folded everted rim, the bronze body with good patination and applied with gold and silver takazogan depicting cockerel and hen perched in flowering blossom trees, 24.5cm high, mounted on a carved wooden stand, unsigned.
A pair of Chinese blue and white porcelain vases and covers, late Qing Dynasty (1644-1912) Of ovoid form, with incised vertical ribbing to the body, the white glaze adorned with cobalt blue floral sprays, surmounted by domed covered and ball finials, unmarked, 12.5cm high. (2) (illustrated) CONDITION REPORT: one vase with small firing crack to base scuffing and wear to upper rim scuffing to underside of footrim both vases show minor firing cracks to the interior one vase with small minor glaze chip to the rim.
A Japanese Satsuma vase, Meiji Period (1868-1912) Of shouldered ovoid form extending to a spreading base and rising to a folded rim, the rich cobalt blue ground, heavily gilded with floral designs, each side finely painted depicting several bijin and children amidst floral gardens, portrayed picking flowers, the verso depicting families walking in blossom garden, signed, 22.5cm high. (illustrated) CONDITION REPORT: Lot 37: The interior shows a hairline crack extending from the rim downwards, approx 7cm in length only visible to the interior and not exterior
A Chinese Kangxi style vase, 19th/20th Century Of ovoid form, rising from a spreading circular base, and terminating at a low rim, the body typically painted in rich cobalt depicting ladies amidst gardens playing musical instruments and picking flowers the upper rim detailed with 'Buddistic treasures' emblems and phoenix, double circular Kangxi style mark to base, 24cm high. CONDITION REPORT: Lot 80: Extensive fritting to interior, free from chips, cracks, restoration.
A pair of Chinese Kangxi style blue and white sleeves vase, late Qing Dynasty (1644-1912) Each of typical form, rising from a swept spreading circular base to a flared neck, the body of each similarly painted with chrysanthemum, lotus and long tailed birds, Kangxi circular marks to base, 19cm high. (2) CONDITION REPORT: Lot 22: First Vase Chips to the lower foot rim, fritting visible throughout Second Vase: Small chips and scuffing and wear to footrim, fritting visible throughout
A pair of Chinese blue and white porcelain vases, late Qing Dynasty (1644-1912) Each of ribbed ovoid form, surmounted by a tapered moulded neck, the white glazed body with upper and footrim blue glazed borders, the exterior sides with three roundels filled with precious objects, 14cm high. (2) CONDITION REPORT: Lot 18: First vase - Large chip to base, approx 1-2cm in size Scuffing and wear to neck Second vase - Scuffing and wear to neck Scuffing and wear to footrim Fritting throughout.
A pair of Chinese Kangxi style vases, 19th/20th Century Each of baluster form, rising from a splayed base and extending to straight neck, the body of each painted with peacock and hen before flowering blossom trees and rockwork, 18cm high. (2) CONDITION REPORT: First Vase - Hairline crack approx. 6cm in length Small glaze chip to upper rim glaze discolouration and staining to the shoulder several glaze chips to the foot Second Vase - hairline crack to the shoulder approx. 8-10cm in length several glaze chips to the foot.
Sowerby blue milk vase on three loop feet with diamond registration mark (height 8cm), Sowerby blue/green milk swirled ovoid vase with diamond registration mark (height 7cm), Sowerby blue and milk swirled trough vase with lug handles and diamond registration mark (length 11cm), a Davidson blue and milk vase with scallops (height 9.5cm), and four other items of glass - large two-handled blue and white swirl vase (height 11cm), blue and white swirled vase with three flanges (height 7.5cm), opaque blue vase (height 7cm), and a green and white glass beaker (height 12cm)
Chinese porcelain baluster vase painted in underglaze blue and converted to a table lamp with bronze and copper mounts, the vase of 19th century style with underglaze blue double ring mark to base, decorated with scroll pattern to neck and fret margin to foot, the body with extensive scrolled foliage and four flying dragons spaced with eight large flower heads, height excluding lamp mounts 34.5cm [The lamp mounts, which have a bayonet fitting, might date from the 1920's. The top edge of the neck rim of the vase, and the top inner margin of the neck, are unglazed, as is the recessed foot rim, suggesting it might originally have borne a lid and was intended for another stand or base. Alternatively, the vase might have been made contemporaneously with the lamp mount, however the hole in the base of the vase has been roughly drilled] This lot is presented and sold with the lamp mounts disassembled for inspection. This catalogue description does not constitute a condition report, please contact the department.
Famille rose porcelain bowl, perhaps 18th century, enamelled with floral sprays and lotus flowers, three vignettes and decorated within, four character mark to base (height 8cm diameter 20cm); together with a thick porcelain bowl decorated with lemon branches (diameter 17cm) and a 20th century porcelain turquoise ground vase (height 23cm)
A Moorcroft bowl of shallow form with painted pink and mauve anemone decoration on a graduated green and blue ground, with impressed marks to base and paper label - By Appointment Potter to Her Majesty Queen Mary, 14 cm diameter approx together with a similar vase of ovoid form with anemone decoration on a blue/green ground, with impressed marks to base, 10 cm tall approx
A Moorcroft pale blue ground vase of baluster shaped form with incised and painted grape hyacinth decoration, with impressed marks to base dated 2004, 10 cm tall approx together with a similar pale blue ground Moorcroft vase of waisted form with daisy detail and dated 2001, 13 cm tall approx
An early 20th century Coalport yellow ground two handled vase with painted panel in tones of blue showing head and shoulder portrait of a young woman within gilded cartouche, with printed mark to base and painted numbers 5934, 21 cm tall approx together with a Royal Worcester white ground vase of baluster shaped form with painted harebell decoration and black printed mark to base numbers 2491 and dated 1914, 10 cm tall approx
A Moorcroft vase of ovoid form with painted moulded repeating tree, foliage and floral decoration in tones of grey and green against a peach coloured sky, with impressed marks to base, 11 cm tall approx together with a further Moorcroft vase with mauve and cream orchid type decoration on a yellow and green graduated ground, with impressed marks to base and dated 99, 9 cm tall approx
A Moorcroft vase of ovoid form with violet flower and leaf decoration on a dark and light green ground, with impressed marks to base, 11 cm tall approx together with a further Moorcroft vase of squat form with similar dark red and pink floral decoration against a green leaf background, with impressed marks to base and dated 2000, 8 cm tall approx
A collection of early 19th century ceramics of topographical interest including a vase of flared form with basket weave moulding and finely painted panel of a scene at Malvern, raised on three gilded paw shaped feet, with painted mark to base Malvern, a Grainger Worcester two handled cup and cover with painted river scene, probably at Worcester, a circular ceramic panel with printed and infilled decoration of a scene at the College Chapel, Winchester, with printed mark to base Published by William Savage, Winchester, etc
A Moorcroft blue ground vase of bottle shaped form with purple and yellow pansy detail, with impressed marks to base M154, 15 cm tall approx together with a similar Moorcroft bowl with leaf and berry design to the interior, 11 cm diameter approx and a small Moorcroft blue ground cylindrical pot with hibiscus type decoration, with paper label to base - Potter to the Late Queen Mary, 6 cm tall approx
A Royal Worcester ivory ground pot pourri vase with pierced cover and inner lid, with gilded leaf handles and decoration, with puce printed mark to base number 1326 together with a further similar vase with painted and gilded floral sprays, also number 1326 to base and a continental bowl and cover with dog rose decoration
A collection of ceramics including a Goebel model of a seal, a Poole Pottery biscuit barrel and cover, a collection of 19th century Derby tea wares in the Imari manner, a Royal Winton Chintz part sandwich set, a 19th century Cantonese vase, Beswick charger in the Art Deco manner with orange, brown and black geometric decoration, etc
A 19th century Staffordshire spill vase in the form of a male musician accompanied by a red and white dog and a goat together with a 19th century dessert plate with painted rose spray within blue and gilt border, a cranberry glass dish with shaped outline raised on a clear glass stem together with a smaller similar cranberry glass bowl and a Willow Art crested model of a monument with the Bedford crest
A Grainger Worcester blush ivory pot pourri vase with moulded and pierced integral cover, with brown printed mark to base numbers 524 together with an oriental bottle shaped vase with over painted Cantonese style decoration, a collection of Victorian tea wares with green printed floral design including covered surcrier, milk jug and a pair of cake plates, an S Kepple plate commemorating the Coronation of Edward VII, etc
Loading...
