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A late 19th Century John Walsh Walsh glass rustic posy vase with four posies surrounding a large central posy with applied rustic form handles and trailing, in a straw opalescent finish, height 15cm, together with a similar smaller example on a branch form support, height 14.5cm. (2)
A late 19th Century John Walsh Walsh satin air trap glass vase of shouldered form with folded rim, decorated with air trap columns to a pink ground, height 13cm, together with a similar example in blue and an example with ovoid bowl and triform rim to an amber ground, height 10cm. (3)
A large contemporary studio glass vase by Adam Aaronson of slender sleeve form decorated with a central silver leaf band over a clear satin ground and opal core, height 40cm, together with another smaller example, height 22.5cm, and a compressed flared form example, engraved signatures, height 13cm. (3)
A later 20th Century Peter Layton studio glass Landscape vase of compressed ovoid form, decorated with orange spotting over a graduated green to blue tonal ground in a satin finish, height 15cm, together with a matched smaller example , engraved signatures, height 9cm. (2)
A later 20th Century Katherine Shaw studio glass vase of ovoid form with roll rim, decorated in the Tutti Frutti style with multicoloured inclusions to the graduated clear to magenta ground, engraved with abstract motifs to the rim, Roman numeral dated to 1995, height 15cm.
A contemporary Blowzone studio glass Visage vase by Iestyn Davis, of conical form with decorated with applied clear frosted stylised facial details to a frosted blue ground, dated 1998, together with another example of drawn ovoid form in magenta, dated 2002, height 10.5cm. (2)
A large contemporary London Glassblowing Blue Floral Dropper glass vase designed by Peter Layton, of compressed ovoid form below an attenuated neck and button rim, decorated with stylised blue flowers and green foliage all to the satin ground, original paperwork, engraved signature, height 41cm.
A large contemporary Jonathan Harris studio glass Cased Cameo vase, titled Stormforce, of swollen sleeve form raised on a clear crystal foot with aventurine highlights, internally decorated with a landscape of trees in pale amethyst on a pale opal and pink ground all cased in clear crystal, engraved signature, height 25cm
A large later 20th Century Isle of Wight limited edition Undercliff glass vase by Timothy Harris, of high shouldered form with flared rim, decorated with a stylised tree scape with aventurine and mottled colouring cased in clear crystal, dated 1999, numbered 16/50, signed by Timothy Harris, height 38.5cm.
A late 1960s Mdina glass Crizzle Stone vase by Michael Harris, of wide compressed form below an attenuated slender neck, internally decorated with a fissured network of silver oxide ochre over a deep blue ground all cased in clear crystal, signed by Michael Harris, width 27cm.
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653685 item(s)/page