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Lot 636

A 1960’s cylinder vase designed by Geoffrey Baxter for Whitefriars pattern number 9700 decorated with integral meadow green spots over a deep turquoise ground, height 15.5cm.

Lot 642

A post war Webb Corbett crystal glass vase of fluted oval section deeply cut with vertical and horizontal panels of mitre cuts, height 27.5cm, S/D and water marks to the interior.

Lot 644

A large 20th Century Stuart crystal cut glass vase of footed pedestal form with a flared trumpet form body decorated with vertical mitre cuts below a stylised laurel garland, height 30.5cm.

Lot 645

A large 1950’s Webb Corbett clear cut crystal glass vase of cylinder form decorated with a repeat stylised foliate pattern between mitre cut borders, height 28cm.

Lot 651

An early 20th Century Richardsons cameo Rich vase with a clear crystal foot and flared trumpet body cased in a deep amber over clear acid cut with stylised lilies over a planish cut ground, height 25cm.

Lot 654

An early 20th Century Webbs cameo Fleur vase of footed trumpet form cased in citron over clear and acid cut with a repeat stylised lily pattern over cracked ice effect ground, bears acid and cameo signature, height 25cm.

Lot 661

A 1930’s Stevens & Williams Royal Brierley cut crystal glass vase designed by Keith Murray, the flared cylindrical body with repeat hollow diamond cuts rising to an arched rim, bears full acid signature, height 14cm.

Lot 668

An early Whitefriars Spanish cut tumbler vase designed by Harry Powell decorated with a polished intaglio pattern, height 15.5cm.

Lot 672

A post war textured range “Sunburst” vase designed by Geoffrey Baxter for Whitefriars, pattern number 9676 of circular form with square collar neck cased in clear over cinnamon, height 15cm, retains original label.

Lot 673

A post war textured range “TV” vase designed by Geoffrey Baxter for Whitefriars with a stepped rectangular form body cased in clear over tangerine, height 18cm.

Lot 674

A post war textured range “Coffin” vase designed by Geoffrey Baxter for Whitefriars cased in clear over pewter interior, height 13cm, together with a similar period “traffic light” example in clear over meadow green, height 12cm, S/D.

Lot 675

An early 20th Century James Powell & Son straw opal fan vase designed by Harry Powell and T.G.Jackson with a wide circular foot and fluted compressed body, height 16cm.

Lot 681

An early 20th Century John Walsh Walsh opaline brocade handkerchief vase with wide frill rim all raised to a drawn and crimped citron foot, height 15cm.

Lot 686

A Clutha glass vase designed by Dr Christopher Dresser for James Couper & Sons circa 1900, the squat bottle form having a shallow collar neck and lipped rim decorated with a spiralled tonal green streaked finish, bears full acid signature to the base “Clutha - designed by CD - registered”, height 19cm.

Lot 687

A post war Webb Corbett clear cut crystal glass vase designed by Irene Stevens, the ovoid body cut with repeat horizontal stylised leaf cuts, unmarked, height 26cm.

Lot 688

A later 20th Century re-issue Stuart cut crystal glass vase designed by John Luxton of conical form polish cut and engraved with a stylised bark effect, acid marked, height 20cm.

Lot 694

A mid 20th Century Stuart cut crystal glass vase of tumbler form decorated with vertical mite cuts with staggered horizontal cuts, acid marked, height 20cm.

Lot 698

A post war Whitefriars cut crystal glass vase designed by Geoffrey Baxter, the tumbler form body cut with a spiral mitre cut with engraved stars, height 20cm.

Lot 699

A small post war Webb Corbett clear cut crystal glass vase in the Harlequin pattern designed by David Queensbury, the cylindrical body cut with hollow diamonds in polished and satin finish, bears full acid mark, height 15cm.

Lot 702

A large mid 20th Century Webb clear cut crystal glass vase designed by David Hammond, the flared cylindrical body decorated with polished cut and engraved star bursts, acid marked, height 24cm.

Lot 703

A post war Stuart cut crystal glass vase designed by John Luxton, the footed ovoid body decorated with panels of mitre cuts with interwoven polish intaglio lines and mitre stars, acid marked, height 21cm.

Lot 704

A mid 20th Century clear cut crystal “Murrine” vase designed by Diane Meaney, the circular foot rising to an ovoid body with vertically cut stylised foliate motifs, unsigned, height 25cm.

Lot 705

A post war clear cut crystal glass vase designed by William Wilson for Whitefriars of barrel form with a mitre cut grid pattern with circular printie cuts, height 24.5cm.

Lot 706

A post war Stuart cut crystal glass vase designed by John Luxton, the barrel form body cut with vertical mitre cuts with columns of circular printie cuts, acid marked, height 18cm.

Lot 707

A post war Webb Corbett cut crystal glass vase designed by Irene Stevens, the barrel form body cut with vertical columns of large circular printie cuts joined by horizontal polished lines, unmarked, height 22.5cm.

Lot 709

A late 19th Century straw opal vase designed by Harry Powell for James Powell & Sons, the compressed ovoid base rising to a tall collar neck with opalescent lattice over pale citron ground, height 23cm.

Lot 717

A 1930’s Webb & Corbett crystal vase of waisted cylindrical form hand enamelled by Hugo Maisey with a fruiting plum tree bough over a black lattice ground, height 25.5cm.

Lot 718

A later 20th Century cased body vase designed by Ronald Stennett-Willson for Wedgwood, the ovoid form cased with clear crystal over a mottled brown and white ground, acid signed, height 13cm.

Lot 719

A post war textured range vase designed by Geoffrey Baxter for Whitefriars of rough cast conical form cased with clear crystal over tangerine, pattern No 9717, height 18cm.

Lot 720

A post war textured range vase designed by Geoffrey Baxter for Whitefriars of swollen rectangular form, pattern number 9685 cased in clear over tangerine, height 11.5cm.

Lot 721

A post war textured range vase designed by Geoffrey Baxter for Whitefriars of square section, pattern number 9683, cased in clear over Pewter, height 17.5cm.

Lot 724

A 1960’s Thomas Webb commemorative crystal glass vase of pedestal form with a tapered cylindrical body made for the Investiture of Prince Charles. The body engraved by Cyril Kimberley with a stylised dragon below dedicated script panel, signed to the body, height 24cm.

Lot 725

A large later 20th Century Brierley Crystal pedestal vase of footed compressed ovoid form with traditional cut sides later engraved by S. Piper with a bull elephant to a landscape setting, height 35cm.

Lot 727

A 1930’s John Walsh Walsh cut crystal vase designed by Clynne Farquharson, the swollen barrel form body cut in the leaf pattern below a narrow prismatic rim, bears full engraved signature to the base, height 24.5cm.

Lot 728

A later 20th Century Orrefors vase of compressed ovoid form decorated with graduated bands of elliptical cuts, engraved signature, height 20cm.

Lot 730

A post war Kosta vase designed by Vicke Lindstrand, the compressed ovoid body with a heavy cased clear crystal wall over an internal deep ruby aperture with white loop line detail, engraved signature, height 13.5cm.

Lot 744

A post war Nuutajarvi Notsjš Ariel vase designed by Kaj Frank, the ovoid body having internal vertical tapered tear from air trap lines within clear crystal, bears a full acid signature, height 17cm.

Lot 749

A large late 20th Century Lindshammer vase possibly designed by Ander, the drop moulded body of irregular rough cast abstract form with a collar neck and flat rim cased in clear over deep pink, bears full engraved signature and original label, height 20cm.

Lot 753

A small post war Orrefors glass vase designed by Sven Palmqvist, the conical foot rising to a compressed ovoid body engraved with a winter scene with Reindeer and Skiers, engraved signature, height 12.5cm.

Lot 758

A large later 20th Century vase in the Venetian Murano style, the high waisted cylinder cased with vertical black and white canes, unsigned, height 49cm.

Lot 762

A 1960’s Nuutajarvi Notsjš vase designed by Kaj Frank, the deep facet cut crystal base rising to a flared cylindrical body cased over deep amber, engraved signature and dated 64, height 22.5cm.

Lot 767

A large later 20th Century Venetian Sommerso vase designed by G. Campanella & Cie with a flat polished angular body with relief moulded sides and internal ovoid aperture cased with clear crystal over deep amber, height 16cm.

Lot 768

A large post war Kosta crystal vase of compressed ovoid form designed by Vicke Lindstrand polished intaglio cut and engraved with a stylised beach scene with boat and hanging nest, engraved signature, height 30cm.

Lot 769

A later 20th Century Venetian Murano vase of tapered triangular form cased with orange squares to the deep cinnamon body detailed to the surface with a battuto polished finish, engraved signature to the base, height 39cm.

Lot 771

A post war Flygsfors vase designed by Viktor Berndt of shouldered form with a square neck relief moulded with a stylised peacock all in a cased smoke grey tint, engraved signature to the base, height 18cm.

Lot 772

A later 20th Century Venini vase of cylindrical form with an internal cased spiralled black line detail, engraved signature, height 27cm.

Lot 777

A 1970’s cog vase designed by Tamara Aladin for Riihimaki, the stepped cylindrical body cased in deep ruby, height 28cm, retains paper label.

Lot 784

A 1970’s cog vase designed by Tamara Aladin for Riihimaki, the stepped cylindrical body cased in red, height 28cm.

Lot 792

A small Kosta posy vase designed by Vicke Lindstrand of flared cylindrical form with a wide wave and folded rim all in a pale smoke tint, acid signature, height 11cm.

Lot 803

A post war Coquille vase designed by Paul Kedelv for Flygsfors, the drawn cylindrical body cased with clear over red, white and blue below a triform rim, engraved signature and Kedelv’s name, height 26cm.

Lot 804

A post war Coquille vase designed by Paul Kedelv for Flygsfors, the drawn cylindrical body cased with clear over white and blue below a flat rim, engraved signature and Kedelv’s name with date for 55, height 16cm.

Lot 7

Early 19th Century sucrier painted with 'White Rump and Fly Catcher' (probably Swansea) two porcelain plates and spill vase painted with floral sprays 18/19th Century Staffordshire figure and souvenir plate

Lot 108

ATTRIBUTED TO EMILE BOULARD, BEARS SIGNATURE, OIL, Impressionist Study of Flowers in a Vase, 15” x 11”

Lot 401

A PENOT, SIGNED, OIL, Peaches, and Vase of Flowers, 17” x 14”

Lot 442

ADRIA HOFFMAN, SIGNED, OIL, still life study of mixed spring flowers in a vase on a ledge in the Dutch manner, 24” x 16, plus HENRY HOPPER, SIGNED OIL, Figures with Boats before the Medway Bridge, 11” x 19”

Lot 214

A Moorcroft fuscia pattern, trial vase signed Shirley Hayes and dated 12.12.03, brightly decorated against a graded blue ground, 21cm high

Lot 215

A Moorcroft hibiscus pattern, dated 2003, the baluster shaped vase, brightly decorated with blue and yellow blooms against a graded purple ground, 28cm high

Lot 219

A Royal Worcester vase, date code for 1905, shape number 1452, the blush ivory, wrythen moulded body, decorated with floral sprays, below gilt lined rims, 27.5cm high

Lot 232

Coalport: The Buckingham Vase and cover, number 35 of 100, decorated with exotic birds and floral sprays against a pale blue and gilt highlighted ground, by Malcolm Harnett, 30cm high, boxed, with certificate

Lot 233

Coalport: The Buckingham Vase and cover, number 31 of 100, decorated with exotic birds and floral sprays against a pale blue and gilt highlighted ground, by Manfred Pinter, 30cm high, boxed, with certificate

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