We found 653833 price guide item(s) matching your search
There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
653833 item(s)/page
A Walter Moorcroft tube lined pottery "Banana Tree" pattern limited edition planter, 22 cm high, 24 cm diameter. No 31, the base with impressed mark and facsimile signature to base and dated 17 August '87. CONDITION REPORT: The planter is free from any repairs or restoration. There are no chips. The only minor issue is crazing to the glaze. This is evident in particular on the paler sections of the jardiniere particularly on the top rim. The interior is dirty and again there is visible staining and discolouration to the bottom quarter of the interior of the vase. IT has clearly had a plant in it at some point. There are no hairline cracks.
A Walter Moorcroft tube lined pottery "Carp" pattern squat baluster vase, decorated by J. Moorcroft. 22 cm high, with impressed mark, signed in gilt and dated '92 to base, (slightly rubbed to base), with box for same (see illustration). CONDITION REPORT: This vase overall is in good condition but there is a small area of glaze crazing to the side and rear of the neck.
A pair of Victorian green glass lustres, each with faceted glass drops. Height 32 cm. CONDITION REPORT: One lustre is missing two sets of drops and has discolouration to the gilt banded decoration with some wear and losses. The base of this lustre has some minor flake chips as well as flake chips to the petal form or serrated upper rim. The other lustre again has discolouration and wear to the banded decoration with some scratching etc. The drops appear to be complete however there is evidence of flake chips to each. The lustre base again has some minor flake chips to the base rim. Both of these lustres appear to be free from chips or cracks but both do have moderate to significant wear to the gilt decoration. One vase is also lacking two pendant prismatic drops and some of these drops are slightly chipped.
A pair of Royal Doulton stoneware vases, with moulded decoration glazed in mottled green and cobalt blue, impressed marks to base Nos. 6478, 668 and incised with initials CA. 15.5 cm high. CONDITION REPORT: Both of these vases have minor scratching which is noticeable to the blue grounds. One vase has a more noticeable scratch. Neither vase appears to bear any chipping, damage or restoration.
A set of eight late 19th/early 20th century yew-wood windsor open armchairs, Nottinghamshire, possibly Worksop The hooped backs with pierced vase shaped splats and shaped seats, on turned tapering legs, each 51cm wide, 39cm deep, 107cm high, seat height 43cm high. (8) See Dr. B. Cotton, The English Regional Chair, 1990, p.177 Figure NE271 for a similar example and p.190 Figure NE331 for another.
A group of 19th and 20th century glass trumpet vasesComprising of a pair of late 19th century heavily cut glass trumpet shaped vases, a pair of Victorian fluted glass trumpet vases with handkerchief edges, a pair of early 20th century bulbous spirally fluted vases, a large Schott & Gen measuring tube, a small pair of plain 19th century trumpet vases, two single Victorian trumpet vases, a 20th century cut glass trumpet vase and a small spiral turned trumpet vase, the largest pair 42cm high. (13)
Gio Ponti (1891-1979)An 'Alato' vasePorcelain by Richard Ginori, Manifattura di Doccia, Florence, Italy, numbered 52, together with P.Portoghesi & A. Pansera, Gio Ponti, alla manifattura di Doccia, Sugar Co Edizioni, Milan, 1982, the vase 15.5cm diameter, 18.5cm high. (2)The vase is illustrated in P.Portoghesi & A. Pansera, Gio Ponti, alla manifattura di Doccia, Sugar Co Edizioni, Milan, 1982.
A pair of 19th century H & R Daniel bulbous vases and a vase attributed to Samuel AlcockOn a blue ground with wavy flared lips and foliate handles raised on feet decorated with panels of flowers, 19cm high and a further flared vase decorated with panels of flowers on a blue ground with intertwined handles, 18cm high. (3)
A group of 18th century and later Chinese ceramics Including a late 18th century Chinese famille rose tankard, 12cm high, a famille rose baluster vase, a lobed edge bowl, a Cantonese vase, a Chinese blue and white tea bowl, a famille rose teacup, an Imari tea bowl and a famille rose tea bowl. (8)
A group of 19th and 20th century Chinese enamel and cloisonné itemsComprising: a 19th century Cantonese enamel teapot, 14cm high, a pair of early 20th century Chinese cloisonné enamel vases, each 25cm high, a 19th century cloissoné enamel ginger jar, on hardwood base, 11cm high, and a Chinese celadon craquelure vase, decorated with a goldfish, 22cm high (5).
A celadon jade figure of a deity and three other figuresThe celadon jade figure of a deity holding a vase, an agate figure of a deity holding a flower, 22cm and 21cm high respectively, a green hardstone figure of a parrot with an ebonised base, 19cm high and a 20th century hardstone figure of a duck, 11cm wide (4)
A monumental Victorian Arts & Crafts lustre wall charger by Maw & Co, BroseleyGlazed in purple, pink and orange on a white ground with central circular Medusa mask surmounted by a flaming brazier, flanked by pomegranates, other seeded fruit and leaves, within a running wave border, impressed marks to the underside 'MAW & Co' and 'BROSELEY', with stapled firing crack, 91cm diameter.Maw & Co was established by George Maw and his brother Arthur in Worcester in 1850. In 1862 the company moved to Broseley, Shropshire to take advantage of the good-quality local clay and in 1883 they moved again to the Benthall Works in Jackfield, Shropshire. The company continued to prosper and by 1880 had grown to be the largest producer of ceramic tiles in the world. Maw & Co specialised on the earthenware floor tiles, mosaic tiles (from 1862), transfer printed tiles, hand painted picture tiles and relief tiles were also produced and included Art Nouveau and Art Deco geometric designs. In the 1890s Maw & Co started making high quality art pottery (the name they used for it) and employed artists, such as Lewis Foreman Day, William De Morgan and Walter Crane, to design both art pottery and tiles. The stamp underside indicates that the piece was manufactured between 1862 and 1883 while the factory was still located in Broseley. While the company's main output at the time was tiles, it also produced one-off pieces like this for various exhibitions as a showcase of their craftsmanship and techniques. Thus, one of the first examples was made for 1851 Great Exhibition, and a further similar charger was made for 1889 Exposition Universelle (now in the Ironbridge Gorge Museum). It seems likely that the present charger was made for one of such exhibitions, designed by a prominent artist of the era. William De Morgan or Walter Crane seem to be plausible candidates for such design. Crane realised a number of designs for Maw & Co. in 1870's–80's, including a set of lustreware decorated vessels in similar, antiquity-inspired style, for an Arts and Crafts exhibition (The Work of Walter Crane with Notes by the Artist. The Easter Art Annual for 1898: Extra Number of the 'Art Journal'. London: J. S. Virtue, 1898.). The De Morgan Foundation owns a large Maw & Co. charger similarly decorated with vitruvian scroll borders (https://www.demorgan.org.uk/collection/ruby-lustre-charger-with-galleon-within-a-carnation-border/). A vase by an anonymous artist is owned by the V&A Museum, London (http://collections.vam.ac.uk/item/O150401/vase-maw-co/).
A 20th century continental porcelain oval bowl, probably Copenhagen, enamelled with floral sprays within shaped rim, 17.5 cm x 14.5 cm, underglaze Blue Waves mark, a pair of early 19th century porcelain saucers decorated in grey with floral sprays and swags and a small selection of decorative ceramics. CONDITION REPORT: Oval bowl probably Copenhagen is in a good condition. The pair of porcelain dishes decorated in grey both have slight chipping to rims. The other items in this lot comprise an early 19th century porcelain tea bowl and saucer (tea bowl broken and repaired) , a Wedgwood black basalt pottery vase (chipped rim), 3 early 19th century saucers, an old Foley pottery oval bowl and an oriental oval dish.
A Victorian Staffordshire pottery clock group 31 cm high together with a Victorian Staffordshire pottery spill vase moulded with seated couple and dog 32 cm high. CONDITION REPORT: Clock group has ware to the decoration in places. Spill vase has a repaired chip to the rim together with some decoration loss
A Victorian Staffordshire pottery spill vase moulded as Red Riding Hood, an unusual Victorian pottery Staffordshire figure moulded with a seated boy and dog, the dog wearing a dunce's hat and a Staffordshire star pottery spill vase. CONDITION REPORT: Red Riding Hood vase has paint chipping and loss together with damage to the foxes head. The dunce figure has a firing crack and wear to gilding. The third figure is in a good order although does not look to be 19th century
A pair of Black Forest carved wooden stands, cattle and tree trunks. Height 28 cm excluding the accompanying glass vase. CONDITION REPORT: The stand with the glass epergne trumpet has a piece of cork glued to the inside of the stand to accommodate the trumpet. There is a short vertical crack between the two upper branches. The base has two short shrinkage splits. The other stand does not have a piece of cork glued to the inner rim. There is a chip to one of the lower cows horns and again there is a short shrinkage split to the base and also there is a shrinkage split just running behind the lower cow.
A Keswick School of Industrial Arts planished copper cylindrical vase, with flared sides, the base with leaf motifs. 18 cm high, 11.5 cm diameter, sold together with an interesting pamphlet - "The Keswick School of Industrial Art - Its Work and Development", published at Keswick and printed at the Sign of the Beaver, 1904 (blue card bound pamphlet, the paper with uncut edges).
A Chinese rosewood circular vase stand, with fretted sides, 3.5 cm high x 16.5 cm diameter, and another Chinese vase stand, 14.5 cm diameter. CONDITION REPORT: The larger of the stands has had slots cuts in to the frieze and has other minor damage to the scroll decoration. The smaller stand has slight chipping. Both are 20th century.
-
653833 item(s)/page