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A Chinese celadon glaze porcelain vase of baluster form (now as a lamp) and on carved base (base broken): the waisted neck with stiff plantain leaves above a Greek key band, the lower body with tall lappets (30cm high not including carved base and carved wooden top)Condition Report: Overall in general good order. Some 'bubbles' to glaze (during the firing process), no major cracks, chips or restorations noted. The bases that the vase is attached upon is broken in several places. The wood is attached at the top and the bottom (because it has been converted into a lamp)
A 19th century Chinese porcelain Hu vase: red ochre and light-brown trickling glazes against a crackle glaze ground, two elephant-mask handles and of flattened form, on conforming octagonal foot (hairline crack to underside of base) (24cm high) Christie's London, original invoice dated 28 May 1987 referring to the Great Tew Park dispersal, together with original invoice
A large late 19th / early 20th century Chinese porcelain vase; the neck with flaring rim above a ruyi head border, the vase with two 'double' opposing dogs of Foo (lion dogs, temple guardians) handles, each side with a turquoise ground and a lilac ground, applied Chilong dragon and further over two shaped reserves decorated in famille rose enamels with a musician group before mountains and two figures, one with an open-winged tethered stork, the second panel similarly decorated with figures before mountains and two oncoming figures about to light a firework placed upon rockwork and each with hands covering their ears, the main burnt-orange ground decorated with chrysanthemums, a peony and various other flowers in low relief, the base with lappet border in Ming style, the underside of the base with red six-character seal mark (63cm highest)
A 19th century Chinese Canton porcelain vase-and-cover of baluster form, the dome-shaped cover mounted with a 'lion dog' finial above the main body, typically painted in famille rose enamels, panels with figures, birds and butterflies. Together with a smaller similarly decorated vase, the waisted neck with a long gilded Chilong dragon. (The former 26cm including cover.) (2)Condition Report: The smaller of the two vases in this lot has a double matchhead-sized chip away from the rim, visible inside and a corresponding sharp approx. 0.5cm section away to the outside of the rim. The underside of the foot looks quire dirty commensurate with age, the rest of the vase appears in generally reasonable order although one other matchhead sized chip is away and visible from the top of the vase lip. The larger vase with the cover has some discolouration to the outside of the neck, also some further blemishes/discolouration (could be cleaned) otherwise in good condition. The 'lion dog' finial has come away at some stage and been re-affixed.
A Japanese group of four comprising three late 19th / early 20th century lacquer boxes (one gilded and modelled as a pair of peaches) and a small Japanese three-footed porcelain vase of squat spherical form (7cm), hand decorated in underglaze blue with flowerheads and leaves. (The circular lacquered box and cover with damaged lid) (4)
A 19th century Chinese Canton enamel rouleau vase: hand decorated in enamels with various birds, butterflies and peony within countryside surrounds (22.5cm high)Condition Report: The condition is generally very good. Some very minor gilt rubbing to edge of rim at top. Some minor glaze 'running' within the firing process visible to the inside of the lip at the top. The enamel decoration is bright and no chips, cracks or restoration noted.
A pair of late 19th century Japanese gilded imari-style vases (now as lamps): each on gilded, turned circular wooden base and with twin gilt metal mounted electric lightbulb holders, adjustable tops (vase height including giltwood base and top approx. 29.9cm high), together with two pleated silk shades (interior lining damaged and staining to outer pleating) (2)
A late 19th / early 20th century mahogany stool attributed to Shapland & Petter: later red-velour upholstered top; square tapering legs; vertical end splats with a stylised vase and flower motif in specimen wood marquetry and mother of pearl; the legs united by a triple H-form stretcher; register number R989 stamped to the underside of the rail. (48cm deep x 38cm wide x 47.5 high)Condition Report: In the Auctioneer's view this stool base did not have a forth side because there is no evidence of any repairs, holes or patching up to the forth side, therefore in original condition. There do not appear to have any missing struts. The stool is in overall generally good condition with no loose joints, the rail is stamped to the underside. There are minor scratches and scuffs to the legs commensurate with age. The inlays are intact.
A bijouterie group of six:a heavy and thick glaze art glass vase of bluster form and with etched signature to underside (20cm high x 19.25cm diameter); a modern Art Deco-style angular glass scent bottle; a pair of modern amethyst-coloured tall cylindrical glass vases (21.5cm); a decorative polished marble ornamental egg;a modern brass candle-holder and cover with tripod base.Condition Report: Generally good original condition with some scratches noted on the green art glass vase (top of the lip) and also to the underside of the foot. Very minor scratching to some parts of vase outer. Some minor discolouration to inside of vase which appears to clean off.
A late 19th / early 20th century elongated baluster-shaped Art Nouveau-style vase (possibly bronze): decorated in high relief with two blooming irises and vertical leaves with small frog climbing, mounted on later, turned wooden plinth base (now fitted for electricity).(Condition commensurate with age - small knocks and dents and later solder and repair to base of vase with a horizontal crack at the bottom still visible), (36cm not including base or fitting)
Bretby Art Pottery: A collection of blue glaze Bretby Art pottery items comprising a pair of Art Nouveau style twin handled slender vases height approx 24cm, two handled amphora shape vase height approx 21cm, flared rim vase height approx 26cm, squat three handled vase height approx 10cm, plate in the form of a flower head diameter approx 22.5cm. No signs of damage or restoration.
A collection of mainly early 20th Century Royal Crown Derby to include: Imari 2451 cup and saucer; two early 19th Century various Imari pattern saucers; Derby Posies tazza, various bon bon dishes and tea strainer; a pair of early 20th Century posy vases decorated with green flowers (flared neck to one detached); boxed Royal Worcester pill box for Millennium; Football Teddy paperweight; a green and gilt plate retailed by Tiffany & Co., New York; a Staffordshire pattern no: 253 cylindrical vase etc (1 box - Q)
A collection of Royal Crown Derby "Derby Posies" to include: 4 dinner plates; 5 lunch plates; 10 various smaller plates; various shaped vases, bon bon dishes, 5 graduating sized jug, a Lynton Derby vase and a pair of Continental figures of Ladies, stamped to bases (1 box - Q)
A collector's lot to include: an early 20th Century mahogany cased Thomas Armstrong & Brothers (Manchester & London) circular barometer; a modern carved jadeite style tourist ware vase and stand; carved chess set and pieces; a pair of silvered Opera glasses in case; a modern spelter figure of a 1930s Lady (1 box)
Historismus-Vase. Eiförmig gebaucht mit eingezogenem, zehnpassig ausschwingenden Hals und rundem Stand. Seitlich eckige Henkel verbunden durch plastische Kordelverzierung. Schauseitig von plastischen Blättern und Blüten gerahmte Reserve mit bunt gemaltem Rosenbouquet. Reiche Ziervergoldung und -malerei (teils l. berieben). Ohne Marke. Um 1880. H. 25 cm.
Versace, Gianni 17 Teile aus der Serie "Medusa", mit polychromen Dekor. Bestehend aus: Paar Platztellern, Paar Kaffeegedecken (große Tassenform), Vase, Tasse mit Untertasse, Paar Desserttellern, Paar Serviettenringen und Paar Schalen. Stempelmarke Rosenthal. D. 14 bis 42 cm. Zehnmal in Original-Verpackungen von Rosenthal.
Vase, zwei Schälchen und Unterteil einer Dose. Porzellan mit so genannter "Café au lait"-Glasur. Ausgesparte Reserven mit unterschiedlichen Blumenmalereien in bunten Emailfarben. Rand der Vase rest. China, um 1800. Vase H. 23,5 cm. Beigegeben: Porzellangefäß mit sparsamer Blaumalerei, Rand besch., China, 18. Jh. H. 12,5 cm.
Vase. Porzellan mit hellgrauer Glasur. Eiförmig gebaucht mit leicht ausgestelltem Stand und eingezogenem, trompetenförmig ausschwingenden Hals. Überfang mit so genannter "Café-au-lait"-Glasur, schauseitig in Seladon gemalte, blühende Chrysanthemen und Schmetterling. Kleine, herstellungsbedingte Glasurschäden. China, Qing-Dynastie, 18./19. Jh. H. 34,5 cm.
Vase. Porzellan. Leicht konische Vierkantform mit eingezogenem Hals und ausschwingender Lippe. Schau- und rückseitig in bunten Emailfarben bemalt mit Pflanzenschalen und Chrysanthemenblüte in Vase. An den Seiten chinesische Kalligraphie. L. Gebrauchsspuren. Quadratische, rote Vierzeichenmarke, China, Ende 19./Anf. 20. Jh. H. 23,5 cm.
Gründerzeit-Kaminuhr. Graues Marmorgehäuse mit Messingapplikationen und -füßen sowie Aufsatzschale mit Vase als Bekrönung. Rund facettverglastes Zifferblatt mit aufgelegten, goldfarbenen, römischen Ziffern. Pendelwerk mit Federaufzug. Halb- und Stundenschlag auf Glocke. Alters- und Gebrauchsspuren, Kanten teils l. best. Ende 19. Jh. 46x 31x 16 cm.
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653833 item(s)/page