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ENAMEL AND DIAMOND BROOCH, EARLY 20TH CENTURYThe plaque with applied floral vase, set with rose-cut diamonds, on a blue guilloché enamel ground, within an old brilliant-cut diamond frame, diamonds approx. 3.30cts total, length 2.9cm, with fitted caseFor further information on this lot please visit Bonhams.com
Thelma Marcuson (1919-2009), Studio Pottery ovoid-form vase with fine manganese rim, circa 1980, Porcelain, Painted 'TM' to underside, 15cm high.Footnote:Inspired by the work of Lucie Rie, Marcuson met Rie and Hans Coper on her overseas trips and collected their work. She was also inspired by Ruth Duckworth, Bernard Leach and Mary Rogers. Marcuson started working in porcelain with the help of Tim Morris in 1975. Later in life, Marcuson settled in London and exhibited in both Johannesburg and London.Please refer to department for condition report
Thelma Marcuson (1919-2009), Studio Pottery yellow crackle glaze bottle vase, mid 1980s, Porcelain, Painted 'TM' to underside, 37cm high.Footnote:Inspired by the work of Lucie Rie, Marcuson met Rie and Hans Coper on her overseas trips and collected their work. She was also inspired by Ruth Duckworth, Bernard Leach and Mary Rogers. Marcuson started working in porcelain with the help of Tim Morris in 1975. Later in life, Marcuson settled in London and exhibited in both Johannesburg and London.Please refer to department for condition report
Tim Morris (1941-1990), Large Studio Pottery vase with abstract Japanese blossom motifs, circa 1970s, Glazed stoneware, Inscribed signature to underside, 31cm high.Footnote:Born in Windsor, England, studied at Lancing College, then at Brighton Art School and The St. Martin’s School of Art, London with fellow students David Hockney and Elizabeth Fritsch. Later Bill Newland suggested he study ceramics, which he did at Central School of Art under Ruth Duckworth, Kenneth Clark, Gordon Baldwin others. Morris was very strongly influenced by Dan Arbied, Hans Coper, Lucie Rie, John Colbeck and Ruth Duckworth. He eventually settled in South Africa and became a founder member of the Association of Potters of Southern Africa (APSA), now known as Ceramics Southern Africa.Please refer to department for condition report
Ben Arnup (b.1954), Disc form ‘trompe l’oeil’ optical vase, circa 1980s/90s, Stoneware, Underside signed 'BEN ARNUP' and numbered to the base 'A99', H25.5 x W54 x D7 cm, (ARR).Provenance:Grant Fine Art, Newcastle, Northern IrelandPlease refer to department for condition report
Bay Keramik, Set of three West German vessels, circa 1960, Glazed and unglazed ceramic, Handled vase bearing manufacturer's paper label, all vases marked 'West Germany' to underside together with model numbers, Handled vase : 20.5cm ; Vase: 14.5cm high ; Bowl : 11cm highPlease refer to department for condition report
KPM, Vase floor lamp, circa 1960, Ceramic, brass, electrical fittings, Brass plate to underside stamped with manufacturer's mark and no's '141' & '69', Vase : 45cm high ; Total height : 119cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use.Please refer to department for condition report
Per Lutken (1916-1998) for Holmegaard, Three 'Rondo' vases, circa 1960, Blown glass, Larger vase inscribed to base '1824', two smaller vases each inscribed 'Holmegaard 15729', Larger Vase: 11cm high ; Pair of smaller vases : each 6cm highLarger Vase : light general surface wear, some small scratches, dust build up to interior would benefit from cleaning.Pair of smaller vases : light general surface wear, dust build up to interiors, would benefit from cleaning, one with very minor flea bit nibble to base
Otto Brauer (1911-1984) for Holmegaard, 'Gulvvase' bottle vase in red, together with a Per-Olof Strom for Alsterfors vase, each circa 1960s, Coloured glass, Holmegaard vase with applied manufacturer's label, Alsterfors vase unmarked, Holmegaard vase : 37cm high ; Alsterfors vase : 24.5cm highPlease refer to department for condition report
Egermann, Sommerso glass vase together with three further Sommerso glass vases, circa 1970, Faceted cased glass, Smaller vase bearing 'Egermann' label, Egermann vase : 15cm high ; Square tapered red vase : 24.3cm high ; Tapered blue/amber vase : 22.5cm high ; Tapered green/pink vase : 21.8cm highEgermann vase : Only very light surface wear in generally good clean overall conditionSquare tapered red vase : Only very light surface wear some minor surface scratches, some some build up to interior, otherwise in generally good clean overall conditionTapered blue/amber vase : some very light surface wear, internal chip to one cornerTapered green/pink vase : Only very light surface wear some minor surface scratches, some some build up to interior, otherwise in generally good clean overall condition
Lido, Sommerso glass vase, together with three further Sommerso glass vases, circa 1960/70, Cased glass, Lido vase bearing paper label, Lido vase : 18.5cm high ; Waisted pink and clear glass vase : 15cm high ; Square tapered blue and pink glass vase : 25cm high, Blue vase: 19.5cm high Lido vase : overall general minor surface wear, some minor dust build up to interior, small flea bite chip to top of rimWaisted pink and clear glass vase : overall general minor surface wear, some minor dust build up to interiorSquare tapered blue and pink glass vase : overall general minor surface wear to include some very minor/faint scratches, some minor dust build up to interior, some miniscule fleabite nibbles to some edgesBlue vase: : overall general minor surface wear to include some very minor/faint scratches, some minor dust build up to interior, minor fleabite nibble to base, open air bubble to one side from manufacturing process.
Harri Koskinen (b.1970) for Venini, ‘Cosmos’ vase, 2011, Red and smokey glass, Manufactured by Venini, Italy, Applied manufacturer’s label and incised marks to base ‘Venini 2011/5 Harri Koskinen’, 22cm high, 26.5cm diameterMinor general surface wear throughout, the underside of base with small scuffs and scratches, otherwise in generally good overall condition
AMENDED DESCRIPTIONThis vase is made by Awaji Art Pottery, circa 1890, and bears the stamp of the Sanpei flag.Designer Unknown,Art pottery vase with twin handles, circa 1880, Yellow glazed earthenware, Underside with indistinct makers stamp and impressed 'JAPAN', 24cm highPlease refer to department for condition report
Constance Spry (1886-1960) for Fulham Pottery, Crown and Lion vase (first designed 1936 for Edward VIII coronation, then produced again for Elizabeth II), 1953, Unglazed exterior, clear glazed interior earthenware, Underside impressed 'ER 1953' stamp, and 'MADE IN ENGLAND', 45cm wide, 19.5cm highVertical crack 8cm from the rim on one side and crack on opposite side from rim to interior base, crazing, various marks and scratches, may possibly have some overpainting. Additional images are available.
Group of Studio Pottery, Winchcombe Pottery bowl part glazed in buff matt glaze with mottled brown spots, a small black and brown tenmoku vase with iron brush decoration, and a tenmoku glaze cut sided vase converted to a lamp base (3), late 20th century, Glazed stoneware, Tenmoku lamp and vase unmarked, Winchcombe bowl with pottery seal, Winchcombe bowl: 18.5cm diameter, 8.5cm high. Unmarked vase: 15cm high. Lamp base: 32cm high.Please refer to department for condition reportBowl: overall condition good, very minor signs of use to interior.
A RARE NORTH INDIAN TWO HAND SWORD, 17TH/18TH CENTURY, POSSIBLY RAJASTHAN, with double-edged straight flat blade formed with a central fuller on each face, tubular brass hilt incorporating an engraved gaping Makara head gorged on a pair of brass panels with vase-shaped finials enclosing the forte, three-stage grip divided by prominent raised collars, mouded bud-shaped pommel, a writhen collar at the top and the bottom, in a later leather-covered wooden scabbard, 88.8 cm blade¦¦Roy Elvis Catalogue Number C65. ¦¦Another sword of this type, formerly in the collection of Henri Moser, is preserved in the Bernisches Historisches Museum, see Moser 1912, p. XIV, pl. XXIII, no. 124.¦¦Highlight from the Roy Elvis Collection (1944-2022)
EDITH JACOB "Japanese anemones" a still life study of flowers in a vase, watercolour, unsigned, inscribed verso 38.5 cm x 28 cm together with ROGET "The Terrace Porthcawl?" watercolour, signed and dated 1946 lower right and inscribed verso 25.5 cm x 18 cm and a coloured engraving (3)
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653685 item(s)/page