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Click here to subscribeA Chinese famille rose vase, gilt and enamel decorated in rose medallion pattern with panels depicting figures, birds, flowers, gilt mask form handles, 46 cm, together with an oriental Geisha floor vase, 45 cm, a Cantonese satsuma vase of bulbous form depicting, exotic birds amongst foliage, scalloped edge with shell shaped top, 40cm, and a phoenix ware jug and bowl set, circa mid 20th century. (4)
POLLIO PERELDA1915 - 1984VASE 'STELLATO' Italien, Murano, Fratelli Toso Farbloses Glas m. eingeschmolzenen, polychromen Sternmurrinen. H. 29,5 cm, D. 14. Unter dem Stand bez. 'Ermanno Toso' (graviert), innen Papieretikett 'Frattelli Toso'. Part. kl. Kratzspuren.
FULVIO BIANCONI1915 Padua - 1996 MailandVASE 'MISCUGLIO' Italien, Murano, Galliano Ferro, 1966 Verschmolzene, polychrome Glastäbe, spiralig ansteigend im Model geblasen u. farblos überfangen. H. 30,5 cm D. 14 cm. Unter dem Stand bez. 'F. Bianconi '66 G. Ferro' (Ritzsignatur).
ERNST FUCHS1930 Wien - 2015 ebenda'BLUMEN IN VASE' Farblithografie auf Velin, Farbprobe. DM 59 x 37 cm, SM 70 x 49,5 cm (R. 77 x 56 cm). Unten rechts mit Bleistift handsigniert 'Ernst Fuchs' sowie unten links nummeriert und bez. '4/5 Farbprobe'. Min. gebräunt. Hinter Glas gerahmt (ungeöffnet). Provenienz: Privatsammlung Nordrhein-Westfalen.
FULVIO BIANCONI1915 Padua - 1996 MailandVASE 'SIMIL CUBICA' Italien, Murano, I.V.R. Mazzega f. Galleria Danese Mailand, 1959 Würfelartige Form, spiralig ansteigende Glasbänder 'a canne' in Gelb- u. Rottönen. H. 17 cm, B. 18 cm T. 18 cm. Unter dem Stand bez. 'F. Bianconi '59 Galleria Danese Milano' (Ritzsignatur).
FULVIO BIANCONI1915 Padua - 1996 MailandOVALE VASE Italien, Murano, Cenedese, 1964 Klares Glas mit polychromen, vertikalen Band- und Fadeneinschmelzungen, polierter Boden. H. 29 cm, B. 14 cm, T. 10 cm. Unter dem Stand bez. 'F. Bianconi '64', seitlich Papieretikett 'Cenedese Vetri'. Herstellungsb. kl. Einschlüsse u. Blasen, Boden mit min. Kratzspuren.
CARLO SCARPA1906 Venedig - 1978 Sendai/JapanVASE 'MINA' Italien, Murano Venini & C. um 1940 Dickwandiges dunkelrotes Glas, 'a bugne', Oberfläche leicht irisierend. H. 20,5 cm, D. 20,5 cm. Unter dem Stand bezeichnet 'Venini Murano' (zweizeiliger Ätzstempel). Min. Kratzspuren, herstellungsb. kl. Einschlüsse u. Blasen, part. winzige weiße Flecken. Literatur: vgl. Venetian Art Glass, An American Collection, Marino Barovier, Stuttgart 2004, S. 234.
DINO MARTENS1894 Venedig - 1970 ebendaVASE 'ORIENTE' Italien, Murano, Aureliano Toso um 1955 Farbloses Glas m. polychromen Pulver- u. Bandeinschmelzungen, Sternmurrine weiß/violett. H. 34 cm, B. 20 cm, T. 14 cm. Innen mit Papieretikett 'Vetreria Aureliano Toso Murano'.
CENEDESE VASE 'BUGNATO BLU' Italien, Murano, Cenedese, 2.H. 20. Jh. Dickwandiges, farbloses Glas, aufgeschmolzene, horizontale Quaderbänder a. hellblauem Glas, Boden poliert. H. 30 cm, D. 19 cm. Unter dem Stand bez. 'Cenedese' (graviert). Herstellungsbed. kl. Blasen, min. Kratzspuren.
ERCOLE BAROVIER1889 Murano - 1974 VenedigVASE 'A LENTI' Italien, Murano, Barovier & Toso, Entwurf 1940 Dickwandiges, farbloses Glas, leicht irisierend, Wandung m. versetzt aufgeschmolzenem, halbkugeligem Nuppendekor. H. 24 cm, D. 24 cm. Unter dem Stand m. Papieretikett bez. 'Barovier & Toso Murano'. Herstellungsbed. part. kl. Blasen, Boden m. min. Kratzspuren.
POLLIO PERELDA1915 - 1984VASE ' STELLATO' Italien, Murano, Fratelli Toso Farbloses Glas m. eingeschmolzenen, polychromen Sternmurrinen. H. 29,5 cm, D. 14,5 cm. Unter dem Stand bez. ' Ermanno Toso' (graviert) u. Papieretikett 'Frattelli Toso'. Herstellungsbed. kl. Blasen.
GROßE SALVIATI VASE 'SOMMERSO' Italien, Murano, Salviati & Co, 2. H. 20.Jh. Dickwandiges, farbloses Glas, teilw. hellblau unterfangen, spiralig umlaufendes, rostrotes Horizontalband, vertikal eingeschmolzene farbige Stäbe, eingeschlossene Luftblase. H. 38 cm, B. 17 cm, T. 15 cm. unter dem Stand m. Ritzsignatur bez., 'Salviati'. part. min. Kratzspuren.
VASE 'NASTRI DI LEGNO' Italien, Salvadore Murano, Anfang 21. Jh. Klares Glas, hellblau überfangen, spiralig eingeschmolzene, orange-braune Bänder, vertikales Schliffdekor. H. 33 cm, B. 16 cm, T. 9 cm. Unter dem Stand bezeichnet 'Salvadore Murano' (ritzsigniert).
DINO MARTENS1894 Venedig - 1970 ebendaVASE 'OLAF' Italien, Murano, Aureliano Toso um 1955 Farbloses Glas m. polychromen Pulver- u. Bandeinschmelzungen, Sternmurrine weiß/violett, Modell Nr. 3122. H. 38,5 cm D. 12 cm. Bez. mit Papieretikett 'Vetreria Aureliano Toso Murano'.
33-TEILIGES KAFFEESERVICE, PAUL WUNDERLICH & GIANNI VERSACE, ROSENTHAL FORM 'IKARUS', DEKOR 'MEDUSA' Deutschland, Rosenthal, Produktion ab 1993 Porzellan, polychromes Dekor, teilw. Goldstaffage. H. bis 18 cm (Vase). Unterseitig runde Marke 'Rosenthal Versace Medusa', teilw. Zusatz 'Form Ikarus Paul Wunderlich'. Bestehend aus 7 Kuchentellern, 7 Kaffeetassen 2-tlg., 1 ovale Zuckerdose 2-tlg., 1 ovales Milchkännchen 2-tlg., 2 Frühstücksteller, 1 Mokkatasse 2-tlg., 1 runde Dose 2-tlg., 1 Vase, 1 ovale Platte. Sehr leichte Gebrauchsspuren. Expertise: Echtheitszertifikat von Versace.
CARLO SCARPA1906 Venedig - 1978 Sendai/JapanVASE '936' Italien, Murano, Venini & C. Entwurf 1936, Ausführung 1986 Grau-grünes, transparentes Glas, spiralig appliziertes, umlaufendes, massives Band m. Schliffdekor. H. 32 cm, D. 18,5 cm. Unter dem Stand bez. 'venini 86', Klebeetikett 'VENINI MURANO MADE IN ITALY'. Leicht verschm..
DANIEL LOTTONGROßE VASE 'FLOWER BOUQUET' USA, Crete, Illinois, 1994 Polychrome, blumenförmige Aufschmelzungen, dickwandig transparent überfangen, innen mit netzartigem, leicht irisierendem Craquelé, ausgeschliffener Abriss mit poliertem Standring. H. 27 cm, D. 20 cm. Unten am Korpus mit Ritzsignatur bezeichnet, datiert und nummeriert 'Daniel Lotton 1994, 133'. innen part. min. Kratzspuren.
OVALE VASE VENINI 'INCALMO' Italien, Murano, Venini & C., 1980 Kobaltblaues u. türkisgrünes Glas m. Aufschmelzung v. Metallfolie. H. 24 cm, B. 19 cm, T. 16 cm. Unter dem Stand bez. 'venini italia 80' (graviert), Klebeetikett 'VENINI MADE IN ITALY'.
dating: late 18th Century provenance: Europe, Straight, double-edged blade of lenticular section, with double fuller at the forte featuring remains of the inscription '...ACCHVS...'. Brass hilt with remains of gilding. Butt-plate with two valves, the rear one turning. Quillons and guard with floral decorations. Vase-shaped pommel. Grip with wire bindings. With no scabbard. length 97,8 cm.
dating: circa 1870 - 1880 provenance: Tuscany, Round, smooth, 13 mm cal barrel with square base and decorated with a bas-relief mask, the rib slightly engraved towards the nozzle; lock richly carved with faces and masks in high relief and floral engravings with sliding pan cover. Slightly sculpted, wooden full stock with engraved and carved iron mounts, the counterplate pierced with snakes, the escutcheon shaped as a stylized vase. Wooden ramrod, missing tip and with iron cartridge extractor. length 33 cm.
dating: first quarter of the 19th Century provenance: Turkey, Iron, smooth-bore, round, 16 mm cal. barrels, with octagonal breech, remains of antique finishing. Tangs foiled in gilded silver. Flintlocks with flat plate, outlined and with small engravings. Cocks shaped as swan's neck, decorated en suite. In working order. Elegant, gilded silver stocks, in excellent state of conservation. The surface is richly carved with floral motifs in relief, on a grained ground and adorned with nielloed floral drawings. A big vase in the lower part, ending in a nielloed flower, shells in relief in various points. An effigy of a character on the back, with a head covered with turban and surmounted by a double axe. Grips carved with twisted bands. Butt-plates with a turban. Silver trigger-guards with nielloed flowers. Typical false ramrods, all embossed and enriched with small, decorative elements. The drawings present in the front part of the stock perfectly continue on the long, silver barrel brackets. Rare pistols both for the high quality of the mounts and for the excellent conditions. length 47 cm.
ALESSANDRO MANDRUZZATO FOR SOMMERSO FACETED GLASS VASE,circa 1960s, in ruby red to yellow and clear glass, 20.3cm high, along with a Scandinavian hoop vase, an olive green squat vase, and a peach squat bowl (4)Simmers vase with small nibbles to rim interior and faceted edges, otherwise light general wear and dirt, scratch to smaller pink piece
CARLTON WARE 'SKETCHING BIRD' PATTERN VASE,of ovoid form, enamelled and gilded with a bird over stylised willow trees, bleu royale ground, printed marks to base, 14cm highCondition generally good. Light wear as per use and age including minor gilt rub. Additional images now available
CARLTON WARE 'HOLYHOCK' PATTERN VASE,pattern no. 3818, of swollen cylindrical form, printed marks to base, 35.5cm highGlaze crazed, some of the lines can be felt with the tip of a fingernail, Enamelling appears intact, glaze irregularity to neck interior, otherwise light surface wear and accumulated dirt but no visible damage or restoration, some clouding and discolouration of gilt, heavier discolouration to gilt base
HIGHLAND STONEWARE,three pieces comprising a baluster vase with stylised decoration, 16cm high, a plaque with coastal decoration and a smaller plaque with floral decoration, all with printed marks to bases (3)Some light surface scratches and general wear in places but overall good condition
LARGE MONART GLASS BALUSTER VASE,the green mottled ground with swirled blue border above inset with aventurine, on a cylindrical foot, 29cm highCondition generally good to fair. There is a small chip to the underside of the foot. Some minor surface wear including light scratches. Additional images now available.
Daum, Nancy glass vase of spherical form with landscape of trees on mottled shaded lime green ground, signed with Cross of Lorraine beneath, 9.8cm highSmall pock mark or possibly burst air bubble to surface. A faint streak or line between two tall trees approx 3cm long where surface appears disrupted. Otherwise in good condition.
Gallé – Cameo glass vase, of swollen tapered form on spreading foot, lilac glass overlaid on opaque and citron tinted body, cut with irises, carved Gallé signature, 24.5cm highThere are hand full of minor scratches to the top and a production imperfection to the rim otherwise in good order.
William Moorcroft 'Pomegranate and Berry' pattern vase, of shouldered baluster form with tube-lined decoration on a dark blue ground, full signature in green, impressed marks including 'M 78', 26.3cm highChip to base of footrim together with other minor losses. Small chip to exterior edge of foot rim. Overall light coloured crazing. A few small areas of glaze loss on one fruit at shoulder level and further up towards neck.
Gallé – Cameo glass vase, of conical form with slightly flared neck, red and pink glass overlaid on citron body, cut with red and pink lillies, cameo Gallé signature to the body, 13cm highThere appears to be a small nick to the underside rim edge. A mark to the rim and superficial scuff to the neck interior. Some colour smudges to the yellow ground body. Some surface pitting and light flaws of the manufacturing process evident.
Charles Scheider, (1881-1951) for Le Verre Francais - acid-etched glass vase with fan decoration, etched Le Verre Français and Charder (a contraction of Charles Schneider), 22cm high Ex Christies Art Deco, 15th October 2003, lot 477.Four mould lines to neck. Possibly bubble or inclusion to inside. Overall in very good condition with no apparant post production damage. Some surface pitting and light flaws of the manufacturing process evident.
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