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Click here to subscribe'Dawn' a Moorcroft Pottery vase designed by William Moorcroft, shouldered form with waisted neck and flaring rim, tubeline decorated with a band of trees and hills, below fish scale and chevron borders to the neck, in shades of blue and cream highlighted in pink flambe on a pale blue ground, impressed marks, painted blue signature, 25cm. high
'Dawn' a Moorcroft Pottery vase designed by William Moorcroft, pear shaped, tubeline decorated with a band of trees and hills between chevron borders, glazed blue, highlighted in pink flambe on a pale blue ground, impressed marks, painted blue signature, original paper label, 15.5cm. high
A Pilkington's Lancastrian vase by Charles Cundall, dated 1909, slender, shouldered form with cylindrical neck, moulded in low relief with ribs, painted with columns of carnations in red and copper lustre on a pale green ground, painted artist cipher and date code, hairline to top rim, 18cm. high
A Pilkington's Lancastrian vase by Richard Joyce, dated 1914, ovoid body with modelled ribs, tall cylindrical neck, painted with columns of English rose in ruby and copper lustre on a mottled orange lustre ground, impressed marks, painted artist cipher and date mark, 19cm. high
A Pilkington's Lancastrian vase by William S Mycock, dated 1908, ovoid with tapering cylindrical neck, painted with a band of fine foliage with small ruby red flowers, four stems rising up the neck to form a similar band of foliage and flowers to the neck rim, in copper and ruby lustre on a cream ground, impressed marks, painted artist cipher and laurel leaf motif, impressed date mark, 17cm. high
A Pilkington's Lancastrian vase by William S Mycock, dated 1907, shouldered form, painted with a frieze of heraldic lion passant, wearing crowns, flanking a Tudor rose, between borders of Tudor rose and heart columns, in golden lustre on a red lustre ground, impressed mark, painted artist cipher and impressed VII date, 20.5cm. high
A Pilkington's Lancastrian vase by Richard Joyce, dated 1912, shouldered cylindrical form, painted with a frieze of rearing antelopes and tall pencil cypress trees on a ground of flowers in gold and ruby lustre on a yellow-orange lustre ground, impressed factory marks, painted artist cipher and date mark, 20cm. high
A large Pilkington's Lancastrian vase by Gordon Forsyth, dated 1911, shouldered form with everted top rim, painted with a band of parading peacocks, between geometric borders, in golden lustre on a ruby lustre ground, impressed factory mark and date 1907, painted artist cipher and date mark for 1911, 27cm. high
An Art Nouveau pottery vase the design attributed to Zsolnay Pecs, waisted cylindrical body with swollen bowl and four fluted buttresses with claw terminals, modelled in low relief with textured honeycomb glazed in colours and petrol blue lustre, highlighted in gilt, the swollen neck applied with ruby glass roundels, unmarked, 21.5cm. high Literature British & Continental Decorative Arts, Christie's London, page 50 lot 297 for a comparable vase.
A large collection of enamel plaques test panels and glazed ceramic roundels by H.G. Murphy and his workshop, including a raised, Limoges enamel panel of two scaly fish, five Limoges enamel star signs a cloisonne enamel butterfly handle and a small blue enamelled vase unsigned, some annotated, 17cm. wide (butterfly), (a lot) Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. Literature Paul Atterbury and John Benjamin The Jewellery and Silver of H.G. Murphy Antique Collector's Club, page 29 for examples illustrated.
A pair of H.G. Murphy Falcon Studio patinated copper lotus bowls, each hammered bowl modelled as a stylised flower, a repousse hammered copper vase by H.G. Murphy, another rounded vase and a cylindrical vase, stamped marks, 18cm. diam. (5) Provenance H.G. Murphy (1884-1939), and thence by descent to the present owner. Literature Paul Atterbury and John Benjamin The Jewellery and Silver of H.G. Murphy Antique Collector's Club, page 123 for this example illustrated
A William De Morgan Persian bottle vase by Joe Juster, ovoid with cylindrical solifleur neck, painted with cranes wading between clumps of grass, the neck with geometric decoration, in shades of blue, aubergine and green on a white ground, painted 3JJ and impressed tulip mark, 17.5cm. high
A pair of Minton's porcelain plates, one painted with a thrush perched on a tree bough eyeing a mayfly, the other with a young chick resting on a tree bough, in colours on a turquoise ground, and a Minton's pate sur pate pot-pourri vase painted with a bird perched on a bough, in white on a turquoise ground, all with gilt highlights, impressed marks, vase cover restored, 24cm. diam. (4)
A Linthorpe Pottery bottle vase designed by Dr Christopher Dresser, model no.216, shouldered form with cylindrical neck, decorated with a frieze of stylised flowers and foliage, covered in an olive green glaze, impressed marks, facsimile signature, and HT monogram, 22.5cm. high Literature Michael Whiteway Christopher Dresser 1834-1904, Skira, page 116 plate no.114 for a comparable example.
A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.211, shouldered, flaring cylindrical form, incised with bands of geometric foliage, glazed olive green, another Linthorpe Pottery vase designed by Dr Christopher Dresser, an Old Hall jug and three other items, impressed marks, facsimile signature and HT monogram, 16.5cm. high (6)
A Linthorpe Pottery vase designed by Dr Christopher Dresser, model no.152, ovoid with cylindrical neck, incised with bands of geometric decoration covered in a streaked ochre to green glaze, impressed marks, facsimile signature and HT monogram, small chip to the top rim, 15.5cm. high Provenance Haslam & Whiteway Private collection.
A large Renaissance revival vase in the manner of Minton's, shouldered cylindrical form swollen to base and shoulder, applied with two winged maiden handles, the body incised with classical figure roundels flanked by winged maidens, above mask and scroll border in shades of sand, green and blue on a terracotta ground, the shoulder applied with a floral swag in colours, apparently unmarked, glaze loss, 57cm. high
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated 1909, ovoid with waisted cylindrical neck, covered in a sang de boeuf glaze with splashes of lavender and turquoise, impressed marks, professional restoration to top rim, small firing fault to rim, 25.5cm. high Provenance Private collection.
A Ruskin Pottery high-fired stoneware vase by William Howson-Taylor, dated 1933, ovoid with cylindrical neck, covered in a mottled sang de boeuf glaze with lavender, turquoise and silver-grey splashes, impressed marks, 1933, professional restoration to neck, 21cm. high Provenance Private collection.
A Martin Brothers stoneware gourd vase by Edwin & Walter Martin, dated 1901, swollen square section with vertical ribs, glazed green, the flaring square rim with incised decoration glazed ochre, incised 9-1901 Martin Bros London & Southall, 14.5cm. high Provenance Private collection.
A good Martin Brothers stoneware bird vase by Edwin & Walter Martin, dated 1892, baluster form, incised and painted with anthropomorphic herons wading amongst bull rush and giant flag irises, one heron with a frog in its beak, the shoulder and neck decorated with mayfly, butterflies and flying birds, in shades of blue, green and ochre on a buff ground, incised 10-1892 Martin Bros London & Southall, 25.5cm. high Provenance Private collection.
A mid 20th century Queen Anne inspired walnut dining suite, comprising a twin pedestal dining table with an additional leaf, 29" h, 72" l, a set of six vase shaped splat back dining chairs and a sideboard with three drawers and three doors, all raised on cabriole legs with shell carved knees
Ceramics and Glass - a pair of Victorian Royal Worcester trios; Royal Brierley studio glass vase; Coalport cottage, Thatched Cottage; an Edith Reynolds model horse; a set of six cut glass waisted tumblers; paperweights; table lamps; others, Limoges, Hammersley, Mintons, etc
Ceramics and Glass - a Capodimonte type porcelain tea kettle; a Bavarian porcelain Art Deco design teacup, saucer and tea plate; Continental decorative plates; silver mounted glass bottle; crystal tumblers; other drinking glasses; Venetian blue glass vase; etc.
Metalware - a Tudric pewter planished baluster vase, approx. 18cm tall; a Tudric pewter baluster vase, approx. 12cm tall; another, similar, English Pewter mark; a pair of pewter vases, WJM & Co.; a pair of cast white metal Arts and Crafts style plates approx. 19cm diam (7)
A 19th century Chinese blue and white baluster vase, printed and painted with dragons chasing the flaming pearl, 22cm, six character mark, faults; a Chinese Famille Rose baluster vase, printed and painted with insects, birds and foliage on a celadon ground, 23cm high (2)
Ceramics and Glass - a Royal Crown Derby Posies cream jug, first quality; a Royal Crown Derby Bali side plate, second quality; an Abbeydale Chrysanthemum shaped circular pin tray; a pair of 19th century Mintons ribbon plates, printed after Boucher, impressed marks; continental plates; tea ware; cut glass ovoid vase; etc.
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