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Seven pieces of 19th century and later Royal Crown Derby to include an ovoid form vase with cylindrical neck, decorated with stylised flowerheads and foliate, pattern no. 2246, height 21cm, large octagonal fruit bowl, height 11.5cm, twin handled biscuit barrel and cover, height 15cm, etc (part af)
A pair of fine quality late 19th/early 20th century Continental hand painted gilt decorated lidded vases, having gilt and jewelled decoration surrounding busts of two classical females, one indistinctly signed (possibly IAYBEL), height 17cm, together with Volkstedt porcelain vase of bulbous form with flared neck, decorated with gilt scrolls, surrounding a classical female hand painted bust, blue painted marks to base, height 15cm
A good quality 800 grade silver twin handled vase of tapering cylindrical form, having cast decoration of swags and foliate, with a central engraved initial 'H', impressed 800 to base, height 36.5cm, approx. weight 42oz, impressed with the mark J.H. Werner-Berlin (illustrated)
A Chinese Millefleurs ovoid porcelain vase, Qianlong (1736-1795) seal mark, late Qing Dynasty, of ovoid form, heavily enamelled with a series of flowers including lotus in full bloom, aster and chrysanthemum, reserved against a grey ground, the upper rim relief moulded with a wrythen blue glazed chilong, and auspicious ruyi bat, iron-red seal mark, 20cm high (illustrated)
A Chinese Millefleurs ovoid porcelain vase, Qianlong (1736-1795), seal mark, late Qing Dynasty, the slight tapered vase densely enamelled with a series of lotus, chrysanthemum, aster and wisteria flowers, relief moulded with ruyi bat and wrythen chilong and enamelled in pastel tones (illustrated)
A Chinese famille rose Millefleurs garlic head vase, late Qing (1644-1912) early Republic (1912-1949), the ovoid form body rising to a tapered neck and bulbous garlic head rim, the body profusely decorated with a gathering of chrysanthemum, peony and lotus blooms, reserved against a rich cobalt ground, and heightened with gilt ruyi throughout, iron-red Qianlong seal mark, 22.5cm high (illustrated)
A Chinese porcelain 'mythological creature' rouleau vase, Kangxi mark, 19th/20th century, of typical form with tapered body, high shoulders and flared rim, the white ground incised with concentric wave designs and further enamelled with mythological creatures including Qilin, dragons, pixiu, bashe, and further creatures of Chinese mythology, amidst the four seas enamelled in the typical Kangxi manner below a series of ruyi borders, kangxi underglazed double circular line to base, 44cm high
Two Japanese Satsuma blue-ground vases, Meiji period (1866-1912), the first of ovoid form with two circular reserves filled with a series of daities and immortal gods, reserved against a rich blue ground, 16.5cm high, signed the second vase resting on tripod feet rectangular reserves filled with Samurai and bijin, 15.5cm high, signed (2)
A fine quality Japanese Satsuma vase, Meiji period (1868-1912), of tapered ovoid form, with square section neck, the tapered ovoid body enamelled in pastel and gilt tones before a crackled ivory ground, portraying continuous scene of bijin and small children amidst a garden with overhanging willow trees, signed, 20cm high (illustrated)
A Japanese Satsuma bottle vase, Meiji period (1866-1912), the globular body rising to a flared rim and flanked by dragon twin handles, densely enamelled with solid gilt depictions of daities and immortal figures below a stiff lappet border, signed, 19cm high (illustrated)
A Chinese painted wall panel late Qing dynasty, the central hardstone inset panel painted with birds perched on chrysanthemum shrubs and cherry blossom trees, wet with a carved and pierced hardwood frame, the lower panelled section carved with vase and censer, 127cm long, 44cm wide (illustrated)
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653833 item(s)/page