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Lot 148

CLARICE CLIFF, `INSPIRATION`, GLOBE VASE, SHAPE 370, painted in coloured enamels on a turquoise ground, painted factory marks, 15cm high

Lot 149

CLARICE CLIFF, `BIZARRE` OVOID VASE, SHAPE 362. painted with coloured enamels, printed marks, 20cm high; and a CLARICE CLIFF `BIZARRE` JUG, painted with coloured enamels, printed marks, 20cm high; and A PAIR OF CLARICE CLIFF `BIZARRE` CANDLESTICKS, painted with coloured enamels, printed and painted marks, 8cm high (4)

Lot 162

CLARICE CLIFF, `CASTELLATED CIRCLES` ARCHAIC VASE (SHAPE 374), CIRCA 1930, incised `374`, `Bizarre` mark and facsimile signature (hairlines), 31cm high, 31cm high, Provenance: Sevi Guatelli Collection

Lot 163

CLARICE CLIFF, `DIAMONDS` ARCHAIC VASE (SHAPE 374), CIRCA 1930, impressed 374 with Bizarre mark and facsimile signature (hairlines), 31cm high, 31cm high, Provenance: Sevi Guatelli Collection

Lot 164

CLARICE CLIFF, `ORANGE ROOF COTTAGE` YO VASE (SHAPE 378), CIRCA 1930, moulded 378, with Fantasque and Bizarre marks and facsimile signature (restored to base), 15.5cm high, Provenance: Sevi Guatelli Collection

Lot 167

CLARICE CLIFF, `RED CARPET` VASE (SHAPE 362), CIRCA 1930, moulded 362, Bizarre mark and facsimile signature (minor restoration to rim and hairline), 20.5cm high, Provenance: Sevi Guatelli Collection

Lot 168

CLARICE CLIFF, `SUMMERHOUSE` ISIS VASE, CIRCA 1930, impressed `Isis`, with Fantasque and Bizarre marks and facsimile signature, 25cm high, 25cm high, Provenance: Sevi Guatelli Collection

Lot 171

DAISY MAKEIG JONES FOR WEDGWOOD, `CANDLEMAS` FAIRYLAND LUSTRE VASE, CIRCA 1925. of baluster form painted in coloured glazes and printed in gilt, printed, painted and incised marks, shape no. 3148, pattern Z5157. 27cm high

Lot 172

DAISY MAKEIG-JONES FOR WEDGWOOD, DRAGON LUSTRE VASE, 1920S, of baluster form printed in gilt on a powder blue ground, printed and painted marks Z4829. 23cm high

Lot 176

KEITH MURRAY FOR WEDGWOOD, SMALL BLACK BASALT VASE, 1930S, of tapered form with impressed chevron bands, printed and impressed marks, 10cm high

Lot 177

KEITH MURRAY FOR WEDGWOOD, BLACK BASALT VASE, 1930S, of tapered form with vertically reeded decoration, printed and impressed marks, 21.5cm high

Lot 180

KEITH MURRAY FOR WEDGWOOD, BRONZE BASALT VASE, 1930S, of tapered form with vertically reeded decoration, printed and impressed marks, 21.5cm high

Lot 181

KEITH MURRAY FOR WEDGWOOD, FOOTED BLACK BASALT VASE, 1930S, of tapered form with everted rim, the rim with impressed bands, printed and impressed marks, 20cm high

Lot 182

KEITH MURRAY FOR WEDGWOOD, OVOID VASE, 1930S, witt horizontal fluted banding, cream glaze, printed marks, 15.5cm high

Lot 185

POOLE POTTERY, GROUP OF CONTEMPORARY WARES, MODERN, comprising a large flared vase in the `Volcano` pattern, 43.5cm high; a ginger jar and cover in the `Volcano` pattern, 33cm high; a pair of vases in the `Odyssey` pattern, 37.5cm high; a circular bowl in the `Gemstone` pattern, 27cm diameter; and a `Forest Flame` pattern lamp base,13 cm high (6)

Lot 189

DAVID LEACH, LARGE STONEWARE VASE, LATE 20TH CENTURY, painted with abstracted form on a treacle glaze, impressed seal mark, 35cm high

Lot 200

HOLLAND, UTRECHT, ART NOUVEAU TWIN-HANDLED VASE, CIRCA 1905. of squat ovoid form painted with stylised whiplash foliage, painted mark, incised shape no. 377. 34cm high

Lot 203

SARREGUEMINES, VASE, CIRCA 1890, with applied prunts to the neck and twin elephant handles, impressed marks, 21cm high

Lot 215

NATHALIE DU PASQUIER FOR MEMPHIS, MILAN, `CARROT` VASE, CIRCA 1981. the tapering cylindrical body with a central design of pink and black cells within a yellow surround pale blue ground, printed marks `Memphis/ Milano/ Made in Italy/ Designed by Nathalie du Pasquier`, 31cm high

Lot 216

MARTINE BEDIN FOR MEMPHIS, `CUCUMBER` VASE, CIRCA 1985. with yellow glazed inverted rim and flattened circular body, black plinth base, printed mark `Memphis/ Milano/ Made in Italy by Flavia Montelupo F.no/ designed by Martine Bedin`, 32cm high

Lot 237

CHARLES ROBERT ASHBEE FOR THE GUILD OF HANDICRAFTS, ROCK CRYSTAL AND SILVER MOUNTED VASE, 1902. the square baluster sides with twin mythical best scroll handles in high relief, the lightly hammered splayed foot applied to the corners with angel motifs, hallmarked London 1902. 26cm high

Lot 255

OSIRIS, PAIR OF PEWTER CANDELABRA, CIRCA 1900, each with twin branches on tapering column on a spreading base, cast marks `Osiris/ 133`, 23.5cm high; and AN ARCHIBALD KNOX PEWTER VASE, of bullet form, hammered finish, stamped mark `Tudric 0226`, 18cm high (3)

Lot 5

Two 19th/20th century Toby jugs, and a vase

Lot 6

Two pieces of Crown Devon lustre ware, a Poole vase, a Doulton character jug, and other glassware

Lot 21

A Royal Doulton vase, a figure `Veronica`, and a Poole shell vase

Lot 29

Two pieces of Holmegaard glass, a Mosser jug, and a Strawberry vase

Lot 70

A Nao porcelain figure, a David Winter Cottage, an Aynsley marbled mantel clock and an Aynsley vase and bowl etc.

Lot 321

A Loetz attributed sack form vase, with ground pontil, 17cm high

Lot 602

`Tennis` a rare Clarice Cliff vase, waisted form, painted in colours printed mark, collection paper label 22.5cm. highProvenance Sevi Guatelli Collection.

Lot 603

`Double V` a Clarice Cliff Bizarre 369 vase painted in colours between orange and blue bands printed mark, collection paper label 19.5cm. highProvenance Sevi Guatelli Collection.

Lot 604

`Sunspots` a fine Clarice Cliff Bizarre 358 vase painted in colours between yellow, red and black bands printed mark, paper collection label 21cm. highProvenance Sevi Guatelli Collection.Literature Sevi Guatelli & Leonard Griffin, The Best of Clarice Cliff Best 50, page 183 this vase illustrated.

Lot 613

`Killarney` a Clarice Cliff Bizarre 450 Daffodil vase painted in colours printed factory marks, restored handles 33.5cm. diam.

Lot 631

`Crocus` a Clarice Cliff Bizarre Mei Ping vase painted in colours between yellow, brown and green bands printed factory marks 16cm. high

Lot 634

`Applique Avignon` a Clarice Cliff Bizarre 365 vase painted in colours inside red and black bands printed and painted marks 21cm. high

Lot 635

`Forest Glen` a Clarice Cliff 572 vase painted in colours printed factory marks 10.5cm. high

Lot 636

`Hollyhocks` a Clarice Cliff Lynton vase painted in colours printed marks 14cm. high

Lot 637

`Gloria Flowerheads` a Clarice Cliff Bizarre 342 vase painted in colours printed and painted marks, hairline crack 20.5cm. high

Lot 639

`Melon` a Clarice Cliff Fantasque Bizarre 268 vase, painted in colours between orange and black bands printed factory mark 21cm. high

Lot 640

`Original Bizarre` a Clarice Cliff Bizarre 269 vase painted with a band of orange and purple triangles between orange and purple bands printed factory mark, hairline to top rim 15.5cm. high

Lot 641

`Secrets` a Clarice Cliff Fantasque Bizarre 358 vase painted in colours below yellow and green bands printed factory mark 20.5cm. high

Lot 642

`Autumn` a Clarice Cliff Bizarre 279 vase, painted in colours printed factory marks 20.5cm. high

Lot 770

A pair of Wedgwood Fairyland Lustre Pillar vases designed by Daisy Makeig-Jones, shape no.3451, printed and painted in colours and gilt on a pale blue ground printed and painted marks 30cm. highLiterature Una des Fontaines, Wedgwood Fairyland Lustre, page 140 plate 28 for a comparable vase

Lot 775

A Wedgwood earthenware Matt Blue flaring vase designed by Keith Murray, flaring ribbed form impressed marks, painted marks and facsimile signature, wear to interior 18cm. high

Lot 776

A Wedgwood earthenware Moonstone vase designed by Keith Murray, ovoid ribbed form with collar neck, printed mark, facsimile signature 16cm. high

Lot 777

A Wedgwood earthenware Matt Straw vase designed by Keith Murray, ribbed ovoid form with collar rim, printed mark, facsimile signature 15cm. high

Lot 778

A Wedgwood Moonstone earthenware vase designed by Keith Murray, ovoid with collar rim printed mark and facsimile signature 16cm. high

Lot 779

A large Wedgwood Matt Straw vase designed by Keith Murray, ovoid ribbed form with collar rim printed mark and KM monogram 23cm. high

Lot 785

A Wedgwood solifleur vase by Norman Wilson, covered in a mottled green and orange glaze impressed marks, NW mark 26.5cm. high

Lot 811

A Poole Pottery Chinese Blue vase thrown by Guy Sydenham, shouldered form, glazed blue incised GS monogram 29cm. highProvenance Poole Pottery Archive, Christie`s South Kensington

Lot 812

A Poole Pottery vase pattern VY designed by Truda Carter, flaring cylindrical form, painted with bell flowers in colours impressed and painted marks 23cm. high

Lot 815

A Carter, Stabler and Adams, Poole Pottery Bluebird pattern vase by Ruth Pavely, pattern /HE,ovoid with applied strap handles, painted in colours impressed and painted marks 24cm. high

Lot 818

A Poole Pottery vase, by Majorie Batt, pattern BX designed by Truda Carter, shape 966, painted in colours impressed and painted marks 24.5cm. high

Lot 819

A Poole Pottery vase painted by Ruth Pavely, pattern V, ovoid form with collar rim, painted with stylised flowers in colours impressed and painted marks 17.5cm. high

Lot 820

A Poole Pottery vase by Margaret Atkins, pattern GVY, designed by Truda Carter, painted with green bell flowers impressed and painted marks, 20.5cm. high

Lot 825

A Royal Doulton Sung pottery vase designed by Charles Noke, shouldered form, painted with prunus sprays under flambe sprays printed and painted marks 25cm. highProvenance A Private Collection of British Art Pottery, Woolley and Wallis 14th June 2006 lot 34

Lot 826

A Crown Devon vase, pattern A84, painted with orange and grey diamonds, printed and painted marks 25cm. high

Lot 829

A Crown Devon Mattajade vase swollen cylindrical form, printed and painted in colours and gilt with a ferocious dragon beside flaming pearl printed and painted marks, restored 28cm. high

Lot 882

A large Lachenal Pottery vase, covered in a blue crackled glaze, painted Lachenal, lamp fitting attached to neck, minor chips 50cm. high

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