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Lot 373

A Moorcroft trial 'Trillium' vase, dated 29.11.01 and signed in gold by N Slaney, dated 2.06.02, only 102 made, 10.5cm high, boxed

Lot 374

A Moorcroft 'Wild Blewit' vase, 2001, by Emma Bossons, numbered 44/50, 11cm high

Lot 377

A Moorcroft Woodland trail vase, 2002, by Philip Gibson, numbered 40 out of an edition of 100, 13.5cm high, boxed and another Moorcroft Collectors Club, date 2004, 13.5cm (2)

Lot 379

A Moorcroft Collectors Club 'Pastimes' vase, 2000, by D J Hancock, numbered 213/250, 10.5cm high, boxed

Lot 383

A Moorcroft trainee grapevine vase, 13.5cm high, a trial Sea cliff vase, 18cm high, and a Hibiscus vase, 19cm high (3)

Lot 387

A Moorcroft Honesty vase, 2001, by Emma Bossons, numbered 3/50, 20.5cm high

Lot 388

A Moorcroft Elfin Beck vase, 2000, by Philip Gibson, for Weavers, numbered 68/250, signed twice and dated 23.6.01, 21cm high

Lot 390

A Moorcroft 'Wenlock Edge' vase, by Philip Gibson, 2001, numbered 199/200, 19cm high, boxed

Lot 391

A Moorcroft 'Tulip' vase, 2002, by Sian Leeper, numbered 27/50, 16cm high, boxed

Lot 392

A Moorcroft 'Martinique' Collectors Club dinner vase, 1997, 13.5cm high

Lot 393

A Moorcroft sunray vase, signed by Emma Bossons, with initials in gold, and dated 28.5.00, 12.5cm high, boxed

Lot 394

A Moorcroft vase and cover, 2003, by Emma Bossons, numbered 279, 15cm high, boxed

Lot 399

A Moorcroft factory vase, by Sian Leper 2007, 7.5cm high, boxed, and a Moorcroft pottery sign, 18.5cm, together with a vase, painted by Wendy mason and dated 10.12.03, 23cm high (3)

Lot 401

A Moorcroft kiln vase, 1999, numbered 2/100, 14.5cm, boxed

Lot 405

A Moorcroft collectors club 'Lavatera' vase, 1998, one of three, 20.5cm

Lot 463

Alice BunkellSTILL LIFE OF A VASE, A BIBLE AND PEARS Signed and dated 1889 l.r., oil on canvas41 x 31cm

Lot 142

Large Oriental crackle glaze vase with raised mythical dragon decoration, 60cm high

Lot 156

Royal Worcester vase, the ovoid body painted with peacock in misty background, shape no. 302, 13cm

Lot 16

Bohemian glass vase, two Royal Crown Derby teddy paperweights, Waterford crystal picture frame and pair of vases, other glass, etc

Lot 30

Collection of various prints, suitcase, brass trivet, vase and toilet jug

Lot 337

Anita Harris floral decorated vase

Lot 54

Pewter three piece tea service and vase and collection of silver plate including pair of corinthian column candlesticks

Lot 98

Two barometers, assorted pictures, pair of large vases and lidded vase, Coalport and other coffee and teaware, etc

Lot 167

A Royal Doulton musical snowman figure, together with six other snowmen figures, a Poole red flambé globular vase, a pair of late 19th century Doulton Lambeth squat vases, a Caithness snowman vase and a snowman paperweight

Lot 204

A 19th century Continental egg form cabinet cup and saucer decorated in the Dresden manner, together with thee Delft condiments, a Noritake chocolate pot and cover, a Bonn type vase, a baluster ewer and other items, including a 20th century French faience jardiniere and a Doulton Morrisian jug

Lot 207

An 18th century Delft vase of onion form, decorated in underglaze blue with panels of flowers, together with an 18th century Chinese porcelain blue and white plate, 19cm and 20cm diameter

Lot 227

A cut cane glass vase of baluster form with twin clear handles and petal foot, 23.5cm, together with a blue Mary Gregory type cylindrical vase, a Venetian white metal overlaid green glass vase, a mallet form decanter and stopper and one other decanter

Lot 229

A deep blue baluster glass vase, internally decorated with green stemmed mauve flowers, together with a Victorian green glass dump, a pumpkin form paperweight, a Selkirk Glass paperweight and three cut cane weights, one by Deacons with signature Thistle cane (7)

Lot 286

XXXX.Y Kanto?, 20th century Still life of flowers in vase oil on card, indistinctly signed 40 x 43cm

Lot 288

E. S. Still life of roses in a blue vase impasto, oil on canvas, monogrammed lower right 27 x 35cm

Lot 324

A collection of silver plated wares, together with faux lacquer vase, table lustres, two lustre table lamps and a half coronet wall lamp etc

Lot 419

A 19th century Chinese carved cherrywood spill vase mask, The God of Longevity, 34cm high

Lot 425

A George III silver mustard pot, by Peterson and Podio, London 1786, plain vase form, domed hinged cover with a ball finial, scroll handle, with a frosted glass liner, length 1.8cm, approx. weight 3.9oz.

Lot 453

A George III silver sugar vase and cover, by Robert Hennell, London 1777, circular tapering form, pierced with vertical slats and with medallions, rams' heads and swag decoration, the cover with leaf decoration and with a ball finial on three hoof feet on a shaped triangular foot, with a blue glass liner, plus a George III Bright-cut ladle, London 1791, height 15.5cm, approx. weight 9.7oz. (2)

Lot 549

A presentation silver vase, by the Goldsmiths and Silversmiths Company, London 1905, retailed later by Asprey London, Warwick vase shape, foliate decoration, reeded foliate capped side handles, foliate border, inscribed 'From H.R.H Prince Faisal to Dr. Daniel Davies 1946', on a raised circular foot on a square base, together with a signed photograph of Prince Faisal, height 26.2cm, length handle to handle 39cm, approx. weight 112oz. (2) Faisal of Saudi Arabia was born 14 April 1906. he became crown Prince in 1953 and King on the 20 November 1964. He died on 25 March 1975. Daniel Davies became physician to the Royal Household of King George VI from 1938, he was Knighted in 1951 and died in 1966.

Lot 566

By Fred Rich, a modern silver and enamel vase, London 1994, also signed 'Fred Rich 94', tapering cylindrical form, enamelled with four frogs amongst reeds, flowers and foliate decoration, gilded interior, on a raised spread circular foot, height 15.8cm, approx. weight 25oz. Fred Rich (b.1954) studied at the central School of Arts and Design, London. This is where he learnt his skills in enamelling, and also attended evening enamelling classes at the Sir John Cass School of Art . In 1980 Fred won various awards including a bursary from the Royal Society of Arts and another from Goddard's. He graduated in 1981 with a first class honours degree. He set up a workshop in Portobello Green with two fellow graduates from the Central School. The demand for his enamelling skills by other designers resulted in him being so busy he could not get on with his own work. The Worshipful Company of Goldsmiths acquired the enamelled vase for which he won another award for in 1982, and in 1983 he started exhibiting at the Goldsmith's Fair, but was mainly offering jewellery with some small piece of silver. In 1984 De Beers purchased one of this necklaces for the trainer of the winner of the King George VI and Queen Elizabeth Diamond Stakes. Commissions arrived from the British Museum, De Beers, Lambeth Palace and the World Gold Council. Towards the latter half of the 1980's he decided to gradually wind down his work for others and concentrate on his own projects. In the 1990's there was a change in his work and he was one of the four exhibitors of the Rising Star's Exhibition at Goldsmiths Hall in 1990. In 1993 his work was commissioned by Garrard and Co, as part of their 150th anniversary exhibition. His work so impressed Richard Jarvis, the Managing Director of Garrards that he supported a one man show by Fred. in 1997 he received four major accolades including the coveted Jacques Cartier Award. In 2000 he established a partnership Fred Rich Enamel Design, with Adrian Butcher. Reference: Andrew, J. and Styles, D., Designer British Silver The Antique Collector's Club, 2015. pages 406-415. A vase by Fred Rich was exhibited at Treasures of the 20th Century, The Goldsmiths Company, 25 May-21 July 2000, no. 288, illustrated on page 108 of the catalogue.

Lot 570

By Stuart Devlin, a modern parcel-gilt silver vase, London 1977, plain cylindrical neck, on a textured globe base, height 12cm, approx. weight 5.3oz.

Lot 700

An Edwardian silver two-handled vase, by The Goldsmiths and Silversmiths Company, London 1901, tapering circular form, scroll handles with rosette motifs, on four slender legs, engraved with the Malcolm crest, height 24.8cm, approx. weight 19.8oz. (2)

Lot 879

Please note: the date is 1564, not 1654 as previously catalogued.An Elizabeth I silver Seal-top spoon, unascribed, possibly by John Daniell, London 1564, fig-shaped bowl, tapering faceted stem, the terminal with a vase shaped seal-top, length 17.5cm, approx. weight 1.9oz. Provenance: The David Constable Collection. J.H. Bourdon-Smith Ltd. Blackham Collection. Illustrated and written up in Constable, D., The Silver Spoons of Britain,1200-1710, Volume One, Constables Publishing, 2016, pages 468/9, entry number 86. J.H. Bourdon-Smith Ltd, illustrated, no.12, in Loan Exhibition of Early English Spoons, 1981, held in conjunction with the launch of Tim Kent's Publication London Silver Spoon Makers, 1500-1697. Illustrated in Schroder, T., The National Trust Book of English Domestic Silver 1500-1900, 1988, page 84.

Lot 214

A Japanese Satsuma stoneware vase, decorated in typical colours and gilt with Daimyo and kacho-ga, Meiji Period, lamped and with later gilt metal mounts; overall height about 60  cm highPlease note that this vase has been mounted with gilt metal; some deterioration and/or damage extant.

Lot 218

A pair of Chinese famille verte vases; each one with trumpet neck, and decorated with narrative battle scenes (possibly intended to portray a cameo from Shui-Hu Zhuan); 48 cm high, underglaze blue four-character mark of The Kangxi Emperor, but not of the period (2)Some damage extant, including: one vase with rim chips and damage.

Lot 221

A famille rose vase of octagonal, tapering form, decorated with Manchu/Chinese figures in a garden landscape, 14 cm high, Qianlong four-character mark but not of the period; together with a Canton famille rose teapot with associated cover (2)No easily apparent areas of damage.

Lot 222

Seven pieces of  Chinese famille rose porcelain, comprising: a small oviform vase, 5 cm high; a floral decorated cup; a small Canton vase; four Canton vessels and three associated covers. The largest vessel 10 cm diameter (10)Please note that this is a group lot where condition may vary from object to object; the damage includes areas or repair, wear and deterioration.

Lot 231

A Qajar style polychrome tile of a falconer, 21 x 15 cm; together with three other tiles, similar, various illustrating a camel rider, a seated figure, and birds and flowers. The last tile 32.5 x 23 cm; together with an Isnik style vase, and a  tankard of cylindrical form decorated with floral designs, 13 cm high (6)Please note that this is a group lot where condition may vary from object to object. Some areas of damage extant including some flaking, some degradation, and some superficial or other cracking.

Lot 234

A Qajar, or other, metal and enamel vase with domed cover and knop finial, decorated with floral designs in turquoise and blue/mauve enamel, 36 cm highPlease note that some areas of bruising, fatigue or deterioration to both the metal and enamel.

Lot 237

A famille rose mug; together with a blue and white vase, 30 cm high, with a Kangxi four-character mark (2)Please note that there is some damage to this lot, including: the famille rose mug is restored and the blue and white vase is cracked.

Lot 253

An Isnik, or other, oviform vase decorated in yellow, blue, green and aubergine with a design incorporating dots, horizontal lines and abstract motifs; 16 cm high, 19th or 20th CenturySome rim frits and wear extant.

Lot 261

A gilt metal mounted, famille rose Chinese vase decorated on the cafe-au-lait ground with panels depicting Manchu/Chinese figures, overall height including mounts 46 cm; together with a polychrome enamel vase and cover, similarly mounted for electricity, overall height 38 cm (2)Please note that both vases have been converted for electrical use, involving damage and/or deterioration to both ceramics.

Lot 285

An Art Deco Carlton ware bomb shape vase, mazarine blue ground decorated with enamel and gilt fan motifs, gilt printed makers marks, 24.5 cm highCrazed internally with some vertical hairlines.  Scratch on blue glaze.  No chips

Lot 287

A collection of 19th century cut glass, probably Irish, comprising:  A garniture set of three preserve pots and covers, 20 cm & 15.5 cm high; a small celery vase; diamond cut footed vase and a jar & cover to/w a wheel etched preserve pot and cover with knopped pedestal (7)

Lot 289

Two Wedgwood cabinet plates, each decorated with a still life of fruit by A Holland, powder blue and gilt ground, printed Portland vase mark, c. 1910, 22.7 cm diam.One good condition - no chips or cracksOne with a hairline crack visible to the underside

Lot 293

Poole Pottery Atlantis red body globular vase, shape A5/1, thrown, carved and decorated by Catherine Connaught, 1973-76, 8.5 cm highGood condition - no chips or cracks

Lot 300

A 19th century Meissen porcelain vase, underglaze blue and white Chinoiserie pattern with red and gilt decoration, blue crossed swords to base, 8 cm highGood condition - no chips or cracks

Lot 322

Two Wedgwood dragon lustre bowls, one of octagonal form with powder blue exterior, the base of the interior painted with celestial pearls, 17 cm diam., the other circular and footed, 12 cm diam., both Z4829, gilt Portland vase marks (2)Both good condition - no chips or cracks

Lot 323

A pair of 19th century Greek Revival ewers, 41cm high and a similar vase with lion head handles, 34.5 cm high, possibly Bates Brown-Westhead Moore, black ground, decorated with classical figures including Achilles, The Meeting of Hector and Andromache and Pha (2)Vase - Chip on rimEwer - One handle with strap repairs

Lot 325

A small collection of cranberry glass - Four tumblers with silver sleeves and handles, 1912-1916, milk jug, vase with wavy rim and four other glasses

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