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A Royal Doulton stoneware commemorative tobacco jar for the coronation of Edward VII and Queen Alexandra, with portrait medallions between tube lined decoration, a Royal Doulton stoneware vase with slender fluted neck, possibly by Lily Partington, with tube lined decoration on mottled blue green ground, 25.5cm high, and a Royal Doulton Slaters Patent large baluster vase with impressed gilt and floral decoration, 41cm high, together with a Royal Doulton character jug, The Lawyer D6498 (a/f)
A West German pottery flagon or vase, with mottled brown glaze, verso numbered 495-20, 20cm high, a graduated set of three studio pottery cylindrical vases with fluted necks, decorated with sinuous trees, indistinctly signed, tallest 26.5cm high, and two glazed pottery jars (a/f)
A Shelley porcelain powder bowl and cover, with swirling decoration on pearlescent ground, together with a collection of dolls house miniature porcelain and cutlery, a blue Mdina glass vase, a Clapham pottery Jordan ware brown jug, and a small porcelain figure of a girl (a/f)
A Royal Doulton stoneware specimen vase, with tube lined floral decoration on mottled blue green ground, impressed marks and artist's initials to base, 17.5cm high, and a Royal Crown Derby blue and white porcelain hand bell, decorated with a Chinese landscape, with gilt embellishments
GEORGE III A Barr Worcester vase, c.1800-10, the flared form applied with ring handles and printed in black with a profile portrait titled 'K. George ye III'd', the reverse with figures before Classical ruins, faint incised B to the base, 156mm. This profile of George III is an enlarged copy of Robert Hancock's work done in about 1761, itself adapted from the engraving by James McArdell after the painting by Jeremiah Meyer. While the incised B mark was traditionally used between 1792 and 1807, it is possible that the decoration was added a little later to commemorate the Golden Jubilee.
GEORGE III GOLDEN JUBILEE A Chamberlain's Worcester two handled vase, c.1810, painted to each side with a silhouette profile portrait, one side inscribed 'Integrity's his shield', the other 'Dear to his subjects', the neck gilded and with yellow highlights, some restoration to the foot, 19.4cm.
1820 GEORGE III AND DUKE OF KENT IN MEMORIAM A rare pearlware vase, c.1820, printed in purple to one side with portrait titled 'His Sacred Majesty King George III', the reverse with a named portrait of the Duke of Kent, small footrim chips, 11.7cm. The Duke of Kent, fourth son of George III, died on 23rd January 1820 just six days prior to his father. Cf. David Drakard, Printed English Pottery, pl.745. Provenance: Richardson Collection, sold Bonhams, 9th February 2000, lot 66.
1820 PROCLAMATION OF GEORGE IV A small pearlware vase, the flared form printed in black with a titled portrait above the dates of the proclamation, the reverse with a dandy astride a velocipede, 10cm. The velocipede depicted is a dandy-horse (see lot 327), which was a new invention and popular at the time. Provenance: Richardson Collection, sold Bonhams, 9th February 2000, lot 74.
QUEEN CAROLINE AND THE LATE PRINCESS CHARLOTTE A pearlware vase, c.1820, printed in brown to one side with a portrait titled 'Her Most Gracious Majesty Queen Caroline', the reverse with another titled 'The Late and Much Lamented Princess Charlotte of Saxe Coburg', restored, 11.7cm.
WILLIAM PITT THE YOUNGER An English porcelain vase, c.1820-25, possibly Spode, painted with a portrait after the engraving by J. Bocquet, the reverse with sprays of auricula and chrysanthemum, between beaded bands, titled 'Pitt' in red to the base and numbered 262, a restored rim section, 13.3cm. Pitt was Prime Minister from 1783 to 1801 and again between 1804 until his death on 23rd January 1806.
MARQUESS OF LONDONDERRY An English porcelain vase, c.1820-25, possibly Spode, painted with a version of Sir Thomas Lawrence's portrait of Robert Stewart reserved in a gilt border on a white ground, the reverse with a spray of rose and tulip, between beaded borders, titled in red and numbered 262 on the underside, 13.5cm. Robert Stewart, 2nd Marquess of Londonderry is best remembered as Lord Castlereagh when Foreign Secretary, a post he held between the turbulent years of 1812 and 1822 when he was also Leader of the House of Commons. He became Marquess after the death of his father in April 1821. Overworked and under constant personal and political pressure both at home and abroad he took his own life on 12th August 1822.
RICHARD BRINSLEY SHERIDAN A small English porcelain vase, c.1820-25, painted with a portrait after an 1808 engraving by Scriven, within a chamfered gilt border on a white ground, with beading to the rim and foot, inscribed 'The Rt Hon. R. B. Sheridan' in black to the underside, restored, 11.7cm. Richard Sheridan (1751-1816) was an Irish satirist, politician, playwright, and long-standing owner of the Theatre Royal. He was a Whig MP from 1780 to 1812. He is buried in Poet's Corner at Westminster Abbey.
CHARLES JAMES FOX An English porcelain vase, c.1820-25, the wide flared shape painted with a portrait of Fox within an octagonal gilt border, reserved on a white ground between beaded borders, inscribed 'The Rt. Hon'ble. Charles James Fox' in black to the base, restored, 16.1cm. Born in 1749, Fox became a Whig MP in 1768. He was best known for his eloquent speeches, chaotic yet colourful lifestyle and spent much of his political life in opposition. He died in 1806.
GEORGE II IN MEMORIAM A tall Worcester porcelain vase, c.1770, the slender baluster body printed in black by Robert Hancock with an equestrian portrait of George II above trophies of war, flanked by large and small versions of 'Les Garçons Chinois' and prints of ships at sail, signed 'RH Worcester' with anchor rebus for Richard Holdship, a few small footrim chips, 27cm. This equestrian portrait of George II was painted by David Morier in about 1745 following the Battle of Dettingen in 1743, the last occasion on which a reigning British Monarch led troops into battle. Simon Francois Ravenet took an engraving of the painting from which Hancock took this study. Cf. Bonhams, The Norman Stretton Collection, 21st February 2001, lot 71. Provenance: ex J.A. Harrison and Sir Jeremy Lever collections, sold Bonhams, 7th March 2007, lot 234.
SIR WILLIAM HAMILTON A Wedgwood jasperware oval portrait plaque, c.1776, modelled by Joachim Smith, applied in white on a blue ground with a head and shoulders profile, impressed on the front 'S. W. Hamilton', by repute with an impressed Wedgwood & Bentley mark, the plaque 10.2cm high, mounted in a later frame. Hamilton was ambassador to the Court of Naples 1764 to 1800. An ardent collector of Greek and Roman antiquities, he sold his collection to the British Museum. The Barberini Vase which passed through his hands to become the property of the Duchess of Portland was also copied by Josiah Wedgwood with whom he corresponded. After the death of his first wife, he married Emma Lyon (known latterly as Hart) on 6th September 1791. She became the subject of Horatio Nelson's affections following the death of her husband in 1803. Cf. Reilly & Savage, Wedgwood: the Portrait Medallions, p.182, plate b. Provenance: Bonhams, 6th June 2007, lot 137 where the catalogue entry stated impressed 'Wedgwood & Bentley' in upper case.
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653685 item(s)/page