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(lot of 3) Royal Copenhagen porcelain group, consisting of a baluster form vase decorated with an iris on a light blue ground; 12.5""h x 6""dia; a scenic jardinière having a shore scene with sea gulls; 7""h x 11""dia; and a low vase with floral decoration; 7""h, each marked on base
(lot of 2) Art glass group, consisting of a bulbous form footed vase having teal cased on milk glass with gold aurene abstract designs, the whole rising on a circular teal foot; 8.5""h x 8""dia; together with a tulip form vase executed in green satin glass with an applied teal ribbon and carved decoration, and rising on a peacock satin glass foot, both are indistinctly signed, 11.5""h x 6.25""dia
(lot of 3) Art glass group, consisting of a Michael Nourot footed vase, having a ruby body with gilt and mottled reserves, base signed Nourot Mb.282.47.MN, 7""h x 10""w, a Michael Nourot tapered vessel having a ruby body with a gilt frieze, base signed Nourot. RB-30.93.MN, 8""h x 8""w, and a bulbous vase executed in multiple colors, signed indistinctly, 9.5""h; Provenance: From the estate of Edward Gerber
(lot of 4) Art glass group, including a Michael Nourot olla form bowl executed in swirled grey and orange on a cream ground with pink accents, signed Nourot FB 39 54 MN, 7""h x 10""dia, and a citrine vase with red yellow and grey inclusions, signed Gloria NZ 1989, together with two unsigned vases, one having a flat rim and a pulled feather design; Provenance: From the estate of Edward Gerber
(lot of 5) Ceramic vessels of varied backgrounds consisting of a possible Pre-Columbian stick neck vase probably from Peru; Chupicuaro, Mexico red tripod dish 500-200 BC; American Southwest candle holder and cup with the anasazi decoration; and a Djenne culture, West African vase, tallest: 9
Royal Vienna scenic covered vase, of urn form, the cobalt decorated body with gilt handles flanking the scenic medallion depicting an exotic beauty, her hands at her waist, verso with a raised gilt and enamel decorated frieze, and rising on a square base with beehive mark, 14""h x 6""w
Lundberg Studios art glass trumpet vase, having a free form ruffled rim tapering sharply to a small knop and resting on a undulating circular foot, decorated with a green and gold aurene pulled feather design on a white ground and having a gold aurene interior, signed Lundberg Studios 1985 LS 073101; 14.5""h x 8""w. Provenance: From the estate of Edward Gerber
(lot of 2) Art glass group, consisting of a Zellique studio vase, of shouldered form with a flared rim, executed in iridescent orchid glass with a teal and tan pulled feather design on an iridescent white ground, signed on the base `Zellique,` 14""h; together with a Lundberg Studios art glass lamp shade, of stepped and conical form, executed in iridescent white glass, signed Lundberg Studios 1981, 8.5""h. Provenance: From the estate of Edward Gerber
(lot of 2) Art glass vase group, consisting of a Joe Clearman vase, of mai ping form tapering to a circular foot, executed in cobalt glass with a teal pulled web design, signed on the base, `J. Clearman 1988,` 17.5""h x 9""dia. together with a bulbous vase having a pulled pale magenta to white body, unsigned 6""h x 5""w Provenance: From the estate of Edward Gerber
(lot of 2) Art glass vases, by Dale Tiffany, consisting of a vase of tapering form executed in teal glass with a black pulled feather design cased on milk glass, retaining original Dale Tiffany tag; 9.25""h x 7""dia; together with a moon flask form vase executed in clear peacock blue glass with a band of speckles in lime, white and black, at the waist, retaining original label; 10.5""h x 9.5""w
Art glass vase, 1992, having a flattened oval form with a green band at the rim and decorated in an abstract painterly fashion with clear windows, done in oranges, blues, greens and purples and cased in clear glass, having an etched mark `Ano Amo 1992 No 215`; 11""h x 8.5""w
Jean Laurent (1816-1886) Espagne, c. 1870. Grenade et lÂ’Alhambra. Architectures arabo-musulmanes. Vue générale. Le Généralife. Salle des deux sÂœurs. Salle de la Justice. Salle de la Barque. Salle des Abencerrajes. Salle des ambassadeurs. Salle des Lits. La cour des Lions. Patio de los Arrayanes. Entrée de la mosquée. Porte de la justice. Vase arabe. La Cathédrale. La Sierra Nevada. Maisons de gitans. 30 épreuves sur papier albuminé, contrecollées sur cartons. Légendes, numéros de référence et crédit du photographe en bas des épreuves pour la plupart. Format moyen : 34 x 25 cm
A Royal Worcester porcelain twin handled pot pourri vase and cover, shape No.1428M/S, decorated with fruit and berries on a mossy bank by Harry Ayrton, signed, the whole heightened in gilt and having pierced frieze, black printed mark verso, hand monogrammed DH to both base and inside cover, h.34.5cm
A Royal Worcester porcelain pot pourri vase and cover, of baluster form, painted with peaches and grapes on a mossy bank by Roberts, signed, black mark H/277, h.13cm; and two other Royal Worcester fruit pieces by Roberts, being coffee can and saucer, the can with gilt washed bowl, h.5.5cm, and a miniature trio being teacup, saucer and tea plate, each signed by Roberts, tea plate dia.8.6cm (3)
A George IV silver twin handled pedestal trophy cup and cover, having gilt washed interior, the stepped cover surmounted with a pair of figures and cast with band of cabbage roses and leaves, the vase cast with oak leaves and acorns, having engraved vignette of a clipper ship opposing presentation inscription, 57.6oz, maker Reid & Son (Christian Ker & David Reid), London 1825, h.33cm
A pair of 19th century French bronze and ormolu Warwick vases, each having traditional intertwined rope handles supporting a wide vase with fruiting vine rim above face masks, each in two sections, the lower sections impressed numbers 3566, h.16cm (both with significant tarnishing and some wear)
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653833 item(s)/page