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Nguyen Dinh Dung (Vietnamese, b. 1943). Group of two oil on canvas paintings depicting a village and a portrait of a woman sitting next a vase of blooming flowers. The painting of a village signed and dated 2003 along the lower left. The painting of the woman signed and dated 2005 along the upper left.Village; sight; height: 22 3/4 in x width: 30 1/2 in. Framed; height: 24 1/2 in x width: 32 1/4 in. Flower; sight; height: 22 3/4 in x width: 30 3/4 in. Framed; height: 24 1/2 in x width: 32 1/2 in.
Xiao Se (Chinese, b. 1970). Oil on canvas painting depicting two individuals in an interior scene with a blue and white porcelain vase falling in the background and a candle in the foreground. Signed along the verso.Sight; height: 23 1/4 in x width: 20 1/4 in. Framed; height: 25 1/2 in x width: 22 1/2 in.
A SUBSTANTIAL TIFFANY & CO SILVER 3-PINT TEAPOT of squat pear shape, the domed hinged cover with vase-form finial, ebonised handle, raised on a stepped circular foot. 22cm high, 30 troy ouncesClearly marked to the underside. No engraving. Minor surface scratches but generally in very good condition.
A GEORGE V SCOTTISH SILVER CENTREPIECE by David & George Edward, Glasgow 1917, the epergne with large central trumpet-shaped vase suspending four swing-handle baskets. 37cm high, 43 troy ouncesNo engraving. The maker's mark a little rubbed but legible. In generally very good condition.
EMILY J. GILMAN FOR DOULTON, LAMBETH VASE, CIRCA 1920 glazed earthenware, painted artist monogram, printed manufacturer's marks, 32cm (12 5/8in) high; together with a MARGARET E. THOMPSON DOULTON VASE, glazed earthenware, painted artist monogram, printed manufacturer's marks, 25.5cm (10in) high; and FOUR FURTHER DOULTON VASES, glazed earthenware, all variously marked, pair of vases 33.5cm (13 1/4in) high; 29cm (11 3/8in) high; 15cm (5 7/8in) high
MINTONS LTD. THREE ‘SECESSIONIST WARE’ VASES, 1911 tube-lined earthenware, printed 'MINTONS LTD.' and 'No. 1', impressed with date cypher for 1911 and 'MINTONS' and '3707' to two of the vases, each 31.8cm (12 1/4in) high; together with a MINTONS VASE, 1918, impressed 'MINTONS' and date cypher for 1918, 22.5cm (8 3/4in) high; a FURTHER VASE, printed 'MINTONS LTD.' and 'No. 18', 21cm (8 1/4in) high; a PAIR OF MINTONS VASES, printed 'No. 30' and 'MINTONS LTD.', 12cm (4 3/4in) high; and another MINTONS VASE, printed 'MINTONS LTD.' and 'No. 33', 12cm (4 3/4in) high
MINTONS LTD. NEAR PAIR OF ‘SECESSIONIST WARE’ VASE, 1902 tube lined and block printed earthenware, incised '3337', impressed 'MINTONS' and date cypher for 1902, 23.4cm (9 1/4in) high; together with a MINTONS VASE, 1902-14, tube lined and block printed, impressed 'MINTONS LTD', 33cm (13in) high; a MINTONS EWER, 1908, impressed 'MINTONS LTD' and date cypher for 1908, printed '36', 37cm (14 1/2in) high; and a MINTONS TILE PANEL, glazed earthenware, with oak frame, 14cm (5 1/2in) high, 39.5cm (15 1/2in) long
MINTONS LTD. SEVEN ‘SECESSIONIST WARE’ PLATES, CIRCA 1904 tube lined and glazed earhenware, each plate impressed 'MINTONS', most with date cypher, each plate 24 (9 3/8in) diameter; together with TWO SHALLOW DISHES, impressed 'MINTONS', with date cyphers for 1903 and 1905, 27.5cm (10 7/8in) long; a COFFEE POT AND MATCHING PAIR OF BEAKERS, each printed 'MINTONS LTD.', date cypher for 1906 to the coffee pot, the beakers 9.5cm (3 3/4in) high; a PAIR OF CANDLESTICKS, printed 'MINTONS LTD.', 16.5 (6 1/2in) high; a VASE, printed 'MINTONS LTD.' and 'No. 22', impressed 'MINTONS', date cypher for 1911, 29.5cm (11 5/8in) high; and a SMALL VASE, printed 'MINTONS LTD.' and 'No. 3', impressed date cypher for 1903, 12.5cm (4 7/8in) high
MINTONS LTD. PAIR OF ‘SECESSIONIST WARE’ VASES, 1908 tube lined and block printed earthenware, impressed '3331', with date cypher to one for 1908, 25.4cm (10in) high; together with TWO MINTON VASES, one printed 'MINTONS LTD.' and 'No. 1', the other impressed 'MINTONS' and '3651' with date cypher for 1908, 29.7cm (11 3/4in) high each; and a FURTHER MINTON VASE, matte glazed, incised '3652', impressed with date cypher for 1908, 29.5cm (11 5/8in) high
§ JOHN WADSWORTH (BRITISH 1879-1955) EXTENSIVE ARCHIVE OF ORIGINAL DESIGNS AND SKETCHES mixed media (pencil; pen and ink; watercolour; bodycolour) some 150 items in total, on various paper and card stocks, various dimensions, including 10 items signed by Wadsworth, the remaining material unsigned but most attributable either to Wadsworth or an associate on external evidence or stylistic grounds: 1) Signed items: a) Design for a Sun-Dial to be executed in Irish-Green Marble with Brass Fitting (watercolour; with caption); b) Design for an embroidered doyley (watercolour; with caption); c) Design for Wadsworth's personal bookplate (black and gold ink with lilac watercolour; mounted); d) Designs for decorative friezes (on a single sheet, red and black ink heightened with gold, possibly gold leaf); e) Repeating foliate design (sepia ink with pencil); f) Calligraphic Christmas card design ('With best wishes from Mr and Mrs J. W. Wadsworth, Xmas 1910' in black ink, with 'Draycott Le Moors, Stoke on Trent' in pencil); g) Cover design for an edition of Dante (black ink and pencil, annotations verso; together with another design, unsigned but near-identical); h-j) Three watercolour views (a country church; a view in the Colosseum; a crooked tree with cottages; the latter with heavy outlining and shading in black ink);2) Views (watercolours, 13 in total, including wooded landscapes, beach scenes, architectural studies, and boats moored in a harbour);3) Bookplate designs, including two for Leon V. Solon (on 20 sheets, a few containing multiple designs, together with a few printed specimens);4) Lettering specimens and copies of illuminated initials from medieval manuscripts (28 sheets, most with multiple designs);5) Pattern designs after historical fabrics (watercolours, 6 in total, annotated on verso '17th century Italian', 'Italian damask, 17th century', 'Linen, Italian, 16 century', '15 or 16th-century oriental', '16th century Renaissance', 'Velvet, Persian, 17th century');6) Exhibition catalogue or poster designs for the North Staffordshire Art Society (5 in total), together with 3 similar designs for the Catalogue of the Malvern Art Club Exhibition,1928, woodblocks differentially hand-coloured;7) Large collection of assorted designs and sketches, including various floral patterns and motifs, a vase, book illustrations and embellishments (including 4 designs for publisher's devices or colophons: 'FINIS' written within scrolling foliate cartouche; two satyrs embracing beneath text 'THE END'; large sketch of an angel and supplicant with the text 'Carl Hentschel & Co. Photo-engravers' at the head; an allegorical female figure with robe and shield beneath text 'Bemrose & Sons Ltd. Printers, Derby & London'), and numerous female figures, several sketches evidently preparatory (approx. 50 in total);8) 3 engraved Christmas cards from Leon V. Solon addressed in pencil to John Wadsworth (for 1903, 1905 and 1909, spotted); 2 photographs of works by Leon V. Solon (one of Elizabeth I, the other captioned verso 'Le bain des nymphes'), both signed in the negative, mounted and inscribed by Solon to Wadsworth in pencil on mount, heavily spotted; and 1 further engraving inscribed by Solon to Wadsworth in pencil (device for a menu at 'Uplands'?);9) Other items including: a copy of Wadsworth's Designing from Plant Forms, 1910, first edition, original cloth; 1901-2 syllabus for Macclesfield Techincal and Science School and School of Art (8vo, original decorative wrappers, front cover design signed J. W. Wadsworth); dust jackets possibly designed by Wadsworth, etc. This lot includes a typed letter to Phillips auctioneers from C. J. Hancock requesting a catalogue for the sale.Provenance:Provenance: 'The Ceramic Art and Paintings of John and Philip Wadsworth', the auction of their estate, Phillips, Knowle, 8th April 1992, various lots including 55, 89 etc.Note: Note: John William Wadsworth is best remembered as a designer of ceramics, but this extensive collection of material is an engrossing record of his interest in other fields including book decoration, bookplate design and landscape painting, and promises to reward further study. Born in Macclesfield, Wadsworth studied at Stockport School of Art and the Royal College of Art. In 1901 he was appointed assistant art director to L. V. Solon at Mintons, designing Secessionist ware, and became full art director soon after in 1905. He was art director at Royal Worcester from 1915 until returning to Mintons in 1935, where he remained until his death.
JOHN WADSWORTH (BRITISH 1879–1955) FOR MINTONS LTD. NEOCLASSICAL VASE AND COVER, 1911-15 porcelain, glaze printed and gilt, printed 'MINTONS ENGLAND' Dimensions:18.5cm (7 1/4in) highProvenance:Provenance: 'The Ceramic Art and Paintings of John and Philip Wadsworth', the auction of their estates, Phillips, Knowle, 8th April 1992, lot 57.Note: Literature: Glass and China Trader Magazine, 1912.
JOZEF-PIETER LAIGNEL (1870-1950), KORTRIJK, BELGIUM ART NOUVEAU VASE, CIRCA 1905 majolica glazed stoneware, incised '54 JPL G' Dimensions:41.5cm (16 1/4in) highProvenance:Provenance: Purchased in 1905 by Claire Petrucci (wife of Marquis of Sienna) and mother of Clairette Wolfers, Art Nouveau jeweller.
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653685 item(s)/page