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Click here to subscribeSilver, comprising; a napkin ring, with engine turned decoration, Birmingham 1931, a christening egg cup and a spoon, Birmingham 1970, cased, a small circular box, two pairs of sugar tongs, two christening spoons and two christening forks, combined weight 232 gms, also the top part of a trumpet shaped vase and two Foreign salt spoons, detailed 925.
A Victorian silver butter shell, raised on three feet, London 1897, weight 70 gms, with a glass liner, cased, an Oriental cloisonne enameled vase, decorated with a dragon, two further Oriental enameled vases, a branch coral necklace, a panel link bracelet, a silver oval hinged bangle, two waist belt buckles, six brooches, a circular carved green stone pendant with a horse's head motif, two trinket boxes and six further items.
A Herend porcelain Rothschild Bird pattern inkstandish, the scroll back fitted with two removable inkwells and a pen holder above a pen tray, length approx 22.5cm, together with a Scandinavian clear glass specimen vase engraved with a flying insect and spray of flowers, etched marks to base, height approx 13cm.
A group of Sèvres porcelain wares, 18th/19th Century, comprising a pot and cover painted with birds within lattice borders, a cover painted with opposing landscape vignettes, against a green ground, a small gilt metal mounted posy vase, triangular dish painted with a cherub and floral panels against a green ground, a similar pot and a dish painted with knights on horseback at battle within a blue and gilt border (most with faults).
A Doulton Lambeth stoneware vase by George Tinworth, circa 1875, the baluster body moulded in relief with two winged beast mask handles above scrolling brown leaves and floral medallions against a mottled purple and buff ground between similarly decorated borders, impressed factory mark to base and incised artist`s monogram to foot, height approx 27.5cm.
A Derby porcelain candlestick group of Cupid disarmed by a maiden before bocage, on a rococo scroll moulded base, height approx 20.5cm (faults and restoration), an English spiral moulded tea bowl and stand with green and gilt floral spray decoration, a campana shaped vase, possibly Coalport, decorated with flowers, and a Capodimonte cup decorated in relief with a maiden in chariot riding on clouds (faults).
Two small early 20th Century pottery spirit barrels, marked `Brandy` and `Rum`, of ovoid form with gilt embellishment, heights approx 33.5cm and 28cm, together with a large early 20th Century blue soda glass vase, decorated with trailing vines, height approx 29.5cm, and a composite cherub wall bracket, height approx 17.5cm.
A ROYAL WORCESTER PORCELAIN VASE, 1956, of flared cylindrical form with rounded shoulders, painted in polychrome enamels by J. Smith with a still life vignette of apples and blackberries on a mossy banking, signed, black mark, 4"" high together with a similar pin tray of shaped oblong form, 1935, painted by Freeman with a still life of apples and blackberries, signed, puce mark, 2 1/2"" x 4"" (2) (Illustrated)
A ROYAL WORCESTER PORCELAIN VASE AND COVER, c.1921, of ovoid form with two fixed triple pendant husk handles printed in black with oval panels of stylised flowers and overpainted in green, yellow and blue with gilded highlights on a powder blue ground, puce mark, shape 2712, 6 1/2"" high overall
A CREAMWARE MUG, late 19th century, of plain cylindrical form on a stepped foot and strap handle with leaf terminals, on-glaze printed in black with two females allegorical of Love and Obedience beside three of the ten commandment tablets, over a short vase and with scattered winged cherub heads, unmarked, 6"" high
A CANTONESE PORCELAIN VASE, 19th century, of cylindrical form with rounded shoulders and flared rim, shi-shi handles and salamanders to the neck, painted in famille rose enamels with panels of figures within key borders, 17 1/2"" high, together with a similar smaller vase, 14"" high, both unmarked (2) (Illustrated)
A LARGE CANTONESE PORCELAIN VASE, 19th century, of rounded cylindrical form, with rounded shoulders and flared rim, waisted neck with shi-shi handles and salamanders, painted in famille rose enamels with two large panels of figures amongst smaller panels, unmarked, 35 1/2"" high (Illustrated)
AN A G HARLEY-JONES WILTON WARE POTTERY SHALLOW BOWL, c.1920`s, of plain circular form printed and painted in Wedgwood Fairyland lustre style with two females standing and kneeling beside a small fountain and water course in a Moorish landscape, 10 3/4"" diameter, together with a similar ""Gu"" shaped vase, 6"" high, marks in gilt (2)
A PAIR OF A.G. HARLEY-JONES WILTON WARE POTTERY VASES, 1920`s, of ""rouleau"" form, printed and painted in Wedgwood Fairyland lustre style with the ""Lady of the Lake"" pattern on an iridescent blue ground, part marked in gilt, 8"" high, together with a similar globular vase depicting a Chinese family on a verandah, on a yellow ground, black mark, 4 3/4"" high (2)
A ROYAL DOULTON STONEWARE VASE, c.1925, of lightly ribbed ovoid form, the upper section tubelined and painted in muted shades of pink, green, violet, blue and yellow by Vera Huggins with a band of stylised flowers and leaves on a matt green and gloss blue glazed ground, impressed mark and incised signature, 11 1/2"" high
A LARGE DELLA ROBBIA EARTHENWARE VASE, c.1900, of angular baluster form with two ""S"" handles (one missing), the shoulders modelled and applied with two winged mythical beasts on a painted green and pink scale ground over a scrafitto band of entwined serpents centred by a skull, inscribed ""DR"" and ship in blue, ""pinxt"" and indistinctly monogrammed, 14 1/2"" high (Illustrated)
A DAUM CAMEO VASE, early 20th century, of flared cylindrical form with bulbous neck, the fiery orange shading to mottled yellow ground, wheel carved and enamelled in green with pine needles and with yellow enamelled raised pine cones, base etched Daum, Nancy and Cross of Lorraine, 8"" high (Illustrated)
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