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An Art Nouveau pottery vase, possibly French, late 19th Century, the bulbous body with cylindrical neck and cup shaped rim, decorated with yellow trailing flowers within whiplash stem framing against a green ground, indistinct painted marks and monograms to base, together with a Japanese stoneware vase.
A Doulton Lambeth Silicon stoneware vase, circa 1884, decorated by Eliza Simmance, monogrammed, the bulbous body with flared trumpet neck, decorated in white relief with scrolling foliage against a green ground above gilt and buff trellis panels, the neck with a green and white foliate band, impressed and incised marks to base, height approx 25cm.
A Royal Doulton plate, decorated after Souter with two black cats with entwined tails, titled 'The Honey-Moon', within an Art Nouveau green rim, green printed mark to base, together with a Clarice Cliff floral moulded vase, a Doulton Poacher liqueur container, a Ridgway potpourri and cover, a Shelley 'Summer Glory' chintz teacup and saucer and three pieces of Swiss pottery.
A Till & Son green stoneware relief moulded jug, the tapering body with scroll handle and classical figures possibly representing David and Goliath, impressed mark to base with diamond registration lozenge, a Leighton 'Chinese Rose' pattern vase, an art glass vase and a small group of other ceramics (some faults).
A group of five Lladro porcelain figures of Japanese ladies in various poses, comprising one kneeling before a vase, one standing tending a plant, one seated on a bench with a bird beside her, one with a fan and one with a parasol, blue printed, impressed and incised marks to bases (faults and restoration).
A Samson porcelain lidded jar, late 19th Century, of cylindrical shape enamelled with famille rose flowers beneath relief enamel scrolls and yellow trellis panels, the hinged lid with pseudo dog of Fo finial, red painted mark to base, together with four other pieces of Samson type porcelain comprising two ginger jars and one cover, a vase and a bowl (some faults and repairs).
A pearlware 'Stone China' rectangular meat platter, 19th Century, printed in underglaze blue with a Willow pattern, underglaze blue mark to reverse (minor faults), together with a large Caithness glass vase, boxed, and a Copeland Spode tall mug printed with huntsmen on horseback and titled 'Gone Away'.
An English porcelain blue ground floral encrusted two handled vase, possibly Coalport, circa 1830, the flared cylindrical body enamelled to each side with a floral arrangement within gilt foliate scroll framing beneath the pierced and scroll moulded rim, the foliate moulded gilt enriched foot raised on a square base, unmarked, height approx 22cm, together with a quantity of teawares, glass and a pottery figure of a cherub (faults).
A Lalique frosted glass vase, late 20th Century, the baluster body moulded with two birds, on a circular foot, etched 'Lalique France' to base (chipped), together with a Kosta glass bird paperweight, three glass paperweights, a glass ornament cut with a heron and two other items of glass (some faults).
A pair of Portuguese silver dwarf candlesticks, Oporto 1810-1818, each raised on a domed and embossed foot below a short fluted and knopped baluster stem below a vase shaped socket, inscribed to the foot 'Sir Walter Parratt - Bach Festival 1895', 13.5cm high, 16.5oz (2). Bach Festival 1895 - 2 April 1895: St Matthew Passion: Miss Fillunger, Miss Hilda Wilson, Mr Robert Kaufmann, Mr David Bispham, Mr Andrew Black and Mr W. H. King (vocal). 4 April 1895: Selection: Mrs Hutchinson, Robert Kaufmann, Mr David Bispham and Miss Marian McKenzie (vocal), Dr Joachim (violin), Mr H. G. Lebon (oboe), Sir Walter Parratt (organ) and Miss Agnes Zimmermann, Miss Fanny Davies and Mr Leonard Borwick (piano). 6 April 1895: Mass in B minor: Miss Hutchinson, Miss Marian McKenzie, Mr Robert Kaufmann and Mr David Bispham (vocal), with Mr H. G. Lebon and Mr H. Smith (oboe), Mr W. L. Barrett (flute), Mr A. Borsdorf (horn) and Dr Joachim (violin).
Two blown glass candlesticks and a cut glass vase as lamps, one with baluster moulded hollow stem the rims trailed with yellow lines, 33cm (13in) high, the other with bobbin moulded hollow stem on a domed circular foot, 33cm (13in) high and the ovoid vase cut with slanted ribbing between diamond bands, 22cm (9in) high (W)
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653685 item(s)/page