We found 653833 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 653833 item(s)
    /page

Lot 1108

Two Matched Lead Crystal Vases, of tapering cylindrical form, each 25cm high approximately, a further large lead crystal vase (chip), set of six wines, champagnes, brandy glasses, sherries:- One Box

Lot 1112

A W.H. Kerr & Co Worcester Parian Ware Vase, circa 1856-62, moulded with the Blind Earl pattern, blue printed mark to underside, 17.5cm high.

Lot 1127

Carlton 'Vegetable' Condiment, coffee set, Crescent ware, Chinese vase, other ceramics:- One Tray

Lot 1164

A Miniature Cloisonné Vase, with floral motifs, 7cm high.

Lot 1165

Britannia Metal Tea Pot, Walker & Hall hot water jug, dish, Masons plate, glass vase etc:- One Box plus copper tea urn.

Lot 1186

Cut Glass Champagnes Glasses, wine glasses, celery vase, decanters, etc.:- One Tray.

Lot 1187

Wedgwood Lustre Vase, decorated with dragons on mottled blue ground, Carlton ware 'Dragon' bowl, Paragon cabinet plate, Cauldon cabinet cup and saucer, Worcester pin ways etc:- One Tray

Lot 1189

Royal Worcester Blush Ivory Twin Handled Pedestal Vase, decorated with flowers, with back stamp R.D 301164 1960, with initials A.B; together with a Royal Worcester jug and a Tuscan china vase, with rose decoration. (3)

Lot 1218

Poole Traditional Design Jug, egg cups, dish, Royal Albert 'Moonlight Rose', jars and cover, Carlton Ware leaf moulded wares, Ringtons vase etc:- One Tray

Lot 1227

A XIX Century Painted Glass Vase, of a girl playing a mandolin, biscuit barrel, glass ware etc:- One Tray

Lot 1230

Franklin Porcelain 'Meadowland Bird' Vase, amethyst vase, 1930's smoked amber glass posy Wedgwood, Aynsley 'D.Jones' plate, and other china:- One Tray

Lot 1238

A c.1960's Small West German Fat Lava Jug Vase, the brown mottled body with lava trail and white spiral design, numbered 474-76 to base, 15.5cm high.

Lot 1242

Hand Blown Large Wine Glasses, cut glass vase, enamelled jug and glasses, Art Nouveau style vase in strand etc, One Tray.

Lot 1249

Anita Harris Potteries Past Marrakesh Vase, gold signed by the designer, 10cm high.

Lot 1267

A Fine Cut Lead Crystal Decanter of Flask Form, a similar waisted vase, jugs, dishes, paperweight etc:- One Tray

Lot 1268

Crown Staffordshire 'Pagoda' Comport, Ginger jar and bud vase, Aynsley trinkets, Crown Staffordshire jug etc:- One Tray

Lot 1270

Aynsley 'Orchard Gold' Twin Handled Vase and Cover, Lilliput Lane 'Chantry Chapel - Wakefield', Waterford glass duck, Coalport figure, Mdina vase, pie funnel etc:- One Tray

Lot 1281

A Lorna Bailey 'Lakeside' Pattern Vase, 20cm high.

Lot 1290

A Moorcorft Pottery Vase, painted in the 'Anna Lily' design by Nicola Slaney, shape 122/8, impressed and painted marks, 21cm high.

Lot 1424

Two WWII Era British Styler Tin Hats, each with chin strap, a brass shell case vase (based stamped 'BSC 18 PR'); copper kettle, Moore & Wright box with instrument:- One Tray

Lot 1471

E. Bennett, still life of flowers in vase, watercolour 39 x 48.5cm, signed lower right.

Lot 124

An Eastern copper water jug with embossed bird and floral decoration plus a two handled vase

Lot 128

A 19th Century Majolica vase (as found), Royal Doulton Merryweather part dinner set plus other china and glass (three boxes)

Lot 17

Various blue and white china, a wooden box containing a small Satsuma vase, silver trophy cup etc

Lot 411

A Chinese cast moulded vase with relief dragon decoration, height 9"

Lot 75

China and glass to include Masons jug and vase, Stuart crystal vase etc (two trays)

Lot 76

A Royal Doulton figurine A La Mode HN 2544, three pieces Old Tupton ware tube lined china plus Hancocks ivory ware floral vase

Lot 240

A Chinese style inverted baluster floor vase, decorated in blue glass on a buff ground with trailing foliage and a similar example in black glaze. 31' high

Lot 212

An Italian maiolica tin glazed globular vase painted in blue, manganese and ochre with a Roman soldier on a yellow ground. 9' high. Rim and glaze chips

Lot 26

An oriental style square form jar and cover 18' high and a yellow glazed vase

Lot 326

A Victorian vaseline glass epergne, hung with two glass baskets on scrolled clear glass cane supports 22½' high. Centre trumpet vase with star crack.

Lot 316

A silver pepperette, mustard pot, salt, bud vase and six spoons, 10ozs 12dwts weighable

Lot 220

A 20th century Japanese inverted baluster vase painted in reserves with figures in a garden, 12½' high. Chip to base

Lot 49

[§] VICTORIA CROWE O.B.E., R.S.A., R.S.W., A.R.W.S. (SCOTTISH B.1946) ENCLOSED GARDEN Signed, oil on canvas 102cm x 126cm (40in x 49.5in) Exhibited: Royal Scottish Academy, Annual Exhibition, 2006 Note: Victoria Crowe is one of Scotland's most significant living artists. Her ability to skilfully weave together landscape, portraiture, still life, and interiors make her artwork both highly desirable and instantly recognisable. She has achieved international status and recognition due to many high-profile exhibitions and notable commissions, including portraits of poet Kathleen Raine, composer Thea Musgrave, Professor Peter Higgs, a double portrait of the Duke and Duchess of Buccleuch, and HRH Prince Charles. Crowe began her artistic career at the age of 16 when she attended Kingston School of Art, followed by the Royal College of Art, London. Robin Philipson, who was then head of the Edinburgh College of Art, saw her degree show in 1968 and immediately offered her a teaching post in Edinburgh, where she subsequently taught drawing and painting for thirty years. She also took over the botanical drawing class upon Elizabeth Blackadder's retirement. Crowe has noted that she uses plant imagery as 'ciphers and symbols within a greater whole,' which means that her flower paintings operate simultaneously as abstract objects, as depictions of our known environment and as a symbolic language. Her works often begin as observations of the natural, visible world, before becoming layered with symbols and meditations on time, memory, and imagination. Enclosed Garden was exhibited as part of the RSA Annual Exhibition in 2006 and already hints at Crowe's curiosity about our relationship with plants and the settings in which we enjoy them, as well as the timelessness and endurance of nature. The calming, cool blue of the painting shows Crowe's sensitive control of colour and transports the image to an imaginary time and place. The painting is divided between the warmer interior tones on the left and the cold, harsh light of winter's day on the right. Behind the textured surface, we are offered a shaded glimpse at concealed images and decorative details, once again highlighting the painting's variations in depth, both real and illusory. As one of her more layered compositions, Crowe explores the fluidity and the boundaries of physical space, while also capturing the simplicity of symbolic details. On the right side of the painting, wild swirling twigs in a blue vase echo the barren branches of the trees directly behind it. It is as if the man-made vase is attempting to control the natural world it holds within, but chaos erupts like a trumpet blaring. The vegetation almost melds together, challenging the viewer's perception of space and twisting the realms of interior and exterior, reality and illusion. Enclosed Garden can be seen as a gateway painting to her 2007 exhibition Plant Memory. The exhibition was the product of a conversation between Crowe and Professor David Ingram of St Catharine's College, Cambridge (and formerly Regius Professor of the Royal Botanic Garden, Edinburgh) whilst she painted his portrait. The collaborative research project, which saw artist and scientist working together, centred around the use of living and preserved specimens in Botanic Gardens, Museums, Herbaria and Libraries in Cambridge, Edinburgh and Venice. Today, Crowe is represented in a large number of private and public collections. She has recently exhibited extensively, with simultaneous shows at the Scottish National Portrait Gallery and the Scottish Gallery (Edinburgh International Festival) in 2018, followed by a major lifetime retrospective at the City Art Centre in Summer 2019. She divides her time working and living in Venice and the Scottish Borders.

Lot 87

[§] JOHN BELLANY C.B.E., R.A., H.R.S.A. (SCOTTISH 1942-2013) FLOWERS IN A VASE Signed, oil on canvas, unframed 102cm x 76cm (40in x 30in)

Lot 380

Mdina Glass vase, 20th Century blue and green colourway 11cm high

Lot 346

Whitefriars Glass vase zig zag form, pewter colourway 15cm high

Lot 375

Early 20th century Small glass vase green and blue mottled iridescent finish 9cm high

Lot 365

Loetz Small glass vase, Art Nouveau period iridescent finish with naturalistic form silver coloured7cm high

Lot 273

Aase Haugaard (Danish, b1956) Stoneware vase incised leaf and turtle pattern, wood fired potters mark to underside 17cm high

Lot 372

Louis Comfort Tiffany (early 20th Century) Glass vase blue swirl iridescent finish Inscribed "L.C.T." to base 26cm high

Lot 299

Studio Pottery Two stoneware jugs and a vase various glazes tallest 29cm high (3)

Lot 297

Studio Pottery Large stoneware vase hand painted linear decoration in three band blue and white colourway 35cm high

Lot 288

Royal Doulton Flambe vase decorated with a landscape with shepherds impressed number and factory mark to base 24cm high

Lot 351

Whitefriars Footed vase tangerine original label to side 18cm high

Lot 284

Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised linear pattern under a deep green glaze impressed potter's mark to underside 8cm high

Lot 384

Scandinavian school Blue glass vase, 20th Century fluted form 25cm high

Lot 366

Loetz Small glass vase, Art Nouveau period iridescent finish with linear form silver coloured9cm high

Lot 286

Studio Pottery Vase by Donald Glanville, sculpture of a horse and dish each with impressed potter's mark dish 27cm across (3)

Lot 282

Katherine Pleydell Bouverie (1895-1985) Stoneware vase incised decoration under a clear glaze impressed potter's mark to bottom 11cm high

Lot 261

Troika pottery Stoneware vase square form with linear and circular decoration, in brown blue and orange colourway handwritten potter's mark to underside 21cm high

Lot 370

Émile Gallé (1846-1904) Glass cameo vase, purple overlay of flowers on a white ground cameo signature to neck 11cm high

Lot 410

Giles Jones (British 20th Century) Glass vase pink and frosted decoration inscribed signature to underside 15cm across

Lot 339

Contemporary Pottery Vase by Ray Hoole, miniature vase and footed bowl various glazes each with impressed potter's mark to underside largest 17cm across (3)

Lot 424

Svenskt Tenn Pewter vase circular form factory marks to base 16cm high

Lot 356

Per Lutken for Holmegaard (Danish 1916-1998) 'May Green' glass vase inscribed factory marks to base 20cm high

Lot 295

Studio Pottery Bowl by Toff Milway, small vase by Nick Harrison and small jug by Derek Emms various glazes, each with impressed potter's mark to underside bowl 20cm across (3)

Lot 404

British Art Glass Small globular vase yellow lustre finish 14cm high

Lot 266

Mari Simmulson for Upsala-Ekeby (Swedish, mid 20th Century) Stoneware vase stamped decoration with two tone glaze potter's incised marks to base 15cm high

Loading...Loading...
  • 653833 item(s)
    /page

Recently Viewed Lots