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A 1910s William Moorcroft 'lost shape 372' vase of mallet form glazed in a ruby and ochre lustre, impressed mark, retains H.M Queen Mary paper label, height 14.5cmThis vase was likely made at the Sandbach Road Factory, circa 1916. Hugh Edwards notes the discovery of "an old fashioned bottle" at Oglethorpe Antiques in Georgia USA in his book Moorcroft: A New Dawn by Fraser Street "In more than 30 years of devoted pot hunting, he had never seen that particular shape before", see pages 77 to 79.
A Moorcroft Pottery footed bowl decorated in the Anemone pattern with a central pink flower to the interior and a garland of flowers to the exterior, all against a blue ground, impressed mark and initialled in blue, diameter 16.5cm, together with a Moorcroft Hibiscus pattern bottle vase, height 27cm, both S/D
A 19th Century Richardsons glass vase of footed baluster form decorated with a vitrified enamel scene of four Greek attendants during a Dionysia in burnt orange and black outlining to the frosted opal ground, together with a similar example with a scene of four Greek attendants pouring libations to the altar of Apollo, A/F, both with diamond registration marks for 6th July 1847, enamelled mark and title band, height 25.5cm.
A 20th Century Stratearn glass vase of tapering waisted form decorated with mottled red and bronze aventurine within the clear crystal ground, impressed mark, height 24cm, together with a Chance glass handkerchief vase in the Black Cordon pattern, with white pin striping over a black ground, diameter 25cm. (2)
A later 20th Century Baccarat glass vase for the Musee Du Louvre of globe and shaft with air bubble decoration to the green ground, acid marked, height 14.5cm, together with a Royal Brierley glass bowl of footed from with blue iridescent decoration, diameter 20cm, and an Okra glass vase with iridescent spotting, height 11cm. (3)
A later 20th Century Riihimaki glass vase designated by Tamara Aladin of footed sleeve form in clear crystal over green, together with a similar smaller example, an ovoid vase cased in clear over pewter and an Ed Branson studio glass vase of compressed sleeve form with pulled rim in amber cased in clear crystal, tallest 34cm. (4)
A group of later 20th Century glass comprising a clear crystal globe vase for Mataki, engraved with three geese in flight with a bulrush opposing, engraved signature, height 11.5cm, together with a studio glass vase of high shouldered form with wrythen iridescent decoration, height 9.5cm, and a studio glass vase of square sleeve form with green iridescent spotted decoration, engraved monogram, height 12cm. (3)
A post war limited edition Thomas Webb & Sons crystal glass commemorative pedestal vase for the Investiture of the Prince of Wales, of tapered form on a swept textured foot, the body engraved by Cyril Kimberley with a stylised dragon below dedicated script panel, engraved signature, numbered 32, original box and certificate, height 24cm.
A group of late 19th Century Bohemian green glassware to include a water jug with enamelled insects, a decanter with a band of coloured enamel butterflies, a posy vase of globe and shaft form with an enamelled armorial and a later amber flashed and a cut candlestick, tallest 17.5cm. (4)
A large post war Mdina glass attenuated bottle vase of slender form, decorated with blue and green fissured colouring, height 46cm, together with a similar smaller example in tones of cinnamon with a pale lustre effect, height 38cm, and another example in a matched colour of squared bottle form, height 36cm. (3)
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653685 item(s)/page