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An American Northwood amethyst carnival glass beaker, moulded with peacocks and fountains, 10cm, moulded mark, c.1901; a Fenton blue carnival glass pedestal butter dish and cover, 16cm, original paper label, mid-20th century; a Westmoreland electric blue carnival glass butter dish and cover, mid-20th century15cm; an amethyst two handled posy vase; a cobalt blue cylindrical vase (5)
Linda Bauman, by and after, Stormy Landscape, Ireland 1995, coloured print, signed in pencil, 122cm x 122cm; Liz Thomson, The Last Leaf on the Tree, coloured print, signed in pencil, 36cm x 36cm; A Studio Pottery charger, decorated with a mottled dripped glaze, in orange, green, brown and white, 37cm diam, incised mark MP; Natural History - a red coral specimen, 23cm wide; stones; A Gary Marlow laburnum turned vase, 16cm high; an Art Deco oak photograph frame; a Caithness paperweight; a Caoloaia Pottery night light; an Art Pottery cottage; etc
A Wedgwood Jasperware biscuit barrel, typically sprigged in white with neo-classical figures on a blue ground, impressed marks; a Royal Worcester Dragon vase, c.1870; a Mason Chartreuse jug; Losolware Yeddo panelled vases; a German inkwell, encrusted with flowers, 20th century; Aynsley; Crown Devon; etc
Moorcroft blue ground bottle-shaped vase, circa 1918, green W Moorcroft marks, impressed Moorcroft Burslem England, with numeral 64, decorated with spray of pansies and other flowers in pink within lobed quatrefoil cartouche, reserved on a mottled blue ground, 26.4cm high and a late 19th century French porcelain green ground inkstand, of rectangular section, with two wells, one liner and two covers, gilt with scrolls and diaper-pattern on a green ground, raised on gilt bun feet, spurious La Courtille marks (2)
Lladro porcelain figure of a girl, 18.5cm high and six Nao figures similar, various printed and impressed marks, including a girl seated on a tree stump before a butterfly, another holding a doll raising her fingers to her lips, a girl holding a cake bedside a dog, another holding a puppy, one with a basket of flowers and another holding a vase of flowers, with original boxes (7)Condition ReportOne Nao figure with damage and repair to one arm and loss to part of the bow. Others in good condition. General wear and tear.
Pair of late 19th century Lambeth Doulton faience blue ground Art Nouveau baluster vases, painted and impressed marks, with flared trumpet-shaped necks, painted with white flowers reserved on stylised pale green foliage on a teal blue ground, 28cm high (one chipped and cracked to neck) (2) Condition ReportLight surface marks, accretions. One vase with damage and reapair to rim. General wear and tear.
Poole pottery Delphis bowl, printed black marks, initialled 'TS' and stamped '58', painted with large yellow flowers and green leaves on an orange ground, a Dartmouth pottery tapering faceted green ground spill vase, a graduated set of three Beswick pottery wall pockets of ducks in flight, a black glazed mid-century pottery model of a cat and a lobed circular dish, mottled with green ground and ochre glazes Condition ReportBeswick ducks - Smallest duck with damage and repair to neck and one wing. Crazing to all ducks. General wear and tear.
Royal Worcester blush ivory ground baluster two-handled vase with dolphin handles, raised on scroll and shell moulded feet, signed H. Austin, shape no.309/H1574, 24cm high and a jug, shape no.1047/1054, 20.5cm high, early 20th century printed puce and green factory marks, each painted with roses within gilt borders, signed M. Blake (2) Condition Report Vase in good condition with some light surface marks and minor wear to gilt in places. Signed H. AustinJug in good condition. Signed M. Blake. General wear and tear to both
Chinese Ming-style Longquan celadon globular two-handled vase, probably 19th/20th century, moulded with scrolling dragons chasing flaming pearls within gadrooned borders, with two loop handles, 19cm high and various items of pottery including a Wedgwood pearlware quatrefoil dish, printed and painted in the famille rose-style, two ironstone side plates, with water plants, a Clarice Cliff Royal Staffordshire 'Spring' pattern crocus pattern side plate, a Wedgwood pottery lotus-pattern shallow bowl, and an Imari-pattern porcelain tea bowl, perhaps Middle Eastern, printed and impressed marks (7)
Limoges porcelain oviform vase, circa 1900, printed puce marks, inscribed Emaux d'Art in gilding, hand painted decoration with poppies and a butterfly on gilt ground, indistinctly signed Boisson or Bolsson?? 18cm highCondition ReportLight surface scratches, wear to the gilt and decoration in places. General wear and tear.
Continental cut and engraved Art Nouveau glass trumpet-shaped vase cut and stained with pink tulips, with diamond cut leaves, on flared faceted foot gilt with fleur-de-lys, 29.5cm high (chipping to foot rim) and a Middle Eastern blue and gilt spirit decanter and six shot glasses, enamelled with flowers and foliage, within gilt bands
Victorian Nailsea-type spill vase, green tinted with combed white decoration, a facon-de-venise goblet, possibly Salviati, the fluted conical bowl with millefiori cane inclusions supported on a pierced scroll pink flower stem and spreading foot, stem has aventurine inclusions (cracked and repaired through the stem), a 19th century trumpet-shaped drinking glass and a 19th century faceted double knopped stirrup cup (4)
Group of assorted flower vases, candlesticks and other items including a pink carnival glass frill-shaped vase, a white metal mounted cut and engraved pot-pourri vase, a 1970's green tinted decanter and stopper, three candlesticks in sizes, of knopped form with tear inclusion, a facon-de-venise wine glass with amber and brown tints to stem, etched marks Cowdy, a oviform frill necked jug, a boxed Rosenthal Pergament studio line square section spill vase, a Dartington engraved lead crystal small footed bowl and other items
Chinese 20th century blanc-de-chine figure group, modelled as a musician and two companions on rockwork base, incised character marks and numerals, together with a 20th century Chinese small blue and white oviform vase printed and painted with figures and pine trees, a boxed set of Japanese Meiji period (1868-1912) calligraphic and pictorial ink blocks comprising six pieces, a comb signed with a four character mark stained and engraved with a landscape, an early 20th century Japanese inlaid metal cigarette case marked with seal and K24 to reverse and a carved wooden cigarette case with quatrefoil foliate medallion (6)
Three Chinese porcelain blue and white cylindrical dragon vases, late Qing Dynasty, blue four-character Kangxi marks but later, comprising a large cylindrical vase decorated with scrolling dragons amongst leafy chrysanthemum sprays, 26cm high and a pair of tall cylindrical vases smaller decorated with dragons on a blue cloud-pattern ground (damages and repairs) (3) Condition ReportThe tall cylindrical vase with dragon pattern - two rim chips and a long extended hairline crack. The pair of smaller cylindrical vases, one extensively cracked and repaired, with rim chip, the other with long extended hairline crack from rim running into body.
A Chinese famille verte gu-shaped vase and a pair of Japanese porcelain vases, the first probably 19th century, painted with figures within landscapes, the mid bulbous section with quatrefoil cartouches, reserved with lozenge shaped panels (extensively cracked and repaired), the pair of Japanese turquoise ground vases with flared necks and globular bodies, painted with figures of ladies and gentlemen within lobed rectangular cartouches, the ground reserved with flowerheads and foliage, six character iron red marks to bases, circa 1900 (3)
Chinese porcelain famille rose two-handled jardiniere, 19th century, painted with chrysanthemum and other flowers on a turquoise green ground within pink lappet-shaped borders, 19.5cm wide and a Chinese porcelain blue and white baluster vase converted to a lamp, four-character Kangxi mark in blue to base, late 19th/early 20th century, decorated with dragons and flaming pearls on a cloud and scroll-pattern ground, 26cm high (2) Condition Report The vase has been fitted to the neck with a light fitting which is still in place, although it has not been drilled through the base, it is in good order but has been filled with sand to weigh it down (please be aware when turning upside down!). The jardiniere has a hairline crack running from rim to body and then a spreading stained starcrack across base.
Chinese porcelain blue and white gu vase, blue four-character Kangxi mark, possibly 18th century, painted with figures of scholars and musicians before jardinieres of flowers and various utensils, within scrolling dragon and cloud-pattern borders (chipping to rim), 25cm high Condition ReportWith some deep rim chipping to upper rim, some losses to glaze above footrim.
Assembled garniture of three Chinese porcelain blue and white ginger jars and covers, 19th century, painted with flowering prunus on a washed blue ground and below a dentil border, in sizes, tallest 14cm high (3) Condition Report Largest example - cover cracked across and restuck, the cover may be matched as the blue ground is a slightly different tone to that of the vase. The medium sized vase and cover are in good order. The smaller example has been cracked and restuck across cover. Again, the covers on the smaller vases are probably matched.
Two Chinese porcelain blue and white Qing Dynasty vases, the first of moonflask form with pierced beast terminals, painted with figures of musicians within recessed central panels, the shoulders with flowerheads, 22cm high and a baluster vase painted with immortals in discussion within lappet-shape cartouches, the ground painted with birds and chrysanthemum, the underside with four-character mark, 20.5cm high (some losses to the terminals of the moonflask) (2) Condition ReportLight surface marks and accretions on both. Moonflask with one pierced terminal missing, the other with losses. Hairline crack to neck. Baluster vase with surface marks, imperfections in glaze. General wear and tear on both.
Collection of Chinese porcelain blue and white small vases, variously painted in the Kangxi-style, probably 18th century and later, the first decorated with warriors in landscape, a double-gourd shaped vase decorated with figures and utensils, a small bottle-shaped vase painted with animals in landscape, four-character reign mark in blue to base and a Chinese-style miniature oviform vase and cover, transfer-printed with huts on islands (losses to the double-gourd shaped vase and rim chipping), largest 15.5cm high (4) Condition Report Double gourd vase - loss to rim, light surface marks, accretions.Warrior vase - imperfections in glaze and losses, small chip to foot.Vase & cover - Chip to cover, accretions and surface marks.All with general wear and tear.
Assembled garniture of three Chinese porcelain blue and white miniature vases, Qing Dynasty, comprising a double-gourd shape vase painted with dragons and leafy branches, 11.3cm high and two small dragon moulded bottle vases, similarly painted, one with mons and lappets (3) Condition Report Double gourd vase - Light surface marks, imperfections within glazeDragon vases - Light surface marks, imperfections within glaze, one dragon with firing cracks and some small chips to the base of same vase. General wear and tear.
Collection of Chinese and Japanese porcelain and other items comprising a baluster blue and white vase adapted as a lamp, four-character Kangxi mark, probably 19th century, painted with figures and animals within flower borders, three 18th century Chinese export plates painted with figures in landscapes, two small Chinese blue and white vases, one with four-character mark to base, painted with dragons, a Japanese Satsuma saucer, seal mark to reverse, the border painted with figures, the well with pavilions in landscape and a Royal Worcester miniature jug, painted with birds, signed 'G.Dank' with printed black factory marks, mid-20th century (some damages and repairs) Condition Report Vase/lamp - Chip to rim, crack to body, accretions and gluue around the rim.Small dragon vase - chip to rim, hairline crack to rim/neck.All plates with chips, two with cracks.Satsuma dish- surface marks, small cip to the rim, wear ato gilt and decoration.All with general wear and tear.
GROUP OF MIXED STUDIO POTTERY & OTHER CERAMICS / GLASSWARE, Thomas Aitken St Ives blue and white bottle vase, 13cms H, Earthworks pottery slip glazed vase, 14cms H, a slender poppy vase, signed 'MBH', 23.5cms H, blue mottle glazed jug, signed 'B D', 17cms H ETCProvenance: deceased estate Ynys Mon
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653685 item(s)/page