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Ï’ A good Japanese carved tusk vase depicting the poet Narihira with attendants on the slopes of Fujiyama, signed, Meiji Period, 22cm high x 10cm diameter, wood baseÏ’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Ï’ A Japanese Ivory Box and Cover of natural oval section decorated in high relief with a farmer carrying a panier of rice towards a rustic dwelling, with flat cover and spherical knop, signed with two seals to the base, height 6.4cms, Meiji Period; A Japanese Tusk Vase carved in relief with a figure leaning on a staff beneath a pine tree, height 16.5cms, Meiji-Taisho era; Another Japanese Tusk Vase decorated in stained ivory and lacquer with a fruiting gourd vine and butterflies, height 10.5cms, Meiji-Taisho era; A Circular Japanese Ivory Box and Cover carved in sunken relief with an elephant's head and two tigers, diameter 6.6cms, Meiji-Taisho era; And a Japanese Lacquered Ivory Kogai or Hairpin, Meiji Period (5)Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
Meizan: A Japanese Satsuma Pottery Vase of slender ovoid form with a waisted, cylindrical neck, the whole typically decorated in overglaze enamels and gilding with rococo panels of noblemen and sages with their attendants all on a ground of peonies, cranes and various diaper bands, marked to the base Meizan, Meiji Period, 12cm high
A Japanese Bronze Vase, of ovoid form with broad neck and everted mouth decorated in Kaga style inlays of copper, shakudo, silver and gold with a kingfisher in flight amid lotus leaves above a pond, details in kebori, hon-zogan and taka-zogan, the reverse similarly decorated with a pigeon amid peonies, the mouth bears a formal band, unsigned, height 30.3cms, Meiji Period
A Tall Japanese Bronze Vase, of cylindrical form resting on a short foot and rising to a short cylindrical neck with everted mouth, decorated in relief, kebori, silver, copper, shibuichi and gold taka-zogan with a long-tailed cockerel perched on the branch of a prunus tree, height 36cms, Meiji Period
A Large Japanese Bronze Vase, of Chinese Zhadou form after a Han pottery model, the globular body on a stepped, splayed foot and rising to a broad, trumpet-form neck, cast with a key-fret band, large squorls and a band of stylised foliage, the shoulder fitted with lugs for the (removable) handles in the form of crayfish, height 36.1cms, Meiji Period
Miyabe Atsuyoshi: A Pair of Bronze Vases, each of cylindrical form with incurved foot and neck, decorated in kebori and sunken relief with copper, silver and shakudo inlay depicting Manchurian cranes amid bamboo and grasses, one vase with gilded relief bands to top and bottom, incised to the base .....Miyabe Atsuyoshi tsukuru, height 30.3cms, Meiji Period (2)
Genryusai Seiya: A Pair of Japanese Bronze Vases, each of tapered ovoid form resting on a splayed foot and rising to a waisted, hexagonal neck with everted lip and pendant, claw-like formations, a dragon entwined around the neck of each vase, gilt details to eyes, marked to the base Seiya sei, height 30.8cms, Meiji Period (2)
Mitsumune: A Large Japanese Bronze Vase, the ovoid body on a stepped base and rising to a cylindrical neck with everted, lappet rim, the body cast in high relief and reticulation with a mass of flowering irises, details emphasised in a silver wash, signature tablet to the base Mitsumune, height 45.6cms, Meiji-Taisho Era
A Japanese Shibuichi and Silver Vase, of ovoid form resting on a splayed foot,the long neck rises to an everted mouth, the body decorated with fans in kebori, katakiribori, silver, shakudo and gold, the foot with a silver rim, factory mark impressed to base, height 22.8cms, Meiji Period
A Large Japanese Cast Bronze Vase and Stand, the body of hexagonal form cast with panels of animals, birds and legendary figure on a diaper ground, applied to the shoulder with dragon handles and surmounted with a cover showing a dragon amid rockwork with an Oni atop, the whole resting on three animal mask legs which terminate in a circular, six-legged base with a central figure of a shishi upon rocks, height 163cms, Meiji Period Provenance: Private Collection, Cheshire
A Japanese Bronze Vase, the compressed, globular body resting on a splayed foot rising to a tall waisted neck with everted mouth, the body moulded and applied with a kingfisher on a tree stump amid lotus fronds, it watches two fish pass by in the stream below, the body bears a mottled patina, with silvered details, signed Somin(), height 40.2cms, Meiji-Taisho Era
An unusual Japanese Silvered Metal Vase of globular form resting on a slightly splayed foot, the shoulder with simple loop handles and it rises to a cylindrical neck with everted mouth, the whole covered in a sandy texture with a central band of kiri-mon and Ho-o birds, the neck with further floral motifs, incised signature to the base Jumei saku, with Jungin (true silver) stamp and a further seal, height 23cms, Meiji-Taisho Era
A panel of four Damascus glazed fritware tiles, Ottoman Syria, 17th century, painted with repeated flower vase design on cobalt blue ground, overall size 27cm square approximately, each tile 23cm approximately squared, mounted for wall hanging Compare with closely related tiles in Leighton House, see Arthur Millner, Damascus Tiles, London, 2015, fig 4.68, page 174. Provenance: From the Estate of the late Sir Howard Hodgkin CH CBE, acquired Christies, Paris, 25th January 2012, lot 206.
A Damascus glazed fritware tile, Ottoman Syria, circa 1570-1580, of rectangular form, painted with rose, carnation and lily design, flanked by vase and acanthus border, 27cm x 19.5cm mounted for wall hanging Compare with a similar example in Leighton House, illustrated, Arthur Millner, Damascus Tiles, London, 2015, fig 1.18, page 36. Old Damascus tiles were often used around fireplaces in late 19th century Western interiors which might explain the soot on this example. See Arthur Millner, Damascus Tiles, London, 2015, fig 5.20, page 232. Provenance: From the Estate of the late Sir Howard Hodgkin CH CBE.
A Philippe-Joseph Brocard enamelled two-handled vase, circa 1880-90, Paris, of amber tint, the ovoid form with waisted neck with garlic rim, flanked by delicate applied loop and scroll handles, decorated overall with bands of formal geometric motifs and arabesques in raised enamel and gold, the base signed 'Brocard' in iron-red script, 17.2cm high Provenance: Bonhams, Fine Glass, Including the Overduin Collection, London, New Bond Street, 21 May 2014, Auction 22021, lot 90
Aga Khan III interest- An Indian silver pedestal vase, unmarked, Madras or Bombay circa 1920, with a plain waved rim, chased with bands of deities in roundels in Swami style, in a circular domed foot, presentation engraved To H.H. Aga Khan Sir Sultan Mohamed Shah, G.C.S.I., L.L.D. The Members of The Youngmen's Ismailia Association. Are Anxious of Your Highness's Holy Didar, 23.5cm (9 1/4in) high, 864g (27.75 oz) Sir Sultan Muhammed Shah, Aga Khan III, GCSI, GCMG, GCIE, GCVO, PC (1877-1957) was the 48th Imam of the Nizari Ismaili religion. He was made a Knight Grand Commander of The Most Exalted Order of the Star of India in 1911.
Ceramics - a Royal Doulton Woodland pattern charger; Denby Ware electric blue baluster shaper vase; a Wedgwood chine de blanc pedestal planter; a Maling Daisy pattern wall vase; Carlton Rouge Royale dish; two blush ivory pin dishes decorated with wild flowers; etc.
THREE CHINESE BLUE AND WHITE OVOID VASES AND THREE DISHES 17TH AND 18TH CENTURY The largest vase painted with a figure riding a qilin, another decorated with books and vases amidst various emblems, the smallest vase with a figural scene, one dish painted with beauties in a garden, another with a basket of flowers, the largest dish decorated with a pagoda landscape and with a paper label for Christie's, The Nanking Cargo, lot 3534, 23.5cm. (6)
A CHINESE FAMILLE ROSE MILLEFLEURS BOTTLE VASE REPUBLIC PERIOD Decorated with various flowers painted in bright enamels against a gilt ground, with three panels depicting figures, boats and buildings in mountainous and watery landscapes, a six character Qianlong mark to the base, 39cm.
A CHINESE BLUE AND WHITE BOTTLE VASE PROBABLY LATE QING DYNASTY The compressed circular body painted with medallions formed as pairs of stylised dragons and lingzhi, all surrounded by scrolling foliage and ruyi-heads above a band of lappets, the shoulder decorated with interlocking panels enclosing lotus flowerheads, with ruyi-head and key fret borders to the mouthrim, the base with a six character Qianlong mark, 35.5cm. Provenance: Sotheby's London, 26th July 1984, lot 228; and then a private collection, London.
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650806 item(s)/page