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A Royal Worcester Sabrina Ware ovoid vase, the polychrome glaze incorporating rising sun design, 18.5 cm high to/w an Art Deco style pottery figure of a kneeling nude with iridescent green and gilt glaze, 24 cm high and four boxed 12 cm Moorcroft pin dishes with stylised floral designs (6)
A Coalport China commemorative vase and cover of baluster form, on stemmed square foot, HRH Queen Elizabeth II 60th Birthday 1986 ltd ed no 3/60, painted reserve of the Queen with corgis at Balmoral, signed S K Smith, on blue, cream and gilt ground, 24 cm highGood condition, no cracks, chips or damage to decoration
An Empire period Paris porcelain teapot of elliptical form, reserves painted in monochrome and gilt with allegory of the Trophies of War overcoming the Trophies of Love, on green and gilt ground 16 x 22 cm overall (handle repaired) to/w a Continental porcelain cabinet plate painted with river scene with stone bridge and figures, within gros bleu and gilt border, 23 cm and a 19th century German porcelain floral-encrusted pot pourri vase and cover on square foot (3)Generally very clean, with no significant damage to gilding or enamels; teapot handle repaired
A black-glazed stoneware jug of tall and slender form by Kevin Green, 45 cm high to/w an onion-shaped stoneware bottle vase with narrow neck, 17 cm high and a globular terracotta and black-glazed bottle-vase with incised leaf decoration to the shoulders - both vases signed - not identified (3)
A globular studio stoneware bowl with striated two-colour celadon glaze, base-stamp flooded (not identified), 22 cm high to/w a bottle vase of bulbous square form with mottled glaze (not identified) 21 cm, and a conical bowl with 'peppered' glaze, pricked 'JJ' mark, 22 cm diam (3) - lot includes book on Marianne de Trey (possibly maker of larger bowl)
A Herend porcelain large baluster vase and cover with rose finial, embossed, painted and gilded floral decoration and twin loop handles, 35 cm to/w a Dresden floral-painted shell pin-dish, six Dresden floral painted coffee cups with five matching saucers and a similar saucerHerend: two fragments of petal lost on finial; no other damage or wear; one saucer has hairline crack
A 1960s TEXTURED BLUE GLASS HANDKERCHIEF VASE BY CHANCE BROTHERS, a larger Artic example from the 'Tinted' range introduced in 1969, together with a Swedish amber glass cylinder vase, having similar hammered finish to interior, label to base and a smaller green textured glass vase, tallest H 24.5 cm TOGETHER WITH FOUR ITEMS OF STUDIO ART GLASS, to include a Broste design of Sweden wavy edge bowl, tallest H 20 cm (7)
A 20TH CENTURY FRENCH FAIENCE POTTERY CANDLESTICK, H 37 cm, together with a Poly Delft double gourd vase, together with A CONTINENTAL CIRCULAR CERAMIC LIDDED POT, blue ground, with gilded border, armorial style crest to lid depicting a goose shot with an arrow, crown emblem above, Dia.15 cm (3)
A T.J. & J. Mayer pottery vase of Crimean interest: of flattened form with scroll feet and flaring notched neck decorated in the Tria Juncta in Uno with the three allied leaders of England, France and Turkey and verso with Alma depicting the allied generals Lord Raglan, Duke of Cambridge, Marshall St. Arnaud and Omar Pasha, retailer's mark for Robert Feast, London, 20cm high.
A Delft vase c.1660-80, of baluster form raised on an octagonal foot, painted with Chinese figures at various pursuits in a garden setting, between dense flower scroll borders and bands of stiff leaves in the Chinese Transitional style, the cover lacking, some rim chipping, 22cm.
Two Delft polychrome chargers c.1730-40, the larger decorated with a central vase of flowers and foliage within a red scroll border and panelled rim, the other with a smaller censer of flowers within a rim decorated with five floral panels reserved on a trellis ground, damages and repairs, 35cm max. (2)
A London delftware two-handled vase possibly dated 1716, the baluster form painted in underglaze blue with flower sprays, applied with two scroll handles and raised on a circular foot with a stylized stiff leaf design, inscribed to the underside with '17 / 16' in blue enamel, 17cm. Cf. Woolley and Wallis, The Warner Collection of English Delftware, 17th September 2019, lot 90 for a vase of the same shape.
Three Delft plates or chargers 18th century, one painted with a central vase of flowers and feathers, another with flowering plants and holey rockwork, the last a small pancake-shape dish painted in blue and black with flowering plants beside a fence, some damages, 34.3cm max. (3)
A German faïence jug or tankard 18th century, painted in the Chinese Transitional style with figures seated in a mountain landscape, a Delft baluster vase painted with birds flanking a basket, and a Delft polychrome cylindrical tankard painted with a bold floral design, some damages, 21cm max. (3)
Two pairs of Delft horses mid 18th century, the small pair modelled jumping over fences, saddled and applied with rosettes, the second pair recumbent with one foreleg extended, a large Delft horse with right foreleg raised and ears pricked, all cold-painted in polychrome enamels, and a faïence model of a horse standing beside a spill vase, damages and restoration, the cold enamels flaked, 19.5cm max. (6)
A Spode pearlware pot pourri vase and cover c.1820, with a coffee can and two saucers, all richly decorated in the 'Peony 2' pattern with flowering peony branches detailed in pink, green and yellow enamel on a blue ground, the pot pourri vase raised on three dolphin supports above a shaped base, some faults, 17.2cm max. (5) Provenance: Alfred Gresham Copeland, Robert Copeland (1925-2010), and thence by descent.
A rare pair of Spode stone china vases c.1820, the globular bodies painted in the Kakiemon manner with exotic birds standing beside ornamental fences and flowering branches, the tall necks with further long-tailed birds in flight, each vase applied with two tall serpent handles, some damages and repairs, 30.2cm. (2) Provenance: Alfred Gresham Copeland, Robert Copeland (1925-2010), and thence by descent. Exhibited: Spode Bicentenary Exhibition, Royal Academy, 1970 and Northern Ceramic Society, Hanley Museum, 1989. Cf. Victoria and Albert Museum, Accession No. 379-1899 for a similar vase gifted in memory of Josiah Spode.
A Copeland Spode jewelled vase c.1880, decorated with vertical stripes of stylized flowers applied with beads of white, coral and turquoise enamel, and a jewelled coffee cup and saucer similarly decorated in the Persian manner, printed marks, some damages, 15.7cm max. (3) Provenance: Alfred Gresham Copeland, Robert Copeland (1925-2010), and thence by descent.
Three pairs of English porcelain spill vases 1st half 19th century, one pair Derby and of campana form, with gilt decoration on a blue ground, another pair Flight, Barr and Barr and decorated with a wide green band and raised on square bases, the last Chamberlain's Worcester, cylindrical and painted with children in landscapes reserved on a blue ground, and a single small Derby vase left in the white and raised on three dog supports, various marks, some damages,13.3cm max. (7)
A Coalport three vase garniture c.1820, comprising a câchepot and stand and a pair of flared spill vases, all painted probably in the workshop of Thomas Baxter with continuous bands of flowers including roses, convolvulus, and chrysanthemum, between formal gilt foliate borders and bands of white beading, the câchepot with dolphin mask handles, the stand raised on three paw feet, 15.5cm max. (4)
Four English porcelain small vases and an inkwell 1st half 19th century, all decorated with topographical scenes, two vases of campana shape, one titled beneath 'James Skinner, Aged 79, 1841', a small ovoid vase with a titled view of Fairlight Place near Hastings, the last of câchepot form, the inkwell Grainger's Worcester and painted with a view of the city, an English plate painted in the Sèvres manner with roses and a flower garland border, and a Creil creamware plate printed with a view of a house near Richmond, some damages, 24.7cm max. (10) Provenance: a private collection in London.
A study collection of ceramics 18th century and later, including a pair of miniature Meissen vases and a pair of Italian porcelain miniature vases, applied or moulded with gilt leaf swags, a French porcelain sauce tureen cover, probably Mennecy, a Sèvres-style two-handled vase, a Sèvres pottery vase and cover in the Art Nouveau manner, a Continental egg cup, a Derby saucer painted with panels of roses, an English flared vase in the Sèvres manner and a Samson porcelain vase after the Chinese, some damages, 23.2cm max. (12)
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653685 item(s)/page