There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Doulton Lambeth stoneware vase, late 19th Century, by Hannah Barlow, of baluster form incised with a continuous scene of sheep grazing, between floral and foliate relief decorated green glazed shoulder and foot, impressed factory marks and incised artist's monogram to base, height approx 28cm (restoration to foot).
A Doulton Lambeth stoneware vase, late 19th Century, by Hannah Barlow, of baluster form incised with a continuous scene of a lion stalking four cows in a landscape with mountains beyond, incised 'Ye Fable', between green and blue stylized foliate borders, cancelled impressed factory marks and incised artist's monogram to base, height approx 28.5cm.
A Chinese famille rose porcelain jar, Republic period, the ovoid body decorated with two maidens and a child picking flowers in a garden, opposing five lines of black text, height approx 27cm (converted to a table lamp), together with another Chinese vase (converted to a table lamp), and a green and yellow glazed earthenware stand.
A pair of Japanese porcelain vases, Meiji period, painted with birds, flowers and blossom on a pale blue to pink shaded ground, height approx 14.5cm, together with a Japanese blue and white bottle vase and a Japanese blue and white circular box and cover, early 20th Century, painted with flowers within prunus and cracked ice borders, diameter approx 15cm (chips to inner rim).
A pair of Royal Doulton stoneware posy vases, decorated in relief with floral garlands within beaded borders, impressed factory marks to bases, height approx 8.5cm, a Doulton Lambeth stoneware jardinière of tapering form with wavy rim (chips to rim), together with a group of Royal Doulton including a stoneware lace effect vase and a Dickens ware bowl (minor faults).
Two Murano ruby glass bowls, late 20th Century, each with internal silvered and ribbon decoration, a pale blue opaline glass vase with moulded vertical decoration on a pierced stem and circular foot, a pair of black glass vases with internal bubble and trailed yellow, blue and brown decoration, and a blue and clear glass jar and cover with gilt decoration.
A Doulton Lambeth stoneware vase, circa 1885 by Florence Barlow, of ovoid form with flared neck, decorated with four alternating roundels of a bird perched on a branch and blossoming stems, within incised overlapping petal borders, against a buff ground, impressed factory marks and incised artist's monogram to base, height approx 19cm.
A Chinese famille rose enamelled pale blue ground porcelain vase, Shen de Tang Zhi mark but probably later, the globular body and flared neck polychrome enamelled with uniform lotus and tendrils between bats and gilt shou characters, iron red four character mark to base, height approx 9.2cm, with carved wood stand.
A Chinese blue and white porcelain baluster vase, late 19th Century, decorated with a bird perched on blossoming branches, height approx 25.5cm (hairline crack and chips to base), a pair of Japanese Imari vases, a pair of Kutani vases, a pair of blue and white dishes and a celadon pot.
A Chinese famille rose blue ground porcelain cylinder vase, mark of Tongzhi but probably later, the body enamelled with a dense repeated design of bats, lotus and tendrils, iron red seal mark to base, height approx 28cm, together with two Chinese blue and white porcelain vases (one repaired).
A Chinese blue and white porcelain bottle vase, Kangxi period, the ovoid body and narrow neck painted with lotus filled lappet band beneath stiff leaves, height approx 16.5cm (reduced neck and silver mounted rim), together with a Chinese blue and white export porcelain teapot and cover, late Qianlong period, painted with a fenced garden, height approx 19cm (hairline crack).
A Nuutajarvi Notsjo smoky and clear Art glass vase, circa 1962, designed by Kaj Franck, the outswept rim above a cylindrical base, engraved signature and dated '62 to base, height approx 15.5cm, a Siddy Langley glass paperweight decorated with a stylized landscape, engraved signature and dated '1988' to base, height approx 7.5cm, two latticino glass vases and three other glass vases.
A Meissen porcelain inkwell, late 19th Century, of circular form painted with floral sprays, crossed swords in underglaze blue to base, diameter approx 6.5cm, together with two Meissen porcelain blue and white saucer, decorated with floral sprays, and a Meissen vase decorated in iron red with ho-o birds and dragons.
A Chinese famille rose enamelled porcelain vase, Daoguang Imperial mark of Shen de Tang Zhi (made for the hall for the Cultivation of Virtue), the body painted with three goats amongst rocks, trees and peony, within pale green borders filled with polychrome bats, lotus and tendrils, incised four character mark to turquoise glazed base, height approx 30cm (reduced neck and drilled to body for conversion to a table lamp).
A Chinese underglaze blue and red porcelain vase, mark and period of Kangxi, of square tapering form, the sides finely painted with birds and butterflies amidst blossoming prunus, pomegranate branches and chrysanthemums, underglaze blue six character mark to base, height approx 42cm (lacking neck, chips/fritting to edges and white metal mounted base).
A Chinese Canton famille rose porcelain vase, mid-19th Century, the shouldered body and flared neck painted and gilt with opposing figural panels, reserved against a ground of precious objects, butterflies, fruit and flowers, the shoulder applied with gilt chilong, the neck with Buddhistic lion cub handles, height approx 62cm (section of body damaged and repaired).
A Royal Doulton bone china figure of 'Pamela', HN1469, (repaired), a Clarice Cliff tapering vase, moulded in relief with flowering tree design, together with a group of other decorative ceramics, including a Carlton Ware Lettuce salad range dish, a Mason's china cake plate and six matching side plates, decorated with flower sprays, and a Tuscan China 'Lido Lady' figure sitting on a wall.
A Doulton Lambeth stoneware vase, circa 1881, by Hannah Barlow, the narrow neck above a tapering cylindrical body incised with a continuous scene of seated rabbits between beaded and stiff leaf borders, fitted with a later plated circular foot, impressed factory marks and incised artist's monogram to base, height approx 17cm.
Two 19th Century Dutch silver knitting sticks comprising a belt mounting example with floral engraved panel within scroll borders to a turned finial, elongated hexagonal aperture mount, 14.5cm and another with brooch form mount the tapering body with variant diaper and trellis panels to a vase form aperture, 8.6cm (2) (From the collection of Dr Ian McFeeters).
Silver and silver mounted wares, comprising; a napkin ring, commemorating The 1935 Silver Jubilee, Birmingham 1935, a vase (broken), a stand on a circular weighted base, a small visiting card case, having foliate engraved decoration, Birmingham 1897 and a lid, also a Middle Eastern model of a twin handled urn with a wheelbarrow and a collection of silver foreign and plated mostly souvenir spoons, (qty).
An early 19th century naïve needlework of a tiger, 15.5cm x 19cm; a late 19th century needlework and beadwork panel depicting an angel bearing two children, 48cm x 35cm; and a late 20th century large shadowbox decoupage picture depicting a vase and flowers, 87cm x 73cm overall (3).Provenance; The Estate of Fleur Cowles
Silver and silver mounted wares, comprising; a trumpet shaped vase, on a loaded circular foot, London 1919, a hairbrush, a glass toilet jar and six pairs of fish knives and forks, having loaded silver handles and with plated blades and prongs, also an Oriental shaped rectangular photograph frame, with floral engraved decoration, (5).
Loading...
