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A piece once pervious viewed in the Exposiction de Arte Oriental Coleccion for the Museo Nacional de Bellas Artes in Buenos Aires, 1936. A four color glazed vase; green, blue, yellow, and purple. Features a pine tree, bamboo tree, and a cherry blossom tree. Kutani ware marks on the underside. Museum label on the side. Dimensions: 3"W x 5.75"HCountry of Origin: JapanProvenance: Museo Nacional de Bellas Artes Condition: Age related wear. As is.
A beautiful four panel footed vase with a dome shaped cover. Stunning gold enamel paint with red, blue, and yellow accents. The panels features birds and flowers. Issued: meiji periodDimensions: 8"L x 8"W x 17"HCountry of Origin: JapanCondition: Age related wear. As is. Resorted base.
A piece once pervious viewed in the Exposiction de Arte Oriental Coleccion for the Museo Nacional de Bellas Artes in Buenos Aires, 1936. A four color glazed vase; green, blue, yellow, and purple. Depicts a quaint little hut surrounded by a serene landscape. Kutani ware marks on the underside. Museum label on the side. Issued: 18th centuryDimensions: 3"W x 3.25"HCountry of Origin: JapanProvenance: Museo Nacional de Bellas Artes in Buenos Aires Condition: Age related wear. As is.
* Vase. A Japanese Kutani Porcelain Vase, Meiji Period (1868-1912), of cylindrical form with raised neck, decorated to one side with a scene of a farmer and a cow amongst a landscape and stream, to the other side two people working a rice field, against a red ground with gilt decorated scrolling foliage and geometric pattern, marks to base, 24.5 cm highQTY: (1)
* A Victorian Minton majolica spill vase, modelled as a hen by John Henk, 1876, the hen standing beside a large open basket, on an oval base applied with leaves, inscribed 'J Henk', impressed factory marks to base, 34 cm high (damaged) together with a majolica wall pocket, female mask surrounded by scrolling foliage, 36 cm high QTY: (2)
* Vases. A Chinese archaic style bronze vase, Qing Dynasty, with plain wide flared neck, the centre knop with four panels divided by flanges, each panel with a beast on brocade ground, the lower section with four flanges, circular foot, height 19.5 cm, together with two others similar, the necks, middle and lower sections all cast with beasts on brocade ground divided by flanges, on short circular feet, 15.5 cm & 14.5 cm highQTY: (3)
* Studio Pottery. A mixed collection, including a terracotta earthenware oval vessel by Richard Phethean (1953 -), honey and transparent glazes, decorated with slip, painted 'RP' mark to base, 14.5 cm high, together with a hand-built vase by David Reeves, decorated with repeated swirling patterns in blue over a white ground, painted 'DR 97' mark to base, 17 cm high, plus an unattributed narrow-necked stoneware vase, with abstract wax-resist decoration, impressed spiral mark to base, 19 cm high, and a moon jar with painted 'JF' mark, 18.5 cm high QTY: (4)
* Lace Bedcover. A fine Point de Venise coverlet, possibly Continental, 19th century, cream needle lace coverlet, finely hand-worked in Point de Venise, with Renaissance-style design comprising a central large motif of a lidded bulbous porcelain pot on a stand, decorated with a flower vase, below a bewigged head wearing a plumed headpiece and elaborate collar, surrounded by elaborate floral and foliate volutes, incorporating a pair of grotesque faces, dragon heads, and spider web motifs, joined by flower swags, occasional breaks in brides, small area of brown markings 43 cm in from right-hand edge, 228 x 208 cm (90 x 82 ins) QTY: (1)NOTE:A beautifully worked bedcover with interesting motifs, surviving in very good condition.
* Studio Pottery. A mixed collection, including a faceted cut sided vase by Nick Rees (1949 -) at Muchelney Pottery, covered in a dark blue glaze, impressed personal and pottery marks to base, 13.5 cm high, plus a stoneware coffee pot by Hassan Lapai for Abuja Pottery, blue brushwork decoration over a speckled grey glaze, impressed personal seal to base, 22 cm high, together with a small stoneware honey pot by Sid Tustin at Winchcombe Pottery, plus pieces by David Lloyd-Jones, Chris Keenan, Amanda Brier and Louise Darby, and some further unsigned workQTY: (11)
* Vase. A Chinese pottery vase, probably Han Dynasty, with Bluett & Sons trade label, of baluster form with two scroll handles, incised with black bands and traces of red paint, the base with Bluett & Sons London trade label and collection number 4746, an old chip the foot rim, 21 cm high QTY: (1)
* Vase. A Japanese Satsuma vase, Meiji Period (1868-1912), of ovoid form and decorated to one side with a scene of two birds perched on an overhanging branch, to the other side with a scene of a chicken and rooster beneath tree branches in blossom, against a dark blue ground with gilt decorated flowers and geometric pattern, the base signed 'Kinkozan' in gold under the base, 12.5 cm highQTY: (1)
* Fabric Collage. Still-life of flowers in a vase, possibly Continental, 18th century, oval still-life of flowers in a double-handled vase, including a sunflower, carnations, Tudor roses, tulips, lilies, and daisies, composed of layered fragments of coloured silk laid on card, some discolouration and small losses, mounted on an oval of brown fabric laid on card (some edge-stains and short tears), 31 x 25.5 cm (12.25 x 10 ins), laid down on a grey painted background, framed and glazed (41 x 36.5 cm)QTY: (1)NOTE:Provenance: Collection of David Battie.
FOUR VARIOUS TABLE LAMPScomprising a Chinese porcelain lamp with a reticulated body, 44cm high, shaped Indian brass lamp, 63cm high, bulbous ginger jar style lamp decorated with birds and foliage, 25cm high, and a Chinese style vase decorated with flowers, 30cm high (4)
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650806 item(s)/page