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A Chinese archaistic jade triple gourd vase and cover, 18th/19th Century, the finely hollowed body carved in low relief with stylized bird scrolls, between bird head handles over a pair of loose rings, the stone of pale celadon green tone, height approx 17.5cm (minor faults), together with silver wire inlaid carved and pierced hardwood stand.
A Chinese archaistic jade vase and cover, 18th/19th Century, of flattened pear form, flanked by a pair of pierced dragon handles framing a central line of notches dividing tao tie and other archaic motifs, the stone of mottled pale celadon green colour with inclusions, height approx 17cm (minor chips), together with a carved and pierced hardwood stand.
A Chinese bronze censer, probably 19th Century, the circular body cast with lotus flowers and tendrils beneath a key fret rim, raised on three elephant head and trunk legs, with carved hardwood stand, together with a Chinese turquoise and blue streaky glazed vase, a Japanese polished bronze vase and a relief moulded globular vase.
A Chinese polychrome enamelled vase, modern, of rectangular baluster form with canted corners, the body decorated with landscape panels flanked by bird vignettes against a blue enamelled whorl ground, beneath a pink collar and yellow glazed neck moulded with a tied ribbon bow, pseudo blue seal mark to base, height approx 33cm.
A Japanese Satsuma vase, Meiji period, the ovoid body painted to one side with a pair of overlapping panels filled with a bijin, child and flowers, the other side with a lobed figural panel of bijin and children on a waterside verandah, reserved against a dark blue ground with gilt overlaid decoration, gilt signature to base, height approx 16cm.
A Chinese brown patinated bronze vase in the form of a leaping carp, mark of Xuande but probably late 19th Century, modelled with open mouth above inset jadeite eyes and engraved scale detail, on a wave moulded oval base, cast six character mark of Xuande to base, height approx 41cm.
A Chinese Canton famille rose porcelain vase, mid 19th Century, the ovoid body and flared neck filled with panels of figures, butterflies and flowers, the neck applied with two gilt dragons, height approx 44cm (chips and cracks to neck), together with a pair of smaller Canton famille rose vases (faults).
A Chinese famille rose yellow ground vase, late 19th Century, the pear shaped body painted with opposing panels of birds and flowers, reserved against a yellow ground filled with polychrome lotus flowers and scrolling tendrils, flanked by a pair of moulded mask and ring handles, height approx 35cm (rim restoration).
A Watcombe Torquay terracotta circular charger, late 19th Century, painted with a countryside river view of a waterwheel, impressed mark to reverse, together with four 19th Century pieces of Aller Vale in the Sandringham pattern, comprising two jugs, a two handled vase and a teacup and saucer, and an Exeter floral painted green and blue glazed vase (minor restoration).
Three Kevin Francis limited edition figures of Clarice Cliff, comprising the American edition of `Young Clarice Cliff`, modelled seated on a teacup, No. 95 from an edition of 900, the `Centenary Figure`, No. 773 from an edition of 950, and the `Art Deco` figure, modelled standing by a vase, No. 3 from an edition of 250, two boxed.
A Noritake lilac ground two handled vase of rectangular shape, painted to each side with a landscape view within gilt framing beneath gilt animal head handles, together with a pair of Continental figural candlesticks, a floral encrusted mirror frame, a pair of Joost, Thooft & Labouchere delft chargers, a miniature Sitzendorf figure and a miniature Volkstedt figure group (minor faults).
A German pottery two handled majolica vase, late 19th Century by Schweidnitz, modelled as a girl standing gathering water at a well on a naturalistic base, the branch handles moulded with chestnut fruit and leaves, impressed factory mark and numerals to base, height approx 71cm (minor repair to rim).
A pair of Royal Doulton Slater`s Patent stoneware vases, the pear shaped bodies with enamelled blue, green and white flowers and foliage beneath the textured blue necks (one repaired) together with a small group of ceramics including a Wade Bell`s Queen Mother decanter (sealed) and a Japanese vase.
A Royal Doulton limited edition figure `Humpty Dumpty`, No. 507 from an edition of 1500, boxed, together with a Coalport bone china house `Orange Blossom Cottage`, a Royal Winton Grimwades yellow glazed wash jug and bowl with matching candlestick and vase, and a small group of other ceramics, including Aynsley and Wedgwood, some boxed (minor faults).
A Dresden porcelain pink ground two handled vase and cover with integral stand, circa 1900, typically decorated with figural and foliate panels within gilt framing, blue painted factory mark to base, together with a Vienna style two handled vase and cover (two small chips to footrim).
A two handled porcelain vase, 19th Century, the shield shaped body painted with floral bouquets to each side surrounded by scattered butterflies, the shoulders with looped gilt handles, the neck with floral wreaths tied with pink ribbon bows between gilt dentil edges, the gilt overlaid circular foot on a black slate square foot, height approx 29cm.
A Doulton Lambeth stoneware vase, circa 1879, decorated by Eliza Simmance, monogrammed, of high shouldered form with tall stems of blue flowers against a shaped buff band enriched with cream enamelled scrolls against the brown glazed body, impressed and incised factory marks to base, height approx 35cm (small fault to rim).
A pair of silver bud vases, J.Gloster Ltd, Birmingham 1972, with loaded base and moulded band below the rim, 15cm tall; with a smaller similar pair, by the same maker, Birmingham 1973, 10.3cm tall; another pair of silver bud vases, of slender design, with loaded bases, 16.3cm tall; and another silver bud vase, in poor condition
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653685 item(s)/page