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Lot 342
A silver decorated pappenheim rapier dating: second quarter of the 17th Century provenance: Germany Long, straight, double-edged blade of lenticular section, with a double central fuller at the forte featuring remains of engravings in the grooves; massive, iron hilt keeping most of the original silver plating, consisting of two large sword-shells finely pierced with stars and circles; provided with lower rings, other rings linked to the border of the valves, quillon with counter-curved arms enlarged at the ends, the guard`s end en suite; large, vase-shaped pommel with faceted base and baluster button; wooden grip with iron wire-binding and moor`s heads (restored). dimensions: length 128 cm. Start Price: €4500
Lot 539
A beautiful cartridge box dating: mid-19th Century provenance: Balkans Of gilt silver, rectangular box with cover, the surface finely decorated with floral motifs, the front plaque with the effigy of a vase, all decorations in high -and bas-relief, the rear one with two loops for the belt. dimensions: dimensions 8 x 9.5 x 3.5 cm. Start Price: €800
Lot 770
A military baton dating: 17th Century provenance: Poland Bone structure, entirely sculpted, the lower part with effigy of a crowned king, with eagle and mask, the upper part with a crowned coat of arms, a vase, birds and bats between floral motifs; the edges shaped as grooved mushrooms. At the base the handwritten inscription "Nr. 26. PT.". In two screwed parts. A small chin and restoration.Very scarce. dimensions: height 38 cm. Start Price: €6000
Lot 827
An officers sword with turning guard dating: late 18th Century provenance: France Strong, straight, single-edged blade; iron hilt with double valve engraved with floral motifs, three-loop opening guard, the central loop with undulated borders; vase-shaped pommel; wooden grip with silver and iron binding and moor`s heads. dimensions: length 96 cm. Start Price: €800
Lot 932
A four barrelled percussion shotgun dating: mid-19th Century provenance: France Round, smooth, revolving, 15 mm cal. barrels with double ribs, foresight; tang engraved with floral motifs; backward spring locks engraved with rays and a vase of flowers; wooden butt with checkered neck, sculpted at the lower part, decorated with a rosette; iron trigger guard with a button for the rotation of the barrels, engraved with floral motifs en suite with the butt-plate. Lateral ramrod. Scarce. dimensions: length 116 cm. Start Price: €8000
Lot 210
A fine pair of duelling foils dating: 19th Century provenance: Italy With 18th Century blades, straight, with a central groove at the base featuring inscriptions; brass mounts with round, convex shell-guard, vase-shaped pommel and fine, floral engravings; twisted, ivory grips, one complete with brass wire binding; leather scabbards with brass mounts. dimensions: length 118 cm. Start Price: €350
Lot 361
A 19thC blue and white large dish with a small bluebell style border, within is a vase of flowers and foliage standing on a small table surrounded by fruits. No makers marks except '20' impressed into the base. size 20 3/4" x 16" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 368
A collection of 5 small items of 19th C Staffordshire pottery, comprising a spill vase decorated with birds, 3 pastille burners in the form of cottages together with a cottage. Heights 3 1/2" - 4 1/4" (5) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 377
A Minton 19thC tall shaped two handled pedestal vase with white béates detail to handles and cover of Empire shape glazed in turquoise with fine gilded detail and having a floral cartouche painted with an arrangement of musical instruments on a cushion. The white on a short pedestal on a square base. Date cypher for 1875. Printed marks to underside. Height 13 1/2" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 413
A selection of Poole Pottery Painted by Pat Summers 1949-1963 : To include: A traditional posie ring number 194. Mark to base number 39. 5'' diameter. A traditional cream jug with floral design.. Mark 41 to base . 3'' high. A traditional vase '' XA pattern '' with floral design. 7'' high. A traditional vase with floral design. 8 1/2'' high (4) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 415
A slection of Poole Pottery by Silvia Penney 1960-1970 : To include; A pot/bulbous vase. Trial piece. With Poole mark number 41 with A below. 5'' high .A preserve pot with lid and floral design with a green spot to edge. Shape number 288. Poole mark number 41 to base. 4'' long. A traditional bowl in KW pattern. Floral design with purple spot to rim. 5 1/4'' diameter (3) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 418
Two Poole Pottery items : To include a traditional pot '' LE pattern '' with floral design. Mark 41 to base. Painted by Sheila Jenkins (Drew) 1949-1961. 5 1/2'' diameter .Together with a traditional Vase number 355 Truda Carter floral design. .Painted by N.Bishton 1927-1949 . 7 1/4'' high. CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 419
A selection of Poole Pottery : To include a traditional vase with a floral design with blue spot to rim. Mark 41 to base. signed RF to base. 5'' high. A square ashtray with a traditional floral design and purple spot edge. Mark number 41 to base. 5'' wide. Poole Pottery : An arch shaped traditional ashtray with floral design and purple spot to edge. Shape number 469. Mark number 41 to base. 5'' long. A 4 sided plate with traditional floral design and purple spot edge. Mark number 50 to base. 6 1/2'' at widest point. A flower trough with traditional floral decoration and purple spots number 517. 12'' long (5) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 420
Two Poole Pottery vases : A Poole '' Vincent '' range vase with a Sunflower pattern in the Athens shape. 8 1/2 '' diameter. Together with a Poole pottery vase by Susan Nunns 1974-1994. The whole decorated with pastel shades of green, orange, yellow and blue on a white background. Poole mark number 62. 10 1/4'' high. (2) CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 450
An 18thC Chinese famille rose vase having long neck above a globular base, decorated with figures, buildings and urn of flowers within gilded key pattern borders. Height 7 1/4" CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 457
Two oriental vases with bulbous bodies decorated with figures and tripod mythical beast legs (10 ½ “ high) together with a pear shaped vase (8” high) (3). CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 459
Two Chinese vase's. A large green and black vase with foliate decoration showing six blue Oriental character marks to base. Together with a smaller brown vase. Large vase 17'' high. Smaller vase 10 3/4'' high. CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 461
A late 19th Century Chinese Famille-Rose vase, with polychrome decoration depicting warring figures. With relief moulded lizards to band. 14'' high. CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 571
A silver trumpet formed bud vase with engine turned decoration . Hallmarked Birmingham 1926 maker F. H Adams & Co 5 3/4" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 651
Kosta art glass : A short glass vase with etched decoration , numbered under Y694? signed Kosta Siop-Bauer? 4 1/8" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 671
A 19thC blue pedestal glass vase with hand painted gilt and enamel decoration to body on a filled trumpet formed base. 13" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 672
Max Verboeket : A Maastricht glass vase with turquoise and brown decoration. Signed under 10 3/4 high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 676
Max Verboeket : A Maastricht glass vase with green and blue decoration , by Max Verboeket. Signed under 8 7/8" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 694
A Whitefriars style orange glass vase with textured circle motif decorations 8 1/2'' tall CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 700
An early 20thC large cut glass vase with slice star cut decoration to base. approx 16 1/2" high CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 707
Biscuit Tins : A pair of Huntley and Palmers early Biscuit tins, The ' Egyptian Vase ' tins first appeared circa 1924, following the discovery of the 1922 discovery of the tomb of Tutankhamun, they stand approx 9" tall. For similar see page 147, plate 226, British Biscuit Tins 1868 - 1939 by M.J Franklin CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 942
Jaques Moniquet c.1970 French Bronze 1/8 Squared vase Signed and numbered lower 6 3/8 high x 2 3/4 x 2 3/4" Moniquet also designed for Cheret of Paris CONDITION: Please Note - we do not make reference to the condition of lots within catalogue descriptions. We are however happy to provide additional information regarding the condition of items on request.
Lot 256
Moorcroft trial vase decorated with a version of Alpine meadow, pattern, impressed, painted, marks, signature and 3/150 limited edition number to base, with box. 20.5cm high. Condition report: The vase has an occasional crazing line to the glaze however there is no damage, restoration, seconds marks or removed silver lines / red dots.
Lot 144
Karl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 BerlinZinnien in Vase. 1968.Farbige Kreide über Tuschpinselzeichnung. Rechts unten signiert und gewidmet `für Roswita zum 6.8.68 E. [=Emy] und K. [= Karl]`. Auf chamoisfarbenem Bütten. 54 x 40 cm (21,2 x 15,7 in), blattgroß. [JS]. Die vorliegende Arbeit ist im Archiv der Karl und Emy Schmidt-Rottluff Stiftung, Berlin, registriert.PROVENIENZ: Privatsammlung Nordrhein-Westfalen. Mitte der 1960er Jahre muss Schmidt-Rottluff bereits über 80-jährig aus gesundheitlichen Gründen das Malen in Öl aufgeben und konzentriert sich fortan ganz auf kleinformatigere Aquarelle und Tuschzeichnungen, welche gerade in seinem Spätwerk - wie in dem vorliegenden, kraftvoll ornamental aufgefassten Stillleben - immer wieder neue Sichtweisen von Motiv, Form und Farbe zu Tage befördern. Jene reifen Schöpfungen kompensieren das ganze künstlerische Ausdrucksvermögen des bedeutenden Expressionisten, dessen malerisches Werk sich inklusive der Papierarbeiten über fast 70 Jahre erstreckt und für den künstlerischen Aufbruch in die Moderne wegweisend ist. ca. 13.46 h +/- 20 Min.ENGLISH VERSIONKarl Schmidt-Rottluff 1884 Rottluff bei Chemnitz - 1976 BerlinZinnien in Vase. 1968.Colored chalk over India ink drawing. Signed and dedicated `für Roswita zum 6.8.68 E. [=Emy] und K. [= Karl]` lower right. On creme laid paper. 54 x 40 cm (21,2 x 15,7 in), the full sheet. [JS]. This work is regsitered in the archive of the Karl and Emy Schmidt-Rottluff Foundation, Berlin.PROVENANCE: Private collection North Rhine-Westfphalia. ca. 13.46 h +/- 20 min.
Lot 311
Erma Bossi 1875 Pula, Kroatien - 1952 Cesano Boscone, ItalienStillleben mit Blumenvase und Äpfeln. Um 1910.Öl auf leinwandkaschierter Holzfaserplatte. Rechts unten signiert. 39,7 x 30 cm (15,6 x 11,8 in). [EH]. PROVENIENZ: Notarshuis Arnhem (ca. 1984)Privatsammlung Niederlande. Im Jahr 1875 kommt Erma Bossi, eine bedeutende, wiederentdeckte Vertreterin der Moderne, in Pula (Kroatien) zur Welt. Ihre Kindheit verlebt sie in Triest. Möglicherweise bereits 1904 zieht es sie nach München, wo sie wahrscheinlich in der `Damenakademie des Künstlerinnenvereins` die Malerei erlernt. Erma Bossi kommt bald in Kontakt mit den Künstlern des späteren `Blauen Reiters`. Sie ist schon im Sommer 1908 gemeinsam mit Münter, Kandinsky, Jawlensky und Werefkin in Murnau, wo innerhalb weniger Wochen die Landschaftsmalerei revolutioniert werden sollte. 1909 wird Erma Bossi Mitglied in der richtungsweisenden `Neuen Künstlervereinigung München` (NKVM), der eigentlichen Keimzelle des `Blauen Reiters`. Im Jahr 1911 übersiedelt Bossi, die zwischen 1911 und 1920 als Erma Barrera-Bossi zeichnet und damit den Namen ihres Lebensgefährten Carlo Barrera trägt, nach Paris. Erma Bossi wird in den Vorkriegsjahren zu einer bedeutenden Malerin der Moderne, die mit der Avantgarde in engem Austausch steht. Sie zeigt ihre Werke auf den epochemachenden Schauen der `NKVM` und setzt sich mit den bahnbrechenden Ideen von Kandinsky und Münter ebenso auseinander wie mit den Malern der französischen Moderne, etwa Matisse, Seurat und Derain. Auch Erma Bossi sucht nach der Vereinfachung ihrer Motive, lässt das Gegenständliche zunehmend hinter Farbe und Form zurücktreten.Um 1910 widmet sich Erma Bossi, ebenso wie ihre Freundin Gabriele Münter, immer wieder dem Blumenstillleben. Auf diesem Feld erlangt sie große Meisterschaft. Das bezeugt auch unser virtuoses Gemälde: Der verdunkelte Hintergrund, wie ihn zeitgleich auch Münter in ihren Stillleben bevorzugt, bringt rotglühend die zarten Blüten zum Leuchten; der dynamische Pinselstrich betont den höchst modernen Diagonaldrang der Komposition. Nicht zuletzt erlangen die Farbflächen im unteren Drittel des Bildes, wo sich die gerundete Tischplatte mit Tüchern, Äpfeln und der bauchigen Vase trifft, eine vom Motiv unabhängige Eigenwertigkeit. An dieser Stelle wird Bossis künstlerische Begabung besonders augenscheinlich.Mit dem Kriegsausbruch 1914 kehrt Erma Bossi mutmaßlich nach Italien zurück. In Mailand beteiligt sie sich an zahlreichen Ausstellungsprojekten und bleibt eine umtriebige Künstlerin. In der zweiten Hälfte der 1920er Jahren nimmt sie auch an Schauen des berühmten `Novecento` in Mailand teil. Die große Wiederentdeckung ihres Oeuvres erfolgt 2013 mit einer umfassenden Ausstellung im Schlossmuseum Murnau. Bossis Werke finden sich heute in so renommierten Museen wie der Münchner Pinakothek der Moderne, der Kunsthalle Bremen oder der Kunsthalle Emden.Erma Bossi verstirbt im Jahr 1952 in einem katholischen Pflegeheim in Cesano Boscone. In Mailand wird die Künstlerin beerdigt. ca. 15.27 h +/- 20 Min.ENGLISH VERSIONErma Bossi 1875 /1885 Pula bei Triest - 1952 /1960 MailandStillleben mit Blumenvase und Äpfeln. Um 1910.Oil on hard fibre plate laminated with canvas. Signed lower right. 39,7 x 30 cm (15,6 x 11,8 in). [EH]. PROVENANCE: Notarshuis Arnhem (ca. 1984)Private collection Netherlands. The biography of the Italian painter Erma Bossi (real name: Erma Barrera-Bossi) is difficult to verify: she was born probably in 1882 (or 1885) in Pola, a small village near Trieste, and died in 1952 (or 1960) in Milan. Erma Bossi trained from 1905 at the Ladies` Academy run by the Women Artists` Association in Munich. In 1909 she joined the Neue Künstlervereinigung München (NKVM), which had just been founded and which showed its members` work at the renowned Galerie Thannhau
Lot 352
Christian Rohlfs 1849 Niendorf/Holstein - 1938 HagenRosen in einer Vase. 1923.Wassertempera. Nicht bei Vogt. Rechts unten monogrammiert und datiert. Auf festem Aquarellbütten. 48 x 30 cm (18,8 x 11,8 in), blattgroß. [KD]. Mit einer Foto-Bestätigung des Christian Rohlfs Archivs, Osthaus Museum Hagen, vom 29. September 2014. Die Arbeit ist dort unter der Nummer `CRA 104/14` registriert.PROVENIENZ: Karl & Faber, München, Auktion 152, 29./30. Mai 1980, Kat.-Nr. 1912. Die Rose, oft bezeichnet als Königin der Blumen, sieht Christian Rohlfs hier vor einem stimmungsvollen Hintergrund. Fein ausgewogene Farbnuancen unterstreichen den edlen Anspruch dieser Blüten, die kraftvoll und doch zugleich zart das souveräne Thema dieser ansprechenden Komposition sind. Im Gegensatz zu anderen Temperablättern, deren kräftiger Pinselduktus das beherrschende Element der Aussage ist, greift Rohlfs hier zu einer fast weichen, sehr malerischen Pinselführung. In ihrer gemäldehaften Wirkung hebt sich diese Arbeit weit über das Genre der Wassertempera hinaus. ca. 16.15 h +/- 20 Min.ENGLISH VERSIONChristian Rohlfs 1849 Niendorf/Holstein - 1938 HagenRosen in einer Vase. 1923.Water-tempera. Not in Vogt. Monogrammed and dated upper right. On firm laid paper. 48 x 30 cm (18,8 x 11,8 in), the full sheet. [KD]. Accompanied by a photo confirmation issued by the Christian Rohlfs Archive, Osthaus Museum Hagen, on 29 September, 2014. The work is rgeistered under the number `CRA 104/14`.PROVENANCE: Karl & Faber, Munich, auction 152, 29/30 May, 1980, cat. no. 1912. ca. 16.15 h +/- 20 min.
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653833 item(s)/page