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Click here to subscribeAn early 20th century oak-framed wall-hanging looking glass having shallow hand-bevelled plate, together with one other decorative green and gilt-framed wall-hanging plaster relief decorated with a still life scene of flowers within a vase in the 17th century Dutch Old Masters style (mirror frame size 70cm highest x 50cm widest) (2)
An early 19th century mahogany-cased eight-day longcase clock: the twelve-inch white enamel dial with Roman numerals and subsidiary seconds hand underneath the twelve o'clock position and flanked by split turned mouldings and two bottle-vase-shaped finials; figured, shaped and banded trunk door also flanked by split turned mouldings; raised on short bracket-style feet / plinth base, the brass movement striking on a bell (207cm high)
A good selection of Chinese cloisonné wares: an ovoid vase-and-cover, hand gilded and enamelled in the usual taste with a gilded shishi dog as a finial above a band of ruyi heads, stylised lotus flowers above a ming-style lappet band below; two pairs of vases and a bowl. Also to include decorative wooden boxes and stands.
A selection of ceramics to include a pair of 19th century Staffordshire spill vases, a late 19th century Chinese baluster-shaped porcelain vase-and-cover in Kangxi-style, a Japanese imari bowl and a pair of signed Japanese reticulated hexagonal vases Condition Report: The vase and cover are in reasonable condition, no major problems although there is a tiny amount of fritting around the bottom of the foot, the lid appears OK, the two hexagonal Japanese vases appear in good overall order, the flower brick does not present with any issues, the imari bowl looks good with no cracks or restorations. The soapstone pig has a few nibbles around the edge of the face, the blue & white tankard appears a little discoloured to the underside of the foot as expected and commensurate with age. The male of the two spill vases has a small chip to the inside of the lip of the actual spill (orange part) and the female vase goods good - no condition issues.
An assortment of mostly ceramics to include a Susie Cooper tea set (teapot, two tea cups and saucers, sugar bowl and milk jug), two 19th century Staffordshire Toby jugs, a small Staffordshire model of a recumbent poodle, a mid-20th century Chinese ovoid cloisonné vase with prunus blossom against white snow-like ground and a mid-20th century blue flash-cut Bohemian-style art glass vase. (A duo tea set and 6 other pieces)
A Moorcroft Pottery Broomy Wood pattern vase, circa 2012, designed by Rachel Bishop, numbered 19 of 150, impressed and painted factory marks to base, 32cm high, and Moorcroft Pottery Bluebell Harmony pattern vase, circa 2009, impressed and painted factory marks to base, 31.5cm high (2)Condition report: Good condition. No damage or repair to either vase.
A Moorcroft Pottery Spider's Web pattern vase, circa 2007, designed by Kerry Goodwin, numbered 8, impressed and painted factory marks to base, 27cm high; and a Moorcroft Pottery Florian Hyacinth pattern vase, circa 2012, designed by Kerry Goodwin, numbered 68, impressed and painted factory marks to base, 27cm high (2)Condition report: Both vases in good condition. Free from damage and repair.
A Moorcroft Pottery lamp, 30cm high; and a Moorcroft Pottery Quayside pattern vase, circa 1999, designed by Debbie Hancock, numbered 7, impressed and painted factory marks to base, MDS, 25cm high (restored rim) (2)Condition report: Quayside vase heavily crazed. Free from chips, cracks and repair. Lamp free from damage and repair. The wiring would need to be tested by a qualified electrician before use.
A Moorcroft Pottery Carousel pattern ginger jar, circa 1996, designed by Rachel Bishop, No. 71, impressed and painted factory marks to base, 16cm high with certificate; a Moorcroft Pottery Meadow Thyme pattern bowl and cover, designed by Nicola Slaney, trial 2.12.15, 13cm diameter; and a Moorcroft Pottery Amazon Snake pattern vase, trial 12.7.00, 8cm high (3)Condition report: All three pieces in good condition, free from damage and repair.
A Moorcroft Pottery Pigalle pattern jug, circa 2011, designed by Emma Bossons, numbered 7, impressed and painted factory marks to base, 19cm high; and a Moorcroft Pottery Bingley Five Rise pattern vase, circa 2012, designed by Emma Bossons, No. 21 of 30, Yorkshire Diamond Jubilee Edition, impressed and painted factory marks to base, 19.5cm high (2)Condition report: Very good condition. Free from chips cracks and repair. No crazing.
A William/Walter Moorcroft Leaf and Grape pattern vase, impressed and painted marks, 9cm high; a Walter Moorcroft Orchid pattern vase, impressed marks, 10cm high; a Walter Moorcroft Hibiscus pattern vase, impressed marks, 10cm high; and a Walter Moorcroft Anemone pattern bowl, No. 34 of 94, impressed and painted marks, 16cm diameter (4)Condition report: Leaf and Grape vase crazed, free from chips, cracks and repair. Orchid and Hibiscus pattern vases both with some professional repair. Anemone bowl in good condition.
A Moorcroft Pottery White Road to Tuscany pattern vase, circa 2006, designed by Sian Leeper, No. 15 of 300, impressed and painted factory marks to base, 22.5cm high; and a Moorcroft Pottery Chrysanthemum Jade Green pattern vase, designed by Carole Lovatt, 2004 Connoisseur collection, impressed and painted factory marks to base, 22.5cm high (2)Condition report: Both in good condition, free from damage and repair.
A quantity of Chinese and Japanese porcelain including an Qianlong bowl decorated in underglaze blue and coloured enamels, coffee cup decorated in polychrome enamels with Mandarin figures, 19th century green ground ginger jar enamelled with birds on prunus blossom branches, a double gourd blue and white vase, and an Imari jar and cover (one tray)
A Moorcroft Pottery Poppy pattern vase, circa 2008, designed by Nicola Slaney, No. 65 of 150, impressed and painted factory marks to base, MADE FOR LIBERTY, 35cm high; and a Moorcroft Pottery Deco Drive pattern vase, circa 2007, designed by Phillip Gibson, numbered 28, impressed and painted factory marks to base, 25.5cm high (2)Condition report: Poppy vase with some wide crazing, no chips, cracks or repair.Drive vase in good order, no damage or repair.
A cased set of six silver teaspoons, modelled on an original Roman spoon from 2nd Century AD, Sheffield, 1972; together with another cased set of six silver teaspoons, a silver trumpet-shaped vase, silver backed dressing table set and assorted silver plated items including a spirit kettle and cased carving set by the Goldsmith's & Silversmith's Company Ltd (one tray)
A late 19th/early 20th century Dresden porcelain pedestal vase, the handles modelled as snakes, 31cm high; a 20th century Dresden porcelain twin-handled and floral decorated cache pot, 10cm diameter; a late 19th/early 20th century Sèvres style porcelain bottle vase, marked R&G, decorated with floral sprays and ribbon tied swags, 16cm high, a Dresden leaf formed inkwell and two similar pierced dishes (one tray)
A 20th century Noritake black ground and gilt decorated coffee set, each piece painted with floral sprays, comprising: coffee pot and cover, cream jug, sugar basin, six cups and saucers, a similar pedestal vase and cover, a pair of matching Noritake pedestal fruit bowls, one on plinth, 25cm diameter (one tray)Condition report: No chips, cracks or repair. Some slight gilt loss throughout.
A pair of William Moorcroft Pomegranate vases, green monogram, 9cm high; and two others (4)Condition report: The tallest vase (14cm high) has a cut down neck and is crazed. The dish (10.5cm diameter) has chips and nicks to the inside rim. The pair of vases (8.5cm high) are crazed and one has a tiny nick on the footrim.
A large George III gilt brass pair cased verge pocket watch, circa 1780, the full plate chain fusee movement signed 'Jno Ilbery, London, No. 1334', with flat steel balance, Tompion type regulator with numbered steel regulator disc, the circular engraved and pierced cock depicting a classical vase of flowers, foliate scrolls and a bird above, set centrally with a white 'stone' endstone, square baluster pillars, with a gilt brass dust cap held by a spring arm, with a conforming signature plate, scratched inside '1765', the white enamel dial with black Roman numerals, minute band and outside 5-minute Arabic numerals, gold spade hands and replacement later third hand, stop/start level at 9 o'clock, inner case maker 'JA', the outer case decorated with white and pink paste stone set around the opening, further decorated with floral swags, the back of the case seemingly missing a central circular panel or plaque, with three holes remaining, dial plate 55.0mm, main plate 49.5mm, 6.5mm between plates, dial 55.5mm, inner case 62.5mm, outer case 79.6 by 22mm, 328.0g gross weight. Note: hands loose and glass broken on inner case, in partially working condition, winds and does tick and run for 15mins plus, but hands catch on each other and eventually stops running.
A set of six Cristofle goblet style silver plated egg cups, stamped 'Cristofle' to base rims, each 5.2 by 8cm high, also a white metal spill vase with weighted base, 3.5 by 15cm high, four silver gilt salt spoons, Barker Ellis Silver Co. Birmingham 1965, 0.8toz, and four gilt metal mounted glass salts, 8.5 by 7 by 2.5cm high, with gilt bark effect designed condiments, 2 by 3cm high. (1 bag)
A group of Victorian and later silver items, including a sifting spoon, indistinct maker's mark, London 1862, salt, rubbed maker's marks, Chester 1904, and a teaspoon stamped sterling with enamel scene of 'mont d'Olives' to its bowl, 3.3toz, together with a white metal spill vase inset with chalcedony style stones, 6.6 by 9.5cm high, 2.5toz. (1 bag)
Roger Bezombes, by and after, 'Flowers in a Vase', signed, and numbered 17/200 in pencil to margin, screenprint; Moya Cozens, by and after, 'Mexican Wall', signed, titled, and numbered 15/30 in pencil to margin, screenprint Jen Cords, by and after, 'Structure Plan', signed in pencil to margin, etching, (3).
Indian Antiquities; an interesting 19th century brass Betel-nut cutter, of anthropomorphic form, chased with stylised floral decoration, 26cm long, c.1880; a 19th century, bone-handled knife26cm long; a brass rotary pen, early 20th century; a Benares brass vase, 12.5cm tall, c.1890, (4).
CHINESE FAMILLE ROSE PORCELAIN VASE, 19th/20th Century, mounted for electricity, the brass capped reduced neck above floral and keyfret shoulders with dog-of-fo mask ring handles, turquoise ground formal lotus scrolling broad frieze, lappet collar base, 34cms high Comments: neck cut down/reduced, drilled, star crack to base.
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