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A large post war Denby vase decorated by Glyn Colledge with a hand painted abstract foliage pattern, impressed signature mark to the base, height 31.5cm, together with a 1960s studio pottery coffee set comprising coffee pot, milk jug, sugar bowl and six cups and saucers decorated in the Newlyn style. (qty)
A late 19th to early 20th Century Minton pedestal vase and cover, the body decorated with two cartouche panels with hand painted floral sprays, all to a royal blue ground with gilt overlay pattern, the shoulder brim edge with ribbon and wreath handles, printed marks, height 31cm, cover S/D.
A 1910s William Moorcroft 'lost shape 372' vase of mallet form glazed in a ruby and ochre lustre, impressed mark, retains H.M Queen Mary paper label, height 14.5cmThis vase was likely made at the Sandbach Road Factory, circa 1916. Hugh Edwards notes the discovery of "an old fashioned bottle" at Oglethorpe Antiques in Georgia USA in his book Moorcroft: A New Dawn by Fraser Street "In more than 30 years of devoted pot hunting, he had never seen that particular shape before", see pages 77 to 79.
A Moorcroft Pottery footed bowl decorated in the Anemone pattern with a central pink flower to the interior and a garland of flowers to the exterior, all against a blue ground, impressed mark and initialled in blue, diameter 16.5cm, together with a Moorcroft Hibiscus pattern bottle vase, height 27cm, both S/D
A 19th Century Richardsons glass vase of footed baluster form decorated with a vitrified enamel scene of four Greek attendants during a Dionysia in burnt orange and black outlining to the frosted opal ground, together with a similar example with a scene of four Greek attendants pouring libations to the altar of Apollo, A/F, both with diamond registration marks for 6th July 1847, enamelled mark and title band, height 25.5cm.
A 20th Century Stratearn glass vase of tapering waisted form decorated with mottled red and bronze aventurine within the clear crystal ground, impressed mark, height 24cm, together with a Chance glass handkerchief vase in the Black Cordon pattern, with white pin striping over a black ground, diameter 25cm. (2)
A later 20th Century Baccarat glass vase for the Musee Du Louvre of globe and shaft with air bubble decoration to the green ground, acid marked, height 14.5cm, together with a Royal Brierley glass bowl of footed from with blue iridescent decoration, diameter 20cm, and an Okra glass vase with iridescent spotting, height 11cm. (3)
A later 20th Century Riihimaki glass vase designated by Tamara Aladin of footed sleeve form in clear crystal over green, together with a similar smaller example, an ovoid vase cased in clear over pewter and an Ed Branson studio glass vase of compressed sleeve form with pulled rim in amber cased in clear crystal, tallest 34cm. (4)
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653833 item(s)/page