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Lot 503

By Arthur D'Tivoll (20th century) - still life of flowers in a pedestal vase with swans in water in the background, signed, on board, 31.5" x 22"

Lot 601

Regency style cut glass vase with hobnail decoration upon a star cut square base, 9.5" high

Lot 615

Pair of late 18th century Chinese blue and white inverted baluster vases and covers with floral coloured enamelled reserves, 12.5" high (a.f); also another late 18th century Chinese export inverted baluster blue and white vase with canted sides, enamelled with coloured panels of flowers, 10.25" high (3)

Lot 618

Decorative hexagonal bulbous shaped faience vase and cover decorated over all with flowering branches on a spinach-green ground, 20.5" high

Lot 621

19th century Chinese high fired baluster vase decorated with purple running glazes, 14.5" high; also a turquoise pottery bottle vase, the neck entwined with a dragon in relief, 12" high, antique pottery ewer, 11" high and a green glass vase with tapering stem upon a lobed base, 9.75" high (4)

Lot 624

Late 19th century Cantonese baluster vase decorated in typical palette with alternating panels of figures and birds amidst flowering foliage, 14" high

Lot 641

Mafra Snake maiolica two handled ovoid pedestal vase decorated in relief with frogs and moths on a green and brown streaked ground, 10" high; also a pair of similar smaller vases, 7.25" high, all a.f (3)

Lot 651

Alexandra Austrian Porcelain Works Secessionist ovoid vase, decorated with a band of triangular black enamel motifs over large gilt flowerheads with enamelled centres and upon an iridescent textured ground, printed and impressed marks, no. 9026, 11.5" high

Lot 666

19th century cast brass campagna shaped vase applied in relief with mermen and supported upon a fluted spiral column and quatrefoil base, 14.5" high; also a brass candlestick, the sconce applied with three rams' heads supported upon a floral engraved circular column terminating in triple lion body feet, 12.5" high (2)

Lot 677

Chinese yellow ground bottle vase enamelled with circular reserves of dragons and objects, 9" high; also a pair of Chinese blue ground bottle vases painted with pagoda landscape reserves, 9.75" high, a.f (3)

Lot 680

Chinese blue and white baluster vase and cover decorated overall with stylised floral and foliate bands, 18" high; also a large Chinese blue and white circular baluster ginger jar and cover decorated with men sheltering under blossom trees and bats, 11.5" high

Lot 682

CANTONESE SLENDER BALUSTER VASE decorated overall with panels of birds and insects amidst flowering branches on a gilded ground with mythical beasts and salamanders applied in relief to the neck, 24" high

Lot 735

GOOD ADAMS (1787-1805) FIVE PIECE JASPERWARE GARNITURE, comprising two handled tapering conical vase and cover decorated with neo-classical figures in gardens, 11.5" high; pair of ovoid ewers decorated with maidens in formal gardens, 11" high and a pair of smaller two handled ovoid vases decorated with stylised leaves and flowering branches, 9" high, lids missing (5).

Lot 748

Pair of famille rose circular plates decorated with continuous bands of figures in flowering gardens, 8" diameter; also a pair of small Oriental slender baluster vases, 6.25" high, another small Oriental vase, 7.5" high and a blue and white Chinese teapot, ex Henry Knowler Collection, no. 125, 5.75" high (6)

Lot 870

18th century style mahogany corner armchair, the carved foliate top rail over pierced vase splats and a drop-in seat upon a front acanthus carved cabriole leg with ball and claw foot

Lot 871

Georgian elm open armchair, with a pierced vase splat and swept arms over a green drop-in seat and upon square canted legs; together with a Chippendale style mahogany single dining chair with a pierced vase splat and green drop-in seat upon carved cabriole legs terminating with ball and claw feet (2)

Lot 894

19th century Hepplewhite style mahogany open armchair, with a pierced vase shape splat over a drop-in serpentine seat and upon square chamfered supports

Lot 903

GOOD SET OF EIGHT MAHOGANY GEORGIAN STYLE SHIELD BACK DINING CHAIRS the fluted shaped vertical splats pierced with a classical vase and swags over drop-in seats supported upon square tapering legs terminating in spade feet

Lot 56

A brass-mounted mahogany portable cistern tube pillar barometer Unsigned, in the manner of Daniel Quare, mid 20th century With gilt brass break-arch top mounted with central tube supporting cylinder and finial flanked by further vase shaped finials which turn to adjust the scale pointers, above foliate engraved infill to arch and glazed silvered scale mounted onto scroll decorated block and with wooden panel to rear, the stop-fluted columnar shaft with brass collar to waist and spiral turned lower section, on plinth form base containing cistern fitted with four hinged mask and scroll mounted shaped brass feet, 104cm high, B.C. Ref. 3. This barometer is a faithful copy of a form developed by Daniel Quare at the turn of the 18th century, however several examples of this pattern exist that are signed by John Patrick. An almost exact original example is illustrated in Goodison, Nicholas English BAROMETERS 1680-1860 pages 210 and 211.

Lot 59

A fine George II mahogany cistern tube stick barometer Edward Scarlett, London, circa 1740. The arch-top caddy moulded case with silvered vernier scale and bayonet shaped tube above trunk applied with tall arched silvered scale mercury thermometer signed Scarlett Fecit to upper edge calibrated in unusual units with 0 rated as temperate and with sliding brass pointer above shaped base with spiral volute turned inverted vase shaped cistern cover which also conceals thermometer bulb, 91cm high, B.C. Ref. 6. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 43. Edward Scarlett is recorded by Banfield as born circa 1688 and died in 1743. He worked from the sign of Archimedes and Globe, near St Anns Church, Soho, London from circa 1700 and, according to a trade card, was Optician to King George II. The thermometer scale does not seem to conform to any known recognised units from this period and may have been devised by Edward Scarlett for use on his own instruments. The work of Edward Scarlett is further described in Goodison, Nicholas English BAROMETERS 1680-1860 Part II Some Important Makers and Retailers pages 237-239.

Lot 64

A George III mahogany cistern tube stick barometer Unsigned, circa 1765. With broken pediment above caddy moulded case inset with silvered vernier register above exposed tube to trunk and inverted vase shaped cistern cover to the shaped base, 94cm high, B.C. Ref. 20. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 66.

Lot 141

A George IV inlaid mahogany bulb cistern tube stick barometer Charles Howorth, Halifax, circa 1830. With pierced crest above paper scale decorated with rococo scroll borders and signed CHARLES HOWORTH to lower edge with simple brass pointer behind hinged glazed door, the trunk with exposed tube above shaped base with oval vase of flowers inlaid cistern cover, 102cm high, B.C. Ref. 54. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 112. Charles Howorth is recorded by Banfield as working in Halifax 1823-52, he was a prolific maker of stick and angle barometers. His angle barometers had one or two tubes and were identical to those signed by Samuel Lainton (see previous Lot).

Lot 143

A George IV inlaid mahogany bulb cistern tube stick barometer with painted scale George Purcheon, Leeds, circa 1830. With scroll pierced crest and parquetry banded cavetto cornice above floral painted scale signed Geo. Purcheon, Glass House behind hinged glazed door, the trunk with exposed tube flanked by line inlaid panels and fretwork brackets beneath register, the shaped base with vase inlaid oval cistern cover, 98cm high, B.C. Ref. 58. Illustrated in Banfield, Edwin BAROMETERS Stick or Cistern Tube page 116. George Purcheon is recorded by Banfield as working from Glass House, Leeds 1820-40. (See previous Lot).

Lot 170

An early Victorian brass-mounted mahogany mercury wheel barometer Gardner & Dowling, Belfast, circa 1840. The 10 inch circular silvered register calibrated in inches and with drapery swag urn and floral spray engraved centre beneath bowfronted mercury Fahrenheit scale thermometer flanked by brass pilasters and hygrometer to the swan neck pediment with ivory vase finial, the cavetto moulded square base with spirit level signed Gardner & Dowling, Belfast and ivory setting pointer adjustment disc, 111cm high, B.C. Ref. 163. Illustrated in Banfield, Edwin BAROMETERS Wheel or Banjo page 99. The partnership between Henry Gardner and James Dowling is recorded by Banfield as working from 57 High Street, Belfast from 1827.

Lot 141

A mid 18th century cherrywood comb-back Windsor armchair attributed to John Pitt, the shaped top rail above a vase shape splat with three spindles either side and a flat upright, the bow arms on five spindles and curved front supports, the large saddle seat with incised lines, on cabriole legs united by turned 'H' stretcher to pad feet. Old repairs to splat and stretcher. See Regional Furniture, The Journal of the Regional Furniture Society, vol XIX, 2005, pp.20-32 for a similar example with a label to the underside for John Pitt of Slough 1714-1759. There is evidence of a label to the underside of the above lot.

Lot 158

An early 19th century elm Windsor armchair, the shaped top rail above a pierced vase shape splat flanked by turned spindles to a two piece scroll arms, the front with bentwood supports to a alder seat on turned legs.

Lot 194

A 19th century colonial padouk reading stand, the hinged ratchetted top with a rest on a vase turned stem to three scroll legs, 30.5in (77.5cm) h, closed, 20in (50.5cm) w.

Lot 201

A 19th century Chinese rice painting, flowers in a basket vase, torn, 9 x 7in (23 x 17.5cm) in a bird's eye maple frame and a pair of botanical watercolours, inscribed 'From Nature M Burford,' 12 x 9.75in (30.5 x 25cm). (3)

Lot 217

A pair of George III mahogany side chairs, the slightly dipped top rails with scroll ends above a pierced vase shape splat to a drop in seat on square chamfered legs united by an H stretcher. (2)

Lot 219

A set of four George III mahogany side chairs, the arched backs with pierced vase shape splats, having differing covered drop-in seats. (4)

Lot 221

A George III mahogany open armchair, the oval back with a pierced and carved vase shape splat with a later leatherette covered seat on square moulded and chamfered legs united by an H stretcher and another mahogany open armchair. (2)

Lot 222

A George III mahogany tripod table, the circular tilt top on a vase turned stem to faceted scroll legs, 27in (68.5cm) h, 27.25in (69cm) dia.

Lot 270

A Dutch walnut and marquetry inlaid open armchair, with penwork decoration, the shaped top rail and scroll arms inlaid scrolling foliage and a flaming urn flanked by griffin, the vase shape splats centred a Roman emperor within a laurel wreath, to scroll supports and a drop in seat the shaped apron on cabriole legs united by a turned edge stretcher, all legs spliced.

Lot 284

A 19th century Dutch oak marquetry folding card table, the hinged top inlaid a vase of flowers with birds, baize lined, on square tapering legs, 29.75in (75cm) h, 46in (116.5cm) w.

Lot 303

A set of eight George IV rosewood dining chairs, in the manner of Gillows, the top rail carved scrolling leafage with central shell and an open leaf vase shape splat, to cane seats with later drop in seats on turned and ribbed tapering legs. Some seat rails stamped J.F. (8)

Lot 310

A pair of George III mahogany side chairs, with pierced vase shape splats and drop-in serpentine front seats to square moulded chamfered legs united by an H stretcher. (2)

Lot 382

A late George III painted wood open armchair, the trellis back to scroll arms on vase turned supports to a bell shaped cane seat with later squab cushion, on turned legs.

Lot 516

A 19th century French 'buhl' mantel clock, the 8 day movement striking on a bell, the back plate stamped 'Japy Freres & Ce,' to a gilt dial with enamel Roman numerals, the case with a vase of flowers surmount, 12.25in (31cm) h.

Lot 144

Mixed lot including pair of dressing table candlesticks, trumpet vase, three bright cut spoons, seven teaspoons having enamelled monogrammed handles, one engraved Westoll Bowl

Lot 257

A 19th century three piece Rockingham style garniture of rococo urn shape, each hand painted with a basket of flowers to one side and a pastoral scene with country house to the other, pale grey ground, pattern no 228, large vase 27.5 cm, two smaller vases 25.5 cm (3) a/f

Lot 259

A Zsolnay Pecs two handled reticulated baluster vase, the inner cream body entirely overlaid with an outer pierced honeycomb layer decorated in pink enamel and gilt with open cartouche showing a floral design underneath to/w bands of white beading, impressed factory mark to base and no 2504, 42 cm, a/f

Lot 260

A Tiffany & Co fluted crystal vase, 20 cm

Lot 263

Three 'Roy Kirkham' character jugs to/w a Price Cottage ware teapot and milk jug and a Portuguese fish shaped vase

Lot 297

A Troika cube vase with incised and coloured abstract decoration, blue textured ground, 9 cm wide

Lot 312

An 18th century famille rose baluster vase and a 19th century famille vert square section vase, both restored and converted to table lamp bases (2)

Lot 317

A French majolica vase in the form of an ornate wishing well decorated in relief with a small child, bucket, birds, on a circular base, impressed F.P.P. 311 Vallauris to base, 29 cm

Lot 323A

An 18th century English Delft plate, a/f to/w a 19th century octagonal Dutch Delft vase monogrammed to base (2)

Lot 326

A Carlton Ware ovoid vase, mottled blue ground decorated with stylised irises in pink and blue, printed factory mark to base and nos 0/10004 and 3490

Lot 334

Murano glass vase in the form of a game birds, circa 1970s

Lot 494

A large 19th century Chinese rose quartz vase carved with a dragon and phoenix, flowers and foliage c/w cover formed as another phoenix, 39 cm

Lot 2

A William Moorcroft Twin-Handled "Green and Gold Florian" Design Vase, on a green ground, printed marks and painted green "WM des", 10.5cm

Lot 4

A William Moorcroft "Pomegranate" Vase, on a blue ground, impressed marks and painted green signature, 19cm

Lot 8

A William Moorcroft "Claremont Toadstool" Squat Vase, on a green ground, painted green signature and dated "10-1913", 15cm diameter

Lot 9

A William Moorcroft Flambe "Pansy" Vase, impressed and painted blue signature, 26cm

Lot 10

A William Moorcroft Flambe "Leaf and Grape" Vase, impressed marks "Potter to HM The Queen", and impressed signature, 7cm

Lot 14

A Walter Moorcroft "Fresia" Vase, on a blue ground, impressed facsimile signature and marks, painted blue monogram, 13.5cm

Lot 16

A Walter Moorcroft "Pansy" Vase, on a blue ground, impressed "W Moorcroft Potter To H.M The Queen", 9.5cm (ground down foot rim); A Walter Moorcroft "Clematis" Footed Bowl, on a dark blue ground, impressed factory marks, 11cm; and A Walter Moorcroft "Clematis" Vase, on a blue/green ground, impressed factory marks, 7cm (chipped) (3)

Lot 17

A Walter Moorcroft "Clematis" Vase, on blue/green ground, impressed factory marks, painted blue monogram, 17cm

Lot 18

A Walter Moorcroft "Clematis" Vase, on a blue wash ground, impressed factory marks, painted blue monogram, printed paper Royal Warrant label, 24.5cm

Lot 19

A Walter Moorcroft "Hibiscus" Vase, on a blue ground, impressed factory marks, 21cm

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