There are 653833 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA Chinese famille rose vase,19th century, of octagonal form, painted in the wushuangpu style with renowned historical figures and inscriptions of their stories alongside, 39.5cm high, wood stand (2)For a similar lot, see Bonhams, Edinburgh, 24 November 2011, lot 432.清十九世纪 粉彩无双谱图八方瓶 连木底座Condition ReportA small chip to rim.
A pair of Chinese famille rose vases and covers,18th century, of baluster form, painted with pheasants perched on rocks, amongst bamboo and peony, in a fenced garden,40cm high (4)Condition ReportBoth vases fully restored.One vase with small chips to foot rim.Both covers chipped. One finial restored.
A Chinese powder-blue-glazed vase,Qing dynasty (1644-1911), the ovoid body rising from an everted circular foot to a flared rim, 11.5cm high, and a blue-glazed bowl,the rounded sides rising from a circular foot to a slightly flared rim,9.4cm diameter (2)清 蓝釉小瓶 及 蓝釉小碗 一组两件Condition ReportVase - Surface scratches, rim with a small chip and a hairline crack with signs of restoration.Bowl - Surface scratches, small chips to rim and foot rim.
A Chinese famille rose beaker vase, Yongzheng (1723-1735), the cylindrical body rising from a flared base to a trumpet mouth, painted with birds perched on a rock amongst blossoming peony,24cm highProvenance: From the 6th Earl Howe, of Gopsall Park and Penn House, and by descent to a lady of title.清雍正 粉彩花鸟图瓶Condition ReportChips to rim.
A Chinese Canton famille rose vase,19th century, of baluster form applied with Buddhist lion handles and chilong to the shoulder, painted with figures in shaped panels surrounded by precious objects, butterflies and flowers, 45.5cm highCondition ReportChipped and cracked in various locations. A hole to the body.Gilt and enamel losses.A bit wabbly.
A Chinese famille rose box, Republic period (1912-1949), of circular form, painted with a dragon in iron-red against a millefleurs ground, a six-character Qianlong mark to base,7.9cm diameter, and a famille rose vase,of baluster form, painted with Zhong Kui with two bats above him, a four-character Qianlong mark to base,13cm high (3)民国 粉彩龙穿花卉纹盖盒 《大清乾隆年制》矾红篆书款 及 粉彩钟馗纹瓶 《乾隆年制》矾红楷书款 一组两件Condition ReportBox - chipped to rim of box and rim of cover. Vase - chipped to rim.
A Japanese cloisonné vase,Meiji period (1868-1912), the tapering body rising from an everted circular foot to a flared rim, enamelled with butterflies and chrysanthemum against a blue ground, 33.5cm highProvenance: From the collection of Dr Thomas Tidswell (1906-1984), acquired between the 1940s and 1960s, and thence by descent.Condition ReportSurface scratches. Base a bit wobbly.
A large Chinese Canton famille rose vase,19th century, of hexagonal form applied with Buddhist lion handles to the neck and chilong to the shoulder, painted with figures in a court room in shaped panels, surrounded by birds and flowers,89cm high清十九世纪 广东粉彩开光人物故事图八方瓶Condition ReportSmall chips to edges, some enamel and gild losses. Small firing cracks in various locations.
A Chinese blue and white gu vase,Kangxi (1662-1722), of slender elongated form, rising from an everted foot to a slightly bulbous middle section and a tall trumpet neck, painted with literati seated in a mountainous landscape, above a ge-type and a celadon band,20cm high清康熙 豆青地哥釉青花山水图花觚Condition ReportSurface scratches. Firing cracks and small chips to foot rim. Rim grounded.
A Chinese blue and white vase,Daoguang (1821-1850), the globular body rising from a short spreading foot to a tall waisted neck and a flared rim, painted with scrolling peony above an upright petal lappet band in a style to simulate the 'heaping and piling' effect, the shoulder similarly decorated with a band of ruyi-head pendants, all below a band of spuming waves with a ruyi-head border to the rim and upright plantain leaves and a key fret band to the neck, a six-character Daoguang seal mark to base,37.5cm high, associated wood stand (2)Provenance: From the collection of Dr Thomas Tidswell (1906-1984), acquired between the 1940s and 1960s, and thence by descent;Sotheby's, London, 5 November 1985, lot 58.清道光 青花如意缠枝花卉纹赏瓶 《大清道光年制》青花篆书款Condition ReportMouth restored.
A Chinese copper-red and blue miniature vase,Daoguang (1821-1850), of tapering form with a cylindrical neck, painted with Hehe Erxian, the base painted with a magpie, 6.4cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.清道光 青花釉里红和合二仙图小瓶Condition ReportSurface scratches. A small chip and hairline cracks to foot rim.
A Chinese blue and white gu vase,Kangxi (1662-1722), of cylindrical form rising from an everted foot to a slightly bulbous middle section and a flared mouth, painted with taotie masks between petal lappets, 24cm high 清康熙 青花饕餮纹花觚Condition ReportRim chipped and restored. Minute chips to foot rim.
A Chinese fahua-glazed meiping,Ming dynasty (1368-1644), 16th century, the baluster body with wide rounded shoulders and a short neck, boldly decorated with a lotus pond with waves, the shoulder decorated with alternating conch shells and ruyi-shaped clouds, with suspended tassels and lozenge or round tops joined by beaded garlands, all in a palette of yellow and turquoise reserved on a lustrous dark-blue ground,29.5cm highProvenance: From the collection of Dr Jonathan Broido.Dr Jonathan Broido (1941-2008) was a professor of mathematics and philosophy. He received his PhD from the University of Pittsburgh and lectured in the US, Israel and the UK, in philosophy, mathematics, AI and interdisciplinarity. He was also an avid collector and lecturer on antiques and rugs - known in particular for his expertise and love of Asian ceramics and rare and archaic Turkoman weavings. He travelled throughout Asia acquiring pieces, as well as making finds in London's antique markets and the US.For a similar vase, see British Museum, museum number Franks.67.明十六世纪 珐华釉荷塘图梅瓶Condition ReportChips to rim and base. Base possibly reattached.
A Chinese sang-de-boeuf vase,18th-19th century, the compressed globular body rising from a circular foot to a cylindrical neck, applied with a glaze of rich oxblood-red colour, thinning to white with purple-streaked lavender blue at the rim,32.5cm high, associated hardwood stand (2)清十八至十九世纪 祭红釉直径瓶Condition ReportVase with surface scratches, chips to base. Wood stand with stains, cracks, chips and losses, signs of restoration with glue.
A Chinese famille rose vase,Guangxu (1875-1908), of baluster form, painted with scrolling flowers suspending a tasselled musical chime in shaped panels, 35cm high, wood cover and stand (3)清光绪 粉彩花卉纹将军罐Condition ReportVase with star cracks to base, cracks and small chips to foot rim, small chips to rim, surface scratches.Wood cover and stand with signs of glue. Wood stand with splits, cracks, chips and losses. Rim of stand stretched.
A pair of Chinese famille rose vases,each of square form, the sides painted with geese, egrets, chrysanthemum or prunus, a four-character Shende Tang zhi (Made for the Hall of Prudent Virtue) in iron red to base,21.5cm high (2)Condition ReportOne vase with frits to rim.The other vase with minute chips to foot rim.
A Chinese celadon cong vase,Republic period (1912-1949), of square form with a circular mouth and foot, after an archaic jade form, each side moulded with eight raised bagua bands, a six-character Yongzheng mark to base,30cm high民国 青釉琮式瓶 《大清雍正年制》青花楷书款Condition ReportDrilled to base. Surface scratches.
A Chinese jade wall vase,18th century, in the shape of a compressed double gourd with a flat back, carved with a twin fish amongst lingzhi, a ribbon tied to the middle suspending a pendant and a bat, the back carved with another bat amidst waves, pierced for suspension,26cm long, associated wood stand (2)清十八世纪 玉雕双鱼纹葫芦式壁瓶Condition ReportJade with chips, cracks and surface scratches in various locations.Wood stand with one foot restored, chipped.
A Japanese bronze vase,early 20th century, of olive form on a circular base with a flared rim, decorated in relief with an eagle hovering above a blossoming prunus tree, signed Haruyuki to base,46cm highCondition ReportSurface scratches and dents.Right wing loose, fixed with a pin. Two prunus petals missing.9.2kg.
Early 20th century Royal Crown Derby Old Imari twin handled vase and cover, with acorn finial and circular foot, c1904, no. 1128, H21cm, together with other Royal Crown Derby including an Old imari plate D21cm, globular vase, small campana urn and vase & cover, together with a Traditional Imari sugar bowl no. 2451 (6)
A SILVER-MOUNTED, GOLD-LACQUER, AND SHIBAYAMA-INLAID FOUR-SIDED VASEMeiji era (1868-1912), late 19th/early 20th centuryThe gold-lacquered body inset with four lobed kinji lacquer panels edged in silver, each depicting a different bird among corresponding seasonal plants and flowers, two panels showing an elaborate ikebana display, each panel executed in Shibayama-style encrustations reserved on a gold-lacquered ground embellished with stylised peony heads interwoven among scrolling karakusa lacquered in gold hiramaki-e, the waisted neck decorated with different foliate roundels beneath a narrow band of auspicious motifs, the narrow sides of the vase embellished with Gyobu nashiji, the base of e-nashiji; unsigned. 23.2cm (9 1/8in) high.For further information on this lot please visit Bonhams.com
A FLOWER BASKET AND A BRONZE VASETaisho (1912-1926) or Showa (1926-1989) era, early 20th centuryThe basket stained madake bamboo, the base in mutsume-ami (hexagonal plaiting), the sides of wide sections of bamboo flattened diagonally oriented and secured with horizontal elements over a mutsume-ami (hexagonal plaiting) framework, the handle formed from six intertwined strands of bamboo, unsigned, 39cm x 28cm (153/8in x 11in); the six-lobed vase with red vertical panels of asanoha ground, the neck with two applied cicadas, inscribed with an apocryphal seal Dai Min Sentoku (Chinese: Da Ming Xuande), 31.5cm (12 3/8in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A KUTANI-WARE PORCELAIN BALUSTER VASEMeiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryDecorated in enamels and gilt, depicting shishi (Chinese mythical lions) and young prancing among chrysanthemums and peonies of various colours and sizes, the neck and foot decorated with irregularly shaped bands with brocade patterns and cloud roundels; signed Kaga Watano sei Sawada Nankyu egaku. 30cm (11 13/16in) high.For further information on this lot please visit Bonhams.com
SHOGANA Bulbous Single-Flower Large Vase Taisho (1912-1926) or Showa (1926-1989) era, 20th centuryDecorated in enamels on an off-white glazed ground with a twisting branch of white and red plum blossoms and buds trailing over the shoulder, signed on the base Shogan with a red seal Shogan; with an unrelated wood stand. 34.5cm (13½in) high. (2).For further information on this lot please visit Bonhams.com
ATTRIBUTED TO INOUE RYOSAI I (1828-1899)A Sumida-Ware Stoneware Vase with Appliqué Decoration Meiji (1868-1912), Taisho (1912-1926), or Showa (1926-1989) era, 20th centuryModelled in high relief with three anthropomorphic octopuses, two hand wrestling with their tentacles, the third drying his armpit with a tenugui (hand towel) reserved on a brown 'Hare's-Fur' brown streaky glazed ground, signed on the base with an unglazed seal Dai Nihon Tokyo Inoue Ryosai; with a plain wood storage box. 26.5cm (10½in) high. (2).This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
MAKUZU KOZAN WORKSHOPA Porcelain Baluster Vase Meiji (1868-1912) or Taisho (1912-1926) era, early 20th centuryDecorated in underglaze cobalt, enamels, and white slip with stalks of lotus and nashi pears entangled among blossoming peonies; signed on the underside Makuzu Kozan saku (Made by Makuzu Kozan). 21cm (8¼in) high.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A SATSUMA-WARE SQUARE BALUSTER VASE AND A DOUBLE-GOURD VASEThe first by Chikusai, the second by Hododa, Meiji era (1868-1912), late 19th/early 20th centuryDecorated in enamels and gilt; the first with slightly sloping body, the lobed central band decorated with a continuous scene of elaborately dressed geisha with their young attendants walking along a lake, all on a cobalt-blue ground, different sections decorated with floral and diaper motifs, signed Chikusai, 30cm (11 13/16in) high; the second with variously shaped cartouches enclosing scenes of rakan, women and children, and courtiers, all on overlapping brocade patterns, signed Satsuma Hododa beneath a gilt maru ni juji mon (crest of a cross within a circle), emblem of the Shimazu clan, 11.8cm (4 5/8in) high. (2).For further information on this lot please visit Bonhams.com
Loading...
