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An 18th century oak longcase clock with a 30.5cm, 12in brass dial, signed 'Peter Walker, St Katherine, Fecit', the outer calendar signed 'Peter ROVPE' with Roman and Arabic numerals, subsidiary seconds lacking pointer, date aperture, cherub and coronet spandrels with a border, the two train eight day movement with anchor escapement, rack striking on a saucer bell lacking, the oak case with a cavetto cornice above a frieze carved EDE,Q1703 gilt composition columns, the trunk carved with a vase of leaves and flowerheads, raised upon a plinth base similarly carved, shaped bracket feet, with a pendulum 208cm, (possibly later carved) (illustrated)
A contemporary Royal Worcester fruit painted vase, painted by David Fuller, of ovoid form, raised on a basket weave spreading base, painted to the exterior with apples, cherries, grapes and peaches, reserved against a mossy ground, surmounted by a pierced basket weave cover and inner liner, height 26cm (illustrated)
A Bohemian green glass portrait vase, late 19th century, the flared trumpet form bowl with scalloped rim, rising from a faceted base, enamelled with single portrait of lady in medieval dress, reserved against a green glass ground, heightened with scrolling gilt foliate designs, height 26cm (illustrated)
A Bohemian green glass portrait vase, late 19th century, the ogee form bowl with a scalloped rim, the basal knop extending to a swept stem and spreading circular base, with four oval panels, enamelled with portraits of ladies and floral sprays, heightened throughout with scrolling gilt acanthus leaf designs, height 25cm (illustrated)
A small group of English porcelain, to include a Royal Crown Derby octagonal form 'Imari' posy vase, pattern 1128, a Noritake vase, a small Derby Classical form cache pot, an Helen Wolfensen style lidded pot and stand, and a 19th century floral painted high comport, etc. (8)
A Grainger's Worcester blush ivory vase, circa 1890, of cylindrical form, rising to a flared trumpet neck, adorned with twin pierced handles, the creamy coloured ivory ground detailed with floral sprays, height 18cm, together with a Royal Worcester blush ivory flat backed jug dated 1912 of typical ovoid form with scalloped rim and reeded solid gilt handle, detailed with floral sprays, puce printed mark and shape number 1094, height 11cm (2)
A Graingers Worcester vase, circa 1900 of ovoid form with twin solid gilt mask loop handles, enamelled to the exterior with birds perched on branches, enamelled and detailed with gilt highlights, reserved against a white glazed ground, printed factory mark and shape number G4190, height 14cm
A Sèvres style Continental porcelain ormolu mounted vase of pedestal form, circa 1880, the central upper band finely painted with courting lovers in an Arcadian landscape, reserved against a bleu celeste ground, with jewelled enamelled gilt decoration, mounted on a gilt ormolu spreading circular base with twin gilt metal scroll handles, height 29cm (illustrated)
A Vienna porcelain vase, late 19th century, of baluster form flanked by twin solid gilt loop handles, mounted on a raised plinth base, painted to the body in polychrome enamels depicting a classical figure and chariot reserved against a burnished gilt and cobalt blue ground, heavily detailed with gilt and opaque white enamels, underglazed shield mark to base, height 17cm
A large Victorian etched and amber glass covered jar, circa 1880, the rounded globular body cut with pointed lappet amber glass panels etched with floral spray motifs and surmounted by a domed cover and faceted finial, height 35cm, together with a Victorian amber cut and etched glass goblet vase, finely etched to the exterior with series of floral sprays and ferns, reserved against an amber ground, mounted on a spreading circular base with oval cuts, height 16.5cm (2)
A Sèvres style porcelain and ormolu mounted vase, late 19th century/early 20th century porcelain vase of ovoid form extending from a domed spreading circular base, rising to a waisted neck with domed cover and pine cone finial, flanked with Satyr masks, the central body painted with two scalloped cartouches filled with putti and musical trophies, the white ground further detailed with gilt paste diaper work and scrolling acanthus borders, mounted on a onyx and ormolu laurel base, resting on four tab supports, height 59cm (illustrated)
An impressive Sèvres 'style' vase, circa 1880, the tapered ovoid form vase mounted on a knopped and spreading circular base, the fluted trumpet form neck rising to a domed cover with gilt metal pine cone finial, the central body finely painted with figures of French Nobility, attended by Courtiers before a Grand Chateau, set within cobalt blue borders and further elaborately detailed with gilt paste, acanthus and fern scrolling adornments, mounted on a canted ormolu plinth base, height 96cm, underglazed crossed blue interlaced 'L' marks to base and to underside of cover (illustrated)
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653833 item(s)/page