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BLUE AND WHITE BALUSTER VASE, GUAN YIN ZUNCHENGHUA MARK BUT 19TH CENTURY the tapered ovoid body rising from a splayed foot to an everted rim, painted with a vivid scene of scholars and beauties seated at leisure in lakeside pavilions, watching ferrymen poling back and forth between the banks, the base with a six-character apocryphal Chenghua reign mark46.5cm highProvenance:From the collection of the late Alexander McLachlan (1920-2013), who attended the D-Day landing and began collecting Chinese and Japanese ceramics after returning to Scotland from the war.
BLUE AND WHITE 'BOYS' ROULEAU VASEKANGXI PERIOD painted with sixteen boys playing in a fenced garden with plantain and pine trees beneath dense curling clouds, one trying to catch fish in a barrel with bare hands, another lighting fireworks, while another small group plays a game on the ground, the base with a leaf mark within double circles26.5cm high
BLUE AND WHITE LANTERN VASEYONGZHENG MARK BUT 19TH CENTURY the cylindrical body painted in delicate shades of cobalt blue with a pair of five-clawed dragons flanking a flaming ball amongst stylised flames and ruyi clouds, below a waisted neck painted with a plantain leaf band and a ruyihead-collar, and above a waisted foot painted with crested waves, the base bearing a six-character apocryphal Yongzheng seal mark34cm highProvenance:Private Edinburgh collection.
LARGE BLUE AND WHITE HU-FORM VASE,QIANLONG MARK BUT LATER the pear-shaped body rising from a short spreading foot to a short slightly waisted neck flanked by archaistic dragon handles, painted around the exterior with a broad scrolling lotus band, all between ruyihead, foliate scroll and foaming wave bands, the base with a six-character apocryphal seal mark46cm high
BLUE AND WHITE 'LOTUS' BOTTLE VASEGUANGXU MARK AND OF THE PERIOD the globular body painted in Ming style with a wide band of lotus flowers borne on scrolling leafy stems above a border of lappets around the foot, below moulded rings at the shoulder enclosing narrow bands of ruyi-heads and foliate scrolls, the waisted neck with slender plantain leaves and a border of ruyi-heads beneath the rim, the base with a six-character reign mark in underglaze blue, neck reduced36cm high
LANGYAO RED-GLAZED BOTTLE VASEQING DYNASTY, 18TH/19TH CENTURY the compressed pear-shaped body rising to a tall slightly waisted neck, the shoulder accentuated by a moulded raised ring, applied overall with a deep copper-red glaze with a faint network of crackles, thinning to white at the rim, converted into a lamp34.5cm high (excluding lamp fittings)Provenance:Private Scottish collection.
SHIWAN FLAMBÉ GLAZED VASE, MEIPINGQING DYNASTY, 18TH/19TH CENTURY sturdily potted with rounded shoulders rising from a splayed foot to a short straight neck with a lipped rim, applied overall save for the base with a dark aubergine glaze with lavender streaks24cm highProvenance:Private Edinburgh collection. Note:For a similar Shiwan flambé glazed meiping vase, see the collection of the Victoria and Albert Museum, CIRC.670-1913.
SACRIFICIAL BLUE GLAZE VASEQIANLONG MARK AND OF THE PERIOD the compressed globular body sitting on a short splayed foot tapering to a waisted neck with a flared mouth, all covered in a lustrous deep blue glaze, stopping neatly at the white foot and mouth rims, the base with a six-character seal mark36cm high
SMALL PEACHBLOOM GLAZED BOTTLE VASEXUANDE MARK BUT POSSIBLY KANGXI PERIOD finely potted with a globular body rising from a short foot to a long cylindrical neck, the exterior applied overall with a rich peachbloom glaze, the base inscribed with a four-character apocryphal mark in underglaze blue11.8cm high
ANHUA-DECORATED TURQUOISE-GLAZED 'DRAGON' VASELATE 19TH/EARLY 20TH CENTURY the globular body delicately incised with two striding five-clawed dragons in pursuit of a flaming pearl amid cloud scrolls, the exterior and inside of the neck all covered in a glossy turquoise glaze showing a fine craquelure20.5cm highProvenance:Private Edinburgh collection.
LARGE CANTON FAMILLE ROSE CELADON-GROUND VASEQING DYNASTY, 19TH CENTURY decorated with the Three Star Gods Fu, Lu and Shou, accompanied by a deer and a crane, both symbols of longevity, reserved on a celadon ground decorated in typical Canton famille rose manner with butterflies and flowers61cm highProvenance:Private Edinburgh collection.
FAMILLE ROSE BOTTLE VASESHEN DE TANG MARK, 20TH CENTURY painted around the globular body with five boys at play in a garden, one lighting firecrackers whilst his two companions cover their ears from the noise, the remaining two boys playing hide-and-seek, the waisted neck painted with lotus sprays flanked by a pair of stylised dragon handles, the interior and base enamelled turquoise, the base with a four-character 'Shen De Tang Zhi' mark31cm high
FAMILLE ROSE YELLOW-GROUND VASEQIANLONG MARK BUT LATER the oviform body decorated with four large panels enclosing blossoming chrysanthemum, lotus, peony and prunus trees, reserved on a bright yellow ground painted with lotus scrolls, pairs of archaistic kuilong dragons, plantain leaves and ruyiheads, the interior and base enamelled turquoise, the drilled base bearing a six-character iron-red Qianlong seal mark29cm high
BLUE AND WHITE CELADON-GROUND BALUSTER VASELATE QING DYNASTY/REPUBLIC PERIOD decorated in blue and white enamels with a qilin positioned recumbent below a gnarled pine tree and watching an eagle perched on the branches, the neck applied with a pair of Buddhist lion handles60cm high
FAMILLE ROSE 'BEAUTIES' VASEQIANLONG MARK BUT MID-20TH CENTURY painted with eight beauties playing various musical instruments in front of a floor screen, the one at the centre playing qin supported on an ornate altar table, the base with an apocryphal Qianlong seal mark18cm high
MIXED-METAL INLAID BRONZE FLASK-FORM VASEMEIJI PERIOD decorated in copper, gilt, shakudo and bronze with a cockerel surrounded by flowering cherry branches within a large oval cartouche, and with butterflies amongst peonies on the reverse, the scenes flanked by scrolling foliage on the shoulders12.5cm high
CLOISONNÉ-ENAMEL AND PORCELAIN EWERTHE CLOISONNÉ BY TAKEUCHI CHUBEI OF NAGOYA FOR THE SHIPPO GAISHA COMPANY, MEIJI PERIOD decorated with an overall design of assorted insects including butterflies and grasshoppers swimming amidst flowering branches, the handle, spout and the finial of the cover moulded to simulate bamboo, signed on the base in iron-red Dai Nihon seizo Shippo Gaisha, kojin Takeuchi Chubei (made by Takeuchi Chubei for the Shippo Gaisha Company, Great Japan)31cm highProvenance:Private English collection.Note:For a comparable cloisonné enamel and porcelain vase, also made by Takeuchi Chubei of Nagoya for the Shippo Gaisha Company, see Bonhams' sale in their London rooms on 9th November 2017, lot 223.
COLLECTION OF JADE AND HARDSTONE CARVINGS19TH/20TH CENTURY comprising: a pair of archers rings mounted on silver tripod stands; a pierced 'phoenix and lotus' plaque; a miniature scent bottle in the form of a vase; a small spinach-green jade 'dragon' plaque mounted on a white metal clip; a small white jade plaque depicting an immortal holding a lotus spray, also mounted on a white metal clip; and a green hardstone necklace (7)largest 94cm long
Selection of FA Amateur Cup Finals 1952, 1955, 1966, 1967 replay, 1968 x 2, 1969, 1970, 1972, 1974 (the last one) plus 1968 semi-final, 1974 semi-final. FA Vase Finals + Trophy Finals (14) plus semi-finals (30) and also Welsh Cup matches including finals. (30). Fair-Good. Worth a view to assess. Total (86)
Japanese School (Meiji Period, 19th century), a patinated bronze baluster specimen vase, cast in high relief with a monkey eating gold fruits within a shaped reserve, the verso with a bird in flight and silvered bamboo, the outswept broad rim cast with another bird and scrolls, silvered meander frieze above a silvered crane in flight at the neck, stepped plinth base with alternating silvered borders, 26cm high
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653833 item(s)/page