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Lot 316

JOE SINGEWALD; a lugged wood fired stoneware vase, impressed mark, height 26.5cm.Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2016.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 320

JANEY SKEER; an oval stoneware vase with cracked textured surface, a jar and cover with coiled metal handle and a square white earthenware vase decorated with clouds, painted and incised signatures, tallest 29.5cm (3). Provenance: Purchased in Denver, 2015, earthenware vase a gift from the artist.Additional InformationChip to rim of earthenware vase, otherwise appears good with no further signs of faults, damage or restorations. 

Lot 327

WARREN SMITH; a lugged stoneware vase covered in green glaze, impressed mark, height 27.5cm.Smith is influenced by Japanese and early American folk pottery.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 359

TOM & JEFF UNZICHER; a small wood fired jug and a globular vase, impressed UB mark to vase, tallest 16.5cm (2).Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 360

REX VILLAPANDO; a globular wood fired stoneware vase, impressed RV mark, height 19.5cm.Provenance: Purchased from Lonestar College, Houston, Texas, 2013.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 362

SHARON WARRINGTON; a large oval wood fired porcelain twin handled vase and a smaller vase twisted on tripod feet, impressed and painted marks, tallest 24cm (2).Provenance: Purchased from 18 Hands Gallery, Houston, Texas.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 366

BILL WILKEY; a tall stoneware bottle with patchwork decoration, a lugged vase and a cup, incised signatures and dated 2012 and 2014, tallest 30cm (3).Wilkey joined the Archie Bray Foundation as the 2014 Lincoln Fellow and continued on to be the 2015 Lillstreet Art Center Fellow.Provenance: Purchased from Archie Bray Foundation for the Ceramic Arts, Helena, Montana, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 370

TARA WILSON; a waisted wood fired stoneware footed vase with loop handle and a smaller wider lugged footed vase, incised signatures, tallest 36cm (2).Wilson is based in Helena, Montana.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 371

TARA WILSON; a lugged waisted wood fired stoneware footed vase and a smaller example, incised signatures, tallest 30.5cm (2).Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 375

SUZANNE WOLFE (born 1942); a small cylindrical stoneware vase with irregular rim decorated with a face saying 'Not Now', height 13cm.Wolfe was Professor of Ceramics, University of Hawaii, Manoa.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 387

A large angular wood fired stoneware vase with heavily textured surface, incised mark (Tingay?), height 26.5cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 388

A tall cylindrical stoneware vase with polychrome decoration, height 60cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 4

CLAYTON AMEMIYA; two square wood fired stoneware vases and a tall narrow faceted wall vase with metal ring, incised CA marks, tallest 33cm (3).Provenance: Purchased in Hawaii, 2013 and 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 402

A large stoneware bottle and a squat vase, different makers, tallest 33cm (2).Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 406

DAVID BACA (born 1951) of Santa Clara Pueblo, New Mexico; a carved redware seed pod vase, incised signature with 'Yellow Mountain' and dated 1988, height 9cm.'Yellow Mountain' is the translation of Baca's Tewa name.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 408

LINDA CAIN (born 1949) of Santa Clara Pueblo, New Mexico; a small carved wedding vase with beige and white glaze, incised signature, height 13.5cm.Provenance: Purchased from House of the Shalako, Albuquerque, New Mexico.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 409

LOUISE GOODMAN (born 1937) of the Navajo Nation, Arizona; a large ribbed vase and matching smaller example, incised LRG marks, tallest 34cm (2).Additional InformationChips to one side of body of larger vase, otherwise appears good with no further signs of faults, damage or restorations. 

Lot 410

STELLA GOODMAN of the Navajo Nation, Arizona; a large ribbed wedding vase, incised SG mark, height 39.5cm.Provenance: Purchased in Washington DC, 2005.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 412

GLORIA KAHE (born 1951) of the Navajo Nation, Arizona; a wedding vase with painted decoration on beige ground, painted signature, height 30cm.Provenance: Purchased from Heard Museum, Phoenix, Arizona.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 413

BETTY MANYGOATS (born 1945) of the Navajo Nation, Arizona; a three spouted vase decorated with turtles and cacti, incised BBM mark, height 18cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 418

ELIZABETH NARANJO (1929-2017) of Santa Clara Pueblo, New Mexico; a carved blackware wedding vase, incised signature, height 24.5cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 420

MARGARET QUINTANA (born 1948) of Taos, New Mexico; a wedding vase covered in beige glaze with mica inclusions, painted signature and dated 1988, height 23.5cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 421

PATY RODRIGUEZ of Mata Ortiz and Casas Grandes, Mexico; a carved blackware vase, incised signature, height 14.5cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 422

DELORES SECKLETSTEWA of the Hopi Nation, Arizona; a Hopi Water Fox lizard, turtle and pot, painted signatures, lizard length 30cm, and a Westly Begaye mini wedding vase and bear sculpture by another hand (5).Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 423

GWEN SETALLA (born 1964) of the Hopi Nation, Arizona; a small wedding vase with painted decoration on beige ground, painted signature, height 14cm.Provenance: Purchased in Phoenix, Arizona, 2008.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 424

TRINI SILVEIRA of Mata Ortiz and Casas Grandes, Mexico: a miniature redware vase, incised signature, height 5cm.Provenance: Purchased from Native American Trading Co, Denver, Colorado, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 426

VERNA SOLOMON (born 1949) of Laguna Pueblo, New Mexico; a pit fired globular vase, 'Lizards Spirit', applied decoration to surface with mica inclusions, height 16.5cm. Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 428

CLARISSA TAFOYA of Santa Clara, Pueblo, New Mexico; a carved redware seed pod vase, incised signature and dated 1990, height 10cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 429

SHERRY TAFOYA (born 1956) of Santa Clara Pueblo, New Mexico; a carved redware wedding vase, incised signature, height 21.5cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 439

KAZUYA ISHIDA (born 1986); a globular stoneware vase with heavily textured surface and a miniature bottle, incised signature to vase, tallest 17cm (2).Born in Bizen, Japan, a town famous for traditional pottery, Ishida uses noborigama and anagama wood fired kilns. He trained with Jun Isezaki (National Living Treasure in Bizen) for four years and then spent time in the UK learning different styles of pottery.Provenance: Purchased at Art in Clay, Hatfield, 2015; miniature bottle a gift from the artist.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 440

KAZUYA ISHIDA (born 1986); a tapered faceted stoneware vase, incised signature, height 21cm.Provenance: Purchased at Art in Clay, Hatfield, 2015.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 443

LEE KANG-HYO (born 1961); a punch'ong stoneware vase, incised marks and dated 2014, height 15.5cm, with signed box.Kang-hyo is widely regarded as one of the finest Korean potters working today.Provenance: Purchased from Goldmark Gallery, Uppingham, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 448

LEE KANG-HYO (born 1961); a punch'ong stoneware vase, incised marks and dated 2014, height 14.5cm, with signed box.Provenance: Purchased from Goldmark Gallery, Uppingham, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 45

KARL BORGESON; a tapered stoneware vase with checkerboard pattern, impressed KB mark, height 23.5cm.Borgeson was a student of Warren MacKenzie and taught at the University of Wisconsin.Provenance: Purchased from Schaller Gallery, St Joseph, Michigan, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 459

KEN MATSUZAKI (born 1950); a yohen wood fired stoneware vase, incised mark, height 32.5cm, with signed box.After graduating from Japan's Tamagawa University’s College of Arts in 1972, Matsuzaki began a three year apprenticeship with (National Living Treasure) Tatsuzo Shimaoka, later extended a further two years whilst he learned to develop his own style. His works have a strong grounding in Mingei philosophy though his approach is very contemporary, focusing on the oribe style with yohen, shino and oribe glazing.Provenance: Purchased from Goldmark Gallery, Uppingham, 2013.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 463

KEN MATSUZAKI (born 1950); a lugged faceted yohen wood fired stoneware vase, height 23.5cm, with signed box.Provenance: Purchased from Goldmark Gallery, Uppingham, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 47

RICHARD BRANDT; a wood fired stoneware Iga vase and tall basket, impressed hand marks, tallest 25.5cm (2).Brandt is based in Damascus, Oregon.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 471

KEN MATSUZAKI (born 1950); a large yohen wood fired stoneware vase with tetsu glaze, incised mark, height 35.5cm, with signed box.Provenance: Purchased from Goldmark Gallery, Uppingham, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 473

NATSU NISHIYAMA (born 1983); a large oribe stoneware hollow vase, incised mark, height 38cm, with signed box.'The gutsy, jagged, carved and torn pots of Nishiyama reincarnate the do-or-die spirit of Peter Voulkos. Her sake ‘monsters’ combine Jurassic dinosaur bodies with dainty beaks and curled up feet, while her jungle-green Oribe, cresting and pooling into opaque aquamarine blue, is a thing of prehistoric beauty.' - Goldmark Gallery.Provenance: Purchased from Goldmark Gallery, Uppingham, 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 474

NATSU NISHIYAMA (born 1983); an oribe stoneware hollow vase, incised mark, height 30cm, with signed box.Provenance: Purchased from Goldmark Gallery, Uppingham, 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 479

NATSU NISHIYAMA (born 1983); a wood fired stoneware hollow vase and cup, incised marks, tallest 26cm, with signed boxes (2).Provenance: Purchased from Goldmark Gallery, Uppingham, 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 48

RICHARD BRANDT; a wood fired stoneware 'Gold Bowl' and gourd shaped fluted lugged vase, impressed hand marks, tallest 22.5cm (2).Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 483

SHIKAMARU TAKESHITA (born 1977); a wood fired porcelain vase, incised mark, height 17cm, with signed box.Provenance: Purchased from Goldmark Gallery, Uppingham, 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 484

SHIKAMARU TAKESHITA (born 1977); a wood fired porcelain vase, incised mark, height 13.5cm, with signed box.Provenance: Purchased from Goldmark Gallery, Uppingham, 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 485

SHIKAMARU TAKESHITA (born 1977); a Nanban stoneware vase in the Tanegashima style and a matching sake cup, impressed marks, tallest 21cm, with signed boxes (2).Provenance: Purchased from Goldmark Gallery, Uppingham, 2017.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 502

ALAIN FICHOT (born 1952); a porcelain teapot with textured surface and a globular stoneware vase, impressed and incised marks, tallest 10cm (2). (D)Living and working in France, Fichot has been a potter for some 35 years, having previously studied sciences. Initially he produced wood fired stoneware, fashionable in the 1970s, but later switched to porcelain and crystal glazes.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 505

BERNDT FRIBERG (1899-1981) for Gustavsberg; a miniature porcelain bottle and vase, incised signatures and pottery marks, tallest 10cm (2). (D)Provenance: Purchased in 1963.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 506

BERNDT FRIBERG (1899-1981) for Gustavsberg; a miniature porcelain squat vase and footed bowl, incised signatures and pottery marks, tallest 4cm (2). (D)Provenance: Purchased in 1963.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 51

CYNTHIA BRINGLE (born 1939); a fluted porcelain twin handled vase, incised signature, height 23.5cm.Provenance: Purchased from Lonestar College, Houston, Texas, 2013.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 53

ERICH BROENNIMANN; a tall narrow wood fired stoneware vase and a matching small vase with medallion, impressed marks, tallest 35.5cm (2).Broennimann is based in Hawaii.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 54

ERICH BROENNIMANN; a triangular wood fired stoneware vase, impressed mark, height 27.5cm.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 546

SUSANNE LUKACS-RINGEL (born 1963); a faceted wood fired porcelain vase, impressed SL mark, height 24cm. (D)Born in Germany, Lukacs-Ringel's wood fired and salt glaze work is based on traditional German pottery but with important influences from Korean, Chinese and Japanese ceramics.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 548

LISBET MUNCH-PETERSEN (1909-1997) for Bing & Grondahl: a faceted porcelain vase covered in sang de boeuf glaze, impressed LMP mark and pottery stamp, made 1962-66, and a Danish stoneware bottle by another hand, tallest 24cm (2). (D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 56

JANICE BROWN: a tall stoneware vase, incised mark, height 35cm.Provenance: Purchased in Hawaii, 2014.Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 562

CARL-HARRY STALHANE (1920-1990) for Rorstrand; a small porcelain teardrop vase with narrow neck and a squat bottle, incised signature, CHS and pottery marks, tallest 13cm (2).(D)Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 565

JAN VAN DER VAART (1931-2000); a double ringed stoneware vase covered in bronze glaze, incised signature and dated 1966, height 11.5cm. (D)Van Der Vaart was an influential Dutch ceramist known as founder of abstract-geometric ceramics in the Netherlands.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 572

Faux and Co, France; a moulded stoneware vase in the form of a corrugated cardboard sleeve, impressed pottery mark, height 26.5cm, with a certificate of authenticity. Additional InformationAppears good with no obvious signs of faults, damage or restoration. 

Lot 574

MICHAEL ALLEN; a burnished and smoke fired red earthenware vase, impressed MA mark and collection sticker, height 24cm. (D)Provenance: Purchased from Adam Partridge Auctioneers & Valuers, 'Studio Ceramics, Modern & Contemporary Design - The Alan & Pat Firth Collection', 2015. Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 575

ALEX ALLPRESS (born 1976); a tall tapered stoneware vase and altered pedestal bowl, incised AA marks, tallest 33.5cm (2). (D)Provenance: Purchased at Art in Clay, Hatfield, 2012.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

Lot 578

DAN ARBEID (1928-2010); a tall cylindrical stoneware vase covered in pitted white glaze and a narrow bottle, impressed DA marks, tallest 33cm (2). (D)Provenance: Purchased in early 1960s.Additional InformationAppears good with no obvious signs of faults, damage or restoration.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org

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