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Click here to subscribeCollection of Coloured Glass, comprising an 8" blue vase with gilt leaf trim, a 7" tall blue vase, a blue wine glass, a small perfume bottle, a blue glass mustard pot and spoon, a cranberry pink glass bowl with cascade pattern (with original receipt) 4" tall, three perfume bottles (one no stopper), a cranberry fluted edge pedestal bowl, an etched 7" Rosenthal vase in pale lilac, etc.
Collection of Coloured Glassware, comprising a 19" blue glass vase, an 11" green glass vase, a 9" blue glass, two 7" brandy balloons one green and one blue, a 5" pink brandy balloon, a set of six 5" wine glasses assorted colours, 8 assorted coloured glasses, and two red bud vases. All in good condition.
Collection of Murano glass Figures, comprising five multi coloured fish figures, largest 8" tall, in shades of yellow, blue and white, and a 12" fluted top marbled effect vase. Together with a 14" black and white love knot ornament, a black love knot ornament, and a long shallow twisted style 14" dish. Also a grey fluted top marbled planter, 5" tall.
Quantity of Quality Glassware Items, comprising Royal Stanley Ware Lustre Jug circa 1944, blue and black lustre goblet, cobalt and gilt vase, glass circular vase, crystal decanter with crested stopper, 11" tall, cobalt blue 12" glass vase, and Christopher Williams signed to base 10" tall cream and purple vase.
A Grand Tour style brown patinated cast bronze copy of the Medici vase, the main body finely detailed with a band of figures, height 31.5cm, width 21cm.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
A pair of early 20th century papier-mâché vases on shaped wooden stands – probably Japanese, baluster-shaped, lacquered and gilded, the (rubbed) gilt decoration depicting pagodas and buildings in the distance and trees and shrubbery in the foreground (some damage, 3cm section of lip away and reaffixed together with one stand broken and repaired (30.75cm high)Condition Report: First vase - damage in two places to stand and re-affixed, otherwise decoration (gilding) worn but vase in overall OK condition. Second vase - a 4cm piece away from lip and re-affixed, otherwise gilding rubbed but no further damage.
A pair of 19th century gilt-metal-mounted porcelain two-light table candelabra: in the Louis XV taste and with central cast flowerheads flanked by two higher candle holders with campana-style holders and separate drip pans; the lime-green baluster-shaped ceramic vase centres (both badly damaged at the neck) flanked by two high arched scrolling handles cast with further acanthi, each on ornate shaped cast base (one candelabra with significantly more gilt present than the other) (each approx. 46cm high) (2)
A North East Persian Meshad rug; with a directional vase of flowers emanating upwards and terminating in a prayer niche, with stylised birds, hares etc. on an ivory ground with dark blue main border incorporating flowers and feathered birds etc.(worn and central repair), early 20th century (211cm x 140cm)Condition Report: The rug is not in perfect condition, there are a series of small holes and the largest hole to the middle appears to have been badly sewn. There are one or two problems towards the edge of the border, a fair amount of wear. The rug itself has faded somewhat through wear and usage and the colours are faded. In areas it is quite low pile in areas of the carpet.
Six pieces of fine quality glassware: - a conical-shaped Waterford carafe, hand-cut hobnail pattern 22.75cm) - a small clear-glass decanter with mushroom-style stopper of squat, ovoid form and engraved with the coat of arms of Cheltenham College.- a carafe intaglio-engraved with fuschia and star-cut base- a heavy circular glass hand-cut Waterford bowl - a heavy Brutalist-style elliptical vase signed 'Nachtmann' - a fine quality jug with hand-cut base
Two late 18th century Hepplewhite period oak chairs of similar design/proportions; each with yoke-shaped cross rail above central pierced splat and with solid seat, each raised on square legs united by stretchers, together with one other carved oak period chair, elaborate top rail, vase shaped splat carved with acanthus, later drop-in seat and turned and block front legs united by an H-form stretcher (3)
A 19th century Sèvres-style potpourri vase and cover: the domed cover with a gilded pineapple finial above lobing; the vase with a reticulated neck; two scrolling partially gilded scrolled handles; two panels decorated in enamel with exotic birds amongst country surroundings; conical foot with spreading circular beaded base; blue-painted marks to the underside of vase and lid (28cm high)Condition Report: The gilding appears a little worn on the finial and also to the rim of the cover but no other chips, cracks or restoration noted. It is noted on the main body that there is a small section (1cm) of kiln grit visible to the top lip horizontally about the reticulated neck. The vignettes with enamel decoration are clear and bright and then underside of the circular spreading foot is noted to be dirty/discoloured. The join of the foot to the main body is visible with a thread and nut as expected. A little bubbling on one side of the main vase glaze-wide near the handle.
Two large clear glass bowls:1. a large thistle-head-shaped clear glass bowl / vase with flowering petal-style top above a hobnail-cut body and star-cut base (some minor chips to extremities of lip) (27.5cm diameter widest),2. a mid-20th century heavy, hand-cut, crystal, Bohemian-style pedestal bowl on flowering, fluted circular foot (20cm diameter)
An unusual early/mid 20th century brass mounted and glass table lamp; vase-shaped wrythen glass main body with internal bubbles as decoration, clear glass flowerhead base onto a round, circular brass support with four unusual curling legs, on reeded circular brass plinth base (44cm high including electrical fitting)Condition Report: The base and top mounting appear to be quite oxidised and have dulled down significantly, the wire has been cut so will need re-wiring, under closer inspection of the glass it the item appears to be in good general order with no chips, cracks or restoration noted.
A good and heavy late 17th / early 18th century oak side chair of good colour and proportions; the shaped top rail flanked by two uprights with circular terminals, single vase-shaped splat flanked by two further rectangular verticals, two plank seat above turned and block front legs united by a high turned stretcher (height ??)
Five pieces of hallmarked silver:- a hallmarked silver four-division toast rack (early 20th century), - a large matchbox holder with repoussé-style lid and vacant oval vertical cartouche (19th century), - a pair of heavy hallmarked silver knife-rests with cruciform-style ends,- an unusual white-metal squat castor-shaped vase-and-cover, gilded interior, the lid decorated in repoussé style with flowerheads and leaves and the main waisted body with fluting and further foliate-style ornament below slightly spreading circular foot.- (total weight approx. 312.6g)
A Cecil Baugh (Jamaican) Studio pottery heavy baluster vase with a slightly flared rim and "hare's fur" glaze marked Baugh 2001 to the base. 19 cm high x 15 cm diameter Together with a Jim Malone beaker, a David Leach style jug, a covered studio pottery jug and a terracotta puzzle jug.Condition report: The Baugh vase seems free from defects.The covered jug seems to have a line in the glaze just in the spout of the jugThe puzzle jug seems OKChawan style beaker seems OKThe open pitcher with iron glaze seems OK
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