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Lot 127

A Moorcroft baluster vase decorated in the Hibiscus pattern with a band of coloured flowers against a blue wash ground, impressed mark, initialled in green with Potters to the late Queen Mary paper label, height 21cm.

Lot 134

An early 20th Century Royal Doulton stoneware vase decorated with purple long stem flowers, impressed mark, height 20cm.

Lot 141

A 1920s Bursley Ware vase decorated in the Dragon pattern designed by Frederick Rhead, printed Dragon to the base, otherwise unmarked, height 15cm

Lot 152

A Chinese 'Teadust' glazed vase, of meiping form with short lug handles, the shoulder and body with a series of ochre coloured horizontal bands, before a dusted rich green ground, 29cm high, drilled mark to base, possibly a Yongzheng mark (1722-35), secondary paper label to base with written number 30.

Lot 155

A Chinese Kangxi (1654-1722) Kraak style rouleau bottle vase, the series of interlocking panels filled with lotus, pagodas, chrysanthemum, below a cracked ice upper rim design, 21cm high, Artemisia leaf mark to base, S/D.

Lot 157

A Chinese 'iron-rust' glazed vase, of bottle form extending to a flared rim, with allover lustrous red/brown glaze, 27cm high, Yongzheng six-character mark to base.

Lot 158

A Chinese 'Peachbloom' glaze vase, of mallet form, rising to a tapered shaft neck, fading to white at the rim, with allover speckled pink glaze, 24cm high, Kangxi (1664-1722) six-character mark to base.

Lot 16

A Moorcroft Pottery vase decorated in the Inspiration pattern (made for the 2012 Spring Festival at Thaxted) designed by Emma Bossons, numbered 32 from an edition of 50, signed in green, height 16cm.

Lot 160

A Chinese blue glazed meiping vase, the shouldered base, rising from a tapered footring and terminating at a folded rim, with allover mottled blue glaze, 26cm high.

Lot 162

A Chinese blue and white mallet vase, the domed body rising to shaft neck, with blue ruyi phoenix design to the white ground, 21.5cm high, Kangxi (1664-1722) six-character mark to base

Lot 163

A Chinese late Qing Dynasty (1664-1912) Tianqiuping vase, the bulbous body rising to a shaft neck, with allover variegated ochre ground, depicting two outlines of five-clawed dragons in pursuit of the flaming pearl, with overglazed ruyi fire-scroll decoration, 43cm high.

Lot 177

A Chinese blue and white Kangxi style rouleau vase, the body painted with scenes of immortals and attendants in a rocky landscape, below concentric and traditional scroll borders, unmarked, 40cm high.

Lot 18

A Royal Worcester shape F126 vase decorated by Kitty Blake with sprays of Hadley roses within moulded borders, signed, green mark with date code for 1908, height 15.5cm S/D

Lot 186

A 20th Century Chinese bottle vase, the turquoise ground inscribed with phoenix and long tailed birds, reserved against a turquoise ground, 41cm high.

Lot 194

A Chinese Kangxi (1654-1722) period vase, of baluster form, the body decorated with a series of lotus flowers and meandering tendrils, before a 'C' scroll ground, 31cm high, Kangxi circular line mark to base, (extensive damage and converted to lamp base).

Lot 205

A Chinese blue and white vase, of tapered ovoid form, rising to a slender neck with wide open dish mouth, the white crackle glaze enamelled with immortals upon the Bohai sea, amidst rockwork and foliage, 62cm high.

Lot 218

A late 19th Century Bohemian glass vase in the manner of Neuwelt, tulip form with a scalloped rim above a wide knop and circular spread foot, the deep green with an applied opal panel decorated with a portrait of a lady within gilt borders, height 23cm.

Lot 221

A 20th Century Boda glass vase designed by Bertil Vallien, of globular form with collar neck and wide rim, lobed to base, green, retains paper label, height 19cm.

Lot 223

A large Birgitta Watz for Pukeberg Pompeii vase of shouldered ovoid form with stepped shoulder, flared collar neck and applied tapered handles all in a deep grey tint, engraved signature and dated 19th March 1991, height 27cm.

Lot 224

An early 20th Century Venetian ruby glass vase of ovoid form with everted rim, with applied clear foot and twin handles, gilded and enamelled with theatrical scenes, height 19cm.

Lot 225

A Baccarat opaline glass vase, circa 1880, of footed globe and shaft form with flared rim, decorated with relief moulded fruiting vines, height 35cm.

Lot 230

A Czechoslovakian Moser Karlovarske Sklo glass vase by Jiri Suhajek, circa 1968, of ovoid form, in amber with internal patches of yellow mottling and trails in blue and red, height 17cm.

Lot 231

An opaline glass vase, circa 1860, of footed ovoid form with tall collar neck and flared rim, enamel decorated with a medallion with a profile of Hercules wearing the head of the Nemean lion, in a chain border on the mottled orange ground, height 25cm.

Lot 233

An early 20th Century Stevens and Williams hyacinth bulb vase, circa 1910, of ovoid form with collar neck, the blue glass engraved with stylised foliage, height 13.5cm.

Lot 234

A Bohemian hyacinth bulb vase, probably by Moser, of footed ovoid form with flared collar neck, in deep amethyst and heavily enamelled with foliate scrolls in polychrome colours and outlined in gilt, height 10cm.

Lot 241

A 20th Century studio glass vase of ovoid form with wide flat rim, internally decorated with spiralling trails in blue and white, with applied green decoration to rim, height 16cm.

Lot 246

Four 1970s Whitefriars glass vases, comprising three of triform in shape 9716, two in ruby and the other in kingfisher blue, height 23.5cm, with a teardrop vase in shape 9571 in midnight blue. (4)

Lot 256

Three early 20th Century Stuart and Sons glass vases, each decorated with peacock trails in green, comprising a vase of footed flared form with wide folded rim, height 11.5cm, and two posy bowls. (3)

Lot 259

A contemporary studio glass vase by Jo Bone, of squat form internally decorated with banded canes in tonal green and grey, engraved signature, height 8.5cm.

Lot 263

A later 20th Century Murano sommerso glass vase of ovoid form, the green core cased in amber and clear, with applied clear decoration to each side with internal white spiralling latticino canes, height 31cm.

Lot 264

A 1960s Czechoslovakian Sklo Union Rudolfova Hut pressed glass vase of sleeve form, designed by Frantisek Vizner, decorated with a relief labyrinth pattern, height 25cm.

Lot 265

A post war Czechoslovakian glass vase of sleeve form, with long pulled up rim, rim with a red band graduating to the orange core and cased in clear, height 39cm.

Lot 273

A clear glass bottle form vase in the manner of Stuart and Sons, with applied green peacock trail decoration, height 37cm.

Lot 274

A post war Italian Murano sommerso glass vase of bottle form with wave rim, cased in clear over graduated green and internal controlled air bubble decoration, height 31cm.

Lot 283

A 19th Century Baccarat opaline vase, of footed slender skittle form with flared rim, relief moulded with a spiralling convolvulus picked out in enamel colours over the white ground, height 25cm, S/D.

Lot 3

A Royal Doulton Flambe Veined bud vase, shape 1606 decorated with a fissured and mottled flambe glaze with lavender and mustard spotting, printed mark and incised 2021, height 11cm.

Lot 302

A later 20th Century Charlie Meaker studio glass vase of slender ovoid form, cased in clear crystal over a tonal blue ground with gold aventurine below a whiplash clear crystal collar, height 34cm.

Lot 306

A later 20th Century Sam Herman for Rosenthal glass vase of compressed domed form, cased in clear crystal over opal with an internal pale blue and gold oxide whiplash line, acid mark, signed, height 11.5cm.

Lot 308

A later 20th Century studio glass vase by George Elliott of Bewdley, of ovoid bottle form in deep blue to green decorated with pale spots, lines and mottling, engraved signature, height 12cm.

Lot 328

A later 20th Century Norman Stuart Clarke studio glass vase of globular form with blue spots and whiplash lines on the green ground all in an iridescence, engraved signature, height 11cm, together with a similar scent bottle of squat form with iridescent blue spots and green whiplash lines, conforming stopper, engraved signature. (2)

Lot 4

A Royal Doulton Veined Flambe shape 1605 vase with elliptical rim decorated in a mottled and fissured flambe glaze with lavender patches and spotting, printed mark, height 11cm.

Lot 42

A Moorcroft Pottery vase decorated in the Foxglove pattern designed by Rachel Bishop, height 18cm together with a Moorcroft Pottery vase of globe and shaft form decorated in the Isis pattern designed Emma Bossons, height 16cm both with printed marks, both marked as seconds (2)

Lot 44

An early 20th Century Royal Doulton Autumnal Leaves vase decorated to the body with impressed leaves and foliage, impressed mark, height 26cm.

Lot 52

Four pieces of Poole Pottery Delphis ware comprising a shape 73 plant pot, a shape 367 pin dish, a shape 5 charger and a shape 15 vase, various marks and painters monograms (4)

Lot 604

ENGLISH SCHOOL (EARLY 19TH CENTURY) - A still life composition with roses, tulips and other flowers in a glass vase, oil on canvas, framed, 52cm x 77cm, frame size: 67cm x 92cm.

Lot 7

Five assorted flambe glazed wares comprising a Royal Doulton inkwell decorated with a woodcut countryside silhouette (marked as a second), a Royal Doulton shape 1424 trinket box and cover, a Wilkinson vase of spherical form and two lidded boxes by E.R Wilkes. (5)

Lot 714

A Liberty & Co. Tudric pewter tray of shaped oblong form with twin loop handles issuing from shaped leaves, stamped marks no.045, width 47cm, together with three Art Nouveau Secessionst pewter tumbler vases each decorated in relief, to include as Kayserzinn example numbered 4568, an Orvit vase numbered 2109 and an unmarked example. (4)

Lot 73

Four pieces of assorted Royal Doulton Flambe comprising two shallow dishes, shape 1621 and 1629, a shape 1605 vase with elliptical rim and a shape 1606 bud vase, all decorated with a fissured and mottled flambe glaze, all with printed marks. (4)

Lot 77

A Moorcroft 'trainee' vase of baluster form with a flared neck decorated with a tubelined floral design against a green ground, impressed and painted mark, painted T to the base, height 16cm.

Lot 78

A Minton Secessionist Ware vase by Leon Victor Solon of tapered ovoid form with narrow collar neck tube line decorated with stylised flowers in cream over a deep magenta ground, printed marks.

Lot 79

An early 20th Century Bernard Moore flambe vase of baluster form decorated by Cicely H Jackson with two swans in flight amidst stylised clouds, to a tonal black ground, painted marks, height 14cm, restored.

Lot 84

A small Ruskin Pottery vase decorated in a crystalline glaze with blue flecks over a tonal orange to blue ground, impressed mark and incised Howson Taylor, height 11cm.

Lot 841

Three 20th Century Middle Eastern rugs to include two Persian examples, both with a cream coloured central field decorated with birds, animals and a flowering vase within repeat pattern borders, both measuring 162cm x 131cm, together with a North West Iranian rug detailed with two geometric pattern guls upon a rust coloured ground, 145cm x 105cm (3)

Lot 850

A stone urn or fountain pedestal of stepped vase form, with an octagonal faceted pedestal over an integral square base, height 73cm.

Lot 94

A Clarice Cliff My Garden shape 701 trumpet vase decorated with moulded autumnal flowers to the foot, brown printed script Newport mark, height 22cm.

Lot 19

δ Craigie Aitchison CBE RA (1926-2009)Still Life With Bird VaseScreenprint in colours, 2004, signed and numbered from the edition of 300 in pencil verso, on Saunders Waterford thick wove paper, printed by Advanced Graphics, co-published by Timothy Taylor Gallery and Advanced Graphics, the sheet loose as issued and housed within the original blue cloth portfolio and accompanied by the book 'Pictures', the full sheet, 280 x 220mm (11 x 8 3/4in) (folio)δ This lot is sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.

Lot 14

A George II elm, ash and walnut 'comb' back Windsor armchair, mid-18th century, from the Thames Valley region, the shaped top rail above a vase shaped splat and turned supports, the solid 'saddle' seat flanked by 'horseshoe' shaped arms, on tapering cabriole legs terminating in hoof feet at the front, joined by a curved stretcher, 103cm high, 56cm wide, 53cm deep Provenance: Private Collection, Richmond, Surrey For closely related designs of chair of the period made in the Thames Valley see Bernard D. Cotton, The English Regional Chair, The Antique Collectors Club, 1990, page 45, figures TV14, TV15 & TV16.

Lot 140A

A Continental porcelain Etruscan-style vase, circa 1830-50, probably Paris, painted in iron-red, black and shades of buff with vignettes of charioteers and figures flanking a stele between gadrooned, key-pattern and palmette borders, 31.5 cm. high; together with a Continental white biscuit figure of Spinario, after the antique, modelled as a youth seated on a mound above a rectangular base The decoration of this vase is inspired by the designs of ancient vases in the collection of the Duke of Hamilton, published in d'Hancarville, P-F. H, Collection Of Etruscan, Greek And Roman Antiquities From The Cabinet Of The Honble. Wm. Hamilton ... = Antiquités Etrusques, Grecques Et Romains, Tirées Du Cabinet De M. Hamilton ..., Naples, 1766/7, the scene of charioteers is adapted from Vol. I, pl. 130, a design from the Meidias Hydra, the stele is derived from Vol. I, pl. 55, on a volute krater known as the Hamilton vase, with flanking figures after a departure scene of a warrior and women, Vol. II, pl. 71. This stylised red and black figure-painting inspired potters such as Josiah Wedgwood and a raft of Neapolitan, French and continental makers such as Sèvres, Dagoty and Honoré of Paris. The connection with ancient pottery is further re-enforced by the use of the pelike form derived from an antique vessel for liquids.

Lot 16

A George II elm and yew 'comb' back Windsor armchair, mid-18th century, from the Thames Valley region, the scroll carved centred by a shell motif, above a vase shaped splat and turned supports, the solid 'saddle' seat flanked by 'horseshoe' shaped arms, on tapering cabriole legs terminating in pad feet at the front, joined by an H-shaped stretcher, 100cm high, 68cm wide, 47cm deep Provenance: Private Collection, Richmond, Surrey For closely related designs of chair of the period made in the Thames Valley see Bernard D. Cotton, The English Regional Chair, The Antique Collectors Club, 1990, page 45, figures TV14, TV15 & TV16.

Lot 45

A set of six black Japanned chairs, in Queen Anne style, 19th century, decorated throughout with floral motifs and figures in rural scenes, each shaped top rail above a vase shaped splat, the padded drop in seat above tapering cabriole legs terminating in pad feet

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