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Lot 375

A Chinese blue and white sleeve vase, c.1900 and a crackle glaze jar. Tallest 20.5cm

Lot 376

An 18th century Chinese export tea cup, 3 pieces of export blue and white and a sang de boeuf vase. Tallest 16cm

Lot 385

A Zsolnay two-handled vase, 27cm tall, and a Zsolnay type crested oval tray

Lot 408

Two wicker-cased Chinese porcelain teapots together with a Chinese celadon dish and yellow vase, 28cm tall, (4)

Lot 446

A Japanese bronze vase, an Islamic brass bottle, Chinese enamelled porcelain bowl, bronze group of man riding an ox. 29cm

Lot 464

A Chinese blue and white prunus vase, four character mark, height 19cm and two other blue and white items (3)

Lot 468

A Chinese sancai tripod censer together with a Chinese dragon pattern vase, 23.5cm tall, (2)

Lot 472

A pair of 18th/19th century Chinese Canton enamel bowls and covers, together with a Chinese miniature crackle glaze vase and other ceramics (5)

Lot 474

A Japanese red Ginbari enamel vase, by Ando, Taisho period, marked to base - 19cm tall, probably silver rimmed

Lot 479

A French gilt ground porcelain cache pot, together with a matching box, ashtray and a vase - tallest 24cm

Lot 483

A Chinese famille rose ovoid vase, Yongzheng mark but 19th century - 23cm tall

Lot 484

A Mdina glass goblet and vase, Tallest 17 cm

Lot 486

A Dresden floral encrusted pot pourri vase and cover, 29cm tall, a figure of a lady and a Dresden cup and trembleuse saucer

Lot 493

A Loetz style iridescent glass vase, flared narrow neck and bulbous body waved decoration,14 cms high.

Lot 599

A pair modern Chinese famille rose verte vase lamps, 53cm tall, a famille rose example and Cloisonne vase (4)

Lot 201

Big Match Football Programmes: Large quantity of good condition programmes from FA Cup Finals, League Cup Finals, Play Offs, Amateur Cup, Charity Shield, Texaco Cup, European Competitions Vase Trophy and more. Includes finals and semi finals. 3 boxes with slight duplication. (400+)

Lot 36

A 19th Century Chinese hand carved bamboo brush pot vase. The brush pot of typical form with scenes of figures playing games, building and carved with leaves. Hole to base. Measures approx; 18cm x 13cm.

Lot 40

A 19th Century Chinese famille verte hand painted porcelain vase having scenes depicting exterior of building with figures, landscape & fence. The neck and shoulder of vase decorated with relief Foo do, repeating panels and Key border. Small hairlines to neck but overall in good condition. Measures approx; 15cm tall.

Lot 57

Two early 20th Century Chinese vases comprising a Chinese baluster shaped Canton vase with hand painted decoration and Famille Jaune ground along with a Celadon ground vase of bottle form with botanical and bird decoration. Restoration and repair present. Measures approx 20cm tall (largest).

Lot 69

A 19th Century Chinese blue and white miniature vase having a brass rim with dragons chasing the flaming pearl to the body. Four blue character marks to the base. No signs of damage. Measures approx;  6cm x 6cm diameter. 

Lot 98

A 19th Century Japanese vase of bottle shape. The base having a blue ground with hand painted and gilded depiction of a dragon with cylindrical neck decorated with scroll handles. Measures approx; 32cm tall.

Lot 160

A framed oil painting still life of flowers in a vase, approximately 48 cm x 35 cm image size.

Lot 280

Glassware to include paperweights, jugs, vase, largest approximately 27 cm (h).

Lot 148

Hallmarked silver fluted top weighted vase, H: 10 cm. P&P Group 1 (£14+VAT for the first lot and £1+VAT for subsequent lots)

Lot 175A

Lorna Bailey vase in the Pyramids pattern, H: 20 cm. No cracks, chips or visible restoration. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 228

Lorna Bailey small bulbous vase in the Lakeside pattern, H: 15 cm. No cracks, chips or visible restoration. P&P Group 2 (£18+VAT for the first lot and £3+VAT for subsequent lots)

Lot 879

An oil on canvas by Besperato 1950's still life flowers in vase (51cm x 67cm)

Lot 962

A still life of flowers in a blue and white vase, oil on canvas unsigned 43cm x 58cm

Lot 621

A pair of mantle vase, a ceramic shire horse and charger dish

Lot 60

A mixed collection of items to include: wall cabinet plates, continental twin handled posy vase, Crown China trio etc ( 1 tray)

Lot 69

A collection of resin and ceramic figures: to include Leonardo, and a palissy vase etc ( 1 tray)

Lot 77

A mixed collection of items to include: large Westfield Art Pottery planter, H&K biscuit barrel, large Beswick vase, Royal Doulton small character jug etc

Lot 105

A large Beswick Giraffe : ( two legs broken but present), small Beswick giraffe ( 1 leg A/F), two fox hounds A/F, Carlton Ware lustre vase chip to rim but pieces present and two picture frames

Lot 130

A collection of Brambly Hedge items : to include Autumn vase, spring & summer bowls and five smaller bowls ( 1 tray)

Lot 146

A mixed collection of items to include: Royal Doulton Floral Mindon Teapot & Stand, Wade floral decorated vase similar Sadler teapot & jug, Floral Tureen etc (2 trays)

Lot 151

Moorcroft Elderberry limited edition vase: Philip Gibson designed, second in quality.

Lot 158

Minton Secessionist vase: (damage to top rim and hairline cracks) together with an Art pottery dip glazed vase (damage to top rim).

Lot 164

Art Deco Sylvac Ribbed Water Jug & Vase: together with hand decorated Arthur Woods Item, tallest 18.5cm(3)

Lot 182

Moorcroft Magnolia on cream vase : and bud vase. Height of tallest 15.5cm

Lot 200

Moorcroft Pomegranate vase: (restored top rim).

Lot 221

Royal Doulton Flambe Vase: decorated with cottage scene, height 19cm

Lot 222

Masons Blue Mandalay Patterned Jugs & Vase: height of tallest 22cm(3)

Lot 238

Mason's Mandalay mantle clock: together with a matching jug and vase. Height of tallest 18cm (3)

Lot 292

Royal Worcester vase decorated with stags: Restoration to top rim. height 20cm

Lot 44

A mixed collection of items to include: copper and brass coal scuttle, antique pair of shackles, Aynsley vase etc

Lot 472A

Moorcroft Calla Lily vase: height 18cm, seconds in quality

Lot 472B

Moorcroft Pansy vase: (crack to top rim) together with a mantle clock. Height of vase 15cm. Both seconds

Lot 472C

Moorcroft Flamenco vase: Height 20cm. Seconds in quality

Lot 472H

Moocroft Favrile vase: together with a Trial coaster decorated with a lady. Both A/F

Lot 472P

Moocroft Hibiscus vase: together with a pot lid (chip to rim). Height of vase 16cm

Lot 472Q

Moocroft miniature vase: decorated with blue flower. Boxed

Lot 473

Boxed Moorcroft Christmas Theme Vase: decorated with Christmas Tree's & King Charles Spaniels, dated 2016, height 10.8cm

Lot 48

A mixed collection of items to include: 1930's Lingard tea pot, Spode vase, Aynsley temple jar etc ( 1 tray)

Lot 5

Booths Real Old Willow tea ware and jugs: Spode Italian jug, Blue Willow vase etc (1 tray).

Lot 51

A mixed collection of items to include: Falcon ware vase, Royal Worcester pin dish tankards etc ( 1 tray)

Lot 53

A mixed collection of items to include: Melba ware toby jug, Honiton vase, crown devon jug, Sadler tea pot etc ( 2 trays)

Lot 41

Christian Rohlfs (1849 Niendorf - 1938 Hagen)Chrysanthemen und Astern in blauer Vase, Öl auf Leinwand auf Platte aufgezogen, 44 cm x 33,5 cm, monogrammiert, 10 datiert, Expertise vom Christin Rohlfs Archiv am Osthaus Museum Hagen anbei, Provenienz: Moderne Galerie Heinrich Thannhäuser, München (verso Galerieetikett), mit Verzeichnisnr. 1523; Galerie Allvery, München; Sammlung Frauenberger, München (verso Etikett); Privatsammlung Hannover (auf Anfrage), Literatur: Galerie Allvery, München 1976: Aukt. 3, Kat.-Nr. 129, m. Abb.; Hauswedell & Nolte, Hamburg 1978: Aukt. 227, Kat.-Nr. 1146, im Rohlfs-Archiv unter der Nummer CRA 231/22 verzeichnet.Christian Rohlfs wurde am 22. Dezember 1849 in Groß Niendorf geboren. Von 1870 bis 1874 besuchte Rohlfs die Großherzogliche Kunstschule in Weimar. Nach einer krankheitsbedingten Pause wechselte er im Jahr 1876 an die Akademie in Weimar. Dort war er ab 1884 als freischaffender Künstler tätig und wandte sich zunehmend dem Impressionismus zu. 1901 lernte der Künstler Karl Ernst Osthaus kennen, welcher ihn als Lehrer an die Folkwangschule in Hagen holte. Dort konnte er sich sein eigenes Atelier in der Umgebung des Folkwanger Museums einrichten. Bevor Rohlfs sich ab ca. 1880 dem Impressionismus hinwendete, war seine Malweise von dem Naturalismus der Weimarer Zeit geprägt. Die Farbigkeit seiner Bilder nahm in den 1890er Jahren weiter zu, ohne völlig auf die Naturwiedergabe zu verzichten. Nachdem er den Künstler Emil Nolde 1905 in Soest kennenlernte, entwickelte er seinen expressiven Spätstil. 1907 schloss Christian Rohlfs sich dem von Karl Ernst Osthaus geleiteten "Sonderbund westdeutscher Kunstfreunde und Künstler" an. In den darauffolgenden Jahren wurde er 1911 Mitglied der Neuen Sezession, 1914 der Freien Sezession, 1924 der Berliner Kunstakademie und 1925 der Düsseldorfer Kunstakademie. 1929 wurde in Hagen das Christian-Rohlfs-Museum und 2011 das Christian-Rohlfs-Archiv am Osthaus Museum Hagen gegründet.In seinem frühen, noch aus der Weimarer Zeit stammenden Blumenstillleben mit verschiedenfarbigen Astern und Chrysanthemen, tragen fein abgestufte Helligkeitswerte und abwechslungsreiche Lichtreflexe mit einem pastosen Farbauftrag zu einer bewegten Oberflächenstruktur bei. Rohlfs hatte sich in den 1890er Jahren mit der stilistischen und motivischen Rezeption der französischen Malerei des Impressionismus auseinandergesetzt und sich eine kleinteilige, eher fleckenhafte Malweise angeeignet. Rein auf das Gesehene konzentriert, verwendete der Maler ein Jahrhunderte altes, unspektakuläres Motiv, das er in diesem Blumenstillleben in koloristischer Meisterschaft zu einem lebendigen Farbrelief weiterentwickelte. Um 1910 lebte und arbeitete Rohlfs zwei Jahre im oberbayrischen Polling auf Einladung von Dr. Commerell. Ein verso befindlicher Aufkleber des Galeristen Heinrich Thannhauser belegt, dass das Blumenbild vermutlich bald nach der Eröffnung in der auf avantgardistische Kunst spezialisierten Galerie 1909 in der Theatinerstr. 7 in München zum Verkauf angeboten wurde.Christian Rohlfs (1849 Niendorf - 1938 Hagen)Chrysanthemums and asters in a blue vase, oil on canvas mounted on panel, 44 cm x 33.5 cm, monogrammed, 10 dated, expertise from the Christin Rohlfs Archiv at the Osthaus Museum Hagen enclosed, provenance: Moderne Galerie Heinrich Thannhäuser, Munich (gallery label on verso), with catalogue no. 1523; Galerie Allvery, Munich; Sammlung Frauenberger, Munich (label on verso); private collection Hannover (on request), literature: Galerie Allvery, Munich 1976: Aukt. 3, cat.-no. 129, w. ill.; Hauswedell & Nolte, Hamburg 1978: Aukt. 227, cat.-no. 1146, recorded in the Rohlfs Archive under the number CRA 231/22.Christian Rohlfs was born in Groß Niendorf on December 22nd 1849. From 1870 to 1874 Rohlfs attended the Grand Ducal School of Art in Weimar. After a break due to illness, he transferred to the Academy in Weimar in 1876. There he worked as a freelance artist from 1884 onwards, turning increasingly towards Impressionism. In 1901 the artist met Karl Ernst Osthaus, who brought him to the Folkwang School in Hagen as a teacher. There he was able to set up his own studio in the vicinity of the Folkwang Museum. Before Rohlfs turned to Impressionism in around 1880, his painting style was influenced by the naturalism of the Weimar period. His works became increasingly colourful throughout the course of the 1890s, but never entirely abandoned the reproduction of nature. After meeting the artist Emil Nolde in Soest in 1905, he developed his expressive late style. In 1907 Christian Rohlfs joined the ''Sonderbund westdeutscher Kunstfreunde und Künstler'', led by Karl Ernst Osthaus. In the following years he became a member of the Neue Sezession in 1911, the Freie Sezession in 1914, the Berlin Art Academy in 1924 and the Düsseldorf Art Academy in 1925. In 1929 the Christian-Rohlfs-Museum was founded in Hagen and in 2011 the Christian-Rohlfs-Archive at the Osthaus Museum Hagen. In his early flower still lifes from the Weimar period, depicting asters and chrysanthemums in various different colours, finely rendered colour values, varied light reflections and pastose colour application lend the paintings a dynamic surface structure. Rohlfs had experimented with the reception of the manner and motifs of the French Impressionist movement already in the 1890s and developed a detailed, somewhat mottled style. Concentrating purely on the visual, in this still life the artist takes a centuries old, unspectacular motif and transforms it with his mastery of colour into a lively, painted relief. In 1910, Rohlfs moved upon the invitation of Dr. Commerell to Polling in Upper Bavaria, where he lived and worked for two years. A label from the gallery of Heinrich Thannhauser on the back of this work mentions that the still life was offered for sale in Galerie 1909 in Theatinerstrasse 7 in Munich, a gallery specialised in avant garde art, presumably shortly after its opening.

Lot 106

A Chinese reproduction porcelain covered ginger jar, a 10.25" high Japanese Satsuma ware vase, another pair, three other pieces and five damaged Oriental items. (12) Separate viewing arrangements by appointment. First floor.

Lot 126

A 20thC Chinese porcelain floor vase, decorated panels and lappets, 32" high. Separate viewing arrangements by appointment. Hall.

Lot 127

Two 'Bangkok' pattern vases, an Arcadian lustre bowl, a pair of decorated ware jugs and a 16" high two-handled vase decorated with a birds' nest. (6) Separate viewing arrangements by appointment. Hall.

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