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Lot 212

A Campana Urn, decanter, cow creamer, Ducal comport, vase, etc:- One Tray

Lot 364

An Italian Oil Bottle Stand, sugar sifter, napkin rings, cased teaspoons, circular tray, Danish slender jug/vase, pierced dishes, etc:- One Tray

Lot 366

A Hallmarked Silver Vase, Birmingham, egg cup and gadrooned salt and spoon, together with a plated candlestick, etc.

Lot 485

A Modern Cloisonné Vase, of ovoid form, decorated with stylised flowers on a mottled brown/blue/green ground, height 26cm, with stand, and a pair of shouldered ovoid Cloisonné vases with a mottled green/yellow foliate decoration, height 16cm. (3)

Lot 486

A Modern Cloisonné Vase, of shouldered ovoid form, decorated with exotic birds amongst trees on a white ground, height 26cm, with stand, and a Cloisonné bowl, with flowering foliage on a white ground, diameter 23cm, with stand. (2)

Lot 488

A Modern Cloisonné Vase, of ovoid form, tall neck, decorated profusely with flowerheads, height 31cm, on stand, and a pair of Cloisonné vases of baluster form, with flowers and foliage on an ochre ground, height 12.5cm. (3):- One Tray

Lot 489

Mike Edwards, (South Western Artist), Studio Pottery Vase, with lustrine finish, 23.5cm high; pair of Robert Olley mining plaques. (3)

Lot 34

A silver topped sugar caster, two pairs of brass candle sticks, two spelter mining figures, other plateware and pewter including boxed cutlery together with a box of miscellaneous including antlers, wooden planes, stereoscope, measuring gauge, lacquered oriental vase, electrical meter, etc.

Lot 36

Ceramics, including shaving mug, Wedgwood cup and vase, Royal Doulton seriesware bowl, figurines, etc. together with a small box of collectibles including a badge, fishing reels, cigarette cards (2)

Lot 67

A stationery rack, vase, pewter items, two wall brackets and a pair of wooden candlesticks in two boxes

Lot 95A

A silver hand mirror Birmingham 1913 with ribbon and swag decoration, two silver backed brushes, two silver topped bottles and an electroplated vase

Lot 236

An original post-WWII Second World War 1968 large artillery brass shell, made into an umbrella stand / vase. Dated to base, with military markings. Plaque to the base with an in-joke as presented to one ' Lt / Col RH Dickinson RAOC '. Supplied with a photograph of Dickinson being given the shell case. Measures approx; 62cm tall. 

Lot 1086

Gilt Bronze-Mounted Sevres-Style "Bleu de Roi" Porcelain Covered Vase, c. 1900, marked, reserved with courting scene, signed Cotti, and waterscape, mask handles, raised gilt decoration, h. 22 in., w. 10 in., d. 7 1/2 in

Lot 1191

American Sterling Silver Trumpet Vase, Watson Company, Attleboro, MA, act. 1880-1955, with 1930 presentation inscription, weighted base, h. 14 1/8

Lot 1237

Lalique Molded and Frosted Amber Glass Bud Vase, with design of clover heads, base etched "Lalique France", h. 5 3/8 in. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

Lot 1239

Lalique Molded and Frosted Amber Glass "St. Jacques" Vase, modeled as three conjoined scallop shells, base etched "Lalique France", h. 4 1/2 in., w. 4 1/2 in. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

Lot 1268

Chinese Oxblood Porcelain Baluster Vase, late 19th/early 20th c., 15 1/4 in., stand, overall h. 16 3/4 in., Note: neck restored, base drilled. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

Lot 1270

Monumental Japanese Satsuma Pottery Vase, probably Meiji Period (1868-1912), winged beast handles, banded flared neck, foliate rim, splayed foot, decorated with figural scenes with raised gilt and moriage highlights, base marked, h. 30 3/4 in

Lot 220

Ettore Sottsass (1917-2007) for Memphis Porcelain "Nilo" Vase, 1983, impressed mark "E. Sottsass per Memphis", h. 11 7/8 in., dia. 5 1/2 in

Lot 243

Japanese Patinated Bronze Vase, probably early 20th c., horned beast handles, relief cast with bird-on-branch and monkey-on-branch panels, base with five-character mark, h. 23 in., w. 17 in

Lot 251

Chinese Export Famille Rose Porcelain Gu-Form Vase, 19th c., decorated with figural and bird-and-butterfly panels on a gilt ground with flowers and butterflies, h. 13 1/8 in. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

Lot 510

French Art Glass Cameo Vase, signed "Galle", decorated with dragonflies and irises, h. 14 1/4 in., dia. 5 1/4 in

Lot 547

Newcomb College Art Pottery Vase, 1926, decorated by Sadie Irvine with spiderwort modeled in low relief, matte glaze with blue, green and yellow underglaze, base marked with Newcomb cipher, decorator's mark, Joseph Meyer's potter's mark, shape no. 121, and reg. no. PL85, h. 5 in., dia. 6 in. Note: Restorations to rim

Lot 549

Monumental Newcomb College Art Pottery Vase, 1916, decorated by Anna Frances Simpson with tall pine tree grove design, satin matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator's mark, Joseph Meyer's potter's mark, reg. no. HU78, h. 11 3/4 in., dia. 5 1/4 in

Lot 550

Newcomb College Art Pottery Vase, 1913, decorated by Sadie Irvine with a landscape design of moss-laden live oaks, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator's mark, Joseph Meyer's potter's mark, reg. no. GI37, shape no. 49 and B for buff clay body, h. 6 in., d. 8 in

Lot 553

George Ohr Art Pottery Vase, late 19th/early 20th c., squat baluster form, matte brown speckled glaze, handwritten "Biloxi" on base, h. 3 5/8 in., dia. 3 1/4 in

Lot 555

Newcomb College Art Pottery Vase, 1918, decorated by Sadie Irvine with Louisiana irises in low relief, matte glaze with blue, green, pink and yellow underglaze, base marked with Newcomb cipher, decorator's mark, Joseph Meyer's potter's mark, and reg. no. JT21, h. 10 1/8 in

Lot 556

Newcomb College Art Pottery Vase, 1929, decorated by Anna Frances Simpson in the Moon and Moss pattern, semi-matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator's mark, Jonathan Hunt's potter's mark, reg. no. RY27 and shape no. 161, h. 8 1/2 in

Lot 558

Newcomb College Art Pottery Vase, 1926, decorated by Sadie Irvine with a relief-carved blossom and foliage motif, matte glaze with blue, green and white underglaze, base marked with Newcomb cipher, decorator's mark, Joseph Meyer's potter's mark, reg. no. PW81 and shape no. "[illegible]00", h. 6 1/2 in

Lot 564

George Ohr Art Pottery Vase, late 19th c., footed baluster form, spinach green mottled glaze, base impressed "G.E. OHR/BILOXI" twice, h. 3 1/4 in., dia. 2 1/4 in

Lot 565

George Ohr Art Pottery Vase, late 19th c., footed corseted form, olive green mottled glaze, base impressed "G.E. OHR/Biloxi, Miss.", h. 3 3/8 in., dia. 2 1/2 in

Lot 566

George Ohr Art Pottery Vase, late 19th c., flared rim, tall corseted form, matte gun metal glaze, base impressed "G.E. OHR/Biloxi, Miss." twice, h. 6 in., dia. 3 1/4 in

Lot 568

George Ohr Art Pottery Bisque Vase, late 19th/early 20th c., ruffled rim, dimpled body with pie-crust and zigzag design, hand-signed "G E Ohr" on base, h. 6 3/4 in., dia. 5 in

Lot 569

George Ohr Art Pottery Bisque Vase, 1905, squat bulbous form with in-body twist, base hand-signed "[illegible] from / N.O. Street / G E Ohr / 1905", h. 2 1/2 in., dia. 4 in

Lot 586

Fritz Bultman (American/New Orleans, 1919-1985), "The Wave", painted cast aluminum, unsigned, h. 25 1/2 in., w. 37 in., d. 13 in., wood pedestal, overall h. 55 in. Provenance: Commissioned by Reynolds Metals Company, Richmond, VA; Private Collection. Note: A native of New Orleans, Fritz Bultman lived a bohemian childhood with his extended family, which owned the House of Bultman funeral home on St. Charles Avenue. Exposed to writers, painters, antique collectors, and musicians throughout his formative years, Bultman formed a particular friendship with the artist Morris Graves and eventually moved to New York to start his career. During the 1960s, and continuing throughout his career, Bultman introduced the color blue and the “wave” form into his paintings, drawings, collages, and sculptures. Bultman also changed his method of creating art, switching from working in one medium at a time to slowly and methodically producing art in various media with overlapping colors and themes. The wave motif, the infinity symbol, and the idea of yin and yang were all significant subjects to which Bultman was greatly attracted. Bultman wrote in his journal, “The vase [or vessel] quality of the female body was the first that forced itself into my conscious mind, then the wave meander, then the [twined] ropeness of the twisted torso and arms in space.” Taking this description into account, the viewer could easily imagine the current lot as a stylized representation of the spine, hips, and legs of a model, reimagined as a sinuous form one would find in the breaking surfs of the ocean. This essential theme, which reappeared time and time again throughout Bultman’s oeuvre, was critical to expanding his artistic concepts from the 1960s to the 1980s. Ref.: Kingsley, April. Fritz Bultman: A Retrospective. New Orleans: New Orleans Museum of Art, 1993.

Lot 744

Chinese Patinated Bronze Gu-Form Beaker Vase, 19th/20th c., finely cast with scrolling foliage and leaf tips, foot with Qianlong mark, h. 18 1/2 in., dia. 9 1/8 in

Lot 757

Chinese Ge-Style Crackle-Glazed Celadon Stoneware Bottle Vase, probably 19th c., overall "iron wire" crackle, h. 14 3/4 in., stand, overall h. 16 1/8 in

Lot 763

Three Chinese Celadon and Qingbai Pottery Vessels, Ming Dynasty (1368-1644) and earlier, incl. globular jar, h. 2 1/2 in.; double gourd vase, h. 3 1/8 in.; and globular jar with handles, h. 2 1/2 in. Provenance: The Sturm Collection

Lot 765

Chinese Famille Rose Porcelain Vase, early 20th c., pierced handles, decorated with figural scenes on a fruit, flower, antique, and butterfly ground, h. 22 3/4 in. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

Lot 772

Chinese Polychrome Porcelain Sleeve Vase, early 20th c., modeled as a bamboo shoot molded with birds amid prunus and rocks, h. 11 in. Provenance: Estate of Thomas Greene Collins, Jr., Arabi, LA

Lot 778

Chinese Famille Rose Porcelain Vase, late 19th/early 20th c., decorated with a procession of dancers, musicians and a nobleman astride a qilin, h. 10 7/8 in., wood stand, overall h. 13 in. Provenance: Estate of Henry Goodrich (1930-2014), Shreveport, LA

Lot 784

Chinese Molded Qingbai Pottery Vase, probably Song Dynasty (960-1127), h. 8 3/8 in. Provenance: The Sturm Collection

Lot 244

An 18th century Dutch Delftware vase of rounded octagonal inverted baluster form, painted in blue and white with birds and foliage. 8¼'' high

Lot 249

A fine Waterford cut glass vase and cover. 17½'' high

Lot 269

A Japanese Meiji bronze vase, 13'' high and two Japanese satsuma style vases (one A.F)

Lot 449

A brown glass bottle vase. 31½'' high

Lot 489

A George III oak elbow chair, a rush seat stool, a wicker basket and a brass vase

Lot 629

A set of six George III joined pak country chairs with pierced vase splats on moulded chamfered square legs

Lot 788

FIVE DARK GREEN REEDED HOCK GLASSESwith four applied rings to each of the reeded stems raised on a circular foot, 16.5cm high; along with four sherry glasses, possibly Bohemian, with engraved fruits to bowl above applied frill detail; and a Hadeland leaf green vase, of slender form, circa 1960s, marks to base (10)

Lot 791

WEDGWOOD BLUE JASPERWARE JARDINIEREdecorated with muses symbolic of the arts, fruiting vines and lion masks, impressed mark, 21 cm diameter; along with a Wedgwood Warwick style vase (2)

Lot 805

ROYAL DOULTON ART NOUVEAU STONEWARE VASEof baluster form, decorated with stylized flowers and leaves on a blue ground, impressed maker's mark and monogram to base, 29cm high; along with another Royal Doulton Art Nouveau stoneware vase, of tapering form, monogrammed 'LW' for Louisa Wakely (2)

Lot 540

EARLY 20TH CENTURY CHINESE CYLINDRICAL VASE painted with Chinese character writing, and with warrior figures, on a white ground, painted red seal mark to underside, 28cm high

Lot 542

EARLY 20TH CENTURY CHINESE STONEWARE VASE with crackle glaze, painted with foe dogs and clouds in blue, painted four character mark to underside, 61cm

Lot 550

20TH CENTURY CHINESE BLUE AND WHITE VASE decorated with figures in landscape, 22cm high

Lot 555

EARLY 20TH CHINESE VASE with fruiting vines in relief around the body, on a turquoise ground, blue seal stamp to base, 32cm high

Lot 563

CHINESE BLUE AND WHITE VASE painted with pavilions, boats on lakes and landscape scenery, 59.5cm high

Lot 566

EARLY 20TH CENTURY CHINESE SILVER VASEof trumpet form with open rim, embossed with bamboo, florals, blossom and dragon, on wooden stand, mark to underside (the mark is on a quatrefoil section which secures the wooden base to the vase), Luen Wo, 438g including wooden stand

Lot 575

20TH CENTURY CHINESE SQUARED VASE AND ROUNDED VASE the square vase with figure in landscape setting and with script, red mark to base, 12.5cm high, the rounded vase decorated with a winter landscape scene and with script, red seal mark to base, 8.5cm high (2)

Lot 616

20TH CENTURY WOODEN VASE CARVED IN CHINESE MEIPING STYLEtactile and of attractive form, 27cm high

Lot 617

UNUSUAL CHINESE CLOISONNE VASE OF SQUARE TAPERED FORMwith circular trumpet neck, squared flaring foot and with six registers of floral decoration, typical of the style used for incense tools, mark to base (Qianlong) though probably 19th century, 30.5cm high

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