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Click here to subscribeA Chinese blue and white vase, decorated on the body with lotus, chrysanthemum and blossoming prunus tree, the waisted neck with the upper half section of the prunus tree that extends from the body, 37.5cm high, wood stand青花四时花卉纹瓶Condition Report: Firing frits otherwise good conditionCondition Report Disclaimer
A pair of Chinese blue and white vases, Qing Dynasty, 19th century, in Kangxi style, painted with scholars in landscapes, one holding a ruyi sceptre and the other a scroll, with Shoulao to one side holding a peach and gnarled stick, brown glazed rims, the bases with incised spiral design, 25cm high (2)Provenance: Private English Family Collection 清19世纪 青花山水人物图瓶一对拍品来源：英国私人收藏 Condition Report: one vase with fine body crack approximately 11cm long the other vase with v shaped piece approximately 12cm x 12cm glued back and extended crack down the body of vase 13cm longCondition Report Disclaimer
A pair of Chinese blue and white double gourd vases, Qing Dynasty, 19th century, painted panels of scenes of families, birds in branches and precious objects, with apocryphal Kangxi six character marks to bases, 34.5cm high (2)Provenance: Private English Collection 清19世纪 "大清康熙年制"青花山水人物图尊一对拍品来源：英国私人收藏Condition Report: one vase with firing crack to neck 4cm long and to rim of foot 3cm long which has extended into a fine hair crack and the other vase with 4mm hair crack to neck and other minor firing blemishes to both Condition Report Disclaimer
A Chinese famille rose 'Butterfly' vase, Guangxu six-character mark in iron red and of the period (1875-1908), finely decorated in bright enamels to the neck and body with a multitude of colourful butterflies evenly scattered, the shoulder with a decorative band of lotus scrolls alternated by shou characters, 32cm high清光绪 "大清光绪年制"粉彩百蝶图瓶Condition Report: The neck reducedCondition Report Disclaimer
A Chinese Famille Rose drum-shaped top of a Tibetan-form alter vase, brightly enamelled, alternating with stylised lotus blooms on a yellow ground, 9cm diameterProvenance: The Property of an English Gentleman 黄地粉彩贲巴壶口Condition Report: wear to the enamelCondition Report Disclaimer
A Chinese Clair-de-Lune glazed amphora vase, Liuye Zun, late Qing or Republican Period, covered all over with a mottled pale blue glaze glaze that falls short of the foot rim, the interior and underside glazed in white, the white-glazed base has an apocryphal Kangxi underglaze blue six-character mark, 16.8cm highProvenance: The Property of an English Gentleman 晚清民国 "大清康熙年制"月白釉柳叶尊拍品来源：英国绅士收藏 Condition Report: in good condition Condition Report Disclaimer
Two Cantonese oval dishes, 19th century, one painted with a figure fishing in a pond surrounded by attendants, and the other painted with flowers, in bright enamels and underglaze blue, 37cm diameter; two Cantonese plates, 19th century, both painted with figures, 20cm and 19.5cm; a pair of Cantonese vases, 19th century, 16cm high (6)Provenance: Private English Collection 清19世纪 广彩瓷一组六件拍品来源：英国私人收藏Condition Report: The oval dish with fisherman restored and with wear to gilding and the other dish ok other than wear to gilding both plates in good condition one vase with body crack and the vase with small rim chipCondition Report Disclaimer
† A Chinese 'ox-blood' vase, Qing Dynasty, the ovoid body with trumpet neck, the underside glazed in white and unglazed porcelain showing to foot rim, 27cm high Provenance: From a Corporate Collection purchased Nicholas Grindley, 1982清 红釉瓶拍品来源：英国企业基金收藏，1982年购自英国中国艺术品古董商Nicholas GrindleyPlease Note: VAT is payable by the purchaser at the standard rate of 20% on the hammer price, in addition to the standard VAT charge added to the buyer's premium Condition Report: extensive restoration to neck and foot rim chipsCondition Report Disclaimer
A delftware plate, dated 1742, probably London, painted in blue with a Chinese lady holding a fan and standing between a large vase of flowers and a pagoda by a fence, inscribed with the letter T above R E and the date 1742, 21.8cm. Provenance: a private collection from the West Country.
A pair of delftware plates, c.1760, each painted in blue with a kylin seated on a square cushion before a vase containing flowering peony branches, within shaped panels issuing further small panels reserved on a powdered blue ground, some rim chipping, 22.4cm. (2) Provenance: a private collection from the West Country.
A delftware blue dash tulip charger, c.1680, probably Brislington, boldly painted with three tulips and long straight leaves unusually issuing from a chequered vase or bowl with scrollwork decoration, within concentric yellow and blue lines and a blue dash rim, the underside with a thin buff glaze, 34.5cm. Provenance: a private collection from the West Country.
A large Cantagalli Iznik-style two-handled vase, late 19th century, the baluster body painted in typical shades of blue, red, green and black, with large composite flowerheads under intersecting saz leaves, a wide band of scrolling floral tendrils and swaying leaves above and below, the shoulders applied with two crescent handles with a flowerhead border, black cockerel mark, 41.5cm.
A pair of Minton Majolica figural candlesticks and a tazza, date codes for 1864 and 1844, the candlesticks probably emblematic of Spring and Autumn, each modelled as a putto wearing a floral or grapevine diadem and supporting a vase on one shoulder to form the sconce, the tazza formed with two wrestling putti supporting a shallow bowl moulded to the underside, impressed marks, minor faults, 26cm max. (3)
Four Wedgwood small saucers, c.1900, for James Powell & Sons, Whitefriars, printed with scenes of Japanese figures within polychrome landscape panels on a red and gilt trellis ground, and an English porcelain spill vase decorated with Dr Syntax disputing a bill, 10.6cm max. (5)
A pair of Minton candlestick figures, 19th century, modelled as a boy and girl as gardeners, left in the white, a Minton scent flask or small vase, the flattened form painted in puce camaieu with a child playing kettle drums, the sides applied with mask heads, and a London-decorated plate painted with a putto holding a flower garlands, sitting on clouds within a pink rim with small floral panels and gilt foliate scrolls, some damages and restoration, 25.2cm max. (4)
A Spode basket, c.1800, the circular form decorated in pattern 967 with formal Oriental flowering plants, a Coalport vase decorated in the Worcester style with flower panels on a blue scale ground, an English porcelain bough pot painted with a band of oak leaves, and a Paris bough pot with gilt swags on a claret ground, 20.2cm max. (4)
Three Derby bough pots and a vase and stand, c.1790-1830, two bough pots of flared circular form, decorated with narrow blue and gilt borders, one with a cover pierced with six large holes, the other bough pot of bombe form painted with a view of Regents Park with swans on the river, the vase boldly decorated in pattern 1388, damages, 14.8cm max. (6)
Two English porcelain cabinet plates, 19th/20th century, the first painted to the well with a spray of fruit and flowers, the rim with panels of flowers, within elaborate gilt and turquoise borders on a pink ground, the second Royal Crown Derby and painted with flowers within a gilt and jewelled rim, a Copeland saucer painted in the Sèvres-style with panels of a putto, musical and military motifs within green borders on a blue ground with gilt trellis, and a two-handled vase finely painted with a folly by a lake, the reverse with a large panel of flowers, reserved on a green ground, the vase with a rim crack, 24.2cm max. (4)
A rare Samuel Gilbody (Liverpool) blue and white vase, c.1758-60, one side painted with a small boy holding a large parasol above a Chinese dignitary, the reverse with a willow tree issuing from forked rocks beside an ornamental fence, the foot and neck with a trellis border, 14.7cm. Provenance: the Davies Collection. Illustrated: Maurice Hillis, Liverpool Porcelain, p.304, pls.7.65 and 7.66. Exhibited: Liverpool Exhibition, Phillips, 1997.
A Philip Christian (Liverpool) vase, c.1768-75, of baluster form, painted with panels of polychrome flowers within shaped gilt borders on a blue wash ground, the neck with a band of flowers reserved on white, some good restoration to the rim, 17.5cm. Paper label for the Rous Lench Collection.
A Derby frill vase and cover, c.1765-70, finely painted with moths and other flying insects between large applied flowers, the shoulders pierced with geometric arrangements of holes, applied with two mask head handles, the domed cover surmounted with a yellow bird with wings partially outstretched, some good restoration to the cover, 28.6cm. (2)
Three Chelsea-Derby dessert dishes, c.1775-85, one painted with polychrome flower sprays within a blue and gilt border, another with leaf garlands, the last octagonal from the Acland Service, painted with a pink rose spray within bands of gilt and turquoise leaves, a teabowl and saucer from the same service, and a Chelsea-Derby mug painted with small flower sprigs, together with a Derby pot pourri vase painted with panels of figures, birds and flowers, various marks, the mug cracked, the vase's cover lacking, 26cm max. (7)
A Meissen figure group, 19th century, probably modelled by Acier and Schönheit with three children around a rocky base, a girl standing and holding a tethered bird, another girl clutching the tether and sitting with the cage on her lap, a boy to one side with a vase leaning on a plinth, blue crossed swords mark, incised F94, minor damages and restoration, 20.5cm.
A Dublin delftware water bottle or guglet, c.1760, the rounded body painted in blue to two sides with the Feathers in a Vase pattern after Chinese porcelain, with a large peony spray beside a vase containing peacock feathers and a ruyi head, the tall neck rising to a flared rim with a small spout, a chip to the rim, 26cm.
Seven Delft tiles, 18th century, one pair decorated with mottled and swirled marble designs, another pair with panels of figures within flowerhead panels on a powdered manganese ground, another painted in blue with a figure on horseback, one with a figure by a stile, the last with a vase of flowers, some faults, 13.3cm max. (7)
Four items of Worcester blue and white porcelain,circa 1760-70, comprising; a geranium leaf moulded butterboat in the `Butterboat Mansfield' pattern, 9cm. across; a cornucopia wall vase in the `Prunus' pattern, 29cm. high; a strap flute sauceboat, 19cm. length; and a part decorated two-handled oval pierced basket, 28cm. length, (a.f).
A Meissen-style two handled pierced vase and cover, late 19th century, one side painted with lovers on a boat and on steps, the reverse painted with figures on ice, the angular handles suspended with laurel swags in high relief, the cover with coronet finial, (a.f), blue crossed swords mark, vase 29cm high.
A lady's silver and pink enamel mounted five piece dressing set, comprising; a hand mirror, two hairbrushes and two clothes brushes, Birmingham 1927 and 1928, with a replacement pink plastic comb, in a mahogany octagonal case, silver and silver mounted wares, comprising; a circular bonbon dish with pierced decoration, a pair of napkin rings, Birmingham 1929, a twin bottle cruet, a pair of oval hairbrushes, Chester 1921 and two silver mounted manicure implements, also a faceted glass scent atomizer, a plated trumpet form centrepiece vase and a plated teapot, (12).
A bronze oriental vase, together with two cloisonne vases and a Satsuma vase CONDITION REPORTLot in good condition - some signs of wear but physically sound.Notably, the bronze vase has a ding in one side as shown in additional images.Vase heights are as follows:Bronze vase - 31cmSatsuma vase - 30cmCloisonne vases - 21cm
A 32cm high cloisonne vase with bird and flower decoration on carved wooden Elephant stand - 19cm high CONDITION REPORTBy our judgement, condition of lot is goodsome signs of wear but physically sound.Notably, one of the elephants has suffered loss of a tusk.See additional images.
An oriental vase and cover with mark to base, together with a selection of old oriental ginger jars CONDITION REPORTOriental vase features some damage to neck.Lot is in overall good condition, sporting age expected imperfections.Condition is as seen in additional images.
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