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Click here to subscribeSHLOMO ALTER (B.1936), 'On The Balcony', a Limited Edition silkscreen print, 431/480, signed and numbered in a card mount, approximately 17.5cm x 23cm, together with an artists proof by Amy Evans 'Sails Out The Harbour', signed and numbered in pencil, approximately 41.5cm x 58cm, unframed and a 20th Century oil on board of a vase of orange flowers, signed Morris, approximately 11.5cm x 17cm (3)
JEAN-CLAUD PICOT, 'Rendevous Sous Les Arbres', an artists proof silkscreen, 1/35, of a couple relaxing in the countryside, mounted and framed, signed and numbered in pencil, approximately 27cm x 38cm, together two others by the same hand, the first a vase of flowers on a balcony overlooking a beach, 66/350, signed and numbered in pencil, mounted and framed, approximately 30cm x 36cm, the second a Limited Edition silkscreen print, 309/350, of a vase of flowers, signed and numbered in pencil, mounted and framed, approximately 23cm x 19cm (3)
PETER HAYES (B.1946), a ceramic vase with a flared rim, having a matt white glaze to the body, some damage to the rim, height approximately 15cm, together with a conical shaped vase in a brown treacle glaze, both unmarked (provenance: from a close family relative of Peter Hayes)
PETER HAYES (B.1946), an early ceramic vase, having a heavily decorated body with minimal amounts of coloured glaze, signed Peejay 9/11/66, made during his time in Africa with wife Joan, height approximately 21cm (provenance: from a close family relative of Peter Hayes)
PETER HAYES (B.1946), an early ceramic vase, having a heavily decorated body and brown and pale green glaze, signed P.J Ceramics, these are the initials of Peter and his wife Joan and is the earliest name that they used when in Africa, height approximately 22cm (provenance: from a close family relative of Peter Hayes)
PETER HAYES (B.1946), a large white Raku style vase with impressed and incised decoration, matt exterior with a high gloss interior, height approximately 34cm (condition: heavily damaged and restored and still showing some losses) (provenance: from a close family relative of Peter Hayes)
A Newhall Bourmier ware octagonal pottery bowl, decorated with peacocks against a black ground and blue lustre band, Hancock & Sons Rubens Ware oval bowl decorated in the Pomegranate pattern, and a Grimwade vase decorated with birds and flowers against a powder blue ground, 27.5cm high, (3).
‡ A small collection of art glass, comprising: an Italian Venetian red and blue goblet by Pauly & C., a glass with a colourful abstract design, the foot with an etched signature 'B. Vallion', a Murano ewer with a ruby serpent handle, a model of an owl, an ovoid vase decorated with red flowers and green leaves, two scent bottles and stoppers, one by Karlin Rushbrooke, three vases, one with a Murano label, one of campana shape and the other signed 'Jestyn Davies '89', 33.3cm high (max). (10) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A collection of 19th century ceramic monochrome bottle vases, the red vase marked 'CROWN STAFFORDSHIRE', the others unmarked, 29.9cm high (max). (17) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ Sam Herman (Mexican born 1936). A glass vase of irregular wave form, the base with etched signature and date 'Samuel J. Herman 1973', 17cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ Sam Herman (Mexican born 1936). A cyan glass vase of slightly irregular form, with streaked metallic decoration, the base with etched signature and date 'Samuel J. Herman 1971', 17.3cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ Sam Herman (Mexican born 1936). A glass vase of slightly irregular meiping form, with swirling metallic decoration, the base with etched signature and date 'Samuel Herman London 1967 62', 14.2cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ Sam Herman (Mexican born 1936). An amber glass vase of slightly irregular ovoid form, with streaked metallic decoration, the base with etched signature and date 'Samuel J. Herman 1971', 20.8cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ Sam Herman (Mexican born 1936). An amber glass vase, with swirling metallic and mottled decoration, the base with etched signature and date 'Samuel J. Herman 1971', 20.7cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ Sam Herman (Mexican born 1936). An amber glass vase of slightly irregular form, with swirling metallic and mottled decoration, the base with etched signature and date 'Samuel J. Herman 1971', 21.6cm high. Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
‡ A small collection of vases, including studio pottery examples by William 'Bill' Marshall and John Bedding, with other examples with impressed marks and signatures, a vase by Royal Doulton and a porcelain example by Buller's, late 19th century and later, 33.6cm high. (11) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
A large Chinese porcelain vase, of baluster shape, with applied lion's dog handles and chi dragons, painted with ladies in various pursuits, playing instruments and tending flowers, second half of 20th century, 94.6cm high, on a hardwood stand. (2) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
An early George II walnut sidechair, with a vase shaped splat and scroll supports carved with leaves and flowerheads, above a needlework drop-in seat, on shell and fishscale capped cabriole legs, on claw and ball feet. Provenance: From a European Princely collection.Click here to view the online page turning catalogue.
A set of eight walnut and burr walnut dining chairs in George II style, each with a scroll back centred with a shell and husks, above a vase shaped splat and a needlework drop-in seat, worked with gros and petit-point with a basket of flowers and leaves, on shell capped and leaf carved cabriole legs on claw and ball feet, late 19th / early 20th century, comprising: a pair of open armchairs and six side chairs. (8) Provenance: From a European Princely collection.Click here to view the online page turning catalogue.
A large Chinese porcelain vase, of baluster shape, with applied lion's dog handles and chi dragons, on a blue ground and painted with cranes, with an iron red four character Qianlong mark but mid-20th century, 92.7cm high, on an ebonised wood stand. (2)Click here to view the online page turning catalogue.
A mid-18th century fruitwood and ash Windsor armchair attributed to John Pitt, the comb back above a solid vase shape splat, with concave arm supports, above a solid elm seat, on cabriole legs and pad feet united by turned stretchers. Provenance: From the collection of Dr. J. S. Gordon. See Regional Furniture, The Journal of the Regional Furniture Society, vol. XIX, 2005, pp. 20-32 for a similar example, see also a similar cherry armchair attributed to John Pitt sold in these rooms 4th September 2007, lot 141.Click here to view the online page turning catalogue.
An early 18th century Japanese Imari bowl, decorated in red, blue and gilt with houses amongst flowering trees, cloud-shaped cartouches with landscapes and a band of flower sprays above the foot, the well with a central vase of flowers, mounted with Louis XV style ormolu fittings, 43cm wide. Provenance: A private English collection. Purchased from Colin Stodgell Fine Art, 29th February 2000. Copies of the original invoice and certificate of authenticity are available.Click here to view the online page turning catalogue.
Six Dutch walnut and marquetry side chairs, inlaid with urns of flowers, birds and scrolling leaves, each with a solid vase shape splat, above a drop-in seat, on cabriole front legs, united by 'H'-stretchers, 18th / 19th century, comprising: a set of four and a similar pair. (6) Provenance: Warrens House, Bramshaw, New Forest.Click here to view the online page turning catalogue.
An oriental delcalcomania style baluster vase table lamp, decorated with Chinese figures, on a carved wood base, together with a Chinese porcelain ginger jar table lamp, decorated with panels of trees, flowers and butterflies, 55.6cm high (excluding fittings). (2) Provenance: The collection of the late Geoffrey Harley, Pickwick End, Corsham.Click here to view the online page turning catalogue.
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