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Lot 5

A Daum cameo glass small vase, circa 1900, of flattened ovoid form, the mottled yellow and orange ground overlaid in deep grey and decorated with twin-masted boats off the shore, cameo mark ‘DAUM NANCY’ with the cross of Lorraine, 12cm high

Lot 6

A Gallé cameo glass small vase, of shoulder ovoid form, decorated with flowers and leaves overlaid in red, on a pink ground, cameo signature, 9.5cm high

Lot 8

A Legras & Cie. enamelled glass ovoid vase, painted with a snow covered winter landscape, on a light blue ground, signed, 20cm high

Lot 9

A La Verre Francais cameo glass vase, decorated with elongated flowers in orange with amethyst stems, on a yellow and orange mottled ground, signed to the base, 32.5cm high

Lot 13

A Cristal Lalique part frosted glass ovoid vase, moulded with stylised wings in relief, engraved mark, 21.5cm high

Lot 14

‘Lelia’, a Cristal Lalique clear and frosted glass pedestal vase, engraved mark, paper stock no. 12285, 24cm high (see illustration on our website)

Lot 15

‘Soucis’, a Lalique opalescent glass vase, stencil mark ‘R.Lalique France’, 18cm high (remains of blue staining) (Marcilhac 1039)

Lot 16

‘Renoncules’, a Lalique clear, frosted, opalescent and blue stained glass vase, wheel-engraved ‘R.Lalique France’, 15cm high (Marcilhac 1044)

Lot 21

‘Saint Émilion’, a Lalique clear and frosted glass vase, post-war, engraved ‘Lalique France’, 25.5cm high (Marcilhac 10-939)

Lot 28

‘Bacchantes’, a Cristal Lalique frosted glass vase, etched mark ‘Lalique France’ and R in circle between, 24.5cm high (no. 12 200)

Lot 29

‘Dana?des’, a Lalique opalescent glass vase, moulded with a frieze of classical women, stencilled mark, ‘R. LALIQUE FRANCE’, 18cm high (Marcilhac 972)

Lot 36

Jonathan Harris, a ‘Silver Cameo’ light blue, white and colour banded glass vase, slender ovoid, decorated with fish above a band of scrolling plants, engraved mark ‘Jonathan Harris, Ironbridge, England Silver Cameo “Unique”’, 29cm high

Lot 38

An ovoid tall vase, late 19th century, painted with Persian flowers in blue with green foliage, in the manner of William de Morgan, unmarked, 33.5cm high

Lot 53

A Royal Doulton ‘Flambé’ vase, moulded in the form of a gourd and glazed with variegated effects in red, yellow and black, printed mark, incised no. 2435, 18cm high (see illustration on our website)

Lot 54

A Royal Doulton ‘Flambé’ large spherical vase, decorated with a harvest scene, printed mark, moulded no., 29cm high

Lot 57

‘Patina Country’, a Clarice Cliff Bizarre Tolphin vase, shape number 342, black printed Newport Pottery mark, 20.5cm high

Lot 64

A Poole Pottery baluster vase, shape 337, pattern ZW, impressed and painted marks, 25cm high

Lot 67

A Poole Pottery tall slender baluster vase, shape 83, pattern SK, impressed and painted marks, 39.5cm high

Lot 69

A Poole Pottery tall vase, shape 85, pattern ZB, printed and painted marks, with Gwen Haskins signature, 39.5cm high

Lot 71

Guy Sydenham for Poole Pottery, a Delphis studio ovoid vase, orange mottle glazed with black circles, impressed mark, ‘G’ within ‘S’ for 1966-1977, 32cm high

Lot 76

Three Troika Pottery vases, comprising: a rectangle vase by Jane Fitzgerald, 23cm high; a coffin vase by Annette Walters, 18cm high; and a cube vase by Jane Fitzgerald, 8.5cm high, painted marks

Lot 85

A Japanese studio pottery vase, squared ovoid with a narrow neck, brown mottled glazed with designs in white, illegible seal mark, 19.5cm high (see illustration on our website)

Lot 93

A Zsolnay Pécs slender shoulder ovoid unique vase, painted in colours and gilt with a flower design, printed mark, painted ‘Unique piece by Miss F Ravosz’, 34cm high

Lot 94

A Zsolnay Pécs slender ovoid unique lustre vase, painted in colours and silver with a flower design, printed mark, painted ‘871/0 1906 Unique piece by Miss Zsuzsanna Fuajtics’, 28cm high

Lot 95

A Zsolnay Pécs large ovoid vase, painted in colours and gilt with a flower design, printed mark, painter’s signature in gilt ‘Sztranyak Zs’, 35cm high

Lot 434

A selection of English porcelain, comprising; a Derby (Rbt. Bloor) campana vase painted with a View in Scotland, 23.5cm high (handles repaired); a Ridgway trio, painted iron-red pattern no. 2/835; a Davenport Etruscan shape teacup and saucer and a Copeland porcelain Imari pattern basket, various dates 19th century

Lot 440

A Spode porcelain trumpet-shaped spill vase, painted with flowers above a gilt acanthus band, 11.5cm high, brown script mark, circa 1820; and a pair of Copeland & Garrett Felspar porcelain crested napkin rings, green printed marks, circa 1840 (one with small crack) (see illustration on website)

Lot 444

A Royal Crown Derby ‘jewelled’ pedestal vase and cover decorated in the Sèvres-style by Desire Leroy, painted with panels of flowers and trophies, the latter signed Leroy and reserved on a dark-blue and gilt ground with turquoise ‘jewels’, 21.5cm high, iron-red printed marks, date code for 1906, shape no. F468/1414 (finial repaired) See John Twitchett and Betty Bailey, Royal Crown Derby (1989), colour plate 37b for designs by Desire Leroy where both this shape and pattern are illustrated

Lot 446

A Royal Crown Derby S?vres-style two-handled vase and cover decorated by Desire Leroy, painted with a panel of flowers signed Leroy, reserved on a dark-blue, turquoise and gilt ground, 15.5cm high, iron-red printed mark and indistinct date code, circa 1892

Lot 448

A Wedgwood blue-dip jasper copy of the Portland or Barberini vase, 26.5cm high, impressed WEDGWOOD, late 19th century

Lot 449

A Wedgwood bone china t?te-?-t?te part tea service, painted with panels of flowers reserved on a black and gilt ‘cracked-ice’ ground, comprising; a tray, a teapot and cover, a sugar box and cover, two cups and saucers and a milk jug, printed ‘Portland vase’ mark, circa 1880 (teapot & jug cracked) (see illustration on website)

Lot 527

A Minton majolica vase naturalistically modelled as a tree-trunk with woodpecker, 18cm high, printed and impressed marks, model no. 1558, date code for 1870 (damage and loss)

Lot 559

A Meissen pedestal vase, modelled with putti and dolphins and painted with vignettes of putti, 23cm high, blue crossed swords marks, incised 1902, late 19th century (old repair/restoration)

Lot 578

A German porcelain Vienna-style slender ovoid two-handled vase, painted with an oval panel of a naked figure of Clotho holding the thread of life, within an alaborate gilt border and reserved on a mottled pink/blue ground, 25cm high, blue shield mark and inscribed in iron-red Clodo, circa 1900. Note: this panel is a section taken from the painting by Friedrich Paul Thumann (1834-1908), ‘The Three Fates’, of whom Clotho, ‘the spinner’ is one. In the Greco-Roman world, the Fates were believed to hold a man’s destiny including the duration of life. In Thumann’s original, Clotho holds the thread, she is the youngest, Lachesis, who is middle aged is ‘the allotter’ and the old crone is Atropus with her shears ready to cut the thread upon the arrival of death

Lot 596

A Caldas Da Rainha (M. Mafra) baluster ewer and stand, applied with reptiles, worms and insects reserved on an extruded clay ground, with a large serpent handle, 34cm high, stand with impressed mark (chips); and another similar Mafra two-handled vase, 26cm high, impressed mark (restored handle), circa 1880

Lot 860

A pair of early 19th Century giltwood mirrors, the rectangular plates framed by guilloche moulding with ramshead terminals, surmounted by a classical vase with ramshead masks and a flambeau finial, one backplate inscribed `E. Carew`, 36 1/2 x 17 3/4in. (93 x 45cms).

Lot 866

An early 19th Century mahogany Pembroke table, having `D` shaped fall-flaps, fitted with a frieze drawer, the top section with four turned, pendant, acorn terminals, raised on a writhen vase-shaped stem above a laurel wreath set upon a platform base supported by four scroll feet terminating in brass hairy paw castors (possibly Scottish), the drawer stamped `2` underneath, 42 x 29 x 24in. (106.5 x 74 x 61cms).

Lot 903

An Edwardian mahogany and boxwood strung breakfront bookcase, of good small proportions, the central section with curved dog-tooth cornice, fitted with an astragal door opening to reveal removable shelves, the side sections flanked by fretwork pediment with turned vase finials, the lower section centred by a pair of cupboard doors flanked by single doors, the whole raised on bracket feet, 85 x 62 1/2 x 16in. (216 x 159 x 40.5cms).

Lot 73

A set of four Victorian inlaid mahogany drawing room chairs, vase splats and crestings inlaid with leaf scrolls, gold dralon seats, on front turned legs

Lot 179

A set of four Queen Anne-style walnut and beech dining chairs, with vase splats and drop-in seats

Lot 349

A suite of Royal Brierley drinking glasses, large wine glasses, medium wine glasses and spirit glasses, together with an enamelled glass vase, painted with bright flowers, 14in.

Lot 367

A pair of 20th century Staffordshire pottery lion models, with glass eyes, 13in. long and a Chinese vase, ovoid shape painted in underglaze blue, 16in. high

Lot 375

An early Poole jug, 5in. together with a Radford tulip vase and an Aynsley toast rack

Lot 414

A Victorian Royal Worcester nautilus vase, 6.5in. - minor restoration, together with a Dudson jasper ware jar and a miniature salt-glazed stoneware pitcher, 4in.

Lot 416

A pair of figural spill vases, gallant and female companion, each beside a tree stem, together with a German porcelain candlestick figure, German bisque spill vase figure group and a pair of eggs, within basket

Lot 432

A pair of 19th century Canton-enamelled vases, 10in. - some restoration, one other Canton hexagonal vase, 9.5in. - minor restoration, an 18th century Chinese ewer, 8in. - clobbered, a Chinese cylindrical vase painted in underglaze blue, 14in. and an Imari plate

Lot 273

Royal Bonn: a large vase painted with birds on a branch and with raised gilding, 15in. (38.5cms) high (some cracks).

Lot 275

Royal Worcester: a vase painted by Frederick Bray with a cock and hen pheasants, 5in. (12.5cms) high (small crack to rim) date code for 1911.

Lot 278

A Royal Worcester James Hadley vase, decorated with autumnal blackberries and having a pierced cover, date code for 1910 5in. (12.5cms).

Lot 279

A Coalport pot pourri vase: painted with a highland landscape and two floral vignettes reserved on a blue ground with gilded leaves, 5 1/4in. (13.5cms) high.

Lot 293

(Robert) Wallace Martin: a "289" shaped vase decorated with quatrefoil panels of birds on branches, set against a stylized foliate ground, signed (in Edwin Martin`s hand) "RW Martin London & Southall", also "289" and dated "9-79" for September 1879, 12 1/4in. (31cms) high, (one handle broken and re-glued) (see following lot for a similar "290" shape vase).

Lot 305

William Moorcroft: a "Late Florian" pattern vase, shape number "M76", with painted signature, 5 1/4in. (13cms) high.

Lot 306

William Moorcroft for McIntyre: a Florian ware "Cornflower" vase, with retailers mark for "Oriental Art Depot, South Shields", 8in. (20cms) high (very small chip at rim).

Lot 310

Royal Worcester: a vase printed and painted with sprays of flowers and overprinted with gold on a blush ground, 10 3/4in. (27cms) high.

Lot 315

Royal Worcester: a vase decorated with rose on a blush ground by Reginald Austin, with dolphin handle, date code for 1910 9 1/2in. (24cms) (firing crack to one handle).

Lot 316

William Moorcroft: a Florian ware pear-shaped vase, tube-lined in shades of blue with irises and flower and leaf forms, "WM des" in green to base and "M705", 9in. (22.5cms) high.

Lot 317

William Moorcroft: a Florian ware vase decorated with yellow irises, printed mark to base, 12in. (30.5cms).

Lot 318

William Moorcroft: a powder blue ground trumpet vase tube-lined with panels of roses and forget me knots, green signature to base and impressed "M26", 12in. (30cms) high.

Lot 319

William Moorcroft: a twin-handled vase, decorated in "Spring Flowers", painted signature in blue and impressed "Potter to HM Queen" signature mark, 7 1/4in. (18.5cms) high.

Lot 336

A blue and white cylinder vase, painted with two cartouche showing a scholar receiving fruit, reserved on a prunus blossom ground, Kangxi mark to base, but 19th Century, 12in. (31cms) high (small restoration to lip).

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