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A Chinese cloisonné enamel hexagonal baluster vase, decorated in polychrome with petal-shaped reserves of geometric motifs, on a mustard yellow ground, the flared neck and lobed shoulder with flowers, scrolls and further geometric motifs, 19cm high, c.1900; a circular dish, with cranes in flight on a pale blue ground, 18.5cm diam, c.1900 [2]
A Lynton porcelain ovoid vase and cover, painted by Stefan Nowacki, signed, with men-of-war and other ships off the coast, within a foliate scroll border in raised and tooled gilding, on a white ground, leafy-capped scrolling twin-handles, finial conforming, scrolling cornucopia feet, 23cm high, gold printed marks
A Doulton flambe posy vase, of spreading cylindrical form, 7.5cm high, printed mark; a Doulton miniature vase, printed with figures in traditinoal Welsh dress, 4.5cm high, printed marks; a Royal Doulton tobacco jar, tube lined with flowerheads and strapwork, 9.5cm high, impressed marks; etc (4)
Ceramics - a Beswick model of a fox; a Beswick chestnut foal; others similar (a/f); a Wedgwood Jasperware trumpet vase; a Wedgwood Wild Strawberry vase; a Persian style earthenware ovoid vase, painted floral design on yellow ground; a Trentham Art pottery cauldron jug, etc
A Royal Worcester compressed ovoid vase, painted by C H Chivers, signed, with peaches and blackberries, on a mossy ground, gilt line rim, 7.5cm high, printed crown and circle mark, date code for 1939Note - Chivers worked at Coalport and Derby, his time at Worcester was short lived and his work is rare
[Poetry]. Sammelband of poetry pamphlets, 18th century, comprising: 1. [Pratt, Samuel]. The Shadows of Shakespeare: a Monody, occasioned by the Death of Mr. Garrick. Being a Prize Poem, written for the Vase at Bath-Easton. By Courtney Melmoth, 3rd edition, Bath: R. Cruttwell, c.1780, pp. [2] 24, spotting, 3 holes in gutter of title-page, 2. Goldsmith (Oliver). The Deserted Village, a Poem, 8th edition, London: for W. Griffin, at Garrick's Head, 1775, pp. iii-vii [1] 23 [1], engraved title-page vignette by Isaac Taylor, half-title discarded, title marked, 3. Jenner (Charles). Town Eclogues, 2nd edition, London: for T. Cadell, 1773, pp. [4] 40, light spotting, contemporary ownership inscription 'Joseph Rye' to p. 1, 4. [Whitehead, William]. Variety. A Tale for Married People, 5th edition, London: for J. Dodsley, 1777, pp. 24, spotting, 5. Dodd (William). Thoughts on the Glorious Epiphany, of the Lord Jesus Christ. A Political Essay, written in the Year MDCCLVII. Sacred to Friendship, 3rd edition ('corrected'), London: for G. Kearsly, 1777, pp. viii [2] 54, spotting at end, 6. [Tickell, Richard]. The Project. A Poem. Dedicated to Dean Tucker, 2nd edition, London: for T. Becket, 1778, pp. [4] 12., spotting, 7. Jerningham (Edward). The Ancient English Wake. A Poem, 1st edition, London: by William Richardson for James Robson, 1779, pp. [5] 6-21 [1], title-page toned and slightly spotted, 8. Sheridan (Richard Brinsley). Verses to the Memory of Garrick. Spoken as a Monody at the Theatre-Royal in Drury-Lane, 2nd edition, London: T. Evans [and others], 1779, pp. 3-15 [1], engraved frontispiece, half-title discarded, frontispiece offset and with marginal spot, contemporary half calf, rubbed, loss to foot of spine, 4to (24 x 19 cm) (Qty: 1)NOTESESTC T146051 (Goldsmith), T51493 (Jenner: five copies in UK libraries), T131153 (Whitehead: five copies in UK libraries), N14395 (Dodd: six copies world-wide), T2401 (Tickell), T4590 (Jerningham: eight copies in UK libraries). This edition of Pratt's work not in ESTC; ESTC traces a handful of copies for the first two editions (c.1779 and c.1780).
A Chinese famille rose bowl, Qianlong (1736-1795) period, the rounded sides decorated in polychrome enamels on the exterior with Manchu figures playing the strategy board game Go, and other figures at leisure and the interior with a central riverscape scene, 23.5 cm diameter to/w Qianlong period blue and white plate painted with a fenced garden landscape design in underglaze blue, 23 cm diameter, a small 19th century blue and white prunus vase with Kangxi four-character mark, 14 cm high, a small 19th century brass censer with looped handles and six-character Xuande mark 18.5 cm diameter and a 20th century Chinese cloisonne vase decorated with flowering branches in polychrome enamels, 16.5 cm (5)famille rose bowl has been restored and has additional hairline crack, prunus vase also restored
A late 19th or early 20th century Chinese blue and white Gu vase with prunus blossom decoration, 20 cm high, a small ginger jar with similar decoration, 9.5 cm high both bases with a double circle in underglaze blue, to/w a Chinese Yixing side-handle tea pot and cover with impressed seal mark on the base, a 19th century blue and white teapot and cover with over painted red and gilt foliate decoration, 11 cm high and a 20th Century Chinese winter landscape vase with red Qianlong seal mark, 12 cm high (5)
A 20th century Chinese blue and white vase, Ming style, the long cylindrical neck rising from the globular body, painted with a dragon and phoenix amongst stylised flames and clouds between a ruyi head and lappet band, all in shades underglaze blue, the base with four character Xuande mark, 20.5 cm high to/w a 19th century blue and white rouleau vase painted with a dignitary and attendants within a garden landscape in underglaze blue, four character Kangxi mark, 21 cm high (2)The dragon and phoenix vase has two chips on the rim, the Kangxi marked vase is good condition without damage
A Chinese blue and white 'Deer and Crane' vase, Kangxi or later, decorated in shades of underglaze blue with a continuous landscape scene with cranes in flight next to a tall pine tree with deer below, the base with artemisia leaf mark within a double circle, 21.5 cm high Good condition without damage or restoration
A 20th century Chinese famille rose vase painted with polychrome enamels the short flared neck and flattened shoulder decorated with figures and cloud shaped reserves filled with auspicious items, the waisted body painted with a narrative battle scene over an aubergine diaper and shou symbol band at the foot, the base with red Qianlong four-character seal mark, 30 cm high
A matched pair of Japanese Imari vases, Meiji period (1868-1912) each vase with a long cylindrical neck rising from a globular body, painted in the typical palette of polychrome enamels with floral designs surrounding panels with garden landscapes above a band of upright lappets rising from the circular foot, 37.5 and 39.5 cm
A Japanese Meiji of Taisho period Satsuma vase of tapering square form, the typical decoration of a continuous figural scene with Samurai and Rakan in polychrome enamels with extensive gilt highlights and icchin-mori (slip trailing) dragon on a cream crackles ground, the shoulder with eight Shimazu kamon and the base with red and gilt Satsuma mark c/w a hardwood stand, 25 cm high to/w a Satsuma dragon ware tea cup with similar decoration, 5 cm high
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653833 item(s)/page