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Lot 1078

Three Royal Worcester porcelain pot pourri vases with covers, each with hand-painted fruit decoration and signed by H. Ayrton, all numbered 1286 to base, 27cm high CONDITION REPORT Both larger vase bodies in good order, one larger lid has chip to knop. Knop glued back on and one arm glued back on, inner lid good order. One larger lid has two pieces and knop loose but present , inner lid in good order. Smaller inner lid cracked and central spine and one arm re-stuck. Smaller inner lid small chip, smaller vase body in good orderVases painted on both sides

Lot 1498

19th century Chinese dragon robe, woven silk design - including nine dragons, bats, sacred vase, umbrella, etc, cotton and blue silk lining

Lot 1133

1930s Burleigh Ware jug with parrot handle, Czechoslovakian vase, Art Deco jug and a coffee pot CONDITION REPORT Czechoslovakian vase is heavily crazed. Coffee pot has a chip to underside of lid plus a chip to the top rim of the body and one small chip on the body, the two other items are in good condition

Lot 1132

Selection of Wedgwood Jasper ware items - including biscuit barrel with plated lid, large bowl, vase, trinket box, etc (9)

Lot 1051

Holmegaard flower-shaped dish and one other art glass vase (2)

Lot 13

A Turned Cylindrical Wooden Vase, 38cm High

Lot 134

A Tray of Curios to Include Ships Wheel Barometer, Carved Wooden Vase, Costume Jewellery, Boxed Domino's, Silver Plated Goblets and Vases Etc

Lot 16

An Enamelled Bronze Two Handled Oriental Vase with Coloured Decoration and Elephant Handles, 30cm High

Lot 182

A Maling Lidded Vase and Minton Marlow Patterned lidded Vase

Lot 184

A Shelley Vase, 13cm high

Lot 185

A Cylindrical Vase with Kingfisher Pattern in Relief, 26cm high

Lot 192

A Murano Glass Cockerel and Bird Vase

Lot 12

English Art Pottery faience vase, decorated with purple flower heads, encircled by leaves, berries and butterflies, unidentified painted monogram, 10cm.

Lot 125

Waistel Cooper, a studio pottery vase, circa 1953, swollen form with split narrow neck, brown salt glaze, incised 'Waistel Porlock', 14.5cm high

Lot 136

A collection of five items of Mdina Glass, including vase, two lily shaped dishes and two perfume bottles, each of similar colour inclusion, each with applied label and etched marks, vase 16.5cm high (5)

Lot 138

Three Gozo Glass vases, and a Mdina glass toadstool paperweight, applied labels, the largest vase 14cm high (4)

Lot 14

Zsolnay Pecs, a reticulated vase, circa 1880, the body painted with stylised floral designs against a cream ground, outlined in gilt, with two reticulated flanges, raised on a spreading foot, printed marks and stamped '684' 35cm high (possibly ground and lacking an original cover)

Lot 140

A quantity of Art Glass, including two Andrew Fote hanging decorations, iridescent and internally mottled glass; an Egg-form and similar vase, internally decorated with gilt inclusions, two Czech glass vessels and a similar vase with pulled neck; three glass atomisers, two incense stands, and a pressed glass dish (one box)

Lot 168

Clarice Cliff, a vase moulded in relief with blossoming tree, 19cm, a 'Celtic Harvest' two-tier cake stand and similar serving plate, and another Newport pottery bowl (4)

Lot 170

Three-piece teaset, blue and white tureen and cover, majolica type jug, Poole cheese dish and preserve pot, Sylvac 'toadstool' vase, chamber pot, etc.

Lot 177

Shelley pottery vase No.922, drip glaze, 26cm.

Lot 190

Victorian stoneware two-handled vase, incised William Gilbart, 1875, applied moulded decoration, 30cm.

Lot 191A

La Rochere French art glass vase.

Lot 26

WMF, an Art Nouveau electroplated spill vase, cast with flowers and sinuous stems, stamped marks, 14cm high.

Lot 315

Silver pedestal vase, weighted base, cut-glass vase with silver mount, two silver napkin rings, bangle, etc.

Lot 44

Val St. Lambert, a glass ovoid vase, wheel engraved with a dancing couple, signed Barthelemy, engraved factory marks, 25.5cm.

Lot 45

An Art Glass vase, onion-form, opalescent glass, unmarked, possibly Italian, 16cm high

Lot 47

Tapio Wirkkala for Iittala, a 'Lunaria' glass serving bowl, four dishes and a vase, some pieces with applied label, serving bowl, 39cm diam, vase 15cm high (6)

Lot 49

An English glass vase, circa 1935, wheel engraved with flowers and heightened with enamelled dragonflies and insects, unmarked, 20.5cm high

Lot 54

Danillo Curetti for Longwy, 'Le Verseau' a large limited edition faience pottery globe vase, Art Deco style with stylised kneeling nude bather, in navy, yellow and turquoise glazes, produced 1980s, factory marks and artist's signature, and numbered 1/50, 37cm

Lot 61

Clarice Cliff, 'Delecia Poppy' a vase, circa 1930, shape 362, Delecia and facsimile signature mark, 18.5cm (drilled to side)

Lot 67

Clarice Cliff, 'May Avenue' a rare vase, circa 1930, shape 205, with Bizarre and facsimile signature mark, 20.5cm high

Lot 79

Walter Moorcroft, 'Magnolia' vase, circa 1985, swollen ovoid form, navy ground, 13cm high

Lot 84

Rachel Bishop for Moorcroft, 'Lamia' a vase, 1997, slender form, stamped Pottery marks, 20.5cm high (2nd quality)

Lot 85A

Kerry Goodwin for Moorcroft, 'Puffins' a vase, 2008, stamped Pottery marks, signed by the artist, 8cm high.

Lot 87

Rachel Bishop for Moorcroft, 'Poppy' a vase, 1997, stamped Pottery marks, 19cm high (2nd quality)

Lot 64

Pre-Dynastic Period, Naqada II, 3500-3200 BC. A yellow diorite stone vase with flat rim and tapering body, small pierced lug handles to the side, flat base. 255 grams, 18cm (7"). Very fine condition. Property of a London gentleman; acquired before 1970. 

Lot 783

13th-6th century BC. A bronze sceptre in the form of a male wearing a headdress, prominent nose and round eyes, rearing animal heads to either side, wide hips and animal feet below; attached to a vase shaped base with narrow neck and bulbous body; mounted on a custom-made stand. 451 grams, 25.5cm including stand (10"). Fine condition. Property of North West London gentleman; acquired from a London collector in the late 1990s; previously in a private collection formed in the late 1980s-early 1990s. 

Lot 807

Early Dynastic III, 2900 BC-2350 BC. A white fine grained stone macehead with vase-shaped body and pierced through the centre; to one side the lion-headed bird deity Imdugud with wings outstretched; to the other a male figure facing front wearing a tall headdress and kilt, holding two rearing bulls by the head. For a similar mace head with the image of Imdugud see The British Museum accession number 23287 490 grams, 90mm (3 1/2"). Fine condition. Rare.Property of a London gentleman; acquired from a major Mayfair gallery; acquired on the London art market before 1999. In Sumerian and Akkadian mythology, Imdugud, also known as Anzû, is a divine storm-bird and the personification of the southern wind and the thunder clouds.This demon stole the Tablet of Destinies from Enlil and hid them on a mountaintop. Anu ordered the other gods to retrieve the tablet, even though they all feared the demon. According to one text, Marduk killed the bird; in another, it died through the arrows of the god Ninurta. Anzu also appears in the story Inanna and the huluppu tree, which is part of the Akkadian story of Gilgamesh in the section called 'Gilgamesh, Enkidu and the Nether World.' 

Lot 811

2nd millennium BC. A carved schist vase with flat base, tapering sides and flared everted rim; three bands of scale ornament and arcading. 3.6 kg, 28cm (11"). Fine condition.From an important London, W1 collection; acquired 1960-1980s. 

Lot 112

4th century BC.A restrung set of gold elements comprising: rosette plaques with beaded wire to the outer petals, hollow piriform vase pendants with filigree and granule detailing; pairs of lotus blossoms with beaded wire and granule detailing, hollow ribbed pendants with filigree loop and granule finial. Cf. the Taranto necklace in Despini, A. Greek Art. Ancient Gold Jewellery, Athens, 1996 item 138-9. 71 grams, 36cm (14 1/4"). Very fine condition, some restoration.Ex an important American collection from Chicago, Illinois, USA; disposed of in 1995; previously in the Mansees collection; formed 1950s-early 1990s.Supplied with a positive X-Ray Fluorescence metal analysis certificate. Gold occurs rarely in Central Greece, but resources in Thrace, Asia Minor, Egypt and Spain were all exploited. Herodotus mentions Hyperborean sources, in the far north, which might indicate deposits in the Urals; he also writes of gold obtained by the Carthaginians who sailed beyond the Pillars of Herakles, known to us as the Straight of Gibraltar, to the Atlantic coast of Africa. Most famous in ancient literature is the gold of Asia Minor, where the mythical king Midas of Phrygia and the historical king Croesus of Lydia became synonymous with vast wealth. In Greece itself, Herodotus saw gold mines on the north Aegean island of Thasos, as well as the Cycladic island of Siphnos. The style of this necklace is in keeping with the tastes of the Eastern Greeks and the Hellenistic kingdoms. The pieces that come from the Black Sea region show the taste for gold, rendered beautifully by immigrant Greeks and local goldsmiths, was indulged in by both chieftains grown rich from the trading of grain, timber and other natural resources and Greek merchants and settlers, who may have adopted local customs. While some of their treasures are clearly the work of local craftsmen, others, like this piece, are highly refined works of unadulterated Greek style, suggesting that they were either imports or the products of Greek craftsmen who settled abroad in order to profit from serving wealthy foreign clients.

Lot 133

Campania, South Italy, 330-310 BC. A large ceramic black glazed bail-amphora with a pierced and ridged stirrup-shaped handle to the top, rolled and angled rim with long tapering neck and rounded shoulder, both painted with series of vertical lines in black; the body decorated to one side with a seated female in a robe, hair tied in a headscarf and holding a pair of dishes towards a second, standing female, also in long robes and hair tied in a headscarf, to the centre a disc with X-pattern, behind the seated female a crooked staff; to the other side a group of three female figures, two seated and one standing, all in loose robes and hair arranged in a bun, the standing figure holding forward a dish to the seated figure holding a tympanum , small altar to the feet of the lower seated figure; below and encircling the vase is a black wave pattern on a reserved band; tapering pedestal foot with band of black paint. [A video of this lot is available on the TimeLine Auctions website]  2.86 kg, 60cm (24"). Fine condition, painting degraded.From an old British private collection; formed between 1975 and 1985.Cf. Mayo, M. The Art of South Italy: Vases from Magna Graecia, Virginia, 1982 p. 207; for a similar example see The Cleveland Museum of Art, accession number 1967.245.The bail-amphora was one of the innovative new forms of pottery that was developed by Greek settlers in South Italy and Sicily. The form bears some similarities to the loutrophoros and probably had a similar function for holding water used in ritual bathing. The scenes on such pieces indicate the nature of these rituals which would appear to be associated with marriage and religious customs reserved for women. The institution of marriage in ancient Greece encouraged responsibility in personal relationships. Marriages were usually arranged by the parents; professional matchmakers were reluctantly used. Each city was politically independent, with its own laws affecting marriage. For the marriage to be legal, the woman's father or guardian gave permission to a suitable male who could afford to marry. Wintertime marriages were popular, and a common month in which Greeks married was Gamelion or January, which was sacred to the goddess Hera; note the two females on this vase wrapped in heavy robes against the cold. The couple participated in a ceremony which included rituals such as veil removal but the couple living together made the marriage legal.

Lot 134

4th century BC. An Apulian red-figured ceramic epichysis with a profile female head between volutes, with a diademed sakkos and chignon to the rear; reel-shaped body with a tall angled handle showing two human headed rotelles at the join to the beak; glazed tongues at the base of the neck, radiating strokes on the upper lip; to the body, a white laurel wreath along an incised line.  208 grams, 15.5cm (6"). Fine condition.Property of a Swiss collector; acquired HannoVerum GmbH Auktions - und Handelshaus, Hanover, Germany; formerly in a private German collection; previously acquired on the German art market.Cf. Gorny & Mosch Auktionen Munich, June 2016 sale, lot no. 204; see also Edinburgh, National Museums of Scotland, 1964.1; Beazley vase no. 1000850; CVA Edinburgh, National Museum of Scotland, 32 pl. (749) 32.7-8.

Lot 1570

1st-2nd century AD. An iridescent vase with flat rim, long tapering neck to a squat globular body. 35 grams, 14cm (5 1/2"). Fair condition.Acquired on the London art market prior to 1980. [No Reserve] 

Lot 1593

2nd-3rd century AD.A redware vase of amphora form, the twin handles, flaring neck with flat rim and globular-shaped body. 317 grams, 19cm (7 1/2"). Very fine condition.Private collection, home counties, UK; acquired before 1980. 

Lot 2264

13th-14th century AD. A tall terracotta vase with circumferential ribbing to the body, flange rim, pie-crust base. 775 grams, 23.5cm (9 1/4").  Fine condition.From the private collection of a German gentleman; acquired prior to 1982. [No Reserve]

Lot 2297

13th-14th century AD. A discoid bronze mount with strap to the reverse, central lion rampant within a double border, Lombardic script legend to the border 'CRAS DABOR NON O[D]I[E]' and means 'I will be given tomorrow not today' (the object itself is speaking), this is the form of the legend with the verb in the passive mood – dabor [I will be given], it is also found with the verb in the active mood – dabo [I will give (you it)]. 2.20 grams, 22mm (1"). Fine condition. Rare.Property of a Canadian lady; acquired 1970s-1990s.Malcolm Jones, Sheffield University, Dept. English Language & Linguistics, Senior Lecturer 1994-2009 and advisor to the British Museum and Portable Antiquities Scheme, says: 'The legend reads CRAS DABO NON HODIE. This is inscribed on nine other late medieval objects -- the most relevant parallels are a French annular brooch reported in the late 19C archaeological manuals but seemingly first by M.H. Bordier in his Notes sur les affiques in Memoires de la soc nat des antiquaires de Fr vol.36 (1875), 248f. (this example further inscribed on the reverse), and two finger-rings found in England, one in Coventry in 1830 [see Joan Evans English posies p.5 -- apparently now in Birmingham Mus) and a recent Nottinghamshire find reported in the Trans Thoroton Soc of Nottm vol 97-8 (1993), 138 [CRAS DABOR NON HODIE]. The others are on one of the engraved bindings of an abbot's staff in Salzburg of 12/13C date; a vase dated 1253 made for Thiebaut de Bethune (d.1289 at the siege of Tripoli); a commander's ivory baton of early 15C date (now in Pesaro) belonging to Niccolo Trinci; and a 15C drinking-horn in the Royal Danish Kunstkammer. But there is also a fascinating anecdote involving the four words CRAS DABOR NON HODIE being inscribed on knives in the (English) 14C Fasciculus Morum. The phrase was proverbially used -- of bad payers, for example -- and in one gloss on corvus in the Physiologus, is given to the crow as an elaborated version of his usual cras cras. In the DABO version as here, it 'ought' to mean Tomorrow I will give [?it ?this] not today -- but quite what is to be given -- I'm assuming we are in an amatory context -- is open to debate!'. [No Reserve] 

Lot 2375

14th-15th century AD.A silver ring with round section shank with pellet to the base; expanding shoulders with relief floral decoration to the top and underside; tiered oval bezel engraved with vase with scrolling plant coming from the top. 15 grams, 28.63mm overall, 23.76mm internal diameter (approximate ring size Z+4 1/2 USA 14 3/4 Europe 34.71 Japan 33) (1 1/2").A large wearable size.From the family collection of a London gentleman; formed in the late 1940s-1950s; thence by descent. [No Reserve] Very fine condition. 

Lot 246

Later 2nd century AD.A D-section gold hoop with flared shoulders, flat elliptical plaque with central cell, inset carnelian cloison with intaglio image of a two-handled vase. Cf. Chadour, A.B. Rings. The Alice and Louis Koch Collection, volume I, Leeds, 1994 item 305 for type. 5.44 grams, 22mm overall, 19.60mm internal diameter (approximate size British T, USA 9 1/2 Europe 21.26 Japan 20) (1"). Very fine condition.Property of a Surrey collector; acquired in the early 1970s. 

Lot 3187

236-237 AD. Rome mint. Obv: MAXIMVS CAES GERM legend with bare-headed, draped, cuirassed bust right. Rev: PIETAS AVG legend around with sacrificial implements: lituus, knife, patera, vase, simpulum, and sprinkler; SC in exergue. RIC 11; BMCRE 204; Cohen 7; Sear 8409. 14.48 grams. With old collector ticket. [No Reserve] Fine.

Lot 197

Tall slender Mdina glass bottle vase. 42cm high

Lot 326

Royal Worcester urn vase with raised gilt decoration on blue ground and face mask handles

Lot 332

Small Japanese Satsuma vase decorated with birds and flowers on wooden plinth

Lot 44

Large Chinese blue and white bowl and polychrome plaque, pair and one vase, figure and lamp base

Lot 18

Large Spode Italian jug, pair Chinese vases, Ironstone bowl, vase and jug (6)

Lot 10

Royal Worcester bird painted plate and vase, Derby Imari pattern vase, cabinet cups and saucers, glove stretchers, etc

Lot 207

Royal Worcester ovoid lidded vase with floral and gilt design on ivory and blush ground

Lot 358

Nine pieces of early Carlton Ware including vase, bowl and seven dishes

Lot 107

Victorian dessert service, Crown Ducal Orange Tree china, vase, dish and two bowls

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