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Lot 247
A KESI SILK PANEL DEPICTING AVALOKITESHVARA, QING DYNASTYChina, 1644-1912. Seated in dhyanasana atop a tiered lotus throne, holding an ovoid vase with flowers in front of him, wearing a voluminous robe decorated with bamboo leaves, a halo behind him, all above crashing waves and rockwork below a terrace, the deity within a cloud emerging from a lotus flower in the water.Provenance: French trade.Condition: Good condition with only minor wear, little soiling, minimal tears, small losses.Dimensions: Size 106 x 52 cmAuction result comparison: Compare a related kesi panel depicting Avalokiteshvara, 130.2 by 74.8 cm, dated 18th-19th century, at Christie's New York in Fine Chinese Ceramics and Works of Art on 20 September 2013, lot 1648, sold for USD 7,500. Compare a related kesi hanging banner, 161.3 by 75.3 cm, dated to the 19th century, at Bonhams New York in Fine Chinese Paintings and Works of Art on 21 September 2020, lot 182, sold for USD 4,825. Note that both main figures show garments decorated with bamboo leaves as seen on the present panel. 清代緙絲觀音坐蓮像中國，1644-1912年。觀音坐於高蓮花寶座上，手持花瓶，身著竹葉紋袈裟，身後有背光，從波濤之中升起。下方可見水邊院牆，水中長出幾朵搖曳的荷花。來源：法國古玩市場。 品相：狀況良好，小磨損，輕微污漬和撕裂，小缺損。 尺寸：106 x 52 厘米 拍賣結果比較：比較一件相近的十八至十九世紀的緙絲觀音，130.2 x 74.8 厘米, 見紐約佳士得Fine Chinese Ceramics and Works of Art 2013年9月20日 lot 1648, 售價USD 7,500。比較一件相近的十九世紀緙絲橫幅，161.3 x75.3 厘米,見紐約邦翰思Fine Chinese Paintings and Works of Art 2020年 9月 21日 lot 182, 售價USD 4,825；注意這兩件緙絲上都有如此拍品一樣的竹葉紋。
Lot 107
A GREEN JADE 'CARP' VASE, QING DYNASTYChina, 18th - 19th century. Vividly carved as a carp leaping from crashing waves, depicted with a large gaping mouth open to form the cavity of the vase, the fins and scales finely detailed and incised, with an elegantly curled tail. The translucent stone of an even, dark green tone with pale green clouding and scattered veins.Provenance: From a private collection in Southern Florida, USA.Condition: Very good condition. The stone with natural fissures, some of which have developed into small hairline cracks over time. A minuscule chip to the back fin. Tiny nicks here and there. With a good, unctuous feel overall.Weight: 655 gDimensions: Height 15.24 cm, Width 10.1 cmAccording to traditional Chinese belief, carp swimming upstream in the Yellow River must leap the rapids of the Dragon's Gate. The first to succeed in doing this is transformed into a dragon. This legend is frequently used and regarded as a metaphor for a poor scholar who passes the civil service examinations and succeeds in high office. The dragon-carp motif is thus a wish for success in achieving this.Auction result comparison: Compare a related carp vase, dated to the Qing dynasty, 16 cm, at Sotheby's London in Fine Chinese Jades from the Thompson-Schwabb Collection on 9 November 2016, Lot 9, sold for GBP 15,000.清代玉雕鯉魚瓶中國，十八至十九世紀。雕刻生動的鯉魚從洶湧的海浪中躍出，大口張開形成瓶口，鰭和鱗片雕刻細緻，尾巴外翹。半透明的玉料，均勻的深綠色調，帶有淡綠色的絮狀物和分散的紋理。 來源：美國南弗羅里達私人收藏。品相：狀況極好，天然裂縫隨著時間的推移，其中一些已經發展成細小的細縫。後鰭有一個微小的磕損。很多小刻痕。 包漿整體感覺良好光潤。重量：655克 尺寸：高15.24 厘米，寬 10.1 厘米 拍賣結果比較: 比較一件相近的清代鯉魚瓶，16 厘米，見倫敦蘇富比Fine Chinese Jades from the Thompson-Schwabb Collection 2016年11月9日 Lot 9, 售價GBP 15,000。
Lot 64
A PAIR OF GILT-LACQUERED 'ANTIQUE TREASURES' WOOD PANELS, QING DYNASTYChina, 1750-1850. Each of rectangular form and finely painted in gilt on black ground with a tall angular scroll-form stand decorated with wan diaper and displaying numerous antique treasures such as a gnarled pot filled with scrolls, brushes, and flowers, a vase filled with prunus and peony, as well as scholar's objects and Buddhist symbols, enclosed by a double-line border with archaistic kuilong to each corner. (2)Provenance: French trade.Condition: Overall commensurate with age showing old wear, flaking to lacquer, wormholes, age cracks, minor chips, one panel somewhat warped. Each with an added metal hook for wall suspension.Weight: 3,667 g and 2,940 gDimensions: Size 152 x 25.7 cm (each)清代一對鎏金漆博古木掛屏中國，1750-1850年。掛屏長方形，髹黑漆地鎏金漆描繪博古架上陳列著的古董珍品，多為富含吉祥富貴寓意的如插著梅花和牡丹的賞瓶、文房用品以及佛教吉祥法器，琳琅滿目、錯落有致。工藝精湛絕倫，十分難得。(2) 來源：法國古玩市場。 品相：總體與年齡相稱，有磨損、漆彩剝落、蟲洞、老化裂紋和輕微碎屑，一個面板有些翹曲。都帶有用於牆壁懸掛的附加金屬掛鉤。 重量：分別爲3,667 克與2,940 克 尺寸：分別爲152 x 25.7 厘米
Lot 229
A PUCE ENAMELED BOTTLE VASE, QING DYNASTYChina, 18th-19th century. The pear-shaped body rising from a circular foot to a slim neck with an everted rim, the exterior covered overall with an enamel of vibrant ruby-pink tone, the lip and foot rim covered with gilt. The underside with a four-character Yongzheng reign mark.Provenance: British trade. Condition: Superb condition with manufacturing flaws such as little pitting, and a dark spot. The bottle with minimal warping. Significant wear to gilt.Weight: 179 g Dimensions: Height 16 cmAuction result comparison: Compare a related puce enameled 'garlic head' bottle vase, dated to the 18th to 19th century, at Christie's New York in Fine Chinese Ceramics and Works of Art on 21 March 2014, lot 2190, sold for USD 22,500. Compare also a related puce enameled bottle vase, 21.5 cm high, dated to the 19th century, at Christie's New York in The House Sale on 11 January 2007, lot 388, sold for USD 4,800.清代胭脂紅釉膽瓶中國，十八至十九世紀。瓶直口，細長頸，溜肩，鼓腹，圈足，形似懸膽，通體施高溫銅紅釉。圈足内施白釉，青花"雍正年製"款。 來源：英國古玩市場。 品相：狀況良好，製造瑕疵，如小點蝕和黑點。輕微翹曲，鎏金大面積磨損。 重量：179 克 尺寸：高16 厘米 拍賣結果比較：比較一件相近的十八至十九世紀的胭脂紅蒜頭瓶，見紐約佳士得 Fine Chinese Ceramics and Works of Art 2014年3月21日 lot 2190, 售價USD 22,500 ；比較一件十九世紀胭脂紅瓶，高21.5 厘米，見紐約佳士得The House Sale 2007年1月11日 lot 388, 售價USD 4,800。
Lot 109
A MUGHAL-STYLE CELADON JADE VASE AND COVER, QING DYNASTYChina, 19th century. The extremely thin baluster sides rising from a spreading foot with a domed base to a short waisted neck with a lipped rim, surmounted by a domed cover with a lotus bud finial. The sides are crisply carved in relief with lotus sprays between stiff leaves, the cover and finial additionally decorated with petals. The translucent stone is of a decent pale-celadon tone with cloudy white inclusions and few dark speckles.Provenance: From the private collection of Professor Filippo Salviati, Rome, Italy, acquired at Unica Fine Art Expo, Modena, Italy, in 2014. Galerie Zacke, Fine Chinese Art, Buddhism and Hinduism, 27 September 2019, lot 216. A private collector in Hungary, acquired from the above. A professor of archeology and art history at the Italian Institute of Oriental Studies at the Sapienza University of Rome, Prof. Salviati has researched and published extensively on Chinese archaic art and jades in particular. His book "Radiant Stones: Archaic Chinese Jade" from 2004 is considered a cornerstone publication in the field of ancient Chinese Jade.Condition: Excellent condition with minor wear. The stone with natural fissures, some of which have developed into small hairline cracks over time. Fine, unctuous feel overall.Weight: 165.5 gDimensions: Height 17.7 cmAuction result comparison: Compare a related Mughal-style celadon jade vase and cover, dated 18th-19th century, at Sotheby's New York in Fine Chinese Ceramics and Works of Art on 23 March 2011, lot 778, sold for USD 50,000, and another of larger size (28 cm high) at Bonhams San Francisco in Fine Asian Art on 21 June 2011, lot 8088, sold for USD 14,640. 清代蒙兀兒風格青玉蓮紋蓋瓶 中國，十九世紀。直口，豐肩，斂腹，平面底，蓮花寳頂高圓蓋。瓶身清晰浮雕纏枝蓮紋，蓋子上施倒蓮紋。半透明的玉石呈淡青色，帶有白色絮狀物和很少的黑斑。 來源：義大利羅馬Filippo Salviati教授私人收藏，2014年購於義大利摩登那Unica Fine Art Expo藝博。見本藝廊 Fine Chinese Art, Buddhism and Hinduism 2019年9月27日lot 216. 匈牙利私人藏家購於上述拍賣。Filippo Salviati教授是羅馬大學東亞研究所考古系及藝術史系教授。 Salviati教授對中國古代文物以及玉器進行了廣泛研究並出版了很多專著。他2014年出版的 "Radiant Stones: Archaic Chinese Jade" 被認爲是中國古代玉器領域的奠基出版物。 品相：狀況極佳，輕微磨損，少量天然裂縫，其中一些裂縫隨著時間的推移可能會發展成微小的裂縫。總體細膩潤澤。 重量：165.5 克 尺寸：高17.7 厘米 拍賣結果比較：比較一件相近蒙兀兒風格青玉蓋瓶，十八至十九世紀，見紐約蘇富比Fine Chinese Ceramics and Works of Art 2011年3月23日lot 778, 售價USD 50,000；另一件尺寸更大 (高28 厘米) 見舊金山邦翰思Fine Asian Art 2011年 6月21日 lot 8088, 售價USD 14,640。
Lot 37
A NEPALESE BRONZE FIGURE OF AMITAYUS, MEDIEVAL PERIODC. 11th-14th century. Seated in dhyanasana atop a waisted double-lotus base with beaded upper edge, his hands holding the amrita vase, clad in a diaphanous sanghati with the folds gathered over the ankles and onto the base, adorned with beaded and floral jewelry and billowing scarves. The serene face with heavy-lidded eyes below gently arched brows centered by an urna, wearing a foliate tiara.Provenance: UK trade.Condition: Good condition, commensurate with age. Extensive wear, casting flaws, signs of weathering and erosion, dents, nicks, losses, scratches. The tiara is bent and the back of the head and chignon are lost. Fine, naturally grown patina with a good, unctuous feel overall. The base unsealed and fitted with a wood core some time ago.Weight: 403.2 gDimensions: Height 13 cmExpert's note: The current work displays strong characteristics of Nepalese ateliers, particularly the rich coppery tone of the bronze. Influences of Pala tradition from northeast India are also articulated, including the tubular limbs. The waisted lotus base, on the other hand, is reminiscent of the even earlier Swat Valley bronzes. The statue itself and the condition of the piece overall preclude any revival style, making a dating between the 11th and 14th centuries most likely.Auction result comparison: Compare a related bronze figure of Amitayus or Manjushri, 14 cm high, dated to the 11th century, at Christie's New York in Indian, Himalayan & Southeast Asian Works of Art on 20 March 2019, lot 623, sold for USD 25,000.中世紀尼泊爾無量壽佛銅像約十一至十四世紀。無量壽佛手持淨瓶平行曡放在雙膝上，結跏趺坐坐於雙層蓮座上，頭戴寶冠，髮髻高聳，項戴纓絡項鍊，裝飾華麗 。表情安詳，眼睛微垂，眉頭微彎，雙眉之間有白毫。 來源: 英國古玩市場。 品相: 狀況良好，與年齡相稱，有大面積磨損、鑄造瑕疵、風化、侵蝕跡象、凹痕、刻痕、缺損和劃痕。頭飾彎曲，後腦勺和髮髻丟失。自然包漿，整體感覺細膩。底座曾被開封並安裝了木芯。 重量: 403.2 克 尺寸: 高13 厘米拍賣結果比較: 比較一件相近的十一世紀阿彌陀佛或文殊菩薩銅像，高14 厘米，見紐約佳士得Indian, Himalayan & Southeast Asian Works of Art 2019年3月20日 lot 623, 售價USD 25,000。
Lot 226
A FLAMBE-GLAZED VASE, FANGHU, TONGZHI MARK AND PERIODChina, 1862-1874. Of rectangular section with indented corners at the rim, the neck flanked with a pair of rectangular sleeve handles and raised on a squared foot, the front and back sides with molded peach-shaped panels, beneath a flambe glaze of dark red tone with lavender and pale-blue streaks, thinning to cream along the rim and upper edges, attractively pooling to the interior. The unglazed base incised with a six-character mark da Qing Tongzhi nianzhi and of the period.Provenance: French private collection, by repute acquired around circa 10-12 years ago in the local auction market.Condition: Excellent condition with minor wear and firing irregularities, including pitting and small glaze recesses, the foot with minuscule nicks, typical small glaze losses along the foot rim, intentional crackling, the interior with firing cracks and traces of use.Weight: 2,797 gDimensions: Height 30 cmAuction result comparison: Compare a closely related flambe-glazed fanghu, 30 cm high, also with an incised six-character Tongzhi mark and of the period, at Christie's London in Fine Chinese Ceramics and Works of Art on 10 May 2011, lot 214, sold for GBP 30,000. 同治款及年代窯變釉貫耳方壺中國，1862-1874年。溜肩鼓腹，長方形圈足，頸部堆塑對稱雙貫耳，腹部前後淺凸呈現桃形紋樣，通體施窯變釉，釉色以紅、紫、藍為主，色澤變化多端。瓶底足齊平，露胎。底刻"大清同治年製"六字楷書款。 來源：法國私人收藏，據説於10-12年前購於當地古玩市場。品相：品相極佳，有輕微磨損和燒製瑕疵，包括點蝕和釉面凹陷、足部有微小的刻痕、足部邊緣有微小右面缺損，釉面開片、燒製裂紋和使用痕跡。 重量：2,797 克 尺寸：高30 厘米 拍賣結果比較：比較一件十分相近的窯變釉方壺，高30 厘米，同治六字款及年代，見倫敦佳士得Fine Chinese Ceramics and Works of Art 2011年5月10日 lot 214, 售價GBP 30,000。
Lot 224
AN UNUSUAL FLAMBE LANGYAO VASE, TIANQIU PING, QING DYNASTYChina, 1730-1830. The pear-shaped body surmounted by a tall slender neck, supported on a narrow, recessed base, covered with a copper-red glaze of deep oxblood color transmuting to a flambe glaze at the neck, and to buff at the rim, all suffused with a network of fine crackles. The glaze stopping at the unglazed foot ring to reveal the buff ware. The interior covered in flambe and green tinged glazes.Provenance: Southern French trade. Condition: Good condition with intentional crackling of the glaze, the neck slightly tilted, a minor bruise to the lip with several associated short cracks mostly to the inside of neck, all very well visible on the images provided online at www.zacke.at. Manufacturing flaws such as glaze recesses, kiln grit on the base, glaze dripping around the foot with significant areas of glaze loss.Weight: 3.322g Dimensions: Height 37 cm The term langyao derives its name from Lang Tingji, director of the official kilns at Jingdezhen between 1705-1712, who is credited with the revival of monochrome glazes and particularly copper-red glazes. The production of these, as well as Langyao glazes, continued well into the Yongzheng and Qianlong periods, with further innovations such as the flambe glaze.清代郎窯紅天球瓶中國，1730-1830年。瓶形為小口、直頸、豐肩、圈足，器身渾圓若球。釉面光潔透亮，釉色瑩澈濃艷，胎骨厚重。口沿部釉面變薄，成白色可見内胎，藍紫色釉夾雜。圈足露胎。瓶内紅綠色釉夾雜。 來源：法國南部古玩市場。 品相：狀況良好，釉料開片，頸部略微傾斜，唇部有輕微磨損，頸部內側有幾處短裂紋，細圖可見 www.zacke.at。製造缺陷，例如釉面凹陷、底部的窯砂、釉料在足部周圍滴落並伴有明顯的釉料缺損。 重量：3.322克 尺寸：高37 厘米
Lot 115
A FINE JADEITE 'CHILONG' AMPHORA VASE, QING DYNASTYChina, 19th century. Masterfully carved, the shoulder in openwork with a clambering chilong and pearl, flanked by two movable foliate handles suspending loose rings. The translucent stone is of a white tone tinged with lavender in some areas, and with shadings of apple and emerald-green color overall. The vessel is carved from a single piece of stone, including the handles and rings, and shows a superb, unctuous feel overall.Provenance: French private collection. Gros & Delettrez, Paris, 12 June 2019, lot 193, pictured on the catalog cover, sold for EUR 9,975. A noted French private collection, acquired from the above. A copy of a stamped provenance confirmation letter by Gros & Delettrez, Paris, dated 1 September 2020, and certifying that the present vase came from a French private collection, accompanies this lot.Condition: Excellent condition with only minor wear.The reverse incised with an apocryphal seal mark Qianlong yuzhi as well as a poem relating to the magnificent color of the vase.Weight: 156.1 gDimensions: Height 13.3 cmAuction result comparison: Compare a pair of related jadeite vases, 32.5 cm high, also with Qianlong yuzhi marks and dated to the 19th century, at Sotheby's Paris in Asian Art on 16 December 2010, lot 253, sold for EUR 39,150.清代翡翠螭龍啣環淨瓶中國，十九世紀。淨瓶修長，口外撇，削肩，頸部雕刻了一條攀爬的螭龍與一顆珍珠，肩部葉狀活動雙耳啣環。翡翠白中飄紫，並帶有翠綠色紋理。表面光滑，通體晶瑩光潤。 來源: 法國私人收藏，巴黎Gros & Delettrez藝廊，2019年6月12 日Lot 193, 封面圖片，售價EUR 9,975。法國知名私人收藏, 購於上述收藏。隨附一份Gros & Delettrez2020年9月1日出具的蓋了章的確認信副本，上面確認了此瓶來自法國私人收藏。 品相: 狀況極好，只有輕微磨損。 瓶身可見"乾隆御製"四字款與體現玉料美麗綠色紋理的詩句。 重量: 156.1 克 尺寸: 高13.3 厘米 拍賣結果比較: 比較一對相近的乾隆款但為十九世紀的翡翠瓶子，高32.5 厘米，見巴黎蘇富比Asian Art 2010年12月16日lot 253, 售價EUR 39,150。
Lot 213
A BLUE AND WHITE 'TWELVE MYTHICAL BEASTS' VASE, QING DYNASTYChina, 1644-1912. Of slender baluster form with an elongated neck, decorated in shades of inky blue with a continuous scene of twelve mythical beasts and animals such as bixie, Buddhist lion, qilin, elephant and deer, all spaced by lingzhi sprays. With a leaf band at neck, key fret and ruyi bands at the shoulder and a lappet band at the foot. Provenance: Collection of Dr. Lubor Hajek (1921-2000), who was a Czech art historian. In 1952 he founded the Oriental Art collection of the National Gallery Prague, which he ran until 1986. From a noted Czech private collection, acquired from the above. Condition: Very good condition with old wear and minor firing imperfections. Weight: 3,320 g Dimensions: Height 41.5 cm清代青花神獸紋瓶中國，1644-1912年。直頸，口微外撇，豐肩，收腹，底足外撇。青花描繪十二瑞獸如辟邪、太獅、麒麟、大象、鹿等，肩部雷紋與如意紋，底足蕉葉紋。 來源：Dr. Lubor Hajek (1921-2000) 收藏，他是捷克藝術史學家，1952 年，他在布拉格國家美術館創立了東亞藝術收藏，並直到 1986年。來自捷克私人收藏，購於上述收藏。 品相：狀況非常好，有舊磨損和輕微的燒製瑕疵。 重量: 3320 克 尺寸：高 41.5 厘米
Lot 6
A GARLIC HEAD BRONZE BOTTLE VASE, HAN DYNASTYChina, 202 BC to 220 AD. The finely cast vessel of compressed globular form with a long slender neck set with a single raised band, widening to a lobed garlic head mouth. The exterior overall with a fine ancient patina of azurite, malachite, and cuprite. Provenance: Belgian trade. Condition: Good condition, commensurate with age, and as expected with extensive wear, encrustation, soiling, dents, dings, cracks, losses, and a minuscule pierced hole.Weight: 1906 g Dimensions: Height 38 cmAuction result comparison: Compare a closely related garlic head bronze vase, also dated to the Han dynasty, at Bonhams San Francisco in Asian Decorative Arts on 9 October 2013, lot 3183, sold for USD 9,375. Compare also a closely related garlic head bronze vase, dated to the Han dynasty, at Bonhams San Francisco in Fine Chinese Works of Art on 16 December 2014, lot 8016, sold for USD 5,625. 漢代青銅蒜頭瓶中國， 公元前202 年至公元220 年。直頸圓腹，圈足，瓶口成蒜頭瓣狀，頸部一道凸紋。通體藍綠色鏽斑，包漿色澤豐富。來源：比利時古玩市場。 品相：狀況良好，與年齡相稱，如預期的那樣，有大量磨損、結殼、污漬、凹痕、裂縫、缺損和微小的穿孔。 重量：1906 克 尺寸：高38 厘米 拍賣結果比較：比較一件十分相近的漢代青銅蒜頭瓶，見舊金山邦翰思 Asian Decorative Arts 2013年10月9日 lot 3183, 售價USD 9,375 ；另一件相近的漢代青銅蒜頭瓶，見舊金山邦翰思 Fine Chinese Works of Art 2014年12月16日 lot 8016, 售價USD 5,620。
Lot 230
A SMALL COPPER-RED GLAZED BOTTLE VASE, QING DYNASTYChina, 19th to early 20th century. The globular body supported on a short foot and rising to a slightly tapered cylindrical neck. Covered overall in a streaked glaze of crushed-strawberry tone thinning to white at the mouth and continuing to the interior, pooling attractively and irregularly above the unglazed foot, the recessed base glazed white.Provenance: From a Spanish private collection.Condition: Excellent condition with only minor old wear, traces of use and firing irregularities.Weight: 255.7 gDimensions: Height 14.2 cmAuction result comparison: Compare a pair of related copper-red glazed bottle vases, dated 18th-19th century, of 24.7 cm size, at Christie's New York in Fine Chinese Ceramics & Works of Art on 22 March 2019, lot 1806, sold for USD 8,750.清代釉裏紅長頸瓶中國，十九至二十世紀初。直口，長頸，鼓腹，造型秀巧。通體施釉裏紅，止於足部。瓶内施白釉。 來源：西班牙私人收藏。 品相：狀況極佳，只有輕微磨損、使用痕跡和燒製瑕疵。 重量：255.7 克 尺寸：高14.2 厘米 拍賣結果比較：比較一對十八至十九世紀的釉裏紅長頸瓶，24.7 厘米，見紐約佳士得Fine Chinese Ceramics & Works of Art 2019年3月22日lot 1806, 售價USD 8,750。
Lot 223
A RARE CELADON-GLAZED BAGUA VASE, QING DYNASTYChina, 1644-1912. The ovoid vase molded around the body with bands of the Eight Trigrams (bagua), ruyi heads, diaper patterns, and flames to the foot, flanked by a pair of elephant handles, covered in an unctuous celadon glaze, the unglazed foot rim partly burnt to orange.Provenance: A noted Hungarian private collection. Acquired at Nagel Auktionen, Stuttgart, Germany, in Asiatische Kunst, on 5 December 2019, lot 32. According to Nagel, the vase was previously acquired from Chevaux Legers Encheres, Versailles, France, in May 1966. Condition: Good condition with some old wear and sedimental deposits to glaze, some firing flaws such as a single firing crack to mouth rim.Weight: 4,403 g Dimensions: Height 36 cm清代罕見青釉輔首八卦紋瓶中國，1644-1912年。唇沿，削肩，鼓腹，底部内收。邊沿如意紋，肩部八卦紋與輔首啣環，中央兩道凸紋，以下如意紋和第二道八卦紋帶，足部火焰紋，通體施青釉，圈足露胎，局部成橘紅色。 來源：匈牙利知名私人收藏，購於斯圖加特 Nagel 拍賣行Asiatische Kunst, 2019年12月 5日lot 32；根據Nagel拍賣行所寫，此瓶購於法國凡爾賽 Chevaux Legers Encheres，1966年5月。 品相：狀況良好，釉面有一些磨損和沉積，一些燒製瑕疵，例如口沿的釉面開片。 重量：4,403 克 尺寸：高 36 厘米
Lot 238
A POWDER-BLUE-GROUND GILT-DECORATED 'DEER AND CRANE' BOTTLE VASE, GUANGXU MARK AND PERIODChina, 1875-1908. Finely painted in gilt to the globular body with two stags in a forest with pine trees, two long-tailed birds perched on a gnarled branch, and craggy rockwork, below a band of alternating stylized Shou characters and flowerheads surrounded by scrolling vines at the shoulder, and to the neck with a crane standing in front of a pine tree, all below a band of ruyi heads below the rim. The recessed base with a six-character mark da Qing Guangxu nianzhi and of the period.Provenance: From an old German private collection, acquired in China before 1937, and thence by descent in the family.Condition: Good condition overall commensurate with age, old wear, mostly to gilt, and some firing flaws. The body with several circumferential glaze hairlines, near invisible to the naked eye. For a detailed video of the vase shot under strong blue light, please refer to the department.Weight: 3,771 gDimensions: Height 38.5 cmAuction result comparison: Compare a closely related gilt-decorated powder-blue-ground vase, also Guangxu mark and period and with similar decorative bands, but painted with bats amid clouds, at Christie's New York in Fine Chinese Ceramics and Works of Art on 26 March 2010, lot 1432, sold for USD 20,000.光緒款與年代霽藍釉描金"鹿鶴同春"瓶中國, 1875-1908年。撇口，細長頸，肩部裝飾凸弦紋，圓腹，圈足。通體施霽藍釉，釉面濃淡一致。紋飾以金彩描繪，口沿繪如意紋，肩部繪纏枝花卉和壽字紋，近底部繪仰蓮紋，線條細膩流暢，華貴雍容。腹部描繪鹿鶴同春，寓意六合同春，天地萬物欣欣向榮。圈足内"大清光緒年製"六字款。來源：德國私人老收藏, 自此保存在同一家族。品相：總體狀況良好，與年齡相稱，舊磨損，主要是鍍金部分；還有一些燒製缺陷，身體有幾條細微釉面裂紋，肉眼幾乎看不見。 在強藍光下拍攝的花瓶的詳細視頻，請垂詢團隊。重量：3,771 克尺寸：高 38.5 厘米拍賣結果比較：比較一件相近霽藍釉描金瓶，光緒款與年代，金彩描繪蝙蝠祥雲紋， 見紐約佳士得Fine Chinese Ceramics and Works of Art on 26 March 2010, lot 1432，售價USD 20,000。
Lot 173
A LONGQUAN CELADON KINUTA (MALLET) VASE WITH PHOENIX HANDLES, MING DYNASTYChina, 14th-15th century. The mallet-shaped body rising to a wide everted rim, set to the neck with a pair of stylized phoenix handles with detailed crown and wings, covered overall with a glaze of sea-green tone, suffused with a network of fine crackles, the glaze neatly stopping above the unglazed foot ring to reveal the buff ware, partially burnt to orange during the firing.Provenance: From a private collection in Brooklyn, New York, USA. Condition: Superb condition with manufacturing flaws such as ceramic warts, glaze recesses at the base, and small chips to the foot rim. Old wear, minor soiling and traces of use. Weight: 509.6 g Dimensions: Height 17.1 cm Literature comparison: Published examples include one in the Bishmon-do Temple, previously in the possession of a branch of the Tokugawa Family, the former Daimyos of Kyushu, illustrated by Gompertz, Chinese Celadon Wares, London, Hong Kong, 1962, 1980, plate 78, and another two illustrated ibidem, one from the Fitzwilliam Museum, Cambridge, color plate G and the other, from the Yomei Bunko Collection, plate 80, and finally one in the National Palace Museum, Taipei, illustrated in Lung-Chuan Ware of the Sung Dynasty, plates 5 and 5a. Mallet vases with dragon and phoenix handles were also found in the wreck of a Yuan dynasty ship near Sinan and were included in the Special Exhibition of Cultural Relics Found off Sinan Coast, Seoul, 1977, and illustrated in the catalog, plates 4-7.Auction result comparison: Compare a closely related Longquan celadon mallet vase, dated to the Southern Song dynasty, at Sotheby's Hong Kong in Chinese Art on 3 December 2015, lot 284, sold for HKD 212,500. 13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.明代龍泉窯青釉鳳耳瓶中國，十四至十五世紀。瓶小盤口，直頸，折肩，直腹，圈足。頸部兩側各置一鳳耳。灰白色胎，通體施青釉，釉面開片紋。圈足露胎，局部成橙色。 來源：美國紐約布魯克林私人收藏。 品相：狀況極佳，製造瑕疵，如陶瓷凸點、底部的釉料凹槽和邊沿磕損。磨損、輕微污漬和使用痕跡。 重量：509,6 克 尺寸：高17.1 厘米 拍賣結果比較：比較一件十分相近的南宋龍泉窯青釉鳳耳, 見香港蘇富比Chinese Art 2015年12月3日 lot 284, 售價HKD 212,500。
Lot 75
A CLOISONNE ENAMEL DOUBLE-FISH VASE, QIANLONG TO JIAQING PERIODChina, 1736-1820. Cast as two entwined fish supported on a spreading foot, their mouths forming the opening of the vase, their bodies decorated in pale and dark blue, the foot with a wave pattern. The gilt rims with key-fret bands neatly inlaid in sapphire-blue enamels, a hallmark of Qianlong period cloisonne items.Provenance: From a Croatian private collection, by repute acquired ca. 1918 and thence by descent. The base engraved, 'Koenigl. Saechs. Hausmarschallamt 1908.' Condition: Fair condition with some wear and manufacturing flaws, including expected pitting. Minor nicks, dents and losses with associated cracks.Weight: 2,307 gDimensions: Height 30.5 cmThe fish is traditionally regarded as a symbol of fertility and abundance, and the entwined paired fish, homophone for continuous abundance, has long been favored as an auspicious symbol in Chinese decorative arts. It is also one of the Bajixiang, the Eight Buddhist Emblems.Auction result comparison: Compare a pair of related cloisonne double-fish vases, 27.7 cm high, also dated Qianlong to Jiaqing period, at Christie's Hong Kong in Masterpieces of the Enameller's Art from the Mandel Collection on 30 May 2012, lot 3922, sold for HKD 620,000 (for a pair). Compare a pair of related cloisonne double-fish vases, 38 cm and 46.5 cm high, dated to the 18th century, at Christie's London in Boulle to Jansen: An Important Private European Collection on 12 June 2003, lot 138, sold for GBP 17,238 (for a pair). Note that this pair of vases was sold over 18 years ago and thus the result does not adequately reflect the value of the lot. 乾隆至嘉慶時期銅胎掐絲琺琅雙魚紋瓶中國，1736-1820年。瓶呈連體雙魚形，作相擁狀，口下飾雙鬚為耳，雙尾相交為足。魚主體掐絲，分別以淺藍與深藍釉為地。魚背鋸齒形鰭，魚腹雙鰭相交，靈芝形尾。魚唇與圈足處為銅胎雷紋。來源: 克羅地亞私人收藏，據説購於約1918年，保存至今。底座刻"Koenigl. Saechs. Hausmarschallamt 1908" （皇室薩克森州衆議院元帥辦公室）。 品相: 品相良好，帶有一些磨損和製造缺陷，包括預期的點蝕。輕微劃痕、凹痕和損失。 重量: 2,307 克 尺寸: 高30.5 厘米 拍賣結果比較: 比較一對乾隆至嘉慶時期銅胎掐絲琺琅雙魚瓶，高 27.7 厘米，見香港佳士得Masterpieces of the Enameller's Art from the Mandel Collection 2012年5月30日Lot 3922, 售價HKD 620,000 (一對)；比較一對相近的十八世紀銅胎掐絲琺琅雙魚瓶，分別高38 厘米與46.5 厘米，見倫敦佳士得Boulle to Jansen: An Important Private European Collection 2003年6月12日 lot 138, 售價GBP 17,238 (一對)。請注意，這對花瓶售於18 年前，因此結果並不能充分反映該拍品真實價值。
Lot 31
A BRONZE FIGURE OF A DAOIST DIGNITARY, MING DYNASTYChina, 1368-1644. The seated dignitary with his right hand holding a small double gourd vase, his face displaying a serene expression with downcast eyes, mustache, beard, whiskers and courtly headdress.Provenance: Swiss private collection.Condition: Good condition with old wear and casting flaws, shallow surface scratches, small nicks and dents, minor losses and a small repair to the backside. The interior with cuprite encrustation. Remnants of gilding.Weight: 2,475 g (excl. base) Dimensions: Height 26.5 cmWith an associated wood base. (2) 明代道教人物銅像中國，1368-1644年。道教人物右手拿著一個小葫蘆，面色沉靜，垂眸，頭戴宮帽飾。 來源：瑞士私人收藏 品相：狀況良好，有磨損和鑄造瑕疵、表面淺劃痕、小刻痕和凹痕、輕微缺損和背面小修復。內部有結殼，鎏金餘留。重量: 2475 克 (不含底座) 尺寸：高 26.5 厘米 木質底座 (2)
Lot 76
A 'BANDED AGATE' OVERLAY GLASS VASE, 18TH CENTURYChina. Of ovoid form, supported on a thick, spreading foot and rising to a waisted neck with everted lip. Finely carved through the outer layer of richly banded colors in shades of reddish-brown, pale green, and bright blue to the translucent milky-white body with a deer and flying crane to one side and a bear and hawk on the other, all amid gnarled pine trees in remarkably high relief.Provenance: UK market, by repute acquired from a British private collection.Condition: Excellent condition with minor wear and manufacturing flaws, including swirls and bubbles, possibly with scattered microscopic nibbles to exposed areas.Weight: 155 g Dimensions: Height 10 cm 十八世紀帶狀紋瑪瑙套料玻璃瓶中國。唇沿，縮頸，腹微收，圈足外撇；絮白狀地，套紅棕色帶狀瑪瑙色料，浮雕林中飛鶴、熊、鷹和鹿。 來源：英國古玩市場，據説來自英國私人收藏 品相：狀況良好，有輕微磨損和製造瑕疵，包括漩渦和氣泡，在暴露區域有分散的顯微碎片。重量：155克 尺寸：高10厘米
Lot 195
A BLUE AND WHITE BALUSTER VASE AND COVER, KANGXI PERIODChina, 1662-1722. Decorated with panels of long-tailed birds perched on flowering branches issuing from craggy rockwork, with further panels of flowers above the foot and bands of diaper and lappets, the neck with lotus sprays and a band of ruyi heads. The base with a lingzhi fungus mark within a double circle.Provenance: From a private collection in the United States. Condition: Excellent condition with only minor old wear and firing irregularities, such as kiln grit and dark spots. Some fritting along the edges, mostly to cover.Weight: 3,705 gDimensions: Height 49.3 cmThe domed cover with a barbed rim and painted similarly to the vase, with panels enclosing floral sprays and figures in landscapes, and surmounted by a bud-shaped finial. During the early Qing dynasty, up until the 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including lingzhi fungus marks and double circles. Auction result comparison: Compare a pair of closely related blue and white baluster vases and covers, also dated to the Kangxi period, with lingzhi marks, and similarly painted, at Sotheby's London in Chinese Art on 12 May 2021, lot 122, sold for GBP 15,120. 康熙青花開光花鳥紋蓋罐中國，1662-1722年。罐身開光飾有四季花鳥紋，頸部如意雲紋，足部江水紋以及蕉葉紋。罐身開光飾有四季花鳥紋，頸部如意雲紋，足部江水紋以及蕉葉紋。底足雙圈內有靈芝紋款。，頸部有蓮花噴霧和如意頭帶。 底足雙圈內有靈芝紋款。 來源：美國私人收藏。 品相：狀況極佳，只有輕微的磨損和燒製不規則現象，例如窯砂和黑點。主要在罐蓋邊緣有一些熔塊。重量：3,705 克 尺寸：高49.3 厘米 拍賣結果比較：比較一對相近的康熙青花蓋罐，同樣有靈芝紋款，見倫敦蘇富比Chinese Art 2021年5月12日 lot 122, 售價GBP 15,120。
Lot 80
A TRANSLUCENT GREEN DOUBLE-GOURD GLASS VASE, GUANGXU MARK AND PERIODChina, 1875-1908. Thickly molded from a solid block of bubble-suffused, translucent glass of dark green tone, rising from a short foot to a straight neck. The recessed circular base is engraved with a four-character Guangxu reign mark.Provenance: From a French private collection, by repute acquired at Drouot more than 10 years ago.Condition: Good condition with light surface scratches, minor nibbling to foot and rim, nicks and manufacturing irregularities.Weight: 432 gDimensions: Height 16.3 cm Auction result comparison: Compare a related yellow glass double gourd vase, of smaller size (12.1 cm high), dated to the 18th to 19th century, at Sotheby's New York in The Hundred Antiques: Fine & Decorative Asian Art on 30 September 2020, lot 1016, sold for USD 10,080.光緒款及年代綠料葫蘆瓶中國，1875-1908年。厚重的半透明深綠色琉璃，充滿氣泡，長頸葫蘆形，圈足，可見"光緒年製"四字款。 來源：法國私人收藏，據説十多年前購於 Drouot 藝廊。 品相：狀況良好，表面有輕微劃痕，足部和邊緣有輕微磕損，有刻痕和製造瑕疵。 重量：432 克 尺寸：高16.3厘米 拍賣結果比較：比較一個相近的十八至十九世紀黃料葫蘆瓶，尺寸稍小 (高12.1厘米)，見紐約蘇富比The Hundred Antiques: Fine & Decorative Asian 2020年9月 30日 lot 1016, 售價10,080 USD。
Lot 182
AN IVORY-GLAZED BALUSTER VASE, 17TH CENTURYChina. Finely potted with a baluster body rising from a short, rounded foot to a tall trumpet neck with a galleried rim, applied overall in a finely crackled glaze of ivory-white tone save for the unglazed foot rim.Provenance: From a noted Hungarian private collection, acquired from a German collector.Condition: Very good condition with only minor wear and firing irregularities.Weight: 2,586 g Dimensions: Height 34.5 cm十七世紀象牙色釉賞瓶中國，直唇，瓶口外撇，長頸，豐肩，圓腹下收，平足外撇，通體施象牙白色釉，開片，底足露胎。來源：匈牙利知名私人收藏，購於一位德國藏家處。 品相：狀況極好，只有輕微磨損和燒製瑕疵。 重量: 2,586 克 尺寸：高 34.5 厘米
Lot 222
A TURQUOISE GLAZED HU, QING DYNASTYChina, 18th - early 19th century. The archaistic vase decorated with a stylized peach in high relief on both sides, the shoulder with two raised ribs, flanked by a pair of tubular handles. The vessel covered overall in a deep turquoise glaze, showing fine craquelure. The interior and foot rim partially left unglazed to reveal the buff ware.Provenance: From a reputed French private collection.Condition: Superb condition, with sparse manufacturing irregularities such as dark spots, old wear and traces of use.Weight: 1,620 gDimensions: Height 24.5 cm 清代松石綠釉貫耳壺中國，十八至十九世紀。兩側高浮雕桃紋，頸部兩側有貫耳。通體覆蓋著深松石綠釉，呈現出精美的開片紋。內部和足緣部分露胎，呈淺黃色。來源：據説來自一個法國私人收藏。 品相：品相極佳，輕微製造瑕疵，例如黑斑、舊磨損，以及使用痕跡。重量：1,620 克 尺寸：高24.5 厘米
Lot 81
AN EGG-YOLK YELLOW PEKING GLASS VASE, LATE QING TO REPUBLIC PERIODChina, 1860-1940. Translucent at the upper part, the almost flawless, thick glass vase of a rich, egg-yolk color, corresponding to a butterscotch amber tone. With a slender tapering body and an everted mouth rim. An apocryphal four-character Qianlong reign mark incised to the underside.Provenance: From a private German collection of old Chinese glass, by repute acquired before 1980. A French private collection, acquired from the above.Condition: Very good condition with minor old wear, and light surface scratches, mostly on the underside.Weight: 1,120 gDimensions: Height 21.4 cm清末民初蛋黃北京料器賞瓶中國，1860-1940年。幾乎完美無瑕的厚玻璃賞瓶，濃郁的蛋黃色。敞口，縮頸，豐肩。 底面刻有四字"乾隆年製"寄托款。 來源：德國的中國古代料器私人收藏，據說購於 1980 年之前；法國私人收藏，購於上述收藏。 品相：狀況極好，主要在底部有輕微的磨損和表面劃痕。 重量：1,120 克 尺寸：高21.4 厘米
Lot 167
A RARE SMALL HENAN BLACK-GLAZED RUSSET-SPLASHED YUHUCHUNPING, NORTHERN SONG TO JIN DYNASTYChina, 960-1234. The pear-shaped body rising from a short spreading foot to a waisted neck with a broad, everted rim. Covered to the exterior and the interior rim with a lustrous black-brown glaze thinning to mushroom at the rim, liberally applied with russet streaks to the body and neck, the glaze stopping irregularly and attractively pooling above the foot to reveal the grayish-buff body.Provenance: Nicholas Pitcher, London, United Kingdom. Nicholas Sotheby Pitcher was formerly a director of Christie's and led the Oriental Department in South Kensington from 1976 to 1990, after which he left to set up his own business, specializing in early Chinese pottery and bronzes, and later Chinese works of art.Condition: Very good condition with minor old wear, some traces of use including shallow surface scratches, some firing flaws, including glaze recesses and open bubbles, the rim with minor fritting, the foot with a minor chip.Weight: 324.2 gDimensions: Height 15 cmExpert's note: While the form and decoration of the present vase can be found in several examples of larger size, this variation of smaller size seems to be quite rare.Auction result comparison: Compare a related Henan black-glazed russet-splashed vase, also dated Northern Song to Jin dynasty, 22.6 cm high, at Sotheby's London in Important Chinese Art on 10 May 2017, lot 190, sold for GBP 38,750. 北宋金時期河南窯黑釉鐵鏽斑玉壺春瓶中國，960-1234年。撇口、細頸、垂腹、圈足。瓶内外施有光澤的黑褐色釉，邊緣變薄，止於足部，圈足露胎。瓶身和頸部赤褐色的斑紋。 來源：英國倫敦Nicholas Pitcher收藏。Nicholas Sotheby Pitcher 1976年至1990年間曾是南肯辛頓佳士得經理，領導東方藝術部。之後他自立門戶，專門經營中國早期陶器和青銅，以及晚期的工藝美術品。品相：狀況極好，輕微的舊時磨損，一些使用痕跡，包括表面淺劃痕，一些燒製瑕疵如釉面凹陷和開放式氣泡，輪輞有輕微燒結，足部有輕微磕損。 重量：324.2 克 尺寸：高15 厘米 拍賣結果比較：比較一件北宋金時期的黑釉鉄鏽斑玉壺春瓶，高22.6厘米, 見倫敦蘇富比Important Chinese Art 2017年5月10日, lot 190, 售價GBP 38,750。
Lot 73
A CLOISONNE ENAMEL VASE AND COVER, JIAQING TO DAOGUANG PERIODChina, 1796-1851. The compressed globular body rising from a tall foot to a short cylindrical neck with everted rim, surmounted by a domed cover with a bud finial, the rims gilt. Finely decorated with colorful scrolling lotus above a lappet band and below a ruyi-head band. The shoulder and neck with bands of foliate scroll, the foot with geometric designs, all against a bright turquoise ground save for the dark-red-ground shoulder band.Provenance: Collection of Asbjorn Lunde. Asbjorn Lunde (1927-2017) was a New York lawyer and devoted art collector. Over more than 60 years, he built a substantial collection featuring Old Masters, landscape paintings, prints, European sculpture, South Asian painting and sculpture, and Asian decorative arts. Throughout his life, Mr. Lunde supported more than forty museums in New York City, across the United States, and in Europe with loans, gifts, and funding. He was a Fellow and Benefactor at the Metropolitan Museum of Art.Condition: Good condition with minor old wear and manufacturing irregularities, such as expected pitting. A shallow and small, hardly visible bruise to the body with associated flaking to enamels. The lower interior rim of the cover is bent. Few minuscule nicks and occasional light scratches.Weight: 1,850 gDimensions: Height 26.4 cmThe cover similarly decorated with lotus scroll, below a black-ground band of similar design to the one at the foot, and above a ruyi-head band encircling the finial. 嘉慶至道光時期掐絲琺琅纏枝蓮紋蓋瓶中國，1796-1851年。罐唇口，短直頸，豐肩圓腹，圈足。拱形瓶蓋，蓮花寶珠頂。景泰藍地，瓶蓋和瓶身施纏枝蓮紋，頸部卷葉紋，肩部如意紋。造型高貴典雅，製作精美。 來源：Asbjorn Lunde收藏。Asbjorn Lunde (1927-2017) 是一位紐約律師和忠實的藝術收藏家。 六十多年來，他建立了龐大的收藏，涵蓋古代大師、山水畫、版畫、歐洲雕塑、南亞繪畫和雕塑以及亞洲裝飾藝術。在他的一生中，他通過貸款、禮物和資金支持了紐約市、美國和歐洲的四十多家博物館。他是大都會藝術博物館的研究員和捐助者。 品相：狀況良好，有輕微的磨損和製造瑕疵，例如預期的點蝕。瓶身有一處淺而小、幾乎看不出的擦傷，並有琺琅剝落。 蓋子的下內緣是彎曲的。少量細小的刻痕和輕微劃痕。 重量：1,850 克 尺寸：高26.4 厘米
Lot 201
AN IRON RED AND GILT 'FLOWER BOUQUET' DISH, 18TH CENTURYChina. Painted with iron-red, gilt and green enamels, the center depicting a flower bouquet in a vase, framed by an underglaze blue decoration of flowers, dragons and phoenixes chasing the flaming pearl, a narrow foliate scroll below the rim, the rim in cafe au lait. The exterior with two flower branches in iron red. Provenance: From the collection of Karl Emil Strømstad. Two old labels to base, one reading 'Strømstad 491'. Karl Emil Strømstad was an important Norwegian collector of Chinese ceramics. He has written numerous articles on the subject, including 'Fifty Shades of Green. Den fascinerende celadonkeramikken', and co-founded the Oriental Ceramic Society of Norway (NSOK). A large part of his collection, which he built from the 1960s onwards, was acquired in London. Condition: Good condition with little old wear, shallow surface scratches, mostly to the gilt, a small chip to the rim, some manufacturing irregularities such as kiln grit, pitting, and dark spots. The dish slightly warped.Weight: 1238 g Dimensions: Diameter 35 cm 十八世紀汎紅描金一束蓮紋盤中國。敞口，斜弧腹，汎紅釉，描金，綠色琺琅。中央開光描繪一束蓮紋，中間一圈為青花雙龍戲珠紋。邊緣處纏枝花卉紋。盤沿描醬色釉。來源：Karl Emil Strømstad收藏，底部可見兩個標籤，其中一個注明"Strømstad 491"。Karl Emil Strømstad是挪威重要的中國陶瓷收藏家。他寫了許多關於中國陶瓷的文章，如《Fifty Shades of Green-Den fascinerende celadonkeramikken》，並協助創立了挪威東方陶瓷協會 (NSOK)。 他1960 年代開始收集的大部分藏品收購於倫敦。品相：狀況良好，輕微磨損，表面淺劃痕，主要是鎏金邊緣有小刻痕，一些製造瑕疵，如窯砂和黑點。盤子微微翹起。 重量：1238 克 尺寸：直徑35 厘米
Lot 16
A COPPER AND SILVER-INLAID BRONZE 'FLORAL' VASE, ATTRIBUTED TO THE SHISOU WORKSHOPChina, 17th-18th century. The very heavy, compressed globular body rising from a spreading foot to a waisted neck with a cup-shaped mouth and lipped rim, the body decorated with a network of flowerheads connected by straight or gently curved lines, below wire-inlaid bands of lappets and scroll to the mouth and oval designs to the foot. The base with a silver wire-inlaid two-character seal mark within a square.Inscriptions: To base, 'Rongtai'.Provenance: UK trade.Condition: Very good condition with minor wear and casting irregularities, few minor losses to inlays, small nicks, light scratches.Weight: 3,421 gDimensions: Height 23 cmLittle is known about the historical figure Shisou. The earliest reference in the Zhongguo meishujia renming cidian ('Dictionary of Chinese Artists') comes from the Luochuang xiaodu and is presumably from the same source as published in Zhongguo yishujia zhenglue ('Brief Introduction of Chinese Artists'). Shisou is listed there only as a late Ming dynasty monk without any further biographical information. A number of vessels and sculptures from the seventeenth to the nineteenth century bear his name, sometimes in combination with a hall name, Jinyu tang ('Hall of Prosperity'). Although the present piece does not bear his name, the high quality of the casting and fine silver-wire inlays make an attribution to Shisou or a related workshop reasonable. 石叟款銅錯銀花卉紋瓶中國，十七至十八世紀。花瓶厚重，侈口，縮頸，削肩，鼓腹，圈足外撇。口沿下蕉葉紋，頸部與腹部錯銀網狀紋，交叉處花卉紋，圈足部位雙圈紋。底部四方錯銀"榮泰"款。 來源：英國古玩市場。 品相：狀況極好，有輕微磨損和鑄件不規則，鑲嵌物有輕微缺損，小刻痕，輕微劃痕。重量：3,421 克 尺寸：高23 厘米
Lot 227
A LANGYAO VASE, TIANQIUPING, QING DYNASTYChina, 18th-19th century. The pear-shaped body surmounted by a tall slender neck, supported on a recessed base, covered overall in a rich glaze of oxblood color with intentional crackling, thinning towards the rim to reveal the buff ware, the base and interior covered in white glaze. Provenance: British trade. Condition: Superb condition with minor wear overall. Some areas of glaze dripping at the foot rim have been smoothened, probably at the time of manufacturing. The foot rim with extensive wear. Some minor manufacturing imperfections such as glaze recesses.Weight: 3,392 g Dimensions: Height 37.2 cm Auction result comparison: Compare a related langyao-type vase, 58.5 cm high, also dated to the 18th-19th century, at Christie's Paris in Art d'Asie on 9 June 2015, lot 235, sold for EUR 10,000. 清代郎窯紅天球瓶中國，十八至十九世紀。瓶形為小口、直頸、豐肩、圈足，器身渾圓若球。釉面光潔透亮，有玻璃質感，釉色瑩澈濃艷，胎骨厚重。口沿部釉面變薄，成白色可見内胎。圈足露胎。來源：英國古玩市場。 品相：整體狀況良好，磨損較小。足緣滴釉的部分區域可能是在製造時已被磨平，圈足大量磨損，一些輕微的製造瑕疵，例如釉面凹陷。 重量：3392 克 尺寸：高37.2 厘米 拍賣結果比較：比較一件相近的十八至十九世紀郎窯瓶，高58,5 厘米，見巴黎佳士得 Art d'Asie 2015年6月9日 lot 235, 售價EUR 10,000。
Lot 242
A PAIR OF FAMILLE ROSE 'MILLEFLEUR' VASES, LATE QING TO REPUBLICChina, 1900-1949. Each with ovoid sides rising from a short foot to a waisted neck with lipped rim, the high shoulder applied with two iron-red and gilt bat-form handles. Finely painted in bright enamels with an ovoid panel enclosing Shoulao carrying his staff and holding a longevity peach to one side and Lin Daiyu carrying a flower basket on the other, all against a rich millefleur design on a gilt ground.Provenance: From a Swedish private collection. Condition: The first vase is in excellent condition with only minor wear and firing flaws. The second vase shows a glaze hairline (not going through the body and hardly visible to the naked eye), a minuscule old repair to one bat ear only, and microscopic firing flaws to the enamels - it is overall still in good condition. Both vases are slightly tilted and show only minimal wear to the gilt.Weight: 941.1 g and 891.9 gDimensions: Height 29.2 and 29.1 cmThe countersunk bases each with an apocryphal iron-red six-character seal mark da Qing Qianlong nianzhi.Auction result comparison: Compare a related deer-handled single vase of hu form (47.8 cm high), also with an apocryphal Qianlong mark and panels enclosing figures against a millefleur design, dated to the Republic period, at Bonhams San Francisco in Fine Chinese Works of Art on 24 June 2014, lot 8331, sold for USD 15,000. Compare also a related scroll-handled vase, 35 cm high, also with an apocryphal Qianlong mark and panels enclosing figures against a millefleur design, dated to the late Qing dynasty, at Bonhams Hong Kong, 24 November 2010, lot 263, sold for HKD 108,000.清末民初一對粉彩開光萬花紋賞瓶 中國，1900-1949年。唇沿，直頸，瓶身長且削腹，底足內凹。兩肩除飾有兩個礬紅描金蝙蝠形輔首。彩繪萬花紋精美，橢圓形開光內分別描繪壽老拜壽與林黛玉葬花場景手執花籃，與富麗的萬花紋相映成趣。 來源：瑞典私人收藏。 品相：第一個花瓶狀況極佳，只有輕微磨損和燒製瑕疵。 第二個花瓶釉面有纖細裂紋（未穿過身體，肉眼幾乎看不到），僅對一隻蝙蝠輔首曾進行了微小的修復，以及釉面細微燒製瑕疵。總體上仍處於良好狀態。兩個花瓶都略微傾斜，描金處有小磨損。 重量：941.1 克與 891.9 克 尺寸：高 29.2 與 29.1 釐米 底足內有礬紅釉寄託款"大清乾隆年製"。 拍賣結果比較：比較一件民國時期的鹿耳壺，高47.8 厘米，同樣有乾隆寄託款，萬花紋開光人物，，見舊金山邦翰思Fine Chinese Works of Art 2014年6月24日 lot 8331, 售價USD 15,000；比較一件清代的雙耳瓶，高 35 厘米，同樣有乾隆款與萬花紋，見香港邦翰思2010年11月 24日 lot 263, 售價HKD 108,000。
Lot 331
A SAPPHIRE BLUE TRANSPARENT GLASS BOTTLE VASEIran, 10th century. Rising from a concave foot to a bulbous body molded with slightly twisted vertical ribs, the cylindrical neck with an everted rim. Provenance: British private collection, by repute acquired at Christie's, Islamic Works of Art & Textiles, 6 October 2008, Lot 367, in an after-sale transaction. Condition: Significant wear, weathering, minor corrosion, extensive encrustations from excavation, a single loss to the lower body. The neck with an ancient repair.Weight: 147 g Dimensions: Height 17 cmThe Silk Road, both overland and maritime, not only connected continents as a commercial network from as far west as Italy and as far east as today's Xi'an in northern China, but also enabled cultural, intellectual, and spiritual exchange. Quite early in the Islamic era, a 9th-century blue glass plate was excavated at Nishapur in northeast Persia. Its intense color was achieved by adding cobalt to the glass mix. However, six similar glass dishes were found in the Famen temple in China. At this time Chinese glass was inferior in quality to Islamic, to the extent that apparently China depended on imports from the West, contrasting with the hunger for Chinese ceramics in Western Asia.Literature comparison: Two similar glass bottles are in the Victoria & Albert Museum, accession number C.132-1936 and in the British Museum, registration number 1959,0218.1.Auction result comparison: Compare a related blue glass bottle at Christie's London in Art of the Islamic and Indian World, lot 39, sold for GBP 10,000 (part lot).
Lot 70
A PAIR OF CLOISONNE VASES, QIANLONG TO JIAQINGChina, 1736-1820. The ovoid body supported on a spreading foot and rising to a waisted neck with flared rim. Finely decorated in bright enamels to the neck and body with floral scroll against a turquoise ground, divided by a band of trefoils against a white ground to the shoulder, with bands of ruyi-heads, stiff leaves, and floral scroll. (2)Provenance: From an old private collection in the Rhineland, Germany, assembled during the 1980s and 1990s.Condition: Very good condition with some wear, particularly to gilt, and expected manufacturing flaws, such as pitting. Minor nicks and light scratches.Weight: 669.9 g and 681.5 gDimensions: Height 18.6 cm and 18.9 cmAuction result comparison: Compare a related cloisonne 'lotus' vase, 35 cm high, dated to the Qianlong period, at Christie's Hong Kong in Reverence and Perfection - Magnificent Imperial Cloisonne Enamels from a Private European Collection on 29 May 2013, lot 2070, sold for HKD 625,000. Compare a related cloisonne 'lotus' vase, 33 cm high, dated to the Qianlong period, at Christie's Paris in Art d'Asie on 12 June 2012, lot 103, sold for EUR 25,000. 乾隆至嘉慶一對銅胎掐絲琺琅纏枝蓮紋瓶中國，1736-1820年。侈口，長頸，削肩，圈足外撇。松石綠色地飾多彩琺琅，口沿下與肩部飾如意紋，頸部卷葉荷花紋，腹部纏枝蓮紋。琺琅明亮沉穩。 來源：德國萊茵蘭私人老收藏，購於上世紀八十年代至九十年代。 品相：狀況極好，有一些磨損，尤其是鎏金，以及製造瑕疵，例如點蝕。輕微的刻痕和劃痕。 重量：分別爲669.9 克與 681.5 克 尺寸：高分別爲18.6 厘米 與18.9 厘米 拍賣結果比較：比較一件相近的乾隆時期銅胎掐絲琺琅蓮紋瓶，高35 厘米，見香港佳士得Reverence and Perfection - Magnificent Imperial Cloisonne Enamels from a Private European Collection 2013年5月29日 lot 2070, 售價HKD 625,000。比較另一件相近的乾隆時期銅胎掐絲琺琅蓮紋瓶，高33 厘米，見巴黎佳士得Art d'Asie 2012年6月12日 lot 103, 售價EUR 25,000。
Lot 196
A GILT-DECORATED POWDER-BLUE GROUND 'BIRDS AND FLOWERS' BALUSTER VASE, KANGXI PERIODChina, 1662-1722. The baluster sides rising from a short foot to a waisted neck with everted rim. Finely painted in gilt to the body with two pheasants perched on gnarled branches amid flowering peony above a band of scrolling lappets and below a band of butterflies and foliate scroll, and to the neck with a sparrow and butterfly amid rockwork, peony, and bamboo, below a band of pendent ruyi-heads. The underside with a double circle in underglaze blue.Provenance: Collection of Harry J. Haon II, and thence by descent within the family. Harry J. Haon II (1901-1989) and his son Harry J. Haon III (1934-2013) were chemists and lifetime employees of E.I. du Pont de Nemours & Company. In 1954, Harry Haon II moved to London to serve as a Manager of the European Office for the Foreign Relations Department. After he retired in 1962, he continued to live in London part-time until the late 1970s, and many pieces of his notable collection of Asian works of art were acquired during this time.Condition: Very good condition with some wear, particularly to gilt, and firing flaws, such as open bubbles, small glaze recesses, and dark spots. Minor fritting to rim and base.Weight: 2,675 gDimensions: Height 39.2 cmExpert's note: During the early Qing dynasty, up until the 1680s, conditions were unsettled in China and the making of Imperial wares as well as the use of reign marks on porcelain was restricted in various ways. During this period, different types of other marks came into use, including blank double circles.Auction result comparison: Compare a related but smaller (25.4 cm high) rouleau vase, also painted with birds and flowers in gilt on a powder-blue ground and dated to the Kangxi period, at Christie's Hong Kong in Important Chinese Ceramics and Works of Art on 27 November 2007, lot 1710, sold for HKD 125,000.康熙灑藍地描金花鳥紋鳳尾瓶中國，1662-1722年。喇叭狀口，長頸，鼓腹，下斂，至底又廣。灑藍地描金兩隻錦雉棲息在牡丹花枝上，四周蝴蝶飛舞，牡丹盛開，竹林叢叢，足部如意紋。 圈足白釉，内有青花雙圈。 來源：Harry J. Haon II收藏，自此保存在同一家族至今。Harry J. Haon II (1901-1989) 與他的兒子Harry J. Haon III (1934-2013) 是 杜邦公司的化學家和終身僱員。1954 年，Harry Haon II 移居倫敦，擔任對外關係部歐洲辦事處經理。 1962 年退休後，他繼續在倫敦兼職生活，直到 1970 年代後期，他收藏的許多著名的亞洲藝術品都是在此期間購置。 品相：狀況極其好，有一些磨損，特別是鍍金和燒製瑕疵，例如開放的氣泡、小的釉面凹陷和黑點。 邊緣和底部有輕微的燒結。 重量：2,675 克 尺寸：高39.2 厘米 專家注釋：清初至1680年代，中國局勢動盪，御器製作及瓷器年號的使用受到各種限制。 在此期間，不同類型的其他標記開始使用，包括空白雙圈。 拍賣結果比較：比較一件康熙時期相似，但稍小 (高25.4 厘米) 的灑藍地描金花鳥瓶，見香港佳士得Important Chinese Ceramics and Works of Art 2007年11月 27日 lot 1710, 售價HKD 125,000。
Lot 415
Konvolut 3 verschiedene Vasen, wohl Böhmen, "Arabia"/Finland u. "Eisch"/Bayer. Wald, 20. Jh. Glas und Steingut, jeweils mit Lüster-Überfang; bestehend aus: 1 Jugendstil-Stangen-Vase, hellgrün hinterfangenes Glas mit unregelmäßig genoppter und vertikal astartig strukturierter Wandung (wohl Böhmen, vielleicht Loetz ?, um 1900), geschliffener Mündungsrand mit mehreren Chipbestoßungen sowie 2 Noppen-Bestoßung, Höhe 34 cm; 1 Art-Déco-Enghalsvase, Steingut, aus der "Lysteri"-Serie mit Marmorierung in Ocker/Braun/Grau und Lüsterüberzug, "Arabia"/Finland (1928-32), Höhe 21,5 cm, unterseitige Manufakturmarke mit Formnummer "135" und Malernummer "1461"; 1 kleineren Enghalsvase, leicht opak weiß hinterfangen, "Eisch"-Glas, Frauenau (Bayerischer Wald)/20. Jh., Höhe 18,2 cm, unterseitig mit ausgeschliffenem Abriss und geätzter Herstellermarke "Eisch". Weitere Fotos auf Anfrage.
Lot 282
3-tlg. Schreibtisch-Set + Vase "Zwiebelmuster", Meissen, 20. Jh. Weißporzellan mit unter Glasur blauer Zwiebelmuster-Dekormalerei; bestehend aus: 1 kleinen Tinten-Deckel-Fass (Höhe 5 cm, Durchmesser 7,5 cm), 1 Löschwiege (Maße 6 x 11,5 x 6 cm), 1 längliche Stiftablage (Maße 24,2 x 6,8 cm); Balustervase (Höhe 18,2 cm); alles 1. Wahl; unter Glasur blaue Schwertermarken mit verschiedenen Beizeichen. Gewicht 800 g. Weitere Fotos auf Anfrage.
Lot 410
Große Vase "Zucche", Salviati/Murano, 1998. Mehrfarbiges Muranoglas in Kalebassenform geblasen und in der Canne-Technik (= aus verschiedenfarbigen Glasstäben) gefertigt, abwechselnd feine Klarglasstäbe und breitere opake Stäbe überfangen und mit orangefarbenen Stäben im eingeschnürten Teil; Höhe ca. 35 cm, Gewicht ca. 3,18 kg; im Boden gekennzeichnet "Salviati 1998", Original Salviati Aufkleber auf der Wandung im unteren bauchigen Teil. Weitere Fotos auf Anfrage.
Lot 303
Große Amphorenvase "Französische Vase mit Greifenhenkeln", KPM-Berlin, 20. Jh. Weißporzellan (ohne Dekormalerei); auf quadratischem Sockel mit runder Basis die ovoide Vase mit Zylinderhals und seitlichen plastischen Greifen-Henkelgriffen; nach einem Entwurf Karl Friedrich Schinkels aus der Zeit um 1830; 2-teilig verschraubter Korpus; 1. Wahl; Höhe 49,5 cm; unter Glasur blaue Szeptermarke. Gesamtgewicht 6,02 kg. Weitere Fotos auf Anfrage.
Lot 386
Zucker- u. Sahne-Set (3-tlg.) + Stabvase, Wilkens, 2. Hälfte 20. Jh. 835/-Silber, Gewicht (Zucker/Sahne/Tablett) ca. 199 g, Vase im Sockel gewichtet, ca. 190 g; Zuckerschale + Gießer in ovaler Saucièrenform mit ovalem Tablett, mit Anlaufschutz-Überzug; teils fleckig, minimale Gebrauchsspuren, Maße (Tablett) 20,3 x 12,7 cm, Höhe 3,5 und 5 cm; Form-/Modellnummern 7337 (Tablett) und 7825 (Zucker + Sahne); Stangenvase auf rundem Sockel mit Perlrand, Anlaufschutz-Überzug, punktuell fleckig, innen Gebrauchsspuren, Höhe 21,5 cm, Form-/Modellnummer 8140II . Jeweils Silberstempel mit Krone und Halbmond und Herstellermarke. Weitere Fotos auf Anfrage.
Lot 38
Early 18th century Dutch school."Still life of flowers".Oil on canvas.Measurements: 68 x 52 cm; 87 x 70 cm (frame).On a background with baroque draperies there is a gilded bronze vase that contains a bouquet of varied flowers, of different colours, accompanied by some stems. Due to its stylistic characteristics, it is possible to observe the artist's taste for capturing naturalism, describing in detail the details of the elements that make up the ensemble with a great interest in capturing the qualities of each of them. The flowers appear full, almost on the point of wilting, in contrast to the Rococo period, in which he preferred to show the flowers half-opened, without that fullness already achieved. The vase is in the centre of the painting, with the usual diagonals of Baroque compositions drawn by the flowers and their stems. The lighting aspect, on the other hand, is key in this work, and reveals the direct influence of the Tenebrist Baroque, which reached these still-life painters of the time.A still life or still life usually depicts inanimate objects, and this pictorial genre can be found in Ancient Egypt and in Greece and Rome. They would make a strong comeback in the Renaissance, thanks, above all, to Northern European painting and its use of oil paint. This technique allowed a much more realistic painting. In these early times, still lifes had a strong religious symbolic content, expressed by the objects they depicted. From the 15th century, with Leonardo da Vinci, Albrecht Dürer, etc., this Christian meaning began to be abandoned, and from the 16th century, interest in still life painting increased until it became a genre in its own right.
Lot 53
Spanish school of the 18th century."Still life with flowers".Oil on canvas.With frame ca. 1830.Size: 94 x 71 cm; 101 x 81 cm (frame).The artist of the present canvas demonstrates his artistic skills with great mastery in composing, with contrasted palette, sensual flowers and bouquets captured in a language fully inscribed in the Spanish baroque, heir of great masters like Juan de Arellano. The composition of the bouquet is typical of the full Baroque, with the flowers fanning out from a vase which, however, is hidden by the voluptuousness of the whole. Directly illuminated by an artificial spotlight, it stands out with three-dimensionality and a certain illusionistic accent, again derived from Baroque models.The origin of the still life genre in Spain can be found in the early years of the 17th century, when it was still approached in a rational and rigorous style, with a Mannerist heritage. However, as the Baroque progressed, still lifes and flower paintings became increasingly more dynamic, the compositions became more open and more naturalistic and theatrical. The flowers of the full Baroque period are shown, as we see here, completely open, almost on the point of wilting and very volumetric, adding dynamism and a sense of scenography to the image, thus leaving behind the static and contemplative mood of the still life of the early Baroque. Other typical features of the traditional Spanish still life, which the artist mastered with mastery, are the careful study of the light, which creates sharp contrasts to enhance the volume of the various elements; the care taken with the qualities of the flowers; and the accentuated realism with an almost illusionistic accent, supported by rigorous drawing and the skilful use of chiaroscuro.
Lot 202
Elisée Maclet (French, 1881-1962)Nature morte avec fleurs d'été dans un vase bleusigned 'Maclet' (lower right) oil on board 60.6 x 45.7cm (23 7/8 x 18in).unframedThis lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 25
Irene Klestova (British, 1908-1989)Still life of roses in a porcelain vase signed 'I Klestova' (lower left)oil on board20.3 x 24.7cm (8 x 9 3/4in).Footnotes:ProvenanceWith The Unicorn Gallery, Wilmslow.Private collection, UK.This lot is subject to the following lot symbols: ARAR Goods subject to Artists Resale Right Additional Premium.For further information on this lot please visit Bonhams.com
Lot 190
EMERALD, DIAMOND AND COLOURED DIAMOND GIARDINETTO BROOCHThe foliate spray, with carved emerald leaves and set with brilliant-cut diamonds and a marquise cut diamond of yellow tint, the vase set with princess-cut diamonds and circular-cut brownish yellow diamonds, colourless diamonds approx. 1.80cts total, coloured diamonds untested for natural colour and origin, length 4.3cmFor further information on this lot please visit Bonhams.com
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