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An 18th Century Continental vase and cover, the bowl engraved a night scene with lion drinking at an elaborate fountain, trees and a dancing female figure, raised on a knopped stem with double rings and folded foot, 32cm (12.5") high (see illustration on page 16)
a Victorian Trophy Vase, Daniel & Charles Houle, London 1865, the pedestal foot chased with an acanthus border and arabesques, rising to an ovoid body chased with wild horses on a matted ground with twin cast upright handles terminating in mask heads flanking a waisted neck with everted rim, 40.1cm high, 53oz 1dwt See illustration
an Enamel Patch Box, South Staffordshire, circa 1780, oval, the lid painted with a maid feeding poultry by a fence within a white dot repeat frame, light blue base, 5cm wide; A Patch Box, oval, the lid painted with a fox in a field and black painted motto "AN EMBLEM OF CRAFTINESS", within a repeat white dot frame against a light green ground; and A Snuffbox, oval, with inscription "IN MEMORY OF A FRIEND" on scroll by a vase, with canary yellow base, 4cm wide (3)
adrian Jones: The Foxhound "Gambler" 1902, in standing pose with alert forward gaze, on rectangular rusticated plinth, signed, applied with gilt metal title plaque inscribed "Presented by Lord Lonsdale to Leonard Bowe in honour of winning his trials 3 times in succession 1902-5-7 'Gambler'", 26cm high, 22cm long, upon an oak moulded platform, 36cm high overall; An Edwardian Trophy Cup, Goldsmiths & Silversmiths Co Ltd, London 1901, of vase form with a pedestal foot on twin loop handles, inscribed "Winner of Hound Trail held in Lowther Park, August 30th 1901 in honour of His Imperial Highness The Crown Prince of Germany and of Prussia's Visit, Won by Mr L Bowes 'Champion'", 23cm high, 15 1/2 oz, on ebonised socle; and A George V Trophy Cup, Walker & Hall, Sheffield 1923, the semi-ovoid bowl engraved "British Legion Ambleside Branch Presented by William Dodd Esq of "Keld With", Windermere for the Puppy Trail 8th September 1923", 20cm high, 9oz, on ebonised wood socle (3) See illustration
a Pair of Ormolu Mounted "Sevres" Porcelain Three-Light Table Candelabra, circa 1870, each with ovoid porcelain "vase" body painted on one side with cupids on clouds representing Music and the Arts respectively, on the reverse with a large floral bouquet within gilt leaf borders and against a turquoise blue ground, with two S scroll branches flanking a central raised light with rocaille pans, on a whorl fluted foot with further porcelain mount and open pierced scroll bases, 55.5cm high See illustration
(Rev) Arthur Benjamin Bateman (1883-1970) Still Life of Roses in a Vase signed and dated "87" (1887), oil on canvas, 41cm by 31cm the artist studied at Nottingham School of Art. He specialised in landscapes, portraits, genre as well as still life and was quite a versatile artist who exhibited prolifically in London, Manchester and other provincial art galleries and museums
a Pair of Cut Glass Vase Form Candlestick Lustres, possibly Irish, circa 1800, the solid square bases upswept to hollow vase form stems cut with repeat lozenge motifs and panels to the shoulders, with elongated nozzles cut with repeat oval windows, and within separate six-point collars supporting slice cut almondine drops, 22.5cm high See illustration
a Pair of Wedgwood Rosso Antico Classical Lamp Bases, 20th century, each of two-handled vase form decorated in black relief with a continuous figurative frieze with maidens representing music, art and science, scroll form shoulder handles, on anthemion decorated square bases, impressed "WEDGWOOD", 25.5cm high, together with associated black shades and fittings for electricity (requires re-wiring)
a Royal Worcester Porcelain Fruit Painted Pot Pourri Vase and Cover, John H Freeman, 2nd half of 20th century, of compressed spherical form, the basket weave moulded and pierced cover with fluted gourd shape finial over inner lid, the main body painted to the upper frieze with three apples and three plums amongst grapes and cherries against a mossy bank, signed, over further high relief basket moulding picked out in two tones of gilt, on a short canted foot, black printed crown and wheel mark, numbered "1286", and initialled "PW" and "M/S", 25cm high See illustration
a Royal Worcester Porcelain Pot Pourri Vase and Cover, Leighton Maybury, 1954, of lobed ovoid form with plain pierced shoulders, painted with a still life of fruit including two rosy apples and black grapes on a mossy bank, the reverse painted with a vignette of three black grapes within gilt borders, signed, printed mark in black, shape number "278" over "H", date cypher, 13.5cm high; and A Similar Cylindrical Spill Vase, circa 1965, on gilt scroll pierced foot, painted with a still life of two rosy apples and cherries on a mossy bank, indistinctly signed, printed mark in black and inscribed "6/161/4" in black, 16cm high (2)
a Royal Worcester Porcelain Fruit Painted Trumpet Vase, Horace H Price, 1936, with solid gold rim band, the body painted with two apples, a plum, brambles, redcurrants and purple grapes against a mossy bank, signed, puce printed crown and wheel mark, and shape "2228", painter's mark "BT", 14.9cm high See illustration
a Royal Worcester Porcelain Small Vase, William Ricketts, 1926, of rounded cylindrical form, painted with a still life of three peaches, black grapes and a plum on a mossy bank with blossom, the reverse painted with a vignette of three cherries below a gilt pierced border and raised upon four knurl feet with acanthus leaf terminals, signed, printed mark in green, shape number "G42", date cypher, incised "W", 15cm high
a Royal Worcester Porcelain Small Oval Two-Handled Pedestal Vase, Harry Stinton, circa 1913, painted with two highland cattle grazing in a mountainous landscape, the reverse painted with a heather-clad mountainous vignette within deep gilt borders, with matt green highlighted scroll lug handles and canted square base, signed, printed mark in puce, shape number "1969", date cypher for 1913, 17cm See illustration
a Royal Worcester Porcelain Pot Pourri Vase and Cover, 1912, of rounded cylindrical form with four scroll pierced vertical blush ivory panels, painted by William Powell with two wading storks beneath weeping branches, on a matt blue ground, signed, printed mark in green, shape number "G431", 17.5cm high See illustration
a Royal Worcester Porcelain Two-Handled Vase, circa 1900, with waisted strapwork moulded neck, grotesque mask scroll handles on a knopped pedestal and concave canted square base, possibly painted by C H C Baldwyn with six swans in flight over an estuary with raised gilt hedge parsley in the foreground, three finches to the reverse on a matt blue ground within gilt highlighted borders, unsigned, printed mark in puce, shape number "1572", date cypher indistinct, 21cm high
a Royal Worcester Porcelain Two-Handled Pedestal Ovoid Vase, Ernest Phillips, 1912, with sloping shoulders and acanthus moulded neck with two loop handles, painted with two panels of summer flowers pendant from a pink ribbon bow within blue and gilt striped bands, signed, printed mark in puce, shape number "2277", date cypher, 18.5cm high See illustration
a Royal Worcester Porcelain Scroll Handled Vase and Cover, William Powell, 1909, of globular form, painted with two storks wading in a pond in a desert oasis with cactus and rocks in the foreground, palm trees in the middle distance and mountains beyond within green shot enamel decorated strapwork moulded and pierced borders, signed, printed mark in puce, year mark, shape number "1515", numbered "145.74" in green, 21cm high See illustration
a Royal Worcester Porcelain Reticulated Small Bottle Vase, 1899, with fluted waisted tall neck, two male mask lug handles, the open mouths enclosing acanthus leaves, flanking a scroll pierced border and a graduating honeycomb reticulated band, over delicately painted swags of pink, crimson and yellow roses beneath gilt strapwork, on a turquoise and gilt highlighted pierced foot, printed mark in puce, shape number "1552", date cypher, initialled "PE" in burnt orange on foot, 16cm high See illustration
a Royal Worcester Porcelain Reticulated Small Two-Handled Pedestal Vase, 1898, with flared neck, stylised strapwork handles over a graduating honeycomb band highlighted in turquoise over delicately painted swags of pink and yellow roses beneath gilt strapwork on a turquoise and gilt highlighted pierced foot, printed mark in puce, shape number indistinct, date cypher, 14.5cm high See illustration
a Royal Worcester Porcelain Vase of Isnik Inspiration, circa 1886, of rounded conical form with open scrollwork angular handles on a domed base, painted in colours with an exotic bird with feathers picked out in gilt perched upon a leafy branch on an ivory ground within gilt borders, indistinct printed mark in green, impressed shape number "982", 27cm high
a Davenport, Longport Large Imari Pattern Two-Handled Vase and Cover, circa 1840, of compressed baluster form, the slightly domed cover with upswept gilt finial, inscrolling shoulder handles, with all-over panelled Imari floral pattern, impressed "Davenport Longport", 37.5cm high
a Rockingham Porcelain Trumpet Shaped Vase, circa 1830-42, painted in polychrome enamels with a bouquet of summer flowers within a gilt canted square panel on a matt blue ground, printed griffin mark in puce and inscribed "CI.3" in gilt, 11cm high; A Similar Shallow Pot Pourri Basket, centrally painted with summer flowers within an encrusted border; and A Similar Matt Blue Decorated Miniature Toilet Jug and Basin, of octagonal form with gilt border, marked "C1 2" in iron red (4)
a Minton Porcelain "Globe Pot Pourri" Vase and Cover, circa 1820, painted in shades of green, brown and yellow with a cathedral in the middle distance with figures on a tree lined lane in the foreground, the reverse painted in bright enamels and two bouquets of summer flowers including pink roses and peonies within profusely flower encrusted mounts and with naturalistically moulded twig handles, the cover with similar encrusting and gilt strapwork borders, crossed swords mark in underglaze blue to cover and vase, 17cm high over knop See illustration
a Vauxhall Porcelain Small Vase, circa 1758-65, of inverted baluster form, printed and overpainted in polychrome enamels with loose bouquets of summer flowers, scattered sprigs and a moth, 11cm high See illustration provenance: ex Lot 1135, The Watney Collection, Part III, Phillips, 1 Nov 2000.
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653685 item(s)/page