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An Edward VII silver sugar caster, maker S Glass, Birmingham, 1906: of vase-shaped design with domed screw lid, and writhen decorated body on a square base, 17.5cm. high, together with a near matching pair of pepperettes, maker Thomas Walker, London, 1886, total weight of silver 278gms, 8.90ozs.
A pair of Chinese verte Imari plates and one other: the pair painted with lotus, peony and other flowers and foliage within black enamelled and underglaze blue foliate borders, Kangxi/early Qianlong, 22.5 cm diameter [one with hair crack to rim]; the third painted with a jardiniere, a vase, rockwork, flowers and foliage, Qianlong, 23 cm diameter [3].*Notes The pair with paper labels for 'The Treasure Chest [Cecil H.Bullivant] 38 Church St., Cromer'.
A Chinese Export blue and white vase: of baluster form with pierced chilong handles, the neck and body painted with pagodas and other buildings in continuous mountainous lake landscapes between diaper and line borders, six-character Qianlong seal mark, late 18th/early 19th century, 48 cm and wood stand.
A Chinese porcelain vase: of slender baluster form with flaring neck painted in blue with a panel containing a sage carrying a staff and attended by a young boy and verso with a sage being offered a duck by a similar boy, reserved on a profuse ground of peony and chrysanthemum, six character Kangxi mark within concentric circles, 34 cm high.
A Chinese doucai vase, Qing dynasty (1644-1911), of bulbous form with a straight neck, painted with dragons amongst scrolling lingzhi, details depicted in gilt, 35cm high, and a Shiwan ware meiping vase, cove red with a sea-green and brown glaze finish, the tapering foot revealing the pottery body, 23.5cm high (2)
A Japanese Nogawa inlaid bronze vase and two Komai-style inlaid iron dishes: the vase inlaid and engraved with a design of two figures sheltering under umbrellas in a thunder storm, signed Mitsuyoshi with Nogawa Company mark, Meiji, 10 cm; the two dishes decorated with an extensive lake landscape and bamboo, 10.5 and 12 cm [3].
A late 19th century French 'Sevres' porcelain and ormolu table lamp: vase shaped body inset with porcelain panels of cupid and musical trophies enclosed by flower head borders and ram's head handles on a stepped circular base and porcelain plinth with garland and ribbon tied decoration, raised on four pegged feet.
A harlequin set of ten 19th Century mahogany dining chairs in the Hepplewhite taste:, the arched moulded backs with pierced vase-shaped central splats, having upholstered slip in seats on square tapered legs, united by stretchers - including a pair of elbow chairs.
A Regency mahogany and inlaid rectangular card table:, bordered with boxwood and ebonised lines, the satinwood crossbanded and baize lined hinged top with rounded corners, on turned and reeded vase-knopped column and quadruple splayed legs, terminating in brass cappings and castors, 92cm (3ft 0 1/4in) wide.
A Regency mahogany tea table and matching drop flap work table:, the tea table with a rectangular hinged top with rounded corners and frieze with central carved foliate panel, the work table with a hinged top with rounded corners and a single deep drawer, each on a turned reeded vase-knopped and foliate carved column, quatrefoil platform and quadruped reeded splayed legs with roundel ornament, terminating in lions claw feet with castors, the tea table 91.5cm (3ft) wide, the work table top 61cm (2ft) x 82.5cm (2ft 8 1/2in) extended.
An 18th / 19th Century oak high back kitchen dresserHaving a moulded inverted break front cornice above three central shelves flanked by glazed doors, the base with a rectangular moulded top above a single frieze drawer and recess flanked by panelled cupboard doors, raised upon vase-shaped turned feet, 173 x 208 x 39cm.
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